Welcome! The lobby of the Deranged L.A. Crimes theater is open! Grab a bucket of popcorn, some Milk Duds and a Coke and find a seat. Tonight’s feature is FEAR IN THE NIGHT, Paul Kelly, DeForest Kelley, and Ann Doran.
One of the film’s stars, Paul Kelly, was involved in a real-life murder case. In 1927. Kelly beat to death actor Ray Raymond, husband of his lover, Dorothy Mackaye. Kelly did time in San Quentin for the crime, and so did Mackaye. Read all about their story in my new book, OF MOBSTERS AND MOVIE STARS: THE BLOODY GOLDEN AGE OF HOLLYWOOD.
This film is based the story NIGHTMARE, by William Irish, one of the pen names of writer Cornell Woolrich. Woolrich wrote many stories that made it to film: Rear Window, The Bride Wore Black, Black Angel, and Phantom Lady, to name just a few. If you are not familiar with Woolrich, he is worth reading. His biographer, Francis Nevins Jr., rated Woolrich the fourth best crime writer of his day, behind Dashiell Hammett, Erle Stanley Gardner and Raymond Chandler
Enjoy the movie!
TCM says:
Bank teller Vince Grayson dreams he is in a mysterious mirror-panelled octagonal room, where a man accompanied by a blonde woman is robbing a safe. Vince and the man fight, and when the man begins to strangle Vince, the woman hands him an awl, with which he pierces the stranger’s heart. The woman flees, and Vince places the man’s body behind one of the mirrored doors and locks it, taking the key. When Vince awakens, he discovers the key in his coat and thinks that he may be a murderer. Distraught, he calls in sick at work and visits his brother-in-law, homicide detective Cliff Harlan.
The investigation into Beth Short’s murder grew colder every day. Police investigated all the crackpots who claimed responsibility for the heinous crime. They went through stacks of letters and postcards that named potential suspects and offered various theories about the culprit. They rousted local sex offenders and searched in vain for the crime scene. If only the killer would confess.
On February 8, 1947, Joseph Dumais, an Army Corporal, came forward and admitted he dated Beth Short. Not only had they dated, he was sure he had killed her. The Herald announced “Corporal Dumais Is Black Dahlia Killer.” The story began, “Army Corporal Joseph Dumais, 29, of Fort Dix, N.J., is definitely the murderer of ‘The Black Dahlia,’ army authorities at Fort Dix announced today.”
Dumais returned to Fort Dix wearing blood-stained trousers with his pockets crammed full of clippings about the murder. In a hand-written 50-page confession, he claimed he dated Beth five days before the discovery of her body—then he suffered a mental blackout.
Joseph Dumais
The good-looking corporal seemed like the real deal. Army Capt. William R. Florence, head of the Fort Dix Criminal Investigation Department, said, “I am definitely convinced that this man is the murderer.” In his zeal to be the one to solve the gruesome murder, Capt. Florence overlooked the superficial nature of Dumais’ answers to his questions. Dumais had only to read the news coverage of the case, and then unleash his imagination to be credible in the short run. When Florence asked, “Does it seem to you at this time that you committed this crime? Dumais answered yes. But as Dumais stated earlier, he blacked out and recalled nothing until he arrived at Penn Station.
Getting to the nitty-gritty details, the Capt. asked, “Do you know how her body was mutilated?” Dumais said he did, but did not wish to describe the injuries. Again, Capt. Florence asked Dumais if he could have committed the murder. Dumais replied, “Yes, it is possible because of my actions in the past.”
In his confession, Dumais told Army authorities he stabbed Beth in the back and around the mouth, then severed her body with a meat cleaver. He washed the body of blood and dumped it in a vacant lot in Leimert Park.
Dumais’s story was riddled with holes. He said he had a date with Beth in San Francisco on January 9 or 10, but could not explain how he got to Los Angeles and then back to Fort Dix. Further questions revealed Dumais to be a blackout drunk. He said he was “rough on the girls” when he had been drinking. Dumais’s credibility eroded with each new statement.
On February 10th, as Dumais’s story unraveled, Los Angeles awakened to the news of another brutal murder of a woman. The Herald put out an extra edition with the headline, “Werewolf Strikes Again! Kills L.A. Woman, Writes B.D. on Body”.
The victim of the “Werewolf Killer” was forty-five-year-old Jeanne French. Her nude body was discovered at 8 a.m. on February 10, 1947, near Grand View Avenue and Indianapolis Street in West L.A. Police were frustrated and overworked. The women of Los Angeles were terrified. What the hell was going on?
Detectives at the scene of Jeanne French’s murder.
Welcome! The lobby of the Deranged L.A. Crimes theater is open! Grab a bucket of popcorn, some Milk Duds and a Coke and find a seat. Tonight’s feature is Fear In The Night and stars Paul Kelly, DeForest Kelley, Ann Dorn, and Kay Scott. The movie is based on a story by Cornell Woolrich (under the pseudonym of William Irish). Cornell Woolrich’s stories and novels have made terrific films: Rear Window,The Bride Wore Black, and Phantom Lady. Fear In The Night was directed by Maxwell Shane.
TCM Says:
Bank teller Vince Grayson wakes from a nightmare in which he and an unknown woman murdered a man in a strange, mirrored room. Only a dream…but Vince finds that he has physical objects and bruises from his “dream.” His cop brother-in-law dismisses his story…until the family, on a picnic, takes shelter from a thunderstorm in a deserted mansion containing that mirrored room. Is doom closing in on Vince?
In his 1991 autobiography, Reporters: Memoirs of a Young Newspaperman, Will Fowler recalled one of his colleagues, Baker Conrad, had noticed a telegram among Elizabeth Short’s belongings. The Examiner’s editor, Jim Richardson, dispatched Fowler to the address on the telegram, 8010 Mountain View Avenue in South Gate.
When Fowler arrived at the bungalow court, a strikingly beautiful young woman greeted him. Her name was Harriette Manley. Fowler let her believe he was a cop.
During their conversation, Harriette said her husband phoned her from San Francisco after he saw his name in the newspapers in connection with Elizabeth Short’s murder. Red reassured Harriette that he’d had nothing to do with the slaying. He said he “loved her more than any man ever loved his wife.”
At 10:00 pm on January 19th, two LAPD sergeants, J.W. Wass and Sam Flowers, staked out the home of Red’s employer in Eagle Rock. When the suspect’s sedan pulled up, the officers approached him with their guns drawn. An Examiner photographer was there to capture the arrest.
Robert ‘Red’ Manley
The next day, Aggie Underwood interviewed him. Red needed no encouragement to unburden himself. He told her how he’d picked Beth Short up on a San Diego street corner. How they had spent an “erotically uneventful” night in a motel and how he eventually dropped her off at the Biltmore Hotel on January 9th.
Red finished his tale with a heartfelt statement. “I’ll never pick up another dame as long as I live.”
Aggie believed Red and shared her gut feelings with the police. Red was forthcoming in his interview. Aggie knew he wasn’t a killer. Red was a frightened man with goofy ideas about love, marriage, and fidelity.
“I was only trying to test my love for my wife,” he said as he sought to explain his brief escapade with Beth Short.
Red said he first saw Beth standing on a street corner in San Diego while on a business trip ten days before Christmas. “She looked cute, so I thought, well, I’ll make a little test and see if I’m still in love with my wife, or whether I could ever fall for anyone else.”
According to Red, he and Harriette, married for just 14 months, were going through a “readjustment period.” He said they had a “few misunderstandings, but nothing important.”
He swore up and down that Beth was the only woman he picked up since his marriage. When he approached her that day, Beth was coy. “She turned to me and said, ‘Don’t you think it’s wrong to approach a girl this way?’” Wrong or not, she got into his car within a minute or two. Before he dropped her off in Pacific Beach, where she was couch-surfing at the home of Elvera and Dorothy French. they sat in his car and talked. He asked her if she would go out to dinner with him. “That would be nice,” she said.
Red drove back up the highway and rented a motel room. He picked Beth up that evening and they went to a nightclub and danced until midnight. Afterwards, they stopped at a drive-in for a snack. He said they talked for a few minutes in front of the French home. Red kissed her goodnight, but said she was a little cold.
He didn’t see her again until January 7, on his next trip to San Diego. He wired ahead to let her know he would be in town. They went nightclubbing again. Then they stayed together in a motel on their way back to Los Angeles.
Red’s story, and his demeanor, convinced Aggie he was not a killer, but that didn’t mean she let him off easy.
If there was one thing that Aggie detested, it was a sob sister. For those of you unfamiliar with the term, a sob sister is a female journalist who writes overly sentimental copy. That sort of journalism was never Aggie’s thing. She said, “A sob sister could have wept with and over Manley, interpolating, editorial gushes to prove what a big bleeding-heart beat in her breast. To hell with that. I’d rather have a fistful—an armload—of good solid facts.”
Her armload of facts made Aggie’s interview with Red Manley riveting. In fact, her city editor, who normally cautioned her to keep her copy short, let the entire interview run without a ton of photos. He knew a great interview when he read one. Aggie was the only Los Angeles reporter to get a by-line in the Dahlia case.
Why, then, amid the covering of the murder, was Aggie yanked off the story? With no warning or explanation, Aggie found herself benched. The city editor let her cool her heels in the newsroom without a thing to do.
Aggie spent a couple of miserable days at her desk, bored out of her mind. Then she got pissed-off enough to fight back. She didn’t get huffy or raise her voice. She brought in an embroidery project. In no time, the other newsroom denizens were snickering. One newswoman, Caroline Walker, said, “What do you think of that? Here’s the best reporter on the Herald, on the biggest day of one of the best stories in years—sitting in the office doing fancy work!”
The next day, they reassigned Aggie to the story—only to pull her off a second time. What the hell was going on?
Elizabeth Short left the lobby of the Biltmore Hotel on January 9, 1947, and vanished. Where did she go? Is it possible she stopped at the Crown Grill at 8th and Olive seeking a familiar face and a free ride to Hollywood? When questioned by LAPD detectives, none of the employees or patrons recalled seeing her that night.
Biltmore Hotel
People often wonder where Beth was during her “lost week.” I believe she left the Biltmore to go to Hollywood. She knew people there, and might find a place to stay, even if just for a couple of nights. Despite reports, there is no credible evidence that anyone ever saw Beth after she left the Biltmore.
After leaving the Biltmore, it seems likely that Beth accepted a ride from her killer. Did she know him, or was he a stranger, an average-looking Joe in a suit or military uniform? Beth accepted rides from strangers before. Her youthful hubris may have led her to believe she would know a bad guy if she met one. Like most young women, Beth had likely talked her way out of an unwanted pass before. As women, we learn early how to navigate the occasionally treacherous world of men. The encounter with her killer would be unlike anything in her previous experience. By the time his mask slipped to reveal the evil beneath, Beth did not stand a chance.
On the morning of January 15, 1947, Leimert Park housewife, Betty Bersinger and her little daughter Anne, walked along Norton on the way to run errands. The sidewalks were in, but the houses had yet to be built on that block. The war halted building projects. All materials went to the defense industry.
About fifty feet north of a fire hydrant, Betty noticed something white about a foot from the edge of the sidewalk in the weeds of a large vacant lot. As they drew closer, the thing took shape. It looked like a discarded store mannequin. Then, to her horror, Betty realized what she saw was a nude woman, cut in half and posed with her arms above her head and her legs spread wide apart.
Terrified, Betty grabbed Anne and ran to the nearest house to telephone the police. In her excitement, she failed to identify herself.
LAPD officers arrived, and so did the press. The Herald sent Aggie Underwood. Aggie had been with the paper for twelve years and covered many crime scenes. But this one was different. The level of brutality defied comprehension. The killer posed his victim in a way meant to degrade her. With none of her belongings at the scene to identify her, the authorities labeled the victim as the city’s first Jane Doe of 1947.
Aggie described the scene in her 1949 autobiography, Newspaperwoman.
“In a vacant lot amid sparse weeds a couple of feet from the sidewalk lay the body. It had been cut in half through the abdomen, under the ribs. The two sections were ten or twelve inches apart. The arms, bent at right angles at the elbows, were raised above the shoulders. The legs were spread apart. There were bruises and cuts on the forehead and the face, which had been beaten severely. The hair was blood-matted. Front teeth were missing. Both cheeks were slashed from the corners of the lips almost to the ears. The liver hung out of the torso, and the entire lower section of the body had been hacked, gouged, and unprintably desecrated. It showed sadism at its most frenzied.”
Aggie at the body dump, January 15, 1947.
Aggie studied the body and disagreed with some of the police who argued the deceased was a woman in her mid-thirties. Aggie said the condition of the woman’s skin suggested someone much younger.
A couple of days later, when they identified Jane Doe as Elizabeth Short, Aggie’s contention proved true. Short was only 22-years-old.
The Herald originally tagged the slaying the “Werewolf Murder.” They soon dropped in favor of a much catchier moniker.
Several people took credit for giving the case the name that would stick ‘Black Dahlia.’ Aggie was one of them. While chasing dead-end leads, Aggie said she received a call from a friend, Ray Giese, who was an LAPD homicide detective lieutenant. He said, “This is something you might like, Agness. I’ve found out they called her the ‘Black Dahlia’ around that drug store where she hung out down in Long Beach.”
Short got her nickname after she and some friends saw the film, “The Blue Dahlia,” starring Alan Ladd, Veronica Lake, and William Bendix during the summer of 1946. They said because she wore black clothes and frequently tucked a flower behind one ear, she was the “Black Dahlia.”
Once they identified Short, they found the last man seen with her, Robert ‘Red’ Manley. The twenty-five-year-old salesman drove Short up from San Diego and left her at the Biltmore Hotel on January 9th. He became suspect #1.
Robert “Red” Manley arrested in Eagle Rock. Photo courtesy LAPL.
Early in the morning of January 20th, Aggie got permission to interview Manley at the Hollenbeck police station on the east side of the city. She sized him up as a guy reporters might meet at a bar and “find a congenial drinking companion, possible criminal or not.”
Aggie said, “You look like you’ve been on a drunk.” Manley replied, “This is worse than any I’ve ever been on.” Perry offered Manley a cigarette, which he accepted with gratitude. Aggie continued. “Look, fella, you’re in one hell of a spot. You’re in a jam and it’s no secret. If you’re innocent, as you say you are, tell the whole story; and if you haven’t anything to hide, people can’t help knowing you’re telling the truth. That way, you’ll get it over with all at once and it won’t be kicking around to cause you more trouble.”
Would Manley open up to Aggie?
NEXT TIME: Red Manley tells his story, and the investigation continues.
Seventy-seven years ago, on Wednesday, January 8, 1947, Robert ‘Red’ Manley drove to the home of Elvera and Dorothy French in Pacific Beach, in the San Diego area, to pick up a young woman he met a month earlier. Her name was Elizabeth Short.
Red was a twenty-five-year-old salesman and occasional saxophone player, with a wife, Harriette, and 4-month-old baby daughter at home. The couple married on November 28, 1945. They lived in a bungalow court in one of L.A.’s many suburbs.
Red enlisted in the Army on June 24, 1942. In January 1945, he entered a hospital for treatment of a non-traumatic injury, and the Army discharged him in April of the same year for medical reasons
Maybe his injury made it difficult for him to adjust to marriage and parenthood. He said that he and Harriette had “some misunderstandings.” Restless and feeling unsure about his decision to marry, Red decided to “make a little test to see if I were still in love with my wife.” The woman Red used to test his love was twenty-two-year-old Elizabeth Short.
Elizabeth Short
On a work trip to San Diego, Red met Beth. She stood a street corner and appeared to need a ride. At first, she seemed reluctant to get into his car. But in an instant, she changed her mind. She introduced herself as Beth Short, and they struck up a conversation. When Red returned to Los Angeles, the two corresponded.
Dorothy French met Beth on the night of December 9, 1946 at the all-night movie theater, the Aztec, on Fifth Avenue. Dorothy worked as a cashier at the ticket window and she noticed Beth, who seemed at loose ends. When her shift ended at 3 a.m., Dorothy offered to take Beth back to the Bayview Terrace Navy housing unit she shared with her mother and a younger brother. Beth was glad to abandon the theater seat for a comfortable sofa.
Dorothy French [Photo: theblackdahliain hollywood]
Weeks passed, and Elvera and Dorothy grew tired of Beth’s couch surfing. She did not contribute to the household, she didn’t even pay for groceries. She received a money order for $100 from a former boyfriend, Gordon Fickling, yet she spent much of her time compulsively writing letters, many of which she never sent.
One of the unsent letters was to Gordon. In the letter dated December 13, 1946, Beth wrote,
“I do hope you find a nice girl to kiss at midnight on New Year’s Eve. It would have been wonderful if we belonged to each other now. I’ll never regret coming West to see you. You didn’t take me in your arms and keep me there. However, it was nice as long as it lasted.”
The French family had another complaint about their houseguest. Despite her claims, Beth never looked for work. Beth wrote to her mother, Phoebe, that she was working for the Red Cross, or in a VA Hospital, but she lied. Her letters home never revealed her transient lifestyle—nothing about couch surfing, borrowing money to eat, or accepting rides from strange men.
Robert “Red” Manley. Photo courtesy LAPL.
Beth could have found a job if she wanted one. She worked in a delicatessen in Florida as a teenager and at the post exchange (PX) at Camp Cooke (now Vandenberg Air Force Base). Red arranged with a friend of his to get her a job interview—but she didn’t follow-up.
When Red heard from his friend that Beth was a no-show for the job interview, he wrote to her to find out if she was okay. She said she was fine but didn’t like San Diego; she preferred Los Angeles and wanted to return there. Red said he’d help her out.
The drive from San Diego to Los Angeles was Red’s love test. If nothing happened, then he would know that he and Harriette would stay together. Kismet. But if he and Beth clicked, he’d have a decision to make.
Beth and Red weren’t on the road for long before they stopped at a roadside motel for the night. They went out for dinner and drinks before returning to their room to go to bed. Did Red have butterflies in his stomach? How did he want the love test to turn out?
Red must have realized the decision was Beth’s. They never shared more than a kiss. She spent the night in a chair and he took the bed.
The pair left the motel at about 12:20 p.m. on January 9, 1947, for Los Angeles. What did Beth and Red talk about during the couple of hours that it took them to drive back to Los Angeles from San Diego? Red noticed some scratches on her arms and asked her about them. She invented a story about a possessive boyfriend—an Italian man with black hair living in San Diego—who supposedly scratched her. Beth most likely made the scratches herself. She lied to Red a few times more before their day together ended.
The Manleys embrace. Photo courtesy LAPL.
Following a platonic night in the motel room–Red passed his self-administered love test. Lucky Harriette. He still had a problem. He had not called Harriette for a few days. How would he explain his silence? Any guy capable of devising a ridiculous love test could come up with an excuse for being incommunicado for a couple of days.
In my mind’s eye, I see Beth and Red seated across from each other on the bench seat in his Studebaker, each lost in thought. Beth may have wondered what she’d do once she hit L.A. Maybe she’d go to friends in Hollywood. If she was lucky, someone would have an empty bed for her. Her immediate difficulty was Red. How would she get away from the well-meaning guy for whom she felt nothing?
Once they arrived in the city, Beth told Red that she needed to check her luggage at the bus depot. He took her there and Beth was ready to wave goodbye to him and be on her way–but he wouldn’t leave. She insisted she would be fine, but he wouldn’t hear of it.
Beth had a few minutes while she checked her bags to concoct a plan to ditch her shadow. When they returned to his car, she told him she needed to go to the Biltmore Hotel to wait for her sister, Virginia. She lied. Virginia lived in Oakland, hundreds of miles to the north.
Red drove her several blocks to the Biltmore Hotel. The main lobby was on Olive Street, opposite Pershing Square. Beth thanked Red. He had been a gentleman. He’d paid to have taps put on the heels and toes of her pumps, and of course he’d paid for meals and the motel room. She thought he would drive off and leave her, but again, he said that he didn’t feel comfortable putting her out of the car on her own.
Biltmore Hotel
He parked, and the two of them waited in the Biltmore’s lobby for a couple of hours. Finally, Red realized he couldn’t wait any longer. He said he had to go. She told him she would be fine, and that she expected her sister to arrive at any moment.
Red left her at around 6:30 p.m. Beth watched him go–gave him a few minutes, and then she exited the hotel and turned south down Olive Street.
It is possible that she was heading to the Crown Grill at Eighth and Olive. She’d been there before and perhaps she hoped to bump into someone she knew; after all, she needed a place to stay.
This is a frame from B-roll of downtown Los Angeles. Do you see the Crown?
When asked if they’d seen Beth, most of the patrons were reluctant to talk to the police because the bar led a double life. By day, it catered to the lunch crowd. Dark enough to be cozy for cocktails for a man escorting a woman, not his wife. By night, the clientele shifted to gay men. With homosexuality being illegal, the opportunities for men to meet were limited.
No one who will talk could say for sure that Beth was in the bar on the 9th—and if she was there, no one saw her leave.
That no one missed Beth is tragic. She had no family here, and no close friends. She was the perfect prey. Without any credible sightings, it is probable that Beth’s killer held her captive from January 9th until the morning of January 15th, when he took her life. What did he say to her? Did she plead for her life? It is absolutely horrifying to consider.
On October 27, 1936, in a special edition celebrating the Herald’s twenty-fifth anniversary as an evening daily, city editor John B.T. Campbell wrote this about Aggie Underwood:
“Aggie Underwood should have been a man. A rip-snorting, go-gettum reporter who goes through fire lines trails killers . . . using anything from airplanes to mules to reach the spot that in newspapers is . . . marked with an arrow or an X. What a gal! Usually followed by one or two photographers who . . . get lost when unable to keep up with this speedy lady. Favorite occupation is following a good murder. Favorite story, a good murder. Favorite photograph, a good murder. Favorite fate for all editors, good murder. Help!”
Today we may struggle with the “should have been a man” comment, but at that time it was high praise. Aggie was still new at the Herald, starting in January 1935. She undeniably made an impression on the newsroom. She recalled those early days as “happy-go-lucky.” The reporters worked hard and played just as hard; often going in a group to Chinatown for dinner, or gathering at a bar in Pico Gulch (about half a block from the office, on Pico between Figueroa and Georgia streets).
1931 photo shows the Goodyear blimp “Volunteer” soaring over the Evening Herald building to pick up a bundle of Twentieth Birthday editions for delivery to officials at city hall.
In her work, Aggie made it a point never to ask for special treatment because she was a woman. One night, she arrived at a brush fire in Malibu. A Sheriff’s deputy stopped her. “It makes no difference if you are a reporter. No woman can go in there.” She was considering her next move when she heard a man’s voice. He addressed the deputy, “It’s all right, lad. She’s been to a hell of a lot more of these things than you ever have. Go on through, Aggie.”
The voice belonged to Sheriff’s Department Inspector Norris G. Stensland, one of my favorite LA law enforcement officers.
Aggie worked well with law enforcement. She took the time to write to an officer’s superior to express how helpful he was. In this way, she built long-standing relationships based on mutual respect. Reporters like Aggie have a lot in common with detectives. Each knows the value of maintaining their composure and assessing a scene. Both cops and reporters know the value of developing informants.
One time, on a tip, Aggie arrived at the scene of a love-triangle murder. The cop at the door refused entry to Aggie, not because she was a reporter, but because she was a woman. “You can’t go in there, lady. It’s pretty bad in there. It’s no place for a woman. It’s a mess of blood all over.” Paul Dorsey, a Herald photographer who was with her, said to the officer, “Don’t worry about her. She can take it. Worry about me. Chances are that I can’t.”
In August 1935, Aggie got a tip that LAPD detectives planned to search the home of a woman accused of shooting and gravely wounding her husband at a dinner party days earlier. Aggie arrived before detectives Aldo Corsini and Thad Brown, who sought the pistol used by the woman. Aggie said the detectives were concerned about entering the home because of a huge gaunt German Shepherd. Nobody had fed or given water to the poor thing since the arrest of his mistress. The dog, frightened and stressed, barked from behind a window.
Victim of shooting interviewed by Aldo Corsini and Thad Brown. Photo courtesy UCLA digital collection.
Aggie had an epiphany. “Look, Thad, Corsini and I will go to the back door and make one hell of a noise and distract the dog. While we’re doing that, Thad, you go in through the window, right there beside the front door, then unlock the front door and rush out. I’ll go in then and tame your dog; I’m not afraid of him.”
Aggie heard dogs are aggressive when they are afraid of taller, bigger humans who seem threatening. She figured the best way to approach the frightened animal would be to get down to his level. Corsini wasn’t about to get on his knees to confront the dog, and neither was Brown, but Aggie refused to retreat. Facing the dog, Aggie talked to him in a soft voice, and cautiously moved her hand toward his head. She petted his head gently and said, “What’s the matter, fellow? You hungry and thirsty?” The big dog whimpered. Aggie stood up and went to the kitchen sink to fill his bowl with water. She set out some food for him, too. He became her shadow. He followed Aggie around the house while the detectives searched for the gun, which they found in a laundry bag. The woman later went to prison for attempted murder.
Thad Brown promoted to captain of homicide/chief of detectives. The rank and file would have made him chief of police if politics hadn’t put William Parker in the office instead. Aggie said for years Brown blushed when asked if he had tamed any wild dogs lately.
Aggie’s cordial relations with police provided her with exclusive stories. She rolled up to a house in Eagle Rock one afternoon after getting a report of a double mystery death. Several LAPD homicide detectives stood around outside, waiting for the living room to air out. Aggie said after ten days, the corpses were ripe. The couple died in the middle of a sex act on the living room couch. Detectives weren’t sure whether they had a murder-suicide or an accident. Aggie wanted to catch the Herald’s next deadline, so she made a deal with Captain H. H. Bert Wallis. They identified the dead man, but they still didn’t know the woman’s identity. No detective wanted to enter the house until the smell dissipated. Aggie said she would brave the stench and retrieve the woman’s handbag, which sat on a table visible from outside.
The woman was nude except for a slip rolled up to her chest. The man, in his union-suit, had fallen to the floor. His penis had burst, and Aggie had to step over him to reach the handbag. She tried to hold her breath, but the smell of decaying flesh was pervasive, clinging to her favorite brown wool dress. Aggie grabbed the purse and handed it to Wallis. In gratitude, he gave her a head start on the story. It turned out the man met the woman in a bar, brought her home, and they died of carbon monoxide poisoning because of a faulty heater.
Aggie loved the brown wool dress. She saw it in a shop window and bought it on lay-away. In a conversation with Aggie’s daughter, years later, I learned the fate of the dress. Mary Evelyn told me Aggie came home that night, peeled off the dress and burned it in the fireplace, saying, “I’ll never the smell of death out of it.”
Aggie at the Black Dahlia body dump, January 15, 1947.
During her career, Aggie reported on hundreds of crimes. The most infamous of them began on the morning of January 15, 1947.
Aggie claimed to be the first reporter at the body dump site on Norton near 39th in Leimert Park. She was likely one of the first. It scarcely matters now. The deceased was a young woman, naked and obscenely posed. Her head is north, her legs spread and point south. A couple of days later, they identified the woman as twenty-two-year-old Elizabeth Short from Medford, Massachusetts. She became known as the Black Dahla.
Aggie interviewed the initial suspect in the grisly murder, Robert “Red” Manley. She sized him up and concluded he was not the killer. Despite an intense investigation, the case remains unsolved.
This post concludes my month-long tribute to Aggie, who inspired me to create this blog eleven years ago.
Aggie in her early days as city editor. Note the baseball bat on her desk. She said she kept the bat to deal with Hollywood press agents.
As we bid adieu to 2023, and prepare for new challenges in 2024, I thank you so much for your continued readership. This blog is one of my passions. I love relating true tales from L.A.’s past. Crime is banal, but the people who commit crime are endlessly fascinating. I’ve begun exploring stories for the upcoming year—there are some excellent ones. Within the next several days, I will begin my annual coverage of the Black Dahlia case, so stay tuned.
This is a big month for the Deranged L.A. Crimes blog. On December 17, 2012, the 110th anniversary of the birth of the woman whose career and life inspires me, Agness “Aggie” Underwood, I started writing this blog. I also authored her Wikipedia page, which was long overdue.
Aggie Underwood. Photo by Perry Fowler
By the time I began, Aggie had been gone for twenty-eight years. I regret not knowing about her in time to meet her in person. But, through her work, and speaking with her relatives over the years, I feel like I know her. I have enormous respect for Aggie. She had nothing handed to her, yet she established herself in a male-dominated profession where she earned the respect of her peers without compromising her values. She also earned the respect of law enforcement. Cops who worked with her trusted her judgement and sought her opinion. It isn’t surprising. She shared with them the same qualities that make a successful detective.
This month, I will focus on Aggie. I want everyone to get to know and appreciate her. She was a remarkable woman.
Agness “Aggie” Underwood never intended to become a reporter. All she wanted was a pair of silk stockings. She’d been wearing her younger sister’s hand-me-downs, but she longed for a new pair of her own. When her husband, Harry, told her they couldn’t afford them, she threatened to get a job and buy them herself. It was an empty threat. She did not know how to find employment. She hadn’t worked outside her home for several years. A serendipitous call from her close friend Evelyn, the day after the stockings kerfuffle, changed the course of her life. Evelyn told her about a temporary opening for a switchboard operator where she worked, at the Los Angeles Record. The job was meant to last only through the 1926-27 holiday season, so Aggie jumped at the chance.
Aggie & Harry [Photo courtesy CSUN Special Collections]
Aggie arrived at the Record utterly unfamiliar with the newspaper business, but she swiftly adapted and it became clear to everyone that, even without training, she was sharp and eager to learn. The temporary switchboard job turned into a permanent position.
In December 1927, the kidnapping and cruel mutilation murder of twelve-year-old schoolgirl Marion Parker horrified the city. Aggie was at the Record when they received word the perpetrator, William Edward Hickman, who had nicknamed himself “The Fox,” was in custody in Oregon. The breaking story created a firestorm of activity in the newsroom. Aggie had seen nothing like it. She knew then she didn’t want to be a bystander. She wanted to be a reporter.
When the Record was sold in January 1935, Aggie accepted an offer from William Randolph Hearst’s newspaper, the Evening Herald and Express, propelling her into the big leagues. Working for Hearst differed entirely from working for the Record. Hearst expected his reporters to work at breakneck speed. After all, they had to live up to the paper’s motto, “The First with the latest.”
From January 1935, until January 1947, Aggie covered everything from fires and floods to murder and mayhem, frequently with photographer Perry Fowler by her side. She considered herself to be a general assignment reporter, but developed a reputation and a knack for covering crimes.
Sometimes she helped to solve them.
In December 1939, Aggie was called to the scene of what appeared to be a tragic accident on the Angeles Crest Highway. Laurel Crawford said he had taken his family on a scenic drive, but lost control of the family sedan on a sharp curve. The car plunged over 1000 feet down an embankment, killing his wife, three children, and a boarder in their home. He said he had survived by jumping from the car at the last moment.
When asked by Sheriff’s investigators for her opinion, Aggie said she had observed Laurel’s clothing and his demeanor, and neither lent credibility to his account. She concluded Laurel was “guilty as hell.” Her hunch was right. Upon investigation, police discovered Laurel had engineered the accident to collect over $30,000 in life insurance.
Hollywood was Aggie’s beat, too. When stars misbehaved or perished under mysterious or tragic circumstances, Aggie was there to record everything for Herald readers. On December 16, 1935, popular actress and café owner Thelma Todd died of carbon monoxide poisoning in the garage of her Pacific Palisades ho9me. Thelma’s autopsy was Aggie’s first, and her fellow reporters put her to the test. It backfired on them. Before the coroner could finish his grim work, her colleagues had turned green and fled the room. Aggie remained upright.
Though Aggie never considered herself a feminist, she paved the way for female journalists. In January 1947, they yanked her off the notorious Black Dahlia murder case and made her editor of the City Desk, making her one of the first woman to hold this post for a major metropolitan newspaper. Known to keep a bat and startup pistol handy at her desk, just in case, she was beloved by her staff and served as City Editor for the Herald (later Herald Examiner) until retiring in 1968.
Aggie at a crime scene c. 1946
When she passed away in 1984, the Herald-Examiner eulogized her. “She was undeterred by the grisliest of crime scenes and had a knack for getting details that eluded other reporters. As editor, she knew the names and telephone numbers of numerous celebrities, in addition to all the bars her reporters frequented. She cultivated the day’s best sources, ranging from gangsters and prostitutes to movie stars and government officials.”
They were right. Aggie dined with judges, cops, and even gangster Mickey Cohen. I hope you will enjoy reading about Aggie, as much as I will enjoy telling her stories.
Welcome! The lobby of the Deranged L.A. Crimes theater is open. Grab a bucket of popcorn, some Milk Duds and a Coke and find a seat. Tonight’s feature is TRY AND GET ME! aka THE SOUND OF FURY, starring Frank Lovejoy, Kathleen Ryan, and Lloyd Bridges.
The film is based on the 1947 novel The Condemned by Jo Pagano, who also wrote the screenplay. The Pagano novel was based on events that occurred in 1933 when two men were arrested in San Jose, California for the kidnapping and murder of Brooke Hart. The suspects confessed and were subsequently lynched by a mob of locals. The 1936 film, Fury, directed by Fritz Lang, was inspired by the same incident.
Enjoy the movie.
TCM says:
Impoverished Howard Tyler decides to move his pregnant wife Judy and their young son Tommy from Massachusetts to the friendly town of Santa Sierra, California, to find his fortune working in the mines. Once there, however, Howard cannot find a job and the family’s poverty deepens to the point where Judy cannot even afford a doctor to monitor her pregnancy. In his desperation, Howard meets a petty thief named Jerry Slocum and is easily convinced to work for him, helping him to commit a series of robberies. Convinced that the town is experiencing an incipient crime wave, publisher and editor of the Santa Sierra Journal Hal Clendenning assigns featured columnist Gil Stanton to sensationalize the new trend.
Eddie Muller, the Czar of Noir, introuced this film for TCM’s Noir Alley, which he hosts. Check it out.
Welcome! The lobby of the Deranged L.A. Crimes theater is open! Grab a bucket of popcorn, some Milk Duds and a Coke and find a seat. Tonight’s feature is BORN TO KILL, starring Claire Trevor, Lawrence Tierney, and Walter Slezak.
TCM says:
After he discovers that Laury Palmer, the owner of a Reno boardinghouse, was romancing him only to make her boyfriend Danny jealous, Sam Wilde, a seductive but violent drifter, kills both her and Danny. Cool, sophisticated Helen Brent finds the bodies in the boardinghouse, where she has been living during her divorce proceedings, but instead of notifying the police, she calmly boards the next train to San Francisco.
