The Red Lipstick Murder

Murder victims lose their identities. They are a toe tag in the morgue; they are a file number for police. Sometimes it is easy to forget that they were much more than a newspaper headline.

Born in a small New Mexico town in 1902, Jeanne Axford came of age during the Roaring ‘20s. Perfect timing for the free-spirited girl. She married at 17 to David Wrather and they had a son, David, Jr.

Jeanne Axford (L) with her cousin Clara (Photo: Ancestry)

In 1922, after training in New Mexico, Jeanne worked as a nurse in Amarillo, Texas. Marriage didn’t suit her. She and David divorced in 1924; she won custody of their son.

In 1925, Jeanne married again. That marriage, too, failed. Rumor has it Jeanne acted in films, but I couldn’t find her listed in the Internet Movie Database, even under an alias, so she may have had uncredited roles.

Regardless of whether she appeared in movies, Jeanne had an interesting Hollywood connection. She worked as a private nurse for Marion Benda Wilson, Rudolph Valentino’s last date, and maybe his last love. Known as the “Woman in Black” for many years, Marion put flowers on Valentino’s grave.

Marion Benda Wilson aka The Lady in Black
Marion Benda Wilson aka the Woman in Black

Sometime between 1925 and 1931, Jeanne learned to fly and earned the moniker, “Flying Nurse.” She worked for a large oil company in South America, flying from one oil field to another, caring for workers. She became a member of the Women’s Air Reserve, and the 99 Club, an organization of women aviators.

Either an optimist, or a glutton for punishment, Jeanne married for a third time in Dallas, Texas on October 8, 1931, two days after her 29th birthday, to Curtis Bower. It took the couple five weeks to realize their mistake. Dissolving her marriage earned Jeanne another nickname, “air-mail divorcee.” The divorce papers, prepared by her attorney, Allan Lund, went via air to Juarez, Mexico for filing. A law firm in Mexico provided for a final decree by proxy. Neither Jeanne nor Curtis needed to appear in court.

On July 5, 1932, Jeanne’s mother, Oma Randolph, went to police to file a missing person report. Jeanne left home the morning of June 27 to drive to the Mexican border, where she planned to board a private plane for Mexico City.

The Flying Nurse

The week following the missing person report, Jeanne cabled her mother from Mexico City. “I can’t understand the worry I have caused in the United States by flying to Mexico. I am flying back for the Olympics. I assure everyone that I am okeh.”

Jeanne kept a low profile for the next several years. She married in 1944 for the fourth and final time to a former Marine, Frank French.

It isn’t clear when Jeanne started her slide into alcoholism, but by the mid-1940s, she fought demons she could not control.

Alcohol fueled a life of risky behavior and made Jeanne easy prey for a monster.

On February 10, 1947, less than a month after housewife Betty Bersinger found Elizabeth Short’s bisected body in a Leimert Park vacant lot, Hugh C. Shelby, a bulldozer operator, found the brutally beaten, nude body of a woman in a field near the Santa Monica Airport. The Herald put out an extra edition with the headline: “Werewolf Strikes Again! Kills L.A. Woman, Writes B.D. on Body.”

Within a couple of hours, police identified the victim as forty-five-year-old Jeanne French.

Detectives at the scene of Jeanne’s murder

Jeanne suffered blows to her head, administered by a metal blunt instrument—a socket wrench. As bad as they were, the blows to her head were not fatal. Jeanne died from hemorrhage and shock due to fractured ribs and multiple injuries caused by her killer stomping on her. Her chest bore heel prints. It took a long time for Jeanne to die. The coroner said that she bled to death.

Mercifully, Jeanne was unconscious after the first blows to her head so she never saw her killer take the deep red lipstick from her purse, and she didn’t feel the pressure of his improvised pen as he wrote on her torso: “Fuck You, B.D.” and “Tex.” Police looked for a connection between Jeanne’s murder and Elizabeth Short’s death; but they found nothing.

Jeanne was last seen seated at the first stool nearest entering the Pan American Bar on West Washington Place. The bartender told police Jeanne sat next to a smallish man with a dark complexion sat on the stool next to her. The bartender assumed they were a couple because he saw them leave together at closing time.

On the night before she died, Jeanne visited Frank at his apartment and they’d quarreled. Frank said Jeanne, who was drunk, started the fight, then hit him with her purse and left.

Jeanne’s twenty-five-year-old son, David, came in for questioning. As he left the police station, he saw his step-father for the first time since he’d learned of his mother’s death. David confronted Frank and said: “Well, I’ve told them the truth. If you’re guilty, there’s a God in heaven who will take care of you.” Frank didn’t hesitate. He looked at David and said: “I swear to God; I didn’t kill her.”

Police booked Frank for murder, then they cleared him. His landlady told police she could verify Frank was in his apartment at the time of the murder. His shoe prints failed to match those found at the scene of the crime.

Cops had few leads. They found French’s cut-down 1929 Ford roadster in the parking lot of a drive-in restaurant, The Piccadilly at Washington Place and Sepulveda Blvd. Witnesses said that the car was there at 3:15 on the morning of the murder, and a night watchman saw a man leave it there. The police never accounted for Jeanne’s whereabouts between 3:15 a.m. and the time of her death, which the coroner estimated to be around 6 a.m.

Police rousted scores of sex degenerates, but they eliminated each as a suspect. Officers also checked out local Chinese restaurants after the autopsy revealed that Jeanne ate a Chinese meal before her death.

Jeanne’s slaying became known as the “Red Lipstick Murder” case. Like the Black Dahlia case, it went cold.

Three years later, following a Grand Jury investigation into the many unsolved murders of women in L.A., the District Attorney assigned investigators from his office to look into the case.

Frank Jemison and Walter Morgan worked on Jeanne’s murder for eight months, but they never closed it. They came up with one hot suspect, a painter who worked for the French’s four months prior to the murder. He said he dated Jeanne several times. The cops discovered the painter burned several pairs of his shoes—he wore the same size as the ones that left marks on Jeanne’s body. He seemed a likely suspect until he didn’t. Police cleared him despite his odd behavior.

The 1940s’ high number of unsolved female homicides prompted a 1949 Grand Jury investigation into police inaction.

Like the murder of Elizabeth Short, there have been no leads in Jeanne French’s case in decades. Two more names added to the list of unsolved homicides of women during the 1940s.

The Black Dahlia–January 22, 1947

On January 22, 1947, one week after Beth Short’s murder, the coroner held an inquest to determine the manner of her death.

It was an excruciating ordeal for her family. They called her mother, Phoebe, to the stand. Asked when she was first notified that her daughter died, she half rose from her chair and blurted; “She was murdered.” She regained her composure, sat down, and told the jury she last saw Beth in April 1946, in Massachusetts.

Beth wrote to Phoebe every week. She told her she was a waitress. She also said she worked as a film extra, and was going to San Diego to work in a veteran’s hospital. None of that was true.

Phoebe said she planned to bury Beth in Oakland, California. Beth’s sister Virginia lived there.

Robert “Red” Manley testified he knew Beth for about a month. He last saw her on January 9, 1947, when he drove her from San Diego to Los Angeles, and left her at the Biltmore Hotel.

Beth Short’s brother-in-law, Adrian West, and her sister, Virginia, sit
behind Robert “Red” Manley at the coroner’s inquest. [Photo courtesy LAPL]

Among the others to testify was Detective Jess W. Haskels. He told the nine-man jury that the “body was clean and appeared to be washed” when found on January 15. He described how the killer cut the body in half at the waist.

Dr. Frederick Newbarr, chief autopsy surgeon, stated that Beth’s murder occurred less than 24 hours before her discovery. He said his autopsy showed her death was due to hemorrhage, shock, concussion of the brain, and lacerations of the face.

Beth’s brother-in-law, Adrian West (married to her sister Virginia), expressed the family’s gratitude for everyone working on the case. Virginia, Phoebe, and Adrian planned to leave for Oakland by train on the 23rd to accompany Beth’s body north.

Adrian West, Phoebe Short, Virginia West [Photo courtesy LAPL]

After hearing all the testimony, the jury retired for 45 minutes before returning with the expected verdict: Homicide. Death by person or persons unknown.

Vying for headlines with the inquest was Lynn Martin—known around Hollywood as a 22-year-old model.

Lynn Martin [Photo courtesy LAPL]

Police searched for Lynn after finding out she roomed with Beth for a time in Hollywood. They found the frightened girl in a motel in the San Fernando Valley. At first, the detectives who questioned her believed her to be in her early 20s; but after spending hours with her, they saw her for the frightened teenager she was; only three days from her 16th birthday. They contacted juvenile officers to come for her.

Officer Helen Mellon with Lynn Martin [Photo courtesy LAPL]

She admitted her true name was Norma Lee Meyer, and her parents lived in Long Beach. Juvie officers said Lynn had a record dating back to when she was 11. She spent thirteen months in the El Retiro School for Girls.

El Retiro School for Girls {Photo courtesy LAPL]

Police hoped Lynn might help them with their investigation. They found her in a motel court in the San Fernando Valley. A cab driver, Ballard Smith, who knew Lynn, said he picked her up as a “fare” at Sunset Blvd. and Western Ave. on the afternoon of January 21st. He drove her to the Hollywood Post Office, and then to the Ventura Blvd motel.

Hollywood Post Office at Wilcox and Selma

As he drove Lynn to the motel, Ballard said he persuaded her to surrender to police. He learned from the newspapers that police sought her as a witness, not a suspect.

Lynn said she would call police as soon as she got to the motel. She explained she had not called them earlier because she was frightened, and didn’t want any notoriety.

As soon as she had checked in, managers of the motel recognized her and called police.

LAPD Captain Donohoe said they questioned Lynn about Edward P. (the Duke) Wellington because someone named him as one of her boyfriends. She admitted spending a few days in a motel with Wellington, and people saw her wearing a white-tipped silver fox fur wrap he allegedly bought her.

If Wellington bought Lynn a fur, he likely paid for it with a bad check. Police caught up with him in late January. Police cleared him of suspicion in Beth’s murder after proving he had never met her.

On February 3 1947, the Long Beach Independent featured an article about Lynn which, if true, may explain how, at 15, she was sleeping with a man in his 40s.

The paper interviewed Joe Kennick, head of the city’s juvenile bureau. He said Los Angeles police had arrested Lynn seven times. Even as she was being held by juvenile authorities, officials prepared to start court action against 10 male adults with whom she had been intimate.

Kennick said, “This poor, unfortunate girl is just another sad example of a child who never had a chance.” She bounced from relatives to foster homes, and she never got the care every child deserves.

On November 6, 1943, at only 12, police arrested her as wayward and for violation of the curfew ordinance.

The woman who was supposed to care for her forced her to sleep an unfinished garaged; no matter what the weather. One night when she got cold in the garage, she went to visit a 13-year-old friend. Lynn said she “wasn’t a nice girl—she gets herself picked up by sailors.”

The two girls went to the Pike, where drunken sailors picked them up. One sailor, about 20, seemed nicer than the others. Police arrested her when they found her with him under the pier.

It is not surprising that by age 15 she was living on her own in Hollywood—pretending to be a model in her 20s. She told police, “Hollywood is full of men around 40 that want to buy you drinks and a meal. They expect you to pay for the drinks and meals with yourself.”

Lynn’s story illuminates the post-war world, especially for young women. Beth was several years older than Lynn, but I doubt she was any more worldly.

I don’t know what happened to Lynn. Unlike Beth, she got a second chance. I hope she used it wisely.

Black Dahlia: January 15, 1947

Bundled up against the chill of a cold wave that had held Los Angeles residents in its grip for several days, Mrs. Betty Bersinger and her three-year-old daughter Anne walked south on the west side of Norton in Leimert Park, a Los Angeles suburb. Midway down the block, Bersinger noticed something pale in the weeds about fifty feet north of a fire hydrant and about a foot in from the sidewalk.

Initially, Bersinger believed she was seeing a discarded mannequin or a passed-out nude woman.

Betty Bersinger recreates her phone call to police.

It took a moment before Bersinger realized she was in a waking nightmare. The bright white shape in the weeds was neither a mannequin nor a drunk.

Bersinger later recalled, “I was terribly shocked and scared to death. I grabbed Anne, and we walked as fast as we could to the first house that had a telephone.”

Over the years, several reporters have claimed to have been first on the scene of the murder. One person who made that claim was Will Fowler.

Fowler said he and photographer Felix Paegel of the Los Angeles Examiner approached Crenshaw Boulevard when they heard an intriguing call on their shortwave radio. It was a police call and Fowler couldn’t believe his ears. A naked woman, possibly drunk, was found in a vacant lot one block east of Crenshaw between 39th and Coliseum streets. Fowler turned to Pagel and said, “A naked drunk dame passed out in a vacant lot. Right here in the neighborhood too… Let’s see what it’s all about.”

Paegel drove as Fowler watched for the woman. “There she is. It’s a body all right…” Fowler hopped out of the car and approached the woman as Paegel pulled his Speed Graphic from the trunk. Fowler called out, “Jesus, Felix, this woman’s cut in half!”

Will Fowler crouches down near the body of Jane Doe.

That was Fowler’s story, and he stuck to it through the decades. He said he closed the dead girl’s eyes. But was his story true?

There is information to suggest that a reporter from the Los Angeles Times was the first on the scene; and in her autobiography, Newspaperwoman, Aggie Underwood, said that she was the first.

Aggie on Norton, January 15, 1947.

After 78-years does it really matter? All those who saw the murdered girl that day saw the same horrifying scene, and it left an indelible impression. Aggie described what she observed:

“It [the body] had been cut in half through the abdomen, under the ribs. The two sections were ten or twelve inches apart. The arms, bent at right angles at the elbows, were raised about the shoulders. The legs were spread apart. There were bruises and cuts on the forehead and the face, which had been beaten severely. The hair was blood-matted. Front teeth were missing. Both cheeks were slashed from the corners of the lips almost to the ears. The liver hung out of the torso, and the entire lower section of the body had been hacked, gouged, and unprintably desecrated. It showed sadism at its most frenzied.”

Air brushed newspaper photo of Jane Doe. The coroner recorded the victim as Jane Doe #1 for 1947.

Two seasoned LAPD detectives, Harry Hansen and Finis Brown, took charge of the investigation. During the first twenty-four hours, officers pulled in over 150 men for questioning.

The most promising of the early suspects was a twenty-three-year-old transient, Cecil French. He was busted for molesting women in a downtown bus depot.

Police were further alarmed when they discovered French had pulled the back seat out of his car. Had he concealed a body there? Police Chemist Ray Pinker found no blood or any other physical evidence of a bloody murder in French’s car. He was dropped from the list of hot suspects.

Ray Pinker, Police Chemist
c. 1935 Photo courtesy LAPL

In her initial coverage, Aggie referred to the case as the “Werewolf” slaying because of the savagery of the mutilations inflicted on the unknown woman. Aggie’s werewolf tag would identify the case until a much better one was discovered—the Black Dahlia.

REFERENCES:

Fowler, Will (1991). “Reporters” Memoirs of a Young Newspaperman.

Gilmore, John (2001). Severed: The True Story of the Black Dahlia Murder.

Harnisch, Larry. “A Slaying Cloaked in Mystery and Myths.” Los Angeles Times. January 6, 1997.

Underwood, Agness (1949). Newspaperwoman.

Wagner, Rob Leicester (2000). The Rise and Fall of Los Angeles Newspapers 1920-1962.

The Human Fly–Conclusion

In 1943, the court sentenced Carl G. Hopper, the human fly, to fifteen years to life in prison. Of course, the human fly would not be content to sit in Folsom Prison while some of the best years of his life, um, flew by.

Hopper wangled an early parole so that he could join the Army—but if Folsom couldn’t hold him, how could the Army expect to? By late October 1944, he’d escaped from the guardhouse at Camp Roberts.

On October 27, 1944, at 7:50 p.m. someone observed Hopper in a car listed as stolen. A radio patrolman and a military policeman approached him at Third Street near Lucas Avenue. Exiting the vehicle, he approached the officers on foot. He drew a gun and made his escape when the M.P.’s gun jammed as he tried to fire at the fleeing man.

An hour later, Hopper held up John D. Bowman of Downey in front of 1212 Shatto Street. Bowman told cops that the bandit was “too drunk to know how to drive,” so he forced Bowman to start his (Bowman’s) car for him and then he sped away.

Next, he turned up in Beverly Hills, where he accosted Freddie Schwartz and Maude Beggs as they arrived at 514 N. Hillcrest Street for a party. Schwartz complied with Hopper’s demand for money, but he only had a $5 bill which Hopper hurled back at him in disgust, complaining that it was not enough.

At 10:35 pm. Hopper held-up Sherman Oaks residents Mr. and Mrs. Julian N. Cole and Mr. and Mrs. Walter Deutsch on Valley Vista Blvd. He took $25 from Cole and $2 from Deutsch.

Only minutes later, he held up Dorothy Snyder in the 600 block of S. June Street, but he refused to take her money when he discovered she had only $7 in her purse. The fly was a gentleman.

Hopper’s one-man crime wave continued.

A about half a block away from where he’d encountered Dorothy Snyder, he held up Dr. Rudolph Mueller, getting away with $65.

After robbing Dr. Mueller, police officers, S.W. Stevenson, and K.M. Aitken observed Hopper driving at a high rate of speed. They pursued him until he crashed into a palm tree on Second Avenue near Santa Barbara Street. The fly fled on foot between.

About ten minutes following the car crash, Hopper committed another hold-up. This time he robbed C.B. Kaufman of his sedan and $55 near 43rd Street and Western Avenue.

Then the fly disappeared.

At the Mexican border near Tijuana, Hopper got caught when his attempt to shoot a U.S. Customs Service inspector, who had stopped him for routine questioning, was thwarted. The inspector, Richard McCowan, wasn’t entirely satisfied with Hopper’s answers to his questions and ordered him to wait. Hopper responded by pulling out a .38 caliber revolver and jamming it into McCowan’s abdomen. Hopper may have seen too many western movies. He tried to discharge the weapon by fanning it, but failed to pull the hammer back far enough. Police took him into custody.

Hopper admitted his identity and boasted of how he led police in Los Angeles on a merry chase. He denied committing any of the crimes laid at his feet. He said, “they are just trying to pin something on me.”

The police did not have to pin anything on him. When they busted him, he had a gasoline ration book and a driver’s license made out to C.B. Kaufman, the man he had robbed of $55 and his sedan.

During the couple of days he conducted his one-man crime wave, Hopper committed six robberies, netting him $147. He stole three automobiles, one of which was a police car.

Authorities returned Carl to the Los Angeles County Jail, where they booked him on suspicion of the various crimes committed during his escape from Camp Roberts. They set his bail at $10,000.

The court tried, convicted, and then sentenced Hopper to life in Folsom Prison.

On December 12, 1946, only three years after his escape from the Hall of Justice Jail in Los Angeles, Hopper attempted to break out of Folsom. He slugged a guard, ran to the top cell block, broke a skylight, and made his way to temporary freedom over the roof, and down the ladder of an unmanned guard tower. Then he took a 12-foot leap from a wall. Hopper got no further than the prison yard when he discovered the American River, swollen by recent rains, was far too dangerous to cross.

When guards found Hopper, he said that he was “cold, wet and hungry.” They returned him to his cell.

The ordinary housefly lives from 15 to 30 days. The human fly never reached old age. On June Jail in Los Angeles, twenty-nine-year-old Hopper hanged himself with a bed sheet tied to a piece of plumbing in his solitary cell in Folsom Prison.

Red Manley and the Black Dahlia

In his 1991 autobiography, Reporters: Memoirs of a Young Newspaperman, Will Fowler recalled one of his colleagues, Baker Conrad, had noticed a telegram among Elizabeth Short’s belongings. The Examiner’s editor, Jim Richardson, dispatched Fowler to the address on the telegram, 8010 Mountain View Avenue in South Gate.

When Fowler arrived at the bungalow court, a strikingly beautiful young woman greeted him. Her name was Harriette Manley. Fowler let her believe he was a cop.

During their conversation, Harriette said her husband phoned her from San Francisco after he saw his name in the newspapers in connection with Elizabeth Short’s murder. Red reassured Harriette that he’d had nothing to do with the slaying. He said he “loved her more than any man ever loved his wife.” 

At 10:00 pm on January 19th, two LAPD sergeants, J.W. Wass and Sam Flowers, staked out the home of Red’s employer in Eagle Rock. When the suspect’s sedan pulled up, the officers approached him with their guns drawn. An Examiner photographer was there to capture the arrest.

Robert ‘Red’ Manley

The next day, Aggie Underwood interviewed him. Red needed no encouragement to unburden himself. He told her how he’d picked Beth Short up on a San Diego street corner. How they had spent an “erotically uneventful” night in a motel and how he eventually dropped her off at the Biltmore Hotel on January 9th.

Red finished his tale with a heartfelt statement. “I’ll never pick up another dame as long as I live.”

Aggie believed Red and shared her gut feelings with the police. Red was forthcoming in his interview. Aggie knew he wasn’t a killer. Red was a frightened man with goofy ideas about love, marriage, and fidelity.

“I was only trying to test my love for my wife,” he said as he sought to explain his brief escapade with Beth Short.

Red said he first saw Beth standing on a street corner in San Diego while on a business trip ten days before Christmas. “She looked cute, so I thought, well, I’ll make a little test and see if I’m still in love with my wife, or whether I could ever fall for anyone else.”

According to Red, he and Harriette, married for just 14 months, were going through a “readjustment period.” He said they had a “few misunderstandings, but nothing important.”

He swore up and down that Beth was the only woman he picked up since his marriage. When he approached her that day, Beth was coy. “She turned to me and said, ‘Don’t you think it’s wrong to approach a girl this way?’” Wrong or not, she got into his car within a minute or two. Before he dropped her off in Pacific Beach, where she was couch-surfing at the home of Elvera and Dorothy French. they sat in his car and talked. He asked her if she would go out to dinner with him. “That would be nice,” she said.

Red drove back up the highway and rented a motel room. He picked Beth up that evening and they went to a nightclub and danced until midnight. Afterwards, they stopped at a drive-in for a snack. He said they talked for a few minutes in front of the French home. Red kissed her goodnight, but said she was a little cold.

He didn’t see her again until January 7, on his next trip to San Diego. He wired ahead to let her know he would be in town. They went nightclubbing again. Then they stayed together in a motel on their way back to Los Angeles.

Red’s story, and his demeanor, convinced Aggie he was not a killer, but that didn’t mean she let him off easy.

If there was one thing that Aggie detested, it was a sob sister. For those of you unfamiliar with the term, a sob sister is a female journalist who writes overly sentimental copy. That sort of journalism was never Aggie’s thing. She said, “A sob sister could have wept with and over Manley, interpolating, editorial gushes to prove what a big bleeding-heart beat in her breast. To hell with that. I’d rather have a fistful—an armload—of good solid facts.”

Her armload of facts made Aggie’s interview with Red Manley riveting. In fact, her city editor, who normally cautioned her to keep her copy short, let the entire interview run without a ton of photos. He knew a great interview when he read one. Aggie was the only Los Angeles reporter to get a by-line in the Dahlia case.

Why, then, amid the covering of the murder, was Aggie yanked off the story? With no warning or explanation, Aggie found herself benched. The city editor let her cool her heels in the newsroom without a thing to do. 

Aggie spent a couple of miserable days at her desk, bored out of her mind. Then she got pissed-off enough to fight back. She didn’t get huffy or raise her voice. She brought in an embroidery project. In no time, the other newsroom denizens were snickering. One newswoman, Caroline Walker, said, “What do you think of that? Here’s the best reporter on the Herald, on the biggest day of one of the best stories in years—sitting in the office doing fancy work!” 

The next day, they reassigned Aggie to the story—only to pull her off a second time. What the hell was going on?

NEXT TIME: The Black Dahlia case continues.

Aggie Underwood–Newspaperwoman

On October 27, 1936, in a special edition celebrating the Herald’s twenty-fifth anniversary as an evening daily, city editor John B.T. Campbell wrote this about Aggie Underwood:

“Aggie Underwood should have been a man. A rip-snorting, go-gettum reporter who goes through fire lines trails killers . . . using anything from airplanes to mules to reach the spot that in newspapers is  . . . marked with an arrow or an X. What a gal! Usually followed by one or two photographers who . . . get lost when unable to keep up with this speedy lady. Favorite occupation is following a good murder. Favorite story, a good murder. Favorite photograph, a good murder. Favorite fate for all editors, good murder. Help!”

Today we may struggle with the “should have been a man” comment, but at that time it was high praise. Aggie was still new at the Herald, starting in January 1935. She undeniably made an impression on the newsroom. She recalled those early days as “happy-go-lucky.” The reporters worked hard and played just as hard; often going in a group to Chinatown for dinner, or gathering at a bar in Pico Gulch (about half a block from the office, on Pico between Figueroa and Georgia streets).

1931 photo shows the Goodyear blimp “Volunteer” soaring over the Evening Herald building to pick up a bundle of Twentieth Birthday editions for delivery to officials at city hall.

In her work, Aggie made it a point never to ask for special treatment because she was a woman. One night, she arrived at a brush fire in Malibu. A Sheriff’s deputy stopped her. “It makes no difference if you are a reporter. No woman can go in there.” She was considering her next move when she heard a man’s voice. He addressed the deputy, “It’s all right, lad. She’s been to a hell of a lot more of these things than you ever have. Go on through, Aggie.”

The voice belonged to Sheriff’s Department Inspector Norris G. Stensland, one of my favorite LA law enforcement officers.

Aggie worked well with law enforcement. She took the time to write to an officer’s superior to express how helpful he was. In this way, she built long-standing relationships based on mutual respect. Reporters like Aggie have a lot in common with detectives. Each knows the value of maintaining their composure and assessing a scene. Both cops and reporters know the value of developing informants.

One time, on a tip, Aggie arrived at the scene of a love-triangle murder. The cop at the door refused entry to Aggie, not because she was a reporter, but because she was a woman. “You can’t go in there, lady. It’s pretty bad in there. It’s no place for a woman. It’s a mess of blood all over.” Paul Dorsey, a Herald photographer who was with her, said to the officer, “Don’t worry about her. She can take it. Worry about me. Chances are that I can’t.”

In August 1935, Aggie got a tip that LAPD detectives planned to search the home of a woman accused of shooting and gravely wounding her husband at a dinner party days earlier. Aggie arrived before detectives Aldo Corsini and Thad Brown, who sought the pistol used by the woman. Aggie said the detectives were concerned about entering the home because of a huge gaunt German Shepherd. Nobody had fed or given water to the poor thing since the arrest of his mistress. The dog, frightened and stressed, barked from behind a window.

Victim of shooting interviewed by Aldo Corsini and Thad Brown. Photo courtesy UCLA digital collection.

Aggie had an epiphany. “Look, Thad, Corsini and I will go to the back door and make one hell of a noise and distract the dog. While we’re doing that, Thad, you go in through the window, right there beside the front door, then unlock the front door and rush out. I’ll go in then and tame your dog; I’m not afraid of him.”

Aggie heard dogs are aggressive when they are afraid of taller, bigger humans who seem threatening. She figured the best way to approach the frightened animal would be to get down to his level. Corsini wasn’t about to get on his knees to confront the dog, and neither was Brown, but Aggie refused to retreat. Facing the dog, Aggie talked to him in a soft voice, and cautiously moved her hand toward his head. She petted his head gently and said, “What’s the matter, fellow? You hungry and thirsty?” The big dog whimpered. Aggie stood up and went to the kitchen sink to fill his bowl with water. She set out some food for him, too. He became her shadow. He followed Aggie around the house while the detectives searched for the gun, which they found in a laundry bag. The woman later went to prison for attempted murder.

Thad Brown promoted to captain of homicide/chief of detectives. The rank and file would have made him chief of police if politics hadn’t put William Parker in the office instead. Aggie said for years Brown blushed when asked if he had tamed any wild dogs lately.

Aggie’s cordial relations with police provided her with exclusive stories. She rolled up to a house in Eagle Rock one afternoon after getting a report of a double mystery death. Several LAPD homicide detectives stood around outside, waiting for the living room to air out. Aggie said after ten days, the corpses were ripe. The couple died in the middle of a sex act on the living room couch. Detectives weren’t sure whether they had a murder-suicide or an accident. Aggie wanted to catch the Herald’s next deadline, so she made a deal with Captain H. H. Bert Wallis. They identified the dead man, but they still didn’t know the woman’s identity. No detective wanted to enter the house until the smell dissipated. Aggie said she would brave the stench and retrieve the woman’s handbag, which sat on a table visible from outside.

The woman was nude except for a slip rolled up to her chest. The man, in his union-suit, had fallen to the floor. His penis had burst, and Aggie had to step over him to reach the handbag. She tried to hold her breath, but the smell of decaying flesh was pervasive, clinging to her favorite brown wool dress. Aggie grabbed the purse and handed it to Wallis. In gratitude, he gave her a head start on the story. It turned out the man met the woman in a bar, brought her home, and they died of carbon monoxide poisoning because of a faulty heater.

Aggie loved the brown wool dress. She saw it in a shop window and bought it on lay-away. In a conversation with Aggie’s daughter, years later, I learned the fate of the dress. Mary Evelyn told me Aggie came home that night, peeled off the dress and burned it in the fireplace, saying, “I’ll never the smell of death out of it.”

Aggie at the Black Dahlia body dump, January 15, 1947.

During her career, Aggie reported on hundreds of crimes. The most infamous of them began on the morning of January 15, 1947.

Aggie claimed to be the first reporter at the body dump site on Norton near 39th in Leimert Park. She was likely one of the first. It scarcely matters now. The deceased was a young woman, naked and obscenely posed. Her head is north, her legs spread and point south. A couple of days later, they identified the woman as twenty-two-year-old Elizabeth Short from Medford, Massachusetts. She became known as the Black Dahla.

Aggie interviewed the initial suspect in the grisly murder, Robert “Red” Manley. She sized him up and concluded he was not the killer. Despite an intense investigation, the case remains unsolved.

This post concludes my month-long tribute to Aggie, who inspired me to create this blog eleven years ago.

Aggie in her early days as city editor. Note the baseball bat on her desk. She said she kept the bat to deal with Hollywood press agents.

As we bid adieu to 2023, and prepare for new challenges in 2024, I thank you so much for your continued readership. This blog is one of my passions. I love relating true tales from L.A.’s past. Crime is banal, but the people who commit crime are endlessly fascinating. I’ve begun exploring stories for the upcoming year—there are some excellent ones. Within the next several days, I will begin my annual coverage of the Black Dahlia case, so stay tuned.

Happy New Year!

Happy Birthday to Aggie Underwood, and Deranged L.A. Crimes!

This is a big month for the Deranged L.A. Crimes blog. On December 17, 2012, the 110th anniversary of the birth of the woman whose career and life inspires me, Agness “Aggie” Underwood, I started writing this blog. I also authored her Wikipedia page, which was long overdue.

Aggie Underwood. Photo by Perry Fowler

By the time I began, Aggie had been gone for twenty-eight years. I regret not knowing about her in time to meet her in person. But, through her work, and speaking with her relatives over the years, I feel like I know her. I have enormous respect for Aggie. She had nothing handed to her, yet she established herself in a male-dominated profession where she earned the respect of her peers without compromising her values. She also earned the respect of law enforcement. Cops who worked with her trusted her judgement and sought her opinion. It isn’t surprising. She shared with them the same qualities that make a successful detective.

This month, I will focus on Aggie. I want everyone to get to know and appreciate her. She was a remarkable woman.

Agness “Aggie” Underwood never intended to become a reporter. All she wanted was a pair of silk stockings. She’d been wearing her younger sister’s hand-me-downs, but she longed for a new pair of her own. When her husband, Harry, told her they couldn’t afford them, she threatened to get a job and buy them herself. It was an empty threat. She did not know how to find employment. She hadn’t worked outside her home for several years. A serendipitous call from her close friend Evelyn, the day after the stockings kerfuffle, changed the course of her life. Evelyn told her about a temporary opening for a switchboard operator where she worked, at the Los Angeles Record. The job was meant to last only through the 1926-27 holiday season, so Aggie jumped at the chance.

Aggie & Harry [Photo courtesy CSUN Special Collections]

Aggie arrived at the Record utterly unfamiliar with the newspaper business, but she swiftly adapted and it became clear to everyone that, even without training, she was sharp and eager to learn. The temporary switchboard job turned into a permanent position.

In December 1927, the kidnapping and cruel mutilation murder of twelve-year-old schoolgirl Marion Parker horrified the city. Aggie was at the Record when they received word the perpetrator, William Edward Hickman, who had nicknamed himself “The Fox,” was in custody in Oregon. The breaking story created a firestorm of activity in the newsroom. Aggie had seen nothing like it. She knew then she didn’t want to be a bystander. She wanted to be a reporter.

When the Record was sold in January 1935, Aggie accepted an offer from William Randolph Hearst’s newspaper, the Evening Herald and Express, propelling her into the big leagues. Working for Hearst differed entirely from working for the Record. Hearst expected his reporters to work at breakneck speed. After all, they had to live up to the paper’s motto, “The First with the latest.”

From January 1935, until January 1947, Aggie covered everything from fires and floods to murder and mayhem, frequently with photographer Perry Fowler by her side. She considered herself to be a general assignment reporter, but developed a reputation and a knack for covering crimes.

Sometimes she helped to solve them.

In December 1939, Aggie was called to the scene of what appeared to be a tragic accident on the Angeles Crest Highway. Laurel Crawford said he had taken his family on a scenic drive, but lost control of the family sedan on a sharp curve. The car plunged over 1000 feet down an embankment, killing his wife, three children, and a boarder in their home. He said he had survived by jumping from the car at the last moment.

When asked by Sheriff’s investigators for her opinion, Aggie said she had observed Laurel’s clothing and his demeanor, and neither lent credibility to his account. She concluded Laurel was “guilty as hell.” Her hunch was right. Upon investigation, police discovered Laurel had engineered the accident to collect over $30,000 in life insurance.

Hollywood was Aggie’s beat, too. When stars misbehaved or perished under mysterious or tragic circumstances, Aggie was there to record everything for Herald readers. On December 16, 1935, popular actress and café owner Thelma Todd died of carbon monoxide poisoning in the garage of her Pacific Palisades ho9me. Thelma’s autopsy was Aggie’s first, and her fellow reporters put her to the test. It backfired on them. Before the coroner could finish his grim work, her colleagues had turned green and fled the room. Aggie remained upright.

Though Aggie never considered herself a feminist, she paved the way for female journalists. In January 1947, they yanked her off the notorious Black Dahlia murder case and made her editor of the City Desk, making her one of the first woman to hold this post for a major metropolitan newspaper. Known to keep a bat and startup pistol handy at her desk, just in case, she was beloved by her staff and served as City Editor for the Herald (later Herald Examiner) until retiring in 1968.

Aggie at a crime scene c. 1946

When she passed away in 1984, the Herald-Examiner eulogized her. “She was undeterred by the grisliest of crime scenes and had a knack for getting details that eluded other reporters. As editor, she knew the names and telephone numbers of numerous celebrities, in addition to all the bars her reporters frequented. She cultivated the day’s best sources, ranging from gangsters and prostitutes to movie stars and government officials.”

They were right. Aggie dined with judges, cops, and even gangster Mickey Cohen. I hope you will enjoy reading about Aggie, as much as I will enjoy telling her stories.

Joan

Aggie and the City of Forgotten Women, Conclusion

This is the third of a series of articles by an International News Service staff correspondent who obtained the first comprehensive inside story of California’s unique all-woman prison.

Tehachapi, Cal., May 2 — Forbidden to read newspapers, their only source of information being occasional letters and visits by friends, the 145 women inmates of California’s “City of Forgotten Women,” Tehachapi, have one question that is always asked early during a visit.

“Something new?” It was the first question asked me by Mrs. Anna de Ritas, 39-year-old convicted slayer of her sweetheart Mike Lotito. The dormitory in which she is housed is by far the “happiest” sounding building of the prison group. Anna de Ritas shot her lover to death.

Housed with her are Miss Thelma Alley, Hollywood actress, convicted of manslaughter in connection with an automobile accident; Mrs. Eleanor Hansen, who murdered the husband whom she charged failed to properly feed her and their daughter; Emma Le Doux, who has spent more than 20 years in state prisons for murder in Stockton.

Another interesting inmate of Tehachapi, and another really happy one, is Mrs. Trinity Nandi who has spent more than 17 years behind prison walls for murder. She is to be released in May, and she is full of plans for the future.

Since her removal from San Quentin to the Tehachapi institution, Mrs. Nandi has been working in the rabbitry and has qualified as an expert. It is her hope to start a rabbit farm when she is released. The women in Tehachapi are learning how to make themselves useful when they leave it.

When Burmah first entered Tehachapi, she was full of ambition and conducted classes in commercial courses, Miss Josephine Jackson, deputy warden, says Burmah did a fine job of it. She taught oral English, typing, and dramatics to fellow inmates.

She fell ill for almost two months and during that illness her ambition and vivacity seemed to disappear.

Burmah White

“I’ve gone into it very thoroughly,” Burmah said softly, and sadly, after announcing that her interviewer was the first visitor she has had since last November. Her father, who was loyal to her throughout her arrest and trial, is dead now.

“The prison board can’t do a thing. The judge who sentenced me fixed that up and I just can’t see any sense in working hard every day when there’s nothing to work for. I can’t see any sense in hoping for the future, when there’ nothing to hope for. I can’t see any sense in training for work to do when I get out of here, because I’ll be an old lady then–maybe not old physically, but I know from what it’s already done to me that I’ll be hundreds of years old mentally.”

The girl the nation read out as the “jazz baby,” Burmah White, the blonde bandit moll, wife of one of Los Angeles’ most notorious slain criminals, Thomas White, has vanished. The “tough,” cynical 19-year-old girl who entered the prison 16 months ago has been transformed into a quiet mannered, sad-eyed girl, her face framed in soft dark brown hair which she had let grow back to its natural color.

“You know,” she said, with a slightly cynical smile, “they tell me there’s civilization beyond them thar hills!”

“I was an example to the youth of this country when I was sentenced for the wrongs I had done. That was the sole purpose in giving me that stiff sentence–to set an example. I wonder if it has deterred any girls in Los Angeles from a life of crime–I doubt if it even made an impression on any of them,” she said bitterly.

I found she had been making a new blouse out of a bit of silk that she had managed to obtain. A particularly becoming blouse–peach colored, with a white lacing down the front.

“Oh, can you wear those things up here?” I asked her, and then she grinned her old grin and said, “Well, we can wear dark skirts and blouses on Sunday–only the blouses have to be white–but making it helped pass the time of day.”

NOTE: This is the final installment of Aggie’s interviews with inmates in the Women’s Prison in Tehachapi. . When the series appeared, Aggie had been working for William Randolph Hearst for less than a year. The series was syndicated which gave her national exposure, and helped her earn a reputation as a reporter to be reckoned with.

Aggie and the City of Forgotten Women, Part 2

Aggie Underwood interviews an unknown woman (possibly at Lincoln Heights Jail)

This is the second of a series on California’s unique women’s prison, which has bestirred national interest among sociologists and penologists. An International News Service staff correspondent was able to obtain the first comprehensive “inside story” of the institution where Clara Phillips and other noted women offenders are now confined.

Tehachapi, Cal., May 1, 1935 — Eight months in the “death house!”

Eight months in which to sit in one tiny room, forbidden to talk to anyone except matrons–Eight months in which to remember–what?

Possibly the sound of six shots, ringing out in the still of night–six shots which ended the life of Eric B. Madison, movie studio cashier.

Eight months in which to hear over and over again, the voice of a judge saying “You are sentenced to hang by the neck until dead”.

That is the fate of Nellie B. Madison, comely widow, who is the only woman in California now under sentence to die on the gallows.

Nellie Madison [Photo courtesy LAPL]

Just eight months ago last March 12, Nellie Madison entered Tehachapi prison and was placed in the “death cell.”

This “cell” is merely a room in the prison hospital. Architects who designed the state institution for woman at Tehachapi omitted “death cell.” That’s another way this prison is different.

So, in this room on the second floor of the administration building, Nellie Madison sits day after day. She seems a quite different person from the Nellie Madison who amazed Los Angeles court attaches during her trial with her cool, calm demeanor.

Her nattily tailored clothes are, of course, discarded for the regulation prison costume–blue denim dresses with a white pinstripe.

Her jet-black hair, now greying, has grown from the trim modern bob until it almost reaches her shoulders.

“In Los Angeles, I was thoroughly benumbed by all that had happened,” she said after the first glad welcome of seeing someone whom she had seen in the outside world.

“I couldn’t realize just what had happened to me, but now that I have been here–let’s see is it only eight months or is it ten years–well, I’ve begun to get all the confidence in the world that the State Supreme court will reverse my conviction.”

This was Mrs. Madison’s only interview since she has entered the state institution.

“It seems to me that one’s conscience would be the greatest punishment in the world,” she said.

“My conscience doesn’t bother me one bit, but I do feel the disgrace that I have brought on myself and my family. One’s past good name and character seem to mean nothing when a person gets into trouble, but it apparently doesn’t mean a thing.”

Mrs. Madison’s recreation consists of short walks on the grounds each day–in company with a matron and the letters she receives from friends.”


Aggie became interested in Nellie’s case when she covered it for the Herald. As she learned more about the abuse Nellie suffered at the hands of her husband, Eric, the less she believed Nellie deserved to hang. Through her coverage of the case, and her advocacy, Aggie and others were successful in getting Nellie’s sentence commuted to life; which made her eligible for parole. On March 27, 1943, nine years and three days after the murder, the state released Nellie.

In her 1949 autobiography, Newspaperwoman, Aggie said this about the case.

“While one’s work as a reporter may serve justice and work for or against a defendant, one shies from taking bows for presumed triumphs. Even in commendation, one does not want to feel one’s fairness impugned. I was embarrassed, therefore, when Nellie Madison embraced me gratefully at Tehachapi when I informed her that her sentence to be hanged had been commuted to life imprisonment by Governor Frank F. Merriam.”

“‘You did it! You did it!’ she wept. ‘I owe it all to you!’”

NEXT TIME: In the third article, Aggie tells of interviews with other inmates at Tehachapi.

Aggie and the City of Forgotten Women: Part 1

In the spring of 1935, reporter Aggie Underwood wrote a three-part series of articles for the Herald about women incarcerated in Tehachapi. Aggie maintained a relationship with the prison’s administration. They kept her informed about prisoner releases, and anything of interest to the Herald’s readers. Bad girls are undeniably fascinating.

The number of women committing violent felonies has risen since Aggie covered the crime beat. For many decades, women committing such crimes were an anomaly. Alienists (psychiatrists) and penologists offered various theories to explain their behavior.

In 1924, Sigmund Freud suggested menstruation reminded women of their inferiority and inflamed them toward revenge. Let that nonsense sink in for a moment. His theory is absurd and offensive, but we still accept variations of it today. We may characterize an ambitious woman as unfeminine or vicious. We may praise a man exhibiting identical traits for his business acumen and strength. Make no mistake, even in the 21st Century women are still competing on an uneven playing field.

There is an ongoing debate about the punishment of women, regardless of whether they were driven by homicidal PMS rage or something else. Throughout history, women have avoided the death penalty more often than their male counterparts.

In his 1931 criminology course, Dr. Paul E. Bowers said, “We hate to send a woman to the penitentiary, we hate to electrocute or hang women. We think it’s the wrong thing to do. Many women have been convicted of murder, but it is only rarely that women are hung or electrocuted for committing murder.”

One of the most notorious executions of a woman was the electrocution of Ruth Snyder in New York in 1928. She and her lover, Judd Gray, received death sentences for the murder of her husband. Tom Howard, a clever newspaperman for the Daily News, smuggled a small camera, strapped to his ankle, into the death chamber. At the crucial moment, he snapped a photo of Ruth in her death throes. The photo made front page news around the world. Snyder and Gray inspired James M. Cain’s novel, Double Indemnity, which became the eponymous film noir in 1944.

Tom Howard shows off his ankle camera

Perhaps because her own upbringing was as tough as many of the women she interviewed behind bars, the lives of female convicts intrigued Aggie. She didn’t romanticize their crimes, nor did she condone their actions. She empathized. 

Below is the first part of Aggie Underwood’s series on the lives of the forgotten women of Tehachapi, as it appeared in newspapers in 1935.

Tehachapi, Cal., Apr. 30 —

Nestled in a range of snow-covered mountains, eight and one-half miles from the nearest town, is California’s home for forgotten women.

Here is Clara Phillips, the celebrated “Hammer Murderer”; Louise Peete, Nellie Madison, Josephine Valenti, Anna De Ritas, Burmah White and 140 others who ignored man-made laws and are spending long, long years in a miniature city of their own.

Ruler of this city surrounded by a high wire fence is Miss Josephine Jackson, deputy warden, who works under orders from the head of the state prison at San Quentin, James B. Holohan.

For 18 years she has been employed in California prisons, and for 18 years she has been caring for women whom the state has tagged “bad” and sent away to do penance behind prison walls.

Louise Peete looked harmless. She wasn’t. [Photo: UCLA Digital Archive.]

Miss Jackson moved the first group of girls from San Quentin into Tehachapi in August 1933, and by November of the same year, they had transferred all the inmates of the state prison.

Life runs smoothly, and quietly, as the days go by with the only break in a monotonous existence being an occasional visit by some unexpected outsider.

The buildings which comprise the prison group are in an administration building, detention building, and two cottages.

All work in the prison is volunteer—none compulsory, and each inmate is given an opportunity to do the work she likes best.

Many of them prefer garden work, many laundry, many cooking, and table serving, many secretarial and some even beauty work.

There is no official chef at the state institution and the inmates have proven themselves splendid cooks, even to the extent of making all the bread that is used by the inmates.”

Six a.m. is regulation “get-up” time; 9 p.m. lights out.

Work on the various necessary duties is started immediately after breakfast and groups may be seen leaving the various buildings in which they are housed for the rabbitry, the chicken yard, the barn yard where there are several cows to be milked.

And, as groups gather around electric washing machines, or in the yard planting trees, or in the chicken yard tending the fowls, loud shouts of laughter may be heard ringing through the echoing mountainous section.

No supervisor stands over these 145 women to drive them to their tasks. No one waits around to scold or correct them. They are on an honor system to do their best work in their best manner, and according to Miss Jackson, this system succeeds remarkably.

Each building has a nicely furnished recreation room where the girls gather when their daily tasks are completed to play cards, checkers, sew or play the piano. But, because the architects failed to provide for an auditorium, there are no picture shows because there is no room large enough to seat all the inmates.

Just as Sing-Sing, an Eastern prison, has an outstanding men’s football team, so does Tehachapi have its baseball team.

In fact, two teams have been organized. Josephine Valenti, who gained prominence in Los Angeles when she was convicted of burning her small baby to death, is captain of one team and Pauline Walker, a colored girl, is captain of the second team.

They play every Sunday with all the inmates gathering on the sidelines to do the rooting.

At present, the field isn’t much good, but the girls are gradually doing their own work and making a real diamond.

They have made their own uniforms—white blouses and black bloomers with red stripes down the sides, and, according to Miss Jackson, they welcome the opportunity to don these costumes and break the monotony of everyday life.

Each goes on in the same fashion, light tasks, few laughs—a drab life, for the 145 women who must pay for their transgressions of the law. yet Tehachapi represents notable changes in the American penal system and is being studied as a model.”

NEXT TIME: Agness Underwood’s series on the “city of forgotten women” continues.

NOTE: This is an updated version of a post from 2013.