Film Noir Friday, on Saturday: Woman on the Run [1950]

Welcome! The lobby of the Deranged L.A. Crimes theater is open. Grab a bucket of popcorn, some Milk Duds and a Coke and find a seat.

Tonight’s feature is WOMAN ON THE RUN, starring Ann Sheridan and Dennis O’Keefe.

Enjoy the movie!

TCM says:

After San Francisco artist Frank Johnson witnesses the gangland murder of informant Joe Gordon while walking his dog, Inspector Ferris attempts to take him into protective custody. Afraid that he will be killed if he testifies against the murderer, Frank instead runs away. Ferris questions Eleanor, Frank’s estranged wife, about her husband, but she offers little help. Ferris does convince Eleanor, however, that Frank would be safer in police custody than alone on the streets. Later that night, Eleanor sneaks out of her apartment and goes to a nightclub in Chinatown. She is followed there by tabloid reporter Dan Leggett, who offers to pay her $1,000 for exclusive rights to Frank’s story.

Film Noir Friday:Lady of Burlesque [1943]

Welcome! The lobby of the Deranged L.A. Crimes theater is open. Grab a bucket of popcorn, some Milk Duds and a Coke and find a seat. It is burlesque week at Deranged L.A. Crimes–beginning with the post, NO, NO, BABETTE, and wrapping up with tonight’s feature, LADY OF BURLESQUE, starring Barbara Stanwyck, Michael O’Shea and Pinky Lee.

The movie is based on the 1941 novel by burlesque queen, Gypsy Rose Lee. Rumor has it that the novel was ghostwritten by mystery writer, Craig Rice. Rice (Georgiana Ann Randolph Craig) was the first female mystery writer to be featured on the cover of TIME MAGAZINE.

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However, there is sufficient evidence to prove that Ms. Lee wrote the book on her own. Either way, it is a fun read and makes for an equally entertaining movie.

Enjoy the movie!

TCM says:

S. B. Foss, owner of the Old Opera House on Broadway in New York City, promotes his new recruit, burlesque dancer Dixie Daisy, hoping that she will draw a large audience. Dixie’s performance draws cheers from the crowds and from comedian Biff Brannigan, who ardently admires Dixie even though she hates comics because of past experiences with them. When someone cuts the wire to the light backstage that signals the presence of the police, the performers are surprised by a raid, and pandemonium ensues. 

I’ll open with a short subject, a performance of PUT THE BLAME ON MAME with Gypsy Rose Lee from the 1958 film SCREAMING MIMI. Gypsy’s rendition is okay, but I prefer Rita Hayworth in GILDA.

Film Noir Friday: The Great Guy [1937]

Welcome! The lobby of the Deranged L.A. Crimes theater is open. Grab a bucket of popcorn, some Milk Duds and a Coke and find a seat. Tonight’s feature is THE GREAT GUY, starring James Cagney and Mae Clark.

A little bit of trivia, thanks to TCM: This was James Cagney’s first film in more than 11 months because of litigation following the termination of his contract at Warner Bros.

Enjoy the movie!

TCM says:

When Joel Green, head of the Department of Weights and Measures, is nearly killed in a car accident by corrupt politician Marty Cavanaugh, ex-prizefighter Johnny Cave replaces him. Facing a city-wide racket of faulty measures, Johnny fines merchants who are cheating the public and ignores the customary bribes and threats of Cavanaugh’s men. The night after he refuses a job offer from Cavanaugh, Johnny is abducted. He wakes up, stinking of alcohol, in the gutter with his hair dyed red.

Film Noir Friday: International Crime–The Shadow [1938]

Welcome! The lobby of the Deranged L.A. Crimes theater is open. Grab a bucket of popcorn, some Milk Duds and a Coke and find a seat. Today’s feature is INTERNATIONAL CRIME–THE SHADOW starring Rod La Rocque and Astrid Allwyn.

Enjoy the movie!

IMDB says:

Lamont Cranston (Rod La Rocque), amateur criminologist and detective, with a daily radio program, sponsored by the Daily Classic newspaper, has developed a friendly feud that sometimes passes the friendly stage with Police Commissioner Weston (Thomas E. Jackson). He complains to his managing editor, Edward Heath (Oscar O’Shea), over the problems that have developed in his department since Phoebe Lane (Astrid Allwyn) has been hired as his assistant. He is advised to forget it since she is the publisher’s niece. During his broadcast about Honest John (William Pawley), a famous safe cracker who has served his time, Phoebe gives him a note that the Metropolitan Theatre is to be robbed at eight o’clock and she is so insistent that he adds it as his closing note.

Film Noir Friday, Saturday Matinee–Night Editor [1946]

Welcome! The lobby of the Deranged L.A. Crimes theater is open. Grab a bucket of popcorn, some Milk Duds and a Coke and find a seat. Today’s feature is NIGHT EDITOR [1946] starring William Gargan, Janis Carter and Jeff Donnell.

The film is based on a radio program of the same name, which ran from 1934 to 1948. Sponsored by Edwards Coffee, the program featured Hal Burdick as the “night editor”. Burdick received readers’ requests for stories, in a “letter to the editor” format, which he would tell on the program. Burdick played all characters in each episode. The radio series was adapted for Night Editor, a short-lived TV series on the DuMont Television Network in 1954, also hosted by Burdick.

Enjoy the movie!

TCM says:

At the offices of the New York Star , Johnny, a troubled young reporter, slumps despondently at his desk. Johnny’s problems cause editor Crane Stewart to reminisce about another troubled young man he knew years earlier: Homicide detective Tony Cochrane dotes on his little son Doc, but is estranged from Martha, his unsophicsticated wife. Tony’s estrangement arises from his love affair with Jill Merrill, a cold-hearted socialite. Although Tony has tried to break off their relationship, Jill keeps him ensnared with her sexual depravity. While passionately embracing at the beach one evening, Jill and Tony see a car stop along the road and hear a woman scream. When a man jumps out of the car and flees, Tony is about to give chase when Jill reminds him that his involvement would expose their illicit affair.

Film Noir Friday–Sunday Matinee: Murder With Pictures [1936]

Welcome! The lobby of the Deranged L.A. Crimes theater is open. Grab a bucket of popcorn, some Milk Duds and a Coke and find a seat.

Tonight’s feature is MURDER WITH PICTURES [1936] starring Lew Ayres and Gail Patrick.

Enjoy the film!

TCM says:

Stanley Redfield, defense lawyer for racketeer Nate Girard, who has been accused of murdering a man named Cusick, is murdered during a press party held to celebrate Girard’s acquittal. Among the suspects are two newspapermen, Phil Doane and I. B. McGoogin, and Meg Archer, a mysterious woman who appeared in town shortly after Girard’s release. Free from suspicion is ace news photographer Kent Murdock, who was in a nearby apartment arguing with his showgirl fiancé, Hester Boone, when the murder took place.

ENJOY THE MOVIE!

Film Noir Friday: The Chase [1946]

Welcome! The lobby of the Deranged L.A. Crimes theater is open. Grab a bucket of popcorn, some Milk Duds and a Coke and find a seat.

Tonight’s feature is THE CHASE [1946] starring Robert Cummings, Michele Morgan, Steve Cochran and Peter Lore.

Enjoy the film!

TCM says:

Returning a lost wallet gains unemployed veteran Chuck Scott a job as chauffeur to Eddie Roman, a seeming gangster whose enemies have a way of meeting violent ends. The job proves nerve-wracking, and soon Chuck finds himself pledged to help Eddie’s lovely, fearful, prisoner-wife Lorna to escape. The result leaves Chuck caught like a rat in a trap, vainly seeking a way out through dark streets. But the real chase begins when the strange plot virtually starts all over again…

Film Noir Friday: Private Detective 62 [1933]

Welcome. The lobby of the Deranged L.A. Crimes theater is open. Grab a bucket of popcorn, some Milk Duds and a Coke and find a seat.

Tonight’s feature is PRIVATE DETECTIVE 62, starring William Powell and Margaret Lindsay.

TCM says:

In France, United States State Department employee Donald Free is caught trying to steal French state papers and is deported. Because of the publicity, Donald is released from his government job and has a hard time finding another because jobs are scarce during the Depression. One day, he walks into the Peerless Detective Agency, run by the incompetent and crooked Dan Hogan. Hogan does not have customers and Donald does not have a license, so Donald proposes a partnership. 

Enjoy the movie!

Film Noir Friday: Between Midnight and Dawn [1950]

Welcome. The lobby of the Deranged L.A. Crimes theater is open. Grab a bucket of popcorn, some Milk Duds and a Coke and find a seat.

Tonight’s feature is BETWEEN MIDNIGHT AND DAWN, starring Mark Stevens, Edmond O’Brian and Gale Storm.

TCM says:

Rocky Barnes and Daniel Purvis, two policemen working the night shift, have been partners since they served in the war together. Although Rocky believes that even criminals have some good inside, Daniel is more cynical. Daniel is particularly anxious to capture petty criminal Ritchie Garris, but is hampered by the fact that the victims of Garris’ strong-arm tactics refuse to testify against him. Rocky is more interested in the face that belongs to the sultry voice of the night dispatcher than he is in Garris and soon discovers that the attractive voice is that of Katherine Mallory, a policeman’s daughter and the captain’s secretary.

There are some cool shots of Los Angeles.

Film Noir Friday–On Saturday Night–Dead End [1937]

Welcome. The lobby of the Deranged L.A. Crimes theater is open. Grab a bucket of popcorn, some Milk Duds and a Coke and find a seat.

Tonight’s feature is DEAD END (1937), starring Humphrey Bogart. The supporting cast is stellar, Joel McCrea, Sylvia Sidney, Wendy Barrie, and Claire Trevor. Among the faces you will recognize from the era, Allen Jenkins and Marjorie Main.

Interesting note–Lillian Hellman wrote the screenplay. If you are not familiar with Hellman, she was the longtime partner of the great noir novelist, Dashiell Hammett, who wrote The Thin Man, and Red Harvest.

IMDB says:

The Dead End Kids are introduced in their intricate East Side slum, overlooked by the apartments of the rich. Their antics, some funny, some vicious, alternate with subplots: unemployed architect Dave is torn between Drina, sweet but equally poor, and Kay, a rich man’s mistress; gangster Baby Face Martin returns to his old neighborhood and finds that nobody is glad to see him. Then violent crime, both juvenile and adult, impacts the neighborhood and its people.

Enjoy the movie!