Welcome! The lobby of the Deranged L.A. Crimes theater is open! Grab a bucket of popcorn, some Milk Duds and a Coke and find a seat. Today’s feature is BIG TOWN AFTER DARK, starring Philip Reed and Hillary Brooke.
BIG TOWN was a successful radio show, and even a comic book. BIG TOWN recalls the days when reporters fought corruption–unlike today when they are more likely to participate in it.
TCM says:
After selling her novel, police reporter Lorelei Kilbourne, who has become disillusioned with her managing editor, Steve Wilson, quits her job at Big Town’s Illustrated Press newspaper and bids farewell to her co-workers. A new reporter must be found to replace Lorelei, but Amos Peabody, the ineffectual owner of the paper, does not want to hire his niece, Susan Peabody, who is trying desperately to get the job. Although Peabody asks Wilson to interview Susan and discourage her from quitting college, Steve defies Amos’s request and hires her to make Lorelei jealous. Steve soon becomes enamored of Susan and takes her out to dinner, after which she takes him to the Winners Club gambling hall to persuade him to join her in her crusade to close down all the gambling clubs in the city.
Welcome! The lobby of the Deranged L.A. Crimes theater is open! Grab a bucket of popcorn, some Milk Duds and a Coke and find a seat. Tonight’s feature is FEAR IN THE NIGHT, Paul Kelly, DeForest Kelley, and Ann Doran.
One of the film’s stars, Paul Kelly, was involved in a real-life murder case. In 1927. Kelly beat to death actor Ray Raymond, husband of his lover, Dorothy Mackaye. Kelly did time in San Quentin for the crime, and so did Mackaye. Read all about their story in my new book, OF MOBSTERS AND MOVIE STARS: THE BLOODY GOLDEN AGE OF HOLLYWOOD.
This film is based the story NIGHTMARE, by William Irish, one of the pen names of writer Cornell Woolrich. Woolrich wrote many stories that made it to film: Rear Window, The Bride Wore Black, Black Angel, and Phantom Lady, to name just a few. If you are not familiar with Woolrich, he is worth reading. His biographer, Francis Nevins Jr., rated Woolrich the fourth best crime writer of his day, behind Dashiell Hammett, Erle Stanley Gardner and Raymond Chandler
Enjoy the movie!
TCM says:
Bank teller Vince Grayson dreams he is in a mysterious mirror-panelled octagonal room, where a man accompanied by a blonde woman is robbing a safe. Vince and the man fight, and when the man begins to strangle Vince, the woman hands him an awl, with which he pierces the stranger’s heart. The woman flees, and Vince places the man’s body behind one of the mirrored doors and locks it, taking the key. When Vince awakens, he discovers the key in his coat and thinks that he may be a murderer. Distraught, he calls in sick at work and visits his brother-in-law, homicide detective Cliff Harlan.
The investigation into Beth Short’s murder grew colder every day. Police investigated all the crackpots who claimed responsibility for the heinous crime. They went through stacks of letters and postcards that named potential suspects and offered various theories about the culprit. They rousted local sex offenders and searched in vain for the crime scene. If only the killer would confess.
On February 8, 1947, Joseph Dumais, an Army Corporal, came forward and admitted he dated Beth Short. Not only had they dated, he was sure he had killed her. The Herald announced “Corporal Dumais Is Black Dahlia Killer.” The story began, “Army Corporal Joseph Dumais, 29, of Fort Dix, N.J., is definitely the murderer of ‘The Black Dahlia,’ army authorities at Fort Dix announced today.”
Dumais returned to Fort Dix wearing blood-stained trousers with his pockets crammed full of clippings about the murder. In a hand-written 50-page confession, he claimed he dated Beth five days before the discovery of her body—then he suffered a mental blackout.
Joseph Dumais
The good-looking corporal seemed like the real deal. Army Capt. William R. Florence, head of the Fort Dix Criminal Investigation Department, said, “I am definitely convinced that this man is the murderer.” In his zeal to be the one to solve the gruesome murder, Capt. Florence overlooked the superficial nature of Dumais’ answers to his questions. Dumais had only to read the news coverage of the case, and then unleash his imagination to be credible in the short run. When Florence asked, “Does it seem to you at this time that you committed this crime? Dumais answered yes. But as Dumais stated earlier, he blacked out and recalled nothing until he arrived at Penn Station.
Getting to the nitty-gritty details, the Capt. asked, “Do you know how her body was mutilated?” Dumais said he did, but did not wish to describe the injuries. Again, Capt. Florence asked Dumais if he could have committed the murder. Dumais replied, “Yes, it is possible because of my actions in the past.”
In his confession, Dumais told Army authorities he stabbed Beth in the back and around the mouth, then severed her body with a meat cleaver. He washed the body of blood and dumped it in a vacant lot in Leimert Park.
Dumais’s story was riddled with holes. He said he had a date with Beth in San Francisco on January 9 or 10, but could not explain how he got to Los Angeles and then back to Fort Dix. Further questions revealed Dumais to be a blackout drunk. He said he was “rough on the girls” when he had been drinking. Dumais’s credibility eroded with each new statement.
On February 10th, as Dumais’s story unraveled, Los Angeles awakened to the news of another brutal murder of a woman. The Herald put out an extra edition with the headline, “Werewolf Strikes Again! Kills L.A. Woman, Writes B.D. on Body”.
The victim of the “Werewolf Killer” was forty-five-year-old Jeanne French. Her nude body was discovered at 8 a.m. on February 10, 1947, near Grand View Avenue and Indianapolis Street in West L.A. Police were frustrated and overworked. The women of Los Angeles were terrified. What the hell was going on?
Detectives at the scene of Jeanne French’s murder.
Welcome! The lobby of the Deranged L.A. Crimes theater is open! Grab a bucket of popcorn, some Milk Duds and a Coke and find a seat. Tonight’s feature is Fear In The Night and stars Paul Kelly, DeForest Kelley, Ann Dorn, and Kay Scott. The movie is based on a story by Cornell Woolrich (under the pseudonym of William Irish). Cornell Woolrich’s stories and novels have made terrific films: Rear Window,The Bride Wore Black, and Phantom Lady. Fear In The Night was directed by Maxwell Shane.
TCM Says:
Bank teller Vince Grayson wakes from a nightmare in which he and an unknown woman murdered a man in a strange, mirrored room. Only a dream…but Vince finds that he has physical objects and bruises from his “dream.” His cop brother-in-law dismisses his story…until the family, on a picnic, takes shelter from a thunderstorm in a deserted mansion containing that mirrored room. Is doom closing in on Vince?
In his 1991 autobiography, Reporters: Memoirs of a Young Newspaperman, Will Fowler recalled one of his colleagues, Baker Conrad, had noticed a telegram among Elizabeth Short’s belongings. The Examiner’s editor, Jim Richardson, dispatched Fowler to the address on the telegram, 8010 Mountain View Avenue in South Gate.
When Fowler arrived at the bungalow court, a strikingly beautiful young woman greeted him. Her name was Harriette Manley. Fowler let her believe he was a cop.
During their conversation, Harriette said her husband phoned her from San Francisco after he saw his name in the newspapers in connection with Elizabeth Short’s murder. Red reassured Harriette that he’d had nothing to do with the slaying. He said he “loved her more than any man ever loved his wife.”
At 10:00 pm on January 19th, two LAPD sergeants, J.W. Wass and Sam Flowers, staked out the home of Red’s employer in Eagle Rock. When the suspect’s sedan pulled up, the officers approached him with their guns drawn. An Examiner photographer was there to capture the arrest.
Robert ‘Red’ Manley
The next day, Aggie Underwood interviewed him. Red needed no encouragement to unburden himself. He told her how he’d picked Beth Short up on a San Diego street corner. How they had spent an “erotically uneventful” night in a motel and how he eventually dropped her off at the Biltmore Hotel on January 9th.
Red finished his tale with a heartfelt statement. “I’ll never pick up another dame as long as I live.”
Aggie believed Red and shared her gut feelings with the police. Red was forthcoming in his interview. Aggie knew he wasn’t a killer. Red was a frightened man with goofy ideas about love, marriage, and fidelity.
“I was only trying to test my love for my wife,” he said as he sought to explain his brief escapade with Beth Short.
Red said he first saw Beth standing on a street corner in San Diego while on a business trip ten days before Christmas. “She looked cute, so I thought, well, I’ll make a little test and see if I’m still in love with my wife, or whether I could ever fall for anyone else.”
According to Red, he and Harriette, married for just 14 months, were going through a “readjustment period.” He said they had a “few misunderstandings, but nothing important.”
He swore up and down that Beth was the only woman he picked up since his marriage. When he approached her that day, Beth was coy. “She turned to me and said, ‘Don’t you think it’s wrong to approach a girl this way?’” Wrong or not, she got into his car within a minute or two. Before he dropped her off in Pacific Beach, where she was couch-surfing at the home of Elvera and Dorothy French. they sat in his car and talked. He asked her if she would go out to dinner with him. “That would be nice,” she said.
Red drove back up the highway and rented a motel room. He picked Beth up that evening and they went to a nightclub and danced until midnight. Afterwards, they stopped at a drive-in for a snack. He said they talked for a few minutes in front of the French home. Red kissed her goodnight, but said she was a little cold.
He didn’t see her again until January 7, on his next trip to San Diego. He wired ahead to let her know he would be in town. They went nightclubbing again. Then they stayed together in a motel on their way back to Los Angeles.
Red’s story, and his demeanor, convinced Aggie he was not a killer, but that didn’t mean she let him off easy.
If there was one thing that Aggie detested, it was a sob sister. For those of you unfamiliar with the term, a sob sister is a female journalist who writes overly sentimental copy. That sort of journalism was never Aggie’s thing. She said, “A sob sister could have wept with and over Manley, interpolating, editorial gushes to prove what a big bleeding-heart beat in her breast. To hell with that. I’d rather have a fistful—an armload—of good solid facts.”
Her armload of facts made Aggie’s interview with Red Manley riveting. In fact, her city editor, who normally cautioned her to keep her copy short, let the entire interview run without a ton of photos. He knew a great interview when he read one. Aggie was the only Los Angeles reporter to get a by-line in the Dahlia case.
Why, then, amid the covering of the murder, was Aggie yanked off the story? With no warning or explanation, Aggie found herself benched. The city editor let her cool her heels in the newsroom without a thing to do.
Aggie spent a couple of miserable days at her desk, bored out of her mind. Then she got pissed-off enough to fight back. She didn’t get huffy or raise her voice. She brought in an embroidery project. In no time, the other newsroom denizens were snickering. One newswoman, Caroline Walker, said, “What do you think of that? Here’s the best reporter on the Herald, on the biggest day of one of the best stories in years—sitting in the office doing fancy work!”
The next day, they reassigned Aggie to the story—only to pull her off a second time. What the hell was going on?
On October 27, 1936, in a special edition celebrating the Herald’s twenty-fifth anniversary as an evening daily, city editor John B.T. Campbell wrote this about Aggie Underwood:
“Aggie Underwood should have been a man. A rip-snorting, go-gettum reporter who goes through fire lines trails killers . . . using anything from airplanes to mules to reach the spot that in newspapers is . . . marked with an arrow or an X. What a gal! Usually followed by one or two photographers who . . . get lost when unable to keep up with this speedy lady. Favorite occupation is following a good murder. Favorite story, a good murder. Favorite photograph, a good murder. Favorite fate for all editors, good murder. Help!”
Today we may struggle with the “should have been a man” comment, but at that time it was high praise. Aggie was still new at the Herald, starting in January 1935. She undeniably made an impression on the newsroom. She recalled those early days as “happy-go-lucky.” The reporters worked hard and played just as hard; often going in a group to Chinatown for dinner, or gathering at a bar in Pico Gulch (about half a block from the office, on Pico between Figueroa and Georgia streets).
1931 photo shows the Goodyear blimp “Volunteer” soaring over the Evening Herald building to pick up a bundle of Twentieth Birthday editions for delivery to officials at city hall.
In her work, Aggie made it a point never to ask for special treatment because she was a woman. One night, she arrived at a brush fire in Malibu. A Sheriff’s deputy stopped her. “It makes no difference if you are a reporter. No woman can go in there.” She was considering her next move when she heard a man’s voice. He addressed the deputy, “It’s all right, lad. She’s been to a hell of a lot more of these things than you ever have. Go on through, Aggie.”
The voice belonged to Sheriff’s Department Inspector Norris G. Stensland, one of my favorite LA law enforcement officers.
Aggie worked well with law enforcement. She took the time to write to an officer’s superior to express how helpful he was. In this way, she built long-standing relationships based on mutual respect. Reporters like Aggie have a lot in common with detectives. Each knows the value of maintaining their composure and assessing a scene. Both cops and reporters know the value of developing informants.
One time, on a tip, Aggie arrived at the scene of a love-triangle murder. The cop at the door refused entry to Aggie, not because she was a reporter, but because she was a woman. “You can’t go in there, lady. It’s pretty bad in there. It’s no place for a woman. It’s a mess of blood all over.” Paul Dorsey, a Herald photographer who was with her, said to the officer, “Don’t worry about her. She can take it. Worry about me. Chances are that I can’t.”
In August 1935, Aggie got a tip that LAPD detectives planned to search the home of a woman accused of shooting and gravely wounding her husband at a dinner party days earlier. Aggie arrived before detectives Aldo Corsini and Thad Brown, who sought the pistol used by the woman. Aggie said the detectives were concerned about entering the home because of a huge gaunt German Shepherd. Nobody had fed or given water to the poor thing since the arrest of his mistress. The dog, frightened and stressed, barked from behind a window.
Victim of shooting interviewed by Aldo Corsini and Thad Brown. Photo courtesy UCLA digital collection.
Aggie had an epiphany. “Look, Thad, Corsini and I will go to the back door and make one hell of a noise and distract the dog. While we’re doing that, Thad, you go in through the window, right there beside the front door, then unlock the front door and rush out. I’ll go in then and tame your dog; I’m not afraid of him.”
Aggie heard dogs are aggressive when they are afraid of taller, bigger humans who seem threatening. She figured the best way to approach the frightened animal would be to get down to his level. Corsini wasn’t about to get on his knees to confront the dog, and neither was Brown, but Aggie refused to retreat. Facing the dog, Aggie talked to him in a soft voice, and cautiously moved her hand toward his head. She petted his head gently and said, “What’s the matter, fellow? You hungry and thirsty?” The big dog whimpered. Aggie stood up and went to the kitchen sink to fill his bowl with water. She set out some food for him, too. He became her shadow. He followed Aggie around the house while the detectives searched for the gun, which they found in a laundry bag. The woman later went to prison for attempted murder.
Thad Brown promoted to captain of homicide/chief of detectives. The rank and file would have made him chief of police if politics hadn’t put William Parker in the office instead. Aggie said for years Brown blushed when asked if he had tamed any wild dogs lately.
Aggie’s cordial relations with police provided her with exclusive stories. She rolled up to a house in Eagle Rock one afternoon after getting a report of a double mystery death. Several LAPD homicide detectives stood around outside, waiting for the living room to air out. Aggie said after ten days, the corpses were ripe. The couple died in the middle of a sex act on the living room couch. Detectives weren’t sure whether they had a murder-suicide or an accident. Aggie wanted to catch the Herald’s next deadline, so she made a deal with Captain H. H. Bert Wallis. They identified the dead man, but they still didn’t know the woman’s identity. No detective wanted to enter the house until the smell dissipated. Aggie said she would brave the stench and retrieve the woman’s handbag, which sat on a table visible from outside.
The woman was nude except for a slip rolled up to her chest. The man, in his union-suit, had fallen to the floor. His penis had burst, and Aggie had to step over him to reach the handbag. She tried to hold her breath, but the smell of decaying flesh was pervasive, clinging to her favorite brown wool dress. Aggie grabbed the purse and handed it to Wallis. In gratitude, he gave her a head start on the story. It turned out the man met the woman in a bar, brought her home, and they died of carbon monoxide poisoning because of a faulty heater.
Aggie loved the brown wool dress. She saw it in a shop window and bought it on lay-away. In a conversation with Aggie’s daughter, years later, I learned the fate of the dress. Mary Evelyn told me Aggie came home that night, peeled off the dress and burned it in the fireplace, saying, “I’ll never the smell of death out of it.”
Aggie at the Black Dahlia body dump, January 15, 1947.
During her career, Aggie reported on hundreds of crimes. The most infamous of them began on the morning of January 15, 1947.
Aggie claimed to be the first reporter at the body dump site on Norton near 39th in Leimert Park. She was likely one of the first. It scarcely matters now. The deceased was a young woman, naked and obscenely posed. Her head is north, her legs spread and point south. A couple of days later, they identified the woman as twenty-two-year-old Elizabeth Short from Medford, Massachusetts. She became known as the Black Dahla.
Aggie interviewed the initial suspect in the grisly murder, Robert “Red” Manley. She sized him up and concluded he was not the killer. Despite an intense investigation, the case remains unsolved.
This post concludes my month-long tribute to Aggie, who inspired me to create this blog eleven years ago.
Aggie in her early days as city editor. Note the baseball bat on her desk. She said she kept the bat to deal with Hollywood press agents.
As we bid adieu to 2023, and prepare for new challenges in 2024, I thank you so much for your continued readership. This blog is one of my passions. I love relating true tales from L.A.’s past. Crime is banal, but the people who commit crime are endlessly fascinating. I’ve begun exploring stories for the upcoming year—there are some excellent ones. Within the next several days, I will begin my annual coverage of the Black Dahlia case, so stay tuned.
This is a big month for the Deranged L.A. Crimes blog. On December 17, 2012, the 110th anniversary of the birth of the woman whose career and life inspires me, Agness “Aggie” Underwood, I started writing this blog. I also authored her Wikipedia page, which was long overdue.
Aggie Underwood. Photo by Perry Fowler
By the time I began, Aggie had been gone for twenty-eight years. I regret not knowing about her in time to meet her in person. But, through her work, and speaking with her relatives over the years, I feel like I know her. I have enormous respect for Aggie. She had nothing handed to her, yet she established herself in a male-dominated profession where she earned the respect of her peers without compromising her values. She also earned the respect of law enforcement. Cops who worked with her trusted her judgement and sought her opinion. It isn’t surprising. She shared with them the same qualities that make a successful detective.
This month, I will focus on Aggie. I want everyone to get to know and appreciate her. She was a remarkable woman.
Agness “Aggie” Underwood never intended to become a reporter. All she wanted was a pair of silk stockings. She’d been wearing her younger sister’s hand-me-downs, but she longed for a new pair of her own. When her husband, Harry, told her they couldn’t afford them, she threatened to get a job and buy them herself. It was an empty threat. She did not know how to find employment. She hadn’t worked outside her home for several years. A serendipitous call from her close friend Evelyn, the day after the stockings kerfuffle, changed the course of her life. Evelyn told her about a temporary opening for a switchboard operator where she worked, at the Los Angeles Record. The job was meant to last only through the 1926-27 holiday season, so Aggie jumped at the chance.
Aggie & Harry [Photo courtesy CSUN Special Collections]
Aggie arrived at the Record utterly unfamiliar with the newspaper business, but she swiftly adapted and it became clear to everyone that, even without training, she was sharp and eager to learn. The temporary switchboard job turned into a permanent position.
In December 1927, the kidnapping and cruel mutilation murder of twelve-year-old schoolgirl Marion Parker horrified the city. Aggie was at the Record when they received word the perpetrator, William Edward Hickman, who had nicknamed himself “The Fox,” was in custody in Oregon. The breaking story created a firestorm of activity in the newsroom. Aggie had seen nothing like it. She knew then she didn’t want to be a bystander. She wanted to be a reporter.
When the Record was sold in January 1935, Aggie accepted an offer from William Randolph Hearst’s newspaper, the Evening Herald and Express, propelling her into the big leagues. Working for Hearst differed entirely from working for the Record. Hearst expected his reporters to work at breakneck speed. After all, they had to live up to the paper’s motto, “The First with the latest.”
From January 1935, until January 1947, Aggie covered everything from fires and floods to murder and mayhem, frequently with photographer Perry Fowler by her side. She considered herself to be a general assignment reporter, but developed a reputation and a knack for covering crimes.
Sometimes she helped to solve them.
In December 1939, Aggie was called to the scene of what appeared to be a tragic accident on the Angeles Crest Highway. Laurel Crawford said he had taken his family on a scenic drive, but lost control of the family sedan on a sharp curve. The car plunged over 1000 feet down an embankment, killing his wife, three children, and a boarder in their home. He said he had survived by jumping from the car at the last moment.
When asked by Sheriff’s investigators for her opinion, Aggie said she had observed Laurel’s clothing and his demeanor, and neither lent credibility to his account. She concluded Laurel was “guilty as hell.” Her hunch was right. Upon investigation, police discovered Laurel had engineered the accident to collect over $30,000 in life insurance.
Hollywood was Aggie’s beat, too. When stars misbehaved or perished under mysterious or tragic circumstances, Aggie was there to record everything for Herald readers. On December 16, 1935, popular actress and café owner Thelma Todd died of carbon monoxide poisoning in the garage of her Pacific Palisades ho9me. Thelma’s autopsy was Aggie’s first, and her fellow reporters put her to the test. It backfired on them. Before the coroner could finish his grim work, her colleagues had turned green and fled the room. Aggie remained upright.
Though Aggie never considered herself a feminist, she paved the way for female journalists. In January 1947, they yanked her off the notorious Black Dahlia murder case and made her editor of the City Desk, making her one of the first woman to hold this post for a major metropolitan newspaper. Known to keep a bat and startup pistol handy at her desk, just in case, she was beloved by her staff and served as City Editor for the Herald (later Herald Examiner) until retiring in 1968.
Aggie at a crime scene c. 1946
When she passed away in 1984, the Herald-Examiner eulogized her. “She was undeterred by the grisliest of crime scenes and had a knack for getting details that eluded other reporters. As editor, she knew the names and telephone numbers of numerous celebrities, in addition to all the bars her reporters frequented. She cultivated the day’s best sources, ranging from gangsters and prostitutes to movie stars and government officials.”
They were right. Aggie dined with judges, cops, and even gangster Mickey Cohen. I hope you will enjoy reading about Aggie, as much as I will enjoy telling her stories.
Welcome! The lobby of the Deranged L.A. Crimes theater is open. Grab a bucket of popcorn, some Milk Duds and a Coke and find a seat. Tonight’s feature is TRY AND GET ME! aka THE SOUND OF FURY, starring Frank Lovejoy, Kathleen Ryan, and Lloyd Bridges.
The film is based on the 1947 novel The Condemned by Jo Pagano, who also wrote the screenplay. The Pagano novel was based on events that occurred in 1933 when two men were arrested in San Jose, California for the kidnapping and murder of Brooke Hart. The suspects confessed and were subsequently lynched by a mob of locals. The 1936 film, Fury, directed by Fritz Lang, was inspired by the same incident.
Enjoy the movie.
TCM says:
Impoverished Howard Tyler decides to move his pregnant wife Judy and their young son Tommy from Massachusetts to the friendly town of Santa Sierra, California, to find his fortune working in the mines. Once there, however, Howard cannot find a job and the family’s poverty deepens to the point where Judy cannot even afford a doctor to monitor her pregnancy. In his desperation, Howard meets a petty thief named Jerry Slocum and is easily convinced to work for him, helping him to commit a series of robberies. Convinced that the town is experiencing an incipient crime wave, publisher and editor of the Santa Sierra Journal Hal Clendenning assigns featured columnist Gil Stanton to sensationalize the new trend.
Eddie Muller, the Czar of Noir, introuced this film for TCM’s Noir Alley, which he hosts. Check it out.
Welcome! The lobby of the Deranged L.A. Crimes theater is open! Grab a bucket of popcorn, some Milk Duds and a Coke and find a seat. Tonight’s feature is BORN TO KILL, starring Claire Trevor, Lawrence Tierney, and Walter Slezak.
TCM says:
After he discovers that Laury Palmer, the owner of a Reno boardinghouse, was romancing him only to make her boyfriend Danny jealous, Sam Wilde, a seductive but violent drifter, kills both her and Danny. Cool, sophisticated Helen Brent finds the bodies in the boardinghouse, where she has been living during her divorce proceedings, but instead of notifying the police, she calmly boards the next train to San Francisco.
Welcome! The lobby of the Deranged L.A. Crimes theater is open. Grab a bucket of popcorn, some Milk Duds and a Coke and find a seat.
Tonight’s feature is BIG TOWN AFTER DARK, starring Philip Reed and Hilary Brooke.
Enjoy the film!
TCM says:
When Lorelei Kilbourne (Hillary Brooke) leaves her job as the police reporter for the Illustrated Press, Managing Editor Steve Wilson (Philip Reed) employs the publisher’s niece, Susan Peabody (Ann Gillis), to replace her. Susan becomes involved with gangsters in plotting a $50,000 swindle against her…
