Film Noir Friday: M-Squad – The Golden Look & The Watchdog [1957]

 m-squad

 

Welcome!  The lobby of the Deranged L.A. Crimes theater is open. Grab a bucket of popcorn, some Milk Duds and a Coke and find a seat.  To shake things up a bit tonight’s offering isn’t a feature film but rather the first two episodes of M SQUAD starring Lee Marvin.  If you’re unfamiliar with the series–you’re in for a treat.

From the description of the DVD box set:

M Squad stands apart because of its unique combination of story, production values, musical score and a great cast portraying crime fighters getting down and dirty on the mean streets. Lee Marvin, a decorated WWII Marine veteran of the South Pacific,where he received the Purple Heart in the Battle of Saipan, stars as Lt. Frank Ballinger, a no-nonsense Chicago plainclothes cop in the elite M Squad Division. The Squad’s (M-for Murder) task is to root out organized crime and corruption in America’s Second City. Marvin’s portrayal of a tough undercover officer, whose perseverance and potential for violence, but with utter cool, permeates each gritty episode, gave Marvin name recognition with the public, and did much to make him a star.

Frank Ballinger’s boss, Captain Grey, is played by Paul Newlan, a fine actor who brings weight and substance to the role of running the M Squad. It is perhaps his most memorable role. In addition to the regular cast, a who’s who of television luminaries and stars-to-be made guest appearances on the show. Among the guest stars were Angie Dickinson, Charles Bronson, Janice Rule, Leonard Nimoy, Ed Nelson, DeForest Kelley, H. M. Wynant and a young Burt Reynolds. But is wasn’t just the crisp, taut story lines and great cast that made M Squad memorable. First, it was shot in gritty, film-noir style black and white. The excellent high contrast cinematography brings Chicago to life, with all of its easily recognizable landmarks, swanky penthouses on Lake Michigan, and the seedy darker side of the city. In fact, M Squad did for Chicago what the Naked City did for New York. Second was the musical score. In keeping with the film noir look of the series, the producers enlisted conductor Stanley Wilson to lead the orchestra in arrangements by legendary jazz men Benny Carter, and a young John Williams (Star Wars). For the second season, the great jazz artist Count Basie wrote the enduring M Squad Theme. It was a perfect marriage of image and sound.

http://youtu.be/48BIFPJld5c

http://youtu.be/nhi5LGwmLGQ

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