Aggie and the City of Forgotten Women, Part 2

Aggie Underwood interviews an unknown woman (possibly at Lincoln Heights Jail)

This is the second of a series on California’s unique women’s prison, which has bestirred national interest among sociologists and penologists. An International News Service staff correspondent was able to obtain the first comprehensive “inside story” of the institution where Clara Phillips and other noted women offenders are now confined.

Tehachapi, Cal., May 1, 1935 — Eight months in the “death house!”

Eight months in which to sit in one tiny room, forbidden to talk to anyone except matrons–Eight months in which to remember–what?

Possibly the sound of six shots, ringing out in the still of night–six shots which ended the life of Eric B. Madison, movie studio cashier.

Eight months in which to hear over and over again, the voice of a judge saying “You are sentenced to hang by the neck until dead”.

That is the fate of Nellie B. Madison, comely widow, who is the only woman in California now under sentence to die on the gallows.

Nellie Madison [Photo courtesy LAPL]

Just eight months ago last March 12, Nellie Madison entered Tehachapi prison and was placed in the “death cell.”

This “cell” is merely a room in the prison hospital. Architects who designed the state institution for woman at Tehachapi omitted “death cell.” That’s another way this prison is different.

So, in this room on the second floor of the administration building, Nellie Madison sits day after day. She seems a quite different person from the Nellie Madison who amazed Los Angeles court attaches during her trial with her cool, calm demeanor.

Her nattily tailored clothes are, of course, discarded for the regulation prison costume–blue denim dresses with a white pinstripe.

Her jet-black hair, now greying, has grown from the trim modern bob until it almost reaches her shoulders.

“In Los Angeles, I was thoroughly benumbed by all that had happened,” she said after the first glad welcome of seeing someone whom she had seen in the outside world.

“I couldn’t realize just what had happened to me, but now that I have been here–let’s see is it only eight months or is it ten years–well, I’ve begun to get all the confidence in the world that the State Supreme court will reverse my conviction.”

This was Mrs. Madison’s only interview since she has entered the state institution.

“It seems to me that one’s conscience would be the greatest punishment in the world,” she said.

“My conscience doesn’t bother me one bit, but I do feel the disgrace that I have brought on myself and my family. One’s past good name and character seem to mean nothing when a person gets into trouble, but it apparently doesn’t mean a thing.”

Mrs. Madison’s recreation consists of short walks on the grounds each day–in company with a matron and the letters she receives from friends.”


Aggie became interested in Nellie’s case when she covered it for the Herald. As she learned more about the abuse Nellie suffered at the hands of her husband, Eric, the less she believed Nellie deserved to hang. Through her coverage of the case, and her advocacy, Aggie and others were successful in getting Nellie’s sentence commuted to life; which made her eligible for parole. On March 27, 1943, nine years and three days after the murder, the state released Nellie.

In her 1949 autobiography, Newspaperwoman, Aggie said this about the case.

“While one’s work as a reporter may serve justice and work for or against a defendant, one shies from taking bows for presumed triumphs. Even in commendation, one does not want to feel one’s fairness impugned. I was embarrassed, therefore, when Nellie Madison embraced me gratefully at Tehachapi when I informed her that her sentence to be hanged had been commuted to life imprisonment by Governor Frank F. Merriam.”

“‘You did it! You did it!’ she wept. ‘I owe it all to you!’”

NEXT TIME: In the third article, Aggie tells of interviews with other inmates at Tehachapi.

Film Noir Friday–Saturday Night: Lady of Burlesque (1943)

Welcome!  The lobby of the Deranged L.A. Crimes theater is open! Grab a bucket of popcorn, some Milk Duds and a Coke and find a seat. Tonight’s feature is the LADY OF BURLESQUE (aka THE G-STRING MURDERS) directed by William A. Wellman and starring Barbara Stanwyck and Michael O’Shea. While not a classic noir film, it is a murder mystery and, I think, it pairs nicely with the post on Betty Rowland.

Gypsy Rose Lee (Photo courtesy New York Public Library)

LADY OF BURLESQUE is based on the novel The G-String Murders written by strip tease queen Gypsy Rose Lee. There have been claims that Craig ghosted the book, but I believe Ms. Lee did it on her own.

If you’re not familiar with Craig Rice, she wrote mystery novels and short stories, and is sometimes described as “the Dorothy Parker of detective fiction.” She was the first mystery writer to appear on the cover of Time Magazine, on January 28, 1946.

Before we roll the feature, let’s enjoy one of Gypsy Rose Lee’s dance routines–followed by a clip from a Tex Avery cartoon starring the lecherous wolf character.

TCM says:

S. B. Foss, owner of the Old Opera House on Broadway in New York City, promotes his new recruit, burlesque dancer Dixie Daisy, hoping that she will draw a large audience. Dixie’s performance draws cheers from the crowds and from comedian Biff Brannigan, who ardently admires Dixie even though she hates comics because of past experiences with them. When someone cuts the wire to the light backstage that signals the presence of the police, the performers are surprised by a raid, and pandemonium ensues. As Dixie flees through a coal chute, someone grabs her from behind and tries to strangle her, but her assailant escapes when a stagehand comes along.

Film Noir Friday:Lady of Burlesque [1943]

Welcome! The lobby of the Deranged L.A. Crimes theater is open. Grab a bucket of popcorn, some Milk Duds and a Coke and find a seat. It is burlesque week at Deranged L.A. Crimes–beginning with the post, NO, NO, BABETTE, and wrapping up with tonight’s feature, LADY OF BURLESQUE, starring Barbara Stanwyck, Michael O’Shea and Pinky Lee.

The movie is based on the 1941 novel by burlesque queen, Gypsy Rose Lee. Rumor has it that the novel was ghostwritten by mystery writer, Craig Rice. Rice (Georgiana Ann Randolph Craig) was the first female mystery writer to be featured on the cover of TIME MAGAZINE.

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However, there is sufficient evidence to prove that Ms. Lee wrote the book on her own. Either way, it is a fun read and makes for an equally entertaining movie.

Enjoy the movie!

TCM says:

S. B. Foss, owner of the Old Opera House on Broadway in New York City, promotes his new recruit, burlesque dancer Dixie Daisy, hoping that she will draw a large audience. Dixie’s performance draws cheers from the crowds and from comedian Biff Brannigan, who ardently admires Dixie even though she hates comics because of past experiences with them. When someone cuts the wire to the light backstage that signals the presence of the police, the performers are surprised by a raid, and pandemonium ensues. 

I’ll open with a short subject, a performance of PUT THE BLAME ON MAME with Gypsy Rose Lee from the 1958 film SCREAMING MIMI. Gypsy’s rendition is okay, but I prefer Rita Hayworth in GILDA.

Film Noir Friday — Saturday Matinee: Shadow of a Doubt [1943]

shadow of a doubt

Welcome!  The lobby of the Deranged L.A. Crimes theater is open! Grab a bucket of popcorn, some Milk Duds and a Coke and find a seat. Tonight’s feature is SHADOW OF A DOUBT, directed by Alfred Hitchcock and starring Teresa Wright, Joseph Cotten and Macdonald Carey — with a fine performance by Hume Cronyn.

The script was a collaboration between Thornton Wilder, Sally Benson and Alma Reville (Hitchcock’s wife).  This was Hitchcock’s favorite of his films. 

Of course Hitch makes a cameo appearance in the film, and Wikipedia tells you when to look for him:

Alfred Hitchcock appears about 15 minutes into the film, on the train to Santa Rosa, playing bridge with a man and a woman (Dr. and Mrs. Harry). Charlie Oakley is traveling on the train under the assumed name of Otis. Mrs. Harry is eager to help Otis, who is feigning illness in order to avoid meeting fellow passengers, but Dr. Harry is not interested and keeps playing bridge. Dr Harry replies to Hitchcock that he doesn’t look well while Hitchcock is holding a full suit of spades, the best hand for bridge.

 

Before the feature, enjoy this short subject from the CRIME DOES NOT PAY series.

Crime Does Not Pay was an anthology radio crime drama series based on MGM’s short film series which began in 1935 with Crime Does Not Pay: Buried Loot. The shows were transcribed at MGM’s New York station, WMGM.

Film Noir Friday: Lady of Burlesque [1943]

lady of burlesque

Welcome!  The lobby of the Deranged L.A. Crimes theater is open! Grab a bucket of popcorn, some Milk Duds and a Coke and find a seat. Tonight’s feature is the LADY OF BURLESQUE (aka THE G-STRING MURDERS) directed by William A. Wellman and starring Barbara Stanwyck and Michael O’Shea.

Gypsy Rose Lee

LADY OF BURLESQUE is based on the novel The G-String Murders written by strip tease queen Gypsy Rose Lee (with ghost-writing assistance from mystery writer Craig Rice).

Craig Rice.

If you’re not familiar with Craig Rice, she wrote mystery novels and short stories, and is sometimes described as “the Dorothy Parker of detective fiction.” She was the first mystery writer to appear on the cover of Time Magazine, on January 28, 1946.

Before we roll the feature, let’s enjoy one of Gypsy Rose Lee’s dance routines–followed by a clip from a Tex Avery cartoon starring the lecherous wolf character.

Turner Classic Movies says this about LADY OF BURLESQUE:

S. B. Foss, owner of the Old Opera House on Broadway in New York City, promotes his new recruit, burlesque dancer Dixie Daisy, hoping that she will draw a large audience. Dixie’s performance draws cheers from the crowds and from comedian Biff Brannigan, who ardently admires Dixie even though she hates comics because of past experiences with them. When someone cuts the wire to the light backstage that signals the presence of the police, the performers are surprised by a raid, and pandemonium ensues. As Dixie flees through a coal chute, someone grabs her from behind and tries to strangle her, but her assailant escapes when a stagehand comes along.

 

https://youtu.be/U9XP4GA-Z1M

Film Noir Friday: A Night For Crime [1943]

a-night-for-crime-movie-poster-1943-1020458053

Welcome! The lobby of the Deranged L.A. Crimes theater is open! Grab a bucket of popcorn, some Milk Duds and a Coke and find a seat. Tonight’s feature is A NIGHT FOR CRIME starring Glenda Farrell and Lyle Talbot. Enjoy the movie!

TCM says:

One night in Hollywood, Joe Powell, the publicity director of Motion Picture Associates Studio, visits his girl friend, reporter Susan Cooper, at her apartment, and arrives during a blackout. When they hear a woman’s scream, they go across the hall and find neighbor Ellen Smith strangled to death in her apartment. The building’s switchboard operator tells policeman Hoffman that Ellen tried to phone the police but never finished her call.

Film Noir Friday: A Stranger in Town [1943]

stranger in townWelcome! The lobby of the Deranged L.A. Crimes theater is open. Grab a bucket of popcorn, some Milk Duds and a Coke and find a seat.

Tonight’s feature is, A STRANGER IN TOWN, starring Frank Morgan, Richard Carlson, and Jean Rogers.

Enjoy the movie!

 TCM says:

After instructing his secretary, Lucy Gilbert, not to reveal his destination to anyone, John Josephus Grant, a cantankerous U.S. Supreme Court justice, embarks on an overdue duck hunting vacation. On his first day out, Joe is confronted by Orrin Todds, a game inspector, who demands to see his hunting license and then informs him that he needs a local stamp, which will cost him five dollars, plus a “tip.” Annoyed, Joe refuses to pay Orrin and, without revealing his occupation, accompanies him to court in nearby Crownport. Citing the letter of the law, the judge, Austin Harkley, upholds Orrin’s actions and fines Joe $100. Later, at the Crownport barbershop, Joe encounters young lawyer Bill Adams, who is running for mayor, and Jim Connison, the crooked incumbent, with whom Harkley is in cahoots.

Film Noir Sunday Matinee: Alias Boston Blackie [1942] & After Midnight With Boston Blackie [1943]

I’ve been crazy busy the last couple of weeks so I slept right through Film Noir Friday! But the projector is back up and running, the popcorn machine is heating up and the sodas are chilled.

Put your feet up and get ready to enjoy a double feature.

Since it’s Sunday I thought it would be nice to offer a light weight film selection. So find a seat and join me in the Deranged L.A. Crimes screening room for a couple of WWII era BOSTON BLACKIE films starring Chester Morris.

Our first feature is ALIAS BOSTON BLACKIE.

ALIAS BOSTON BLACKIE_resize

TCM says:

Prompted by the sentiment of Christmas, reformed safecracker Boston Blackie persuades the cast of a musical comedy company to help him entertain the inmates at his “alma mater,” the state prison. The stars of the troupe are Roggi McKay, the famous clown, and a young dancer, Eve Sands, whose brother, Joe Trilby, is an inmate at the institution. Eve is anxious to see her brother, who was jailed on false evidence and who now he seeks revenge on Duke Banton and cab driver Steve Caveroni, the two men who framed him.

http://youtu.be/c5AgY4mTLro?list=PL5TUHC5E_gjcmy08vKChSLRyVDzwHfiWs

TIME FOR INTERMISSION!  YOU KNOW WHAT THAT MEANS–LET’S ALL GO TO THE LOBBY!

Now for our second BOSTON BLACKIE feature, AFTER MIDNIGHT WITH BOSTON BLACKIE.

AFTERMIDNIGHTWITHBOSTONBLACKIE2_resize

When Diamond Ed Barnaby is paroled from prison after serving a sentence for stealing diamonds, his fellow gang members, Joe Herschel, Sammy Walsh and Marty Beck, spring into action to reclaim the jewels. Anticipating trouble from Herschel and his gang, Diamond Ed tells his daughter Betty that he must leave town but will meet her at the Arcade Building on Friday. After retrieving the gems, Diamond Ed locks them in a safe deposit box at the Arcade Building, intending to give them to Betty. Several days later, a porter with a telegram for reformed jewel thief Boston Blackie pages him on a train. Inspector Farraday, Blackie’s nemesis, who is also a passenger on the train, identifies himself as Blackie and accepts the telegram.

Film Noir Friday: Shadow of a Doubt [1943]

shadow of a doubt

Welcome!  The lobby of the Deranged L.A. Crimes theater is open! Grab a bucket of popcorn, some Milk Duds and a Coke and find a seat. Tonight’s feature is SHADOW OF A DOUBT, directed by Alfred Hitchcock and starring Teresa Wright, Joseph Cotten and Macdonald Carey — with a fine performance by Hume Cronyn.

The script was a collaboration between Thornton Wilder, Sally Benson and Alma Reville (Hitchcock’s wife).

Of course Hitch makes a cameo appearance in the film, and Wikipedia tells you when to look for him:

Alfred Hitchcock appears about 15 minutes into the film, on the train to Santa Rosa, playing bridge with a man and a woman (Dr. and Mrs. Harry). Charlie Oakley is traveling on the train under the assumed name of Otis. Mrs. Harry is eager to help Otis, who is feigning illness in order to avoid meeting fellow passengers, but Dr. Harry is not interested and keeps playing bridge. Dr Harry replies to Hitchcock that he doesn’t look well while Hitchcock is holding a full suit of spades, the best hand for bridge.

 

http://youtu.be/4kwHB7s3T9k