In his 1991 autobiography, “Reporters”: Memoirs of a Young Newspaperman, Will Fowler recalled that one of his colleagues, Baker Conrad, had noticed a telegram among Elizabeth Short’s effects. The Examiner’s editor, Jim Richardson, dispatched Fowler to the address on the telegram, 8010 Mountain View Avenue in South Gate.
When Fowler arrived at the bungalow court he was greeted by “A strikingly beautiful red-haired young woman.” Fowler may not have actually said he was a cop, but he let the woman, Harriet Manley, believe he was law enforcement.
During her conversation with Fowler, Harriet said that Red had phoned her from San Francisco after seeing his name in the newspapers in connection with Elizabeth Short’s murder. Red tried to reassure Harriet that he’d had nothing to do with the slaying and told her that he “loved her more than any man ever loved his wife.”
At about 10:00 pm on January 19th a couple of LAPD sergeants, J.W. Wass and Sam Flowers, were staking out the home of Red’s employer in Eagle Rock where the wanted man was expected to arrive shortly. When Red pulled up in his sedan the officers approached him with their guns drawn. An Examiner photographer was there to capture the arrest. Red looks like a deer in the headlights as Sgt. Flowers handcuffs him.
Aggie Underwood interviewed Red early in the morning of January 20th at LAPD’s Hollenbeck station. She recalled the interview in her 1949 autobiography Newspaperwoman:
“You look as if you’ve been on a drunk,” I said in sizing up the suspect. I was ready to talk sympathetically about hangovers. That approach won’t work always, but Red looked like a guy reporters might meet at a bar and find a congenial drinking companion, possible criminal or not.
“This is worse than any I’ve ever been on,” he replied. Perry Fowler, the photographer assigned to the case with me, caught the cue we had used repeatedly in softening subjects and stepped forward with a cigarette, which Manley took gratefully.
“Look, fella,” I continued as he inhaled. “You’re in one hell of a spot. You’re in a jam and it’s no secret. If you’re as innocent as you say you are, tell the whole story; and if you haven’t anything to hide, people can’t help knowing you’re telling the truth. That way, you’ll get it over with all at once and it won’t be kicking around to cause you more trouble.”
Red didn’t need any further encouragement to unburden himself to Aggie. He told her how he’d initially picked Elizabeth up on a San Diego street corner. How they had spent an “erotically uneventful” night in a motel and how he had eventually dropped her off at the Biltmore Hotel on January 9th.
Red finished his tale with: “I’ll never pick up another dame as long as I live.”
Aggie believed Red was innocent, and shared her gut feelings with the police. Red had been forthcoming in his interview and Aggie knew right away that he wasn’t a killer. Red was just a frightened man with goofy ideas about love tests.
If there was one thing that Aggie detested it was a sob sister. For those of you unfamiliar with the term, a sob sister is a female journalist who writes overly sentimental copy. That sort of journalism was never Aggie’s thing. She said: “A sob sister could have wept with and over Manley, interpolating, editorial gushes to prove what a big bleeding heart beat in her breast. To hell with that. I’d rather have a fistful—an armload—of good solid facts.”
It was the armload of facts that made Aggie’s interview with Red Manley so compelling. In fact her city editor, who normally cautioned her to keep her copy short, let the entire interview run without a ton of photos. He knew a good interview when he read one.
Why, then, in the midst of covering of the murder was Aggie unceremoniously yanked off the story? Without any warning or explanation Aggie suddenly found herself benched. The city editor had pulled her off the story and let her cool her heels in the newsroom without a thing to do.
Aggie spent a couple of miserable days at her desk bored out of her mind. Then she got pissed-off enough to fight back. She didn’t get huffy or raise her voice. She brought in an embroidery project. Shortly the other newsroom denizens were snickering. One of the other newswomen, Caroline Walker, said: “What do you think of that? Here’s the best reporter on the Herald, on the biggest day of one of the best stories in years—sitting in the office doing fancy work!”
The next day Aggie was reassigned to the story—only to be pulled off a second time. What the hell was going on?
NEXT TIME: Will Aggie get off the bench?