On June 22, 2021, Writer’s Bloc and Chevalier’s Books hosted a virtual event celebrating the publication of James Ellroy’s new novel, WIDESPREAD PANIC.
I was thrilled to participate on a panel with James Ellroy, John Anderson, Grant Nebel and Zoe Dean.
John Anderson and Grant Nebel are Ellroy scholars and enthusiasts who created the Ellroycast, and have written extensively about pop culture, film, and television. Zoe Dean is an award winning short story writer of crime fiction.
I’ve known James for years, and was one of several people who worked with him on the book, LAPD ’53.
If you missed Ellroypalooza, or would like to see it again, here it is for your viewing pleasure.
Too often we recall the names of killers, but not their victims. Today, on what should be her 83rd birthday, I am highlighting Judy Dull.
JUDY DULL
Judith Ann “Judy” Van Horn Dull turned nineteen on June 23, 1957. She had a 14-month-old daughter, Susan, and a soon-to-be ex-husband, Robert, who intended to keep custody of their little girl. A decent lawyer costs money, and Judy needed as much cash as she could scrape together for the coming battle.
Judy lived at the El Mirador apartments at the corner of North Sweetzer and Fountain Avenues in West Hollywood.
EL MIRADOR
Most of the young women who inhabited the El Mirador during the summer of 1957 were still in diapers when the building’s most famous resident, actress Jean Harlow, died at age 26 in June 1937.
JEAN HARLOW
At least the building had a Hollywood provenance, which may have given the new crop of wannabes hope for the future.
Judy’s need for a quick buck prevented the usual Hollywood rounds to agents or cattle calls to appear as an extra in the latest western. The best and quickest way for an attractive blonde like Judy to make money was as a model. Modeling gigs ran the gamut from legitimate work for catalogs and harmless cheesecake photos to pornography.
Judy’s roommates, eighteen-year-old Betty Ruth Carver and twenty-two-year-old Lynn Lykels, were models, too. All three were in demand and they looked out for each other, trading gigs to keep the money flowing.
On August 1, 1957, Judy took a job that Lynn had to pass on. At 2 pm, when the photographer, a guy named Johnny Glenn, a geeky-looking guy with bat ears and horn-rimmed glasses, showed up to collect Judy for the job, she was reluctant to go with him. He overcame her reluctance by offering her $20/hour for a two-hour shoot. How could she say no?
At Judy’s request, Johnny left his telephone number with one of her roommates.
Johnny and Judy walked out of the El Mirador.
It was the last time anybody saw her alive.
NOTE: Harvey Glatman murdered Judy and two other women, Ruth Mercado and Shirley Bridgeford. There was not enough evidence to try him for Judy’s murder, but he was found guilty of murdering Mercado and Bridgeford. Glatman died in the gas chamber at San Quentin on September 18, 1959.
I am fortunate to be affiliated with the DEADLY WOMEN television series. I love working with them and I have appeared in every season for over a decade.
I received an email from them the other day letting me know that my first episode of the current series (Episode 7, Flash Point) is going to premiere on the Discovery Plus streaming service Thursday, June 24.
It will also air on Investigation Discovery the following week on Thursday, July 1 at 9/8/C.
I cover a 1940 case from the U.K. Here is a photo of the deadly woman. You will learn all about her crime soon.
I will keep you posted on the other episodes for this series.
Frank’s chances for an acquittal are dismal, but then his attorney mounts a defense, blaming Lois for the beating that nearly killed her.
Attorney H.A.J. Wolch drops a bombshell in court when he reads excerpts from a June 29, 1931 letter written by Lois and sent to Frank’s wife, Ione
“Dearest Ione:
“You are probably wondering why I should write to you, are you not? I don’t exactly know myself.”
“Honestly ‘Yonnie,’ I didn’t know you cared so much until I read a certain letter. No one could write a letter like that without plenty of reason.
“I’m sure Frank loves me. If I wasn’t, I wouldn’t hesitate a moment to send him back to you, ‘Yonnie.’ You yourself know how it is to be uncertain, but I’m not anymore.”
“I’m afraid you’ll think that the real reason for my writing this letter is to gloat over him. No, I wouldn’t do that. I just couldn’t I just want you to know how I feel about this thing. I want to tell you how I love Frank.”
“I can’t hate you, not even if I try and I have tried…”
“I hope I have not said anything that can be taken any way but the right way. I don’t want to hurt you and I don’t want Frank to hurt you.”
Wolch questions Lois about her relationship with Frank during the six months prior to the attempt on her life. She professes her love for Frank and admits writing to Ione. She also admits to dating other boys. The subtext of the cross-examination is clear—Lois is easy.
In her testimony, Lois confirms her meeting with Frank on February 18, 1931. She says they discuss “getting a doctor,” but abortion is illegal in 1931 and the danger of permanent disability or death is a consequence the expectant mother faces alone.
Ten days later, Lois said, Frank tells her they have an appointment with a doctor. The doctor could be anyone from a licensed physician to a drunken quack working out of a dirty backroom office.
On March 4, they meet for the last time. Frank attacks her.
Frank takes the stand in his own defense and relates a self-serving account of the crime.
“When she told me she was going to my wife, little baby and my parents, and tell them I was responsible for her condition, well, I just flew off the handle, picked up a stick, hit her three or four times over the head, struck her on the jaw with my fist and left her there.”
The railroad tie he used to batter Lois is hardly “a stick”, and when he says he “left her there” he neglects to say he threw her into an abandoned well and expected her to die.
Wolch kept the kid gloves on during his examination of his client. Frank said he met Lois and Ione at about the same time. Lois lived in Pomona, and Ione in Glendora. He saw each of them about twice a week.
“What was your feeling for both Ione and Lois?
“I cared for Ione very much. I liked Lois, too. In September I made up my mind. I loved Ione…, so we went to Las Vegas and got married. We came home that night to my folks and the next day I took her to Glendora.”
Wolch asks Frank when he next meets with Lois. Frank says, “The following night.”
He describes Lois’ reaction to his marriage.
“Lois was heartbroken and deeply moved over my marriage to Ione. She asked me to get a divorce.”
Frank chuckles, then continues.
“Already she wanted me to get a divorce and marry her. I told her I couldn’t even think of it.”
Frank refuses to consider divorcing Ione; however, he continues to see Lois. They meet frequently from the time of his marriage until December, when they get together only once.
When they resume their affair in January, Lois asks Frank to get her some quinine. Quinine in large doses may induce an abortion, but it is not a sure thing. A pregnant woman who takes quinine risks renal failure. Babies who survive quinine exposure in the womb can be born deaf or suffer other side-effects. Both mother and child can die because of taking quinine.
Frank blew off Lois’ request to get the abortifacient, claiming he does not know what she wants with the over-the-counter drug.
According to Frank, Lois asked for quinine again in early February. This time he asked her why.
“I asked her what she wanted it for and she said she was expecting a baby, ad something had to be done. I said I was sorry and asked her who was responsible, and she didn’t answer. Again, she asked me to divorce Ione and marry her, and again I told her I wouldn’t consider it.”
Frank describes his March 4th meeting with Lois.
“I met her on March 4, about 6:30 p.m. We drove around a bit. I told her I couldn’t get a doctor. Finally, we parked the car on the outskirts of Pomona. She said she was going to blame me. Something had to be done or she would make trouble. I loved my wife very much, and the baby had just come. I had entirely overcome the conflict of the earlier months. I loved Ione, not Lois.”
When testimony concluded in early May, the jury faced conflicting versions of the March 4 attack.
Lois’ version, corroborated by her injuries, is gut-wrenching. The prosecution calls the attack “deliberate and brutal.”
Frank’s defense portrays Lois as a scheming home wrecker—no better than she ought to be.
In the last hours of the trial, Deputy District Attorney Cooper points out parallels between the case against Frank and the incidents in Theodore Dreiser’s novel, An American Tragedy. Cooper reads extracts from the book.
The jury finds Frank guilty of attempted murder and statutory rape.
Before passing sentence, Judge Bowron has a few words for Frank:
“You are fortunate in that you are not here for the purpose of receiving the extreme penalty. The evidence and circumstances show that you planned to do away with Lois Wade because she was about to become a mother.”
Frank gets one to fourteen years in prison.
In a strange twist, probably orchestrated by a quick thinking reporter or a newspaper city editor, Frank, Ione, and Lois meet in jail a few hours before the prison train leaves for San Quentin. A photo shows the threesome holding hands and, supposedly, putting the past behind them.
Edgar Allan Poe’s The Mystery of Marie Roget, is cited as the first murder mystery based on details of an actual crime. I am skeptical of firsts, but if Poe’s story is not the first, it is an early entry. It appeared in Snowden’s Ladies’ Companion in three installments, November and December 1842 and February 1843.
Behind Poe’s tale of Marie Roget is the murder of Mary Cecilia Rogers.
Rogers, a tobacco shop employee, became known as the Beautiful Cigar Girl. She disappears on October 4, 1848, and local papers report her elopement with a naval officer. She returns later, sans husband.
She disappears again on July 25, 1841. Friends see her at the corner of Theatre Alley, where she meets a man. They walk off together toward Barclay Street, ostensibly for an excursion to Hoboken.
Three days later, H.G. Luther and two other men in a sailboat pass by Sybil’s Cave near Castle Point, Hoboken. Floating in the water they see the body of a young woman. They drag it to shore and contact police.
According to the New York Tribune, Rogers is “horribly outraged and murdered”. Questions regarding Rogers’ death remain. It is alleged she ended up in the river following a failed abortion. The scenario is credible, in part, because her boyfriend committed suicide and left a note suggesting his involvement in her death.
GRACE BROWN
I love it when a novel is based on a true crime. One of my favorites is An American Tragedy by Theodore Dreiser. Dreiser draws inspiration from a murder in the Adirondacks.
In 1905, Chester Gillette takes a job as a manager in an uncle’s skirt factory in Cortland, New York. It is there he meets factory worker, Grace Brown. They begin an affair and she becomes pregnant.
Chester is neither interested in being a husband, nor in being a father. He takes Grace on a trip to the Adirondack Mountains in upstate New York. Using the alias, Carl Graham, Chester rents a hotel room, and a rowboat.
Grace believes the hotel is where they will spend their honeymoon following a visit to the local justice of the peace. In anticipation of her new life with Chester, Grace packs all of her belongings in a single suitcase.
Chester’s suitcase is small. He is not beginning a life with Grace.
On July 11, the couple takes a rowboat out into the middle of Big Moose Lake. There is no marriage proposal. No wedding ring. He beats her over the head with his tennis racquet and pushes her overboard to drown.
On July 13, 1906, The Sun reports the tragic drowning of a couple in Big Moose Lake. Grace’s body floats to the surface the next day. The body of her companion, Carl Graham, is missing.
Fearing he is dead, police search for Carl. They soon learn the true identity of Grace’s companion. He is alive, well, and his name is not Carl. Police arrest Chester. He denies responsibility for Grace’s death. He insists she committed suicide. The bad news for Chester is none of the physical evidence supports his version of events.
CHESTER GILLETTE
The jury shows no mercy—they find him guilty and sentence him to death.
On March 30, 1908, they execute Chester in the electric chair at Auburn Prison in Auburn, New York.
LOIS WADE
March 4, 1932.
Soaked to the skin, bleeding from the head, and covered in bruises, seventeen-year-old Lois Wade stumbles into the road near Mountain Meadows Country Club in Pomona. A Good Samaritan takes her to Pomona Valley Hospital.
The hospital calls the Sheriff’s department, and deputies arrive to take Lois’ statement. She tells them a terrifying story.
She is is walking from downtown Pomona to her parent’s home at 349 East Pasadena Avenue, when a stranger pulls up alongside her and offers her a ride. She accepts, but rather than taking her home, the man stops his car on Walnut Avenue near an abandoned well and beats her.
Lois’ attacker forces her into the well and shoves her down witht a pole when she attempts to climb out. When Lois vanishes from his view, the man gets in his car and drives away.
The motiveless attack makes little sense, and deputies question Lois’ account. The next day, she revises her story.
Her attacker is not a stranger as she originally claims; he is her nineteen-year-old married lover, Frank Newland.
Deputies Killion and Lynch arrest Frank at his home at 918 South San Antonio Street, Pomona. They book him on a charge of assault with intent to commit murder. Frank denies the attack.
As Lois lay in serious condition in the hospital, the D.A. revises charges against him to include statutory rape. Because of the severity of Lois’ wounds and her inability to appear in court, Judge White resumes Frank’s hearing at Lois’ hospital bedside.
Within a month of the attempt on Lois’ life, Frank goes to trial. Local newspapers pick up on the similarities between Frank and Lois and the characters in Theodore Dreiser’s An American Tragedy.
Future Los Angeles mayor, Fletcher Bowron, sits on the bench. Public interest in the trial is high and draws an enormous crowd—the largest since the 1929 rape trial of theater mogul Alexander Pantages.
The trial begins on April 28; Lois takes the stand, and the courtroom hangs on her every word.
LOIS WADE
Lois is low-key and demure as she testifies to her ordeal.
“By prearrangement we met on a corner in Pomona. We went in his roadster to the Mountain Meadows Country Club, where he drove off the road and stopped the car. We sat in the car for a half-hour; yes, we kissed and loved. He then suggested that we walk over to an old windmill and abandoned well nearby.”
“We looked in the well and then suddenly he turned around and struck me over the head with a club. I fell to the ground. He struck me eight or ten times more and kicked me several times.”
Frank grabs Lois by the feet and drags her, struggling and screaming ten feet to the well. No match for Frank, he overpowers her and throws her in the well.
Lois lands in twenty-five-feet of water. She bobs to the top, and fights for her life. Frank uses a railroad tie to shove Lois under water. A photo of Deputy W.L. Killon, puts the size of the weapon into perspective.
DEPUTY KILLION POSES WITH RAILROAD TIE USED TO BATTER LOIS WADE
Convinced Lois is dead, Frank gets into his car and drives away.
Lois claws herself up the wall of the well. She crawls over the edge, tumbles onto the ground, then rises and lurches into the street to summon help. A man stops his car to render aid. Amazingly, Lois’ Good Samaritan is a doctor.
Dr. Roy E. St. Clair testifies to finding Lois in the road.
“I was driving to Pomona on the Mountain Meadows Road about 8:30 p.m. last March 4 when I heard a cry and the lights on my car picked up the figure of Miss Wade standing with her right arm out-stretched. I backed up my machine, and she came to the door and said ‘Take me to a doctor.’”
In Satin Pumps: The Moonlit Murder that Mesmerized the Nation (WildBlue Press, $13.49), screenwriter and author Steve Kosareff offers a unique perspective on one of Southern California’s most riveting domestic murders.
Mid-century is at its zenith in 1959. The era is a pink and turquoise mix of future and past as decades old orange groves and strawberry fields give way to miles of modern tract homes in newly minted suburbs. The rows of cloned houses are an artifact of the explosion of growth in the area following WWII. During the summer, the neighborhoods smell like pool chlorine, backyard barbeques and Coppertone suntan lotion.
The reported suicide of television star George Reeves, known for his role as Superman, by gunshot, on June 16, 1959, obsesses his young admirers. Kids deal with the untimely passing of their superhero by making tasteless jokes to hide their discomfort. The following month, on July 18, the kids’ parents become obsessed with a different gunshot tragedy, the murder of thirty-six-year-old Barbara.
Phyllis Coates and George Reeves
Barbara and her husband, Bernard “Bernie” Finch, live the Southern California dream. He is a successful surgeon, who delivered author Kosareff, and he and Barbara and their son, live in a custom-built home on a hill in the San Gabriel Valley.
Handsome, in a sun-tanned country club way, Bernie is the son of local gentry. He is a spoiled child, an entitled adult and not a fan of sharing. If he and Barbara get a divorce, he can kiss a pot of money goodbye. He will pay alimony and child support. Rather than go through with a messy and costly divorce, Bernie concocts a plan.
Bernie’s desire to be single is motivated by his desire for his latest lover, his secretary, twenty-two-year-old Carole Tregoff. Being with the stunning redhead is all Bernie can think of.
Carole Tregoff (r.) and Dr. Bernard Finch (c.) talk in the courtroom as Carole’s lawyer, Rexford D. Eagan (l.), listens in. Finch and his girlfriend, Carole, were on trial for the murder of the doctor’s wife, Barbara Finch, who was shot to death on July 18, 1959. (Bettmann / Bettmann Archive)
The problem for Bernie is he is a surgeon, not a career criminal. His plan is clumsy, cruel, and dissolves under police scrutiny.
Satin Pumps tracks the byzantine course of the case through three trials. The story has enough sexual tension to cause Grace Metalious’ 1956 novel, Peyton Place, to spontaneously combust. The trial is as mesmerizing as Kosareff’s title declares. Courtroom seats are filled by journalist Dorothy Kilgallen, British spy novelist Eric Ambler, and writers for the Perry Mason television series.
Like Kosareff, I, too, grew up in Southern California, so getting his take on the case, first through his 7-year-old eyes, and later through his adult research, is a treat. I recommend the book. Enjoy.
