I am fortunate to be affiliated with the DEADLY WOMEN television series. I love working with them and I have appeared in every season for over a decade.
I received an email from them the other day letting me know that my first episode of the current series (Episode 7, Flash Point) is going to premiere on the Discovery Plus streaming service Thursday, June 24.
It will also air on Investigation Discovery the following week on Thursday, July 1 at 9/8/C.
I cover a 1940 case from the U.K. Here is a photo of the deadly woman. You will learn all about her crime soon.
I will keep you posted on the other episodes for this series.
Bundled up against the chill of a cold wave that had held Los Angeles residents in its grip for several days, Mrs. Betty Bersinger and her three-year-old daughter Anne walked south on the west side of Norton in Leimert Park, a Los Angeles suburb. Midway down the block Bersinger noticed something pale in the weeds fifty feet north of a fire hydrant and about a foot in from the sidewalk.
At first Bersinger thought she was looking at either a discarded mannequin, or a live nude woman who had passed out.
It took a moment before Bersinger realized she was in a waking nightmare. The bright white shape in the weeds was neither a mannequin, nor a drunk.
Bersinger later recalled, “I was terribly shocked and scared to death. I grabbed Anne and we walked as fast as we could to the first house that had a telephone.”
Over the years several reporters have claimed to have been first on the scene of the murder. One person who made that claim was Will Fowler.
Fowler said he and photographer Felix Paegel of the Los Angeles Examiner approached Crenshaw Boulevard when they heard an intriguing call on their shortwave radio. It was a police call and Fowler couldn’t believe his ears. A naked woman, possibly drunk, was found in a vacant lot one block east of Crenshaw between 39th and Coliseum streets. Fowler turned to Pagel and said, “A naked drunk dame passed out in a vacant lot. Right here in the neighborhood too… Let’s see what it’s all about.”
Paegel drove as Fowler watched for the woman. “There she is. It’s a body all right…” Fowler hopped out of the car and approached the woman as Paegel pulled his Speed Graphic from the trunk. Fowler called out, “Jesus, Felix, this woman’s cut in half!”
That was Fowler’s story, and he stuck to it through the decades. He said he closed the dead girl’s eyes. But was his story true?
There is information to suggest that a reporter from the Los Angeles Times was the first on the scene; and in her autobiography, Newspaperwoman, Aggie Underwood said that she was the first.
After 74-years does it really matter? All those who saw the murdered girl that day saw the same horrifying sight and it left an indelible impression. Aggie described what she observed:
“It [the body] had been cut in half through the abdomen, under the ribs. The two sections were ten or twelve inches apart. The arms, bent at right angles at the elbows, were raised about the shoulders. The legs were spread apart. There were bruises and cuts on the forehead and the face which had been beaten severely. The hair was blood-matted. Front teeth were missing. Both cheeks were slashed from the corners of the lips almost to the ears. The liver hung out of the torso, and the entire lower section of the body had been hacked, gouged, and unprintably desecrated. It showed sadism at its most frenzied.”
The coroner recorded the victim as Jane Doe #1 for 1947.
Two seasoned LAPD detectives, Harry Hansen and Finis Brown, took charge of the investigation. During the first twenty-four hours officers pulled in over 150 men for questioning.
The most promising of the early suspects was a twenty-three-year-old transient, Cecil French. He was busted for molesting women in a downtown bus depot.
Cops were further alarmed when they discovered French had pulled the back seat out of his car. Had he concealed a body there? Police Chemist, Ray Pinker, found no blood or any other physical evidence of a bloody murder in French’s car. He was dropped from the list of hot suspects.
In her initial coverage Aggie referred to the case as the “Werewolf” slaying because of the savagery of the mutilations inflicted on the unknown woman. Aggie’s werewolf tag would identify the case until a much better one was discovered—the Black Dahlia.
This month is the seventy-fourth anniversary of the murder of Elizabeth Short–the Black Dahlia.
I will write about the case in the blog again this year, as I have every year since 2013. In addition to writing about the case, I am offering a webinar (see below) on four unsolved homicides (including Elizabeth Short) of women in Los Angeles during the 1940s.
The unsolved murders are tragic; but at least family members and other loved ones had a body to mourn and to lay to rest.
Disappearances haunt the living. Did the person leave by choice, or were they taken against their will? As the years pass, the unanswered questions echo in lonely rooms. Broken hearts never quite mend.
In 1949, two very different women vanished in Los Angeles.
On August 19, 1949, forty-eight-year-old socialite, Mimi Boomhower, known as the ‘Merry Widow’, disappeared from her Bel-Air home. When police arrived for a welfare check, the lights were on and a salad was left out on the dining table. One of Mimi’s dresses was laid out on her bed. Her car was still in the garage and there was no sign of a robbery.
Jean Spangler, a twenty-six-year-old dancer, model, and actress, left her home at 5pm on October 7, 1949. She was supposed to meet her ex-husband to discuss child support payments and then she was expected to be at a night shoot for a film. Jean didn’t arrive at either of her appointments.
At 7pm on Tuesday, January 12, 2021, we’ll discuss the homicides, disappearances, and why Los Angeles was such a dangerous place for women in the 1940s.
Welcome! The lobby of the Deranged L.A. Crimes theater is open. Grab a bucket of popcorn, some Milk Duds and a Coke and find a seat. We are celebrating the holidays with holiday themed noir movies.
Tonight’s feature is CHRISTMAS HOLIDAY, starring Deanna Durbin and Gene Kelly.
After receiving his commission on Christmas Eve, Lt. Charles Mason learns that Mona, his longtime girl friend, has married another man. When his plane from North Carolina to San Francisco is forced by bad weather to land in New Orleans, the heartbroken Charles meets alcoholic reporter Simon Fenimore, who takes him to a brothel run by Valerie De Merode. There Charles is introduced to hostess/singer Jackie Lamont, and agrees to take her to a midnight mass. After the church services, the two go to a diner, where Jackie tells Charles that her real name is Abigail and that she is the wife of convicted murderer Robert Manette.
Welcome! The lobby of the Deranged L.A. Crimes theater is open. Grab a bucket of popcorn, some Milk Duds and a Coke and find a seat.
We are celebrating the holidays over the next few days with holiday themed noir movies.
Tonight’s feature is MR. SOFT TOUCH, starring Glenn Ford, Evelyn Keyes, John Ireland, Beulah and Percy Kilbride.
At Christmas time in San Francisco, Joe Miracle steals $100,000 from the River Club, which he used to own. After evading his pursuers, Joe hides out with Victor Christopher, the brother of his dead partner Leo, and Victor’s wife Clara. Clara has purchased a berth for Joe on the next ship leaving the city. The ship, however, will not depart until the following night. While Joe is trying to decide where he will hide until then, the police demand to search the apartment. At first Joe believes they are looking for the stolen money, but learns that they want to arrest Victor for disturbing the peace and beating Clara. When the police mistake Joe for Victor and arrest him for the night, Joe believes that his problems are solved, but Jenny Jones, a social worker, persuades the judge to give Joe a suspended sentence.
Welcome! The lobby of the Deranged L.A. Crimes theater is open for a mid-week noir matinee. Grab a bucket of popcorn, some Milk Duds and a Coke and find a seat.
Today’s feature is BLACK ANGEL starring Dan Duryea, June Vincent, Peter Lorre and Broderick Crawford.
Has-been alcoholic songwriter Martin Blair goes to Los Angeles exclusive Wilshire House apartments to visit his estranged wife, popular singer Marvis Marlowe, but is refused entrance by the doorman per Marvis’ instructions. Martin sends up a gift of a small heart brooch and, while waiting outside the building, overhears a man receiving permission to see Marvis. Despondent, Martin goes to a bar to get drunk, then, as he often does, his friend Joe takes him home to his apartment and locks him in for the night. After midnight that same night, musician Kirk Bennett goes to see Marvis and, finding her apartment door unlocked and hearing her recording of “Heartbreak” playing, goes inside to wait.
“There is no killer type. Slayers range all ages, all sexes. . . Homicide is expected from the hoodlum, the gun moll, the gulled lover. It isn’t from the teenager, the . . . sweet old lady, the fragile housewife, the respectable gent who is the proverbial pillar of society.“
“They kill with pistol, rifle, or shotgun; with the blade . . . with poison; with ax, hatchet or hammer; with cord or necktie; with fake accidents; with blunt instruments or with phony drownings.“
“Killers do not run true to form. What they have in common is killing.”
The quote is from my favorite Los Angeles crime reporter Aggie Underwood, from her 1949 autobiography, NEWSPAPERWOMAN, and she knew what she was talking about.
During her career as a reporter, Aggie covered nearly every major crime story in the city. Law enforcement respected her and occasionally sought her opinion regarding a suspect. They even credited her with solving a few crimes.
Cops and journalists have a lot in common. Both professions rely on intuition guided by experience and intelligence. They see the worst that humanity has to offer, but no matter what they witness, they strive to maintain their objectivity.
Inspired by Aggie, I began this blog in 2012 and wrote her Wikipedia page. In 2016, I curated an exhibit at the Central Library on Aggie’s career and wrote the companion book.
Join me on November 17, 2020 at 7pm PST for the webinar and you will meet one of the most fascinating women in Los Angeles’ history.
Welcome! The lobby of the Deranged L.A. Crimes theater is open. Grab a bucket of popcorn, some Milk Duds and a Coke and find a seat.
Tonight’s feature is THE STRANGER starring Orson Welles (who also directed), Edward G. Robinson and Loretta Young.
In post-war Germany, Wilson, an American delegate to the Allied War Crimes Commission, demands that Nazi prisoner of war Meinike be allowed to escape so that he may lead the Commission to his former boss, Franz Kindler, the most dangerous and elusive Nazi of all. Watched carefully by Wilson, the freed Meinike travels to Latin America and there contacts a former Nazi cohort about the whereabouts of Kindler. After some resistance, Meinike learns that Kindler, an avowed clock enthusiast, is living under the name Professor Charles Rankin in a small Vermont town called Harper.
On March 10th, B.C. (before Covid) I was interviewed by Dave Schrader for his wonderful radio show, MIDNIGHT IN THE DESERT. We talked for 3 hours about historic Los Angeles crime.
When I first agreed to do the interview I wondered how we would fill the time. By the 2 1/2 hour mark I knew we’d never be able to cover everything. The time flew. Dave is a terrific host and I recommend that you check out his show. I hope to make a return visit sometime during the summer.
Dave’s area of expertise is the paranormal, but he also has an interest in crime. Here’s a little more about Dave:
Dave Schrader has been one of the leading voices of the paranormal since 2006 when he launched his wildly popular talk show, Darkness on the Edge of Town on Twin Cities News Talk – Minneapolis’s top-rated AM talk station.
The show grew to become one of the station’s most successful shows and most-downloaded podcasts, expanding Schrader’s reach globally. Seeing an opportunity, Schrader moved his show to Chris Jericho’s network of shows on PodcastOne, where he further expanded his worldwide audience.
Welcome! The lobby of the Deranged L.A. Crimes theater is open! Grab a bucket of popcorn, some Milk Duds and a Coke and find a seat. Tonight’s feature is SHADOW OF A DOUBT, directed by Alfred Hitchcock and starring Teresa Wright, Joseph Cotten and Macdonald Carey — with a fine performance by Hume Cronyn.
The script was a collaboration between Thornton Wilder, Sally Benson and Alma Reville (Hitchcock’s wife). This was Hitchcock’s favorite of his films.
Of course Hitch makes a cameo appearance in the film, and Wikipedia tells you when to look for him:
Alfred Hitchcock appears about 15 minutes into the film, on the train to Santa Rosa, playing bridge with a man and a woman (Dr. and Mrs. Harry). Charlie Oakley is traveling on the train under the assumed name of Otis. Mrs. Harry is eager to help Otis, who is feigning illness in order to avoid meeting fellow passengers, but Dr. Harry is not interested and keeps playing bridge. Dr Harry replies to Hitchcock that he doesn’t look well while Hitchcock is holding a full suit of spades, the best hand for bridge.
Before the feature, enjoy this short subject from the CRIME DOES NOT PAY series.