The Black Dahlia Hoax

Six weeks into the Black Dahlia investigation and detectives had little to show for their efforts. Then, suddenly, it looked like they finally caught a break.

On February 26, 1947, a motorist, Clarence F. Gutchem, discovered a young woman on Willow Street in Long Beach. Lying on an embankment, it appeared she rolled there after being tossed from a car. She was partially nude and bound with strips of her underwear. Gutchem notified police.

They transported the girl to Seaside Hospital where doctors found bruises, scratches and a cigarette burn on her left wrist, but no signs of rape. She identified herself as Jacqueline Mae Stang, a seventeen-year-old student at Polytechnic High School in Long Beach. Detective Inspector C.J. Novotny arrived to take Jacqueline’s statement.

She described her attacker as a swarthy, middle-aged man; but she couldn’t recall much else. Doctors released her into her parents’ care.

The day following the attack, juvenile officer Margie Cale paid Jacqueline a visit. Jacqueline told the same story she gave Detective Novotny, but she added more details. She stated she was walking home from school at 6 pm when she noticed a man following her. Spooked, she ran, but the man caught up with her, grabbed her arm and pulled her into an alley. The man put a chloroformed leather glove over her mouth. She struggled, but lost consciousness. She came to and realized she was almost naked. Her attacker scratched her and blew cigarette smoke into her mouth. Jacqueline said, “he laughed fiendishly.” She was frightened she would die until a stray dog appeared and started barking. Startled, the man ran to his car and sped off.

JACQUELINE MAE STANG, QUESTIONED BY POLICE

Jacqueline’s account of her attack was harrowing. However, Margie’s experience with kids taught her to read between the lines, and she knew when they were lying. The pieces didn’t fit, and she didn’t believe a word of Jacqueline’s story.

Realizing Margie saw through her, Jacqueline confessed. She said, “I tied myself, I scratched myself and I burned myself.” Margie went to her boss, juvenile superintendent Joseph M. Kennick. Together, they went to Jacqueline’s parents.

What prompted Jacqueline to make up such a horrendous story and harm herself? The attractive teenager refused to answer. Detective Captain L. Q. Martin questioned some of Jacqueline’s school friends. They told Detective Martin that she was fascinated with details of the Black Dahlia murder. They said Jacqueline had asked them, “I wonder if I’d be expelled from school if I should be attacked?”

Newspaper coverage hinted that Jacqueline’s reason for the hoax may have had something to do with a football player. Was she trying to get his attention? Jacqueline remained tight-lipped.

Jacqueline’s confession came as a tremendous disappointment to police, who hoped they finally had a link to the Black Dahlia killer. Kennick said they would take her to Juvenile Court and hold her on a charge of giving police false information.

Did A Woman Kill The Black Dahlia?

Sketch of Jane Doe #1

 

Police interviewed dozens of men in the murder of Elizabeth Short. None of the suspects panned out. A seemingly endless stream of false confessors appeared at police stations around town; guys like Max Handler, a film bit player, who was the 25th man to claim he had murdered the Black Dahlia. During a lie detector test, he admitted that his confession was false and that he “wanted to get away from a gang of men [400 men with tiny violins] who have been following me constantly”. In the photo, he looks to have been on a lobotomizing bender.

Max Handler with Det. Ed Barrett (in hat and glasses). [Photo courtesy LAPL]

Daniel S. Voorhies, a 33-year-old army vet, confessed to killing Short. He said he’d had an affair with her in L.A. — the problem with his story was during time he claimed he and Short were having a torrid affair, Beth was a teenager living on the east coast.

Every sad drunk and deranged publicity seeker falsely confessed to the murder. Most of the confessors were men; but not all.

False confessor, Minnie Sepulveda. [Photo courtesy of LAPL]

A gal named Minnie Sepulveda stepped up and said that she killed the Black Dahlia. She lied.

Mrs. Marie Grieme said she had heard a Chicago woman confess to the Black Dahlia’s murder. It was another dead end.

Even though none of the women who confessed were guilty, the cops would not i possibility that Short’s slayer was a woman. After all, L.A. had had its share of female killers.

The Herald ran side-by-side photos of three infamous female murderers busted in L.A. Louise Peete (one of only four women executed by the State of California) was a serial killer. Busted in the 1920s, she served eighteen years in prison. Following her release, she committed yet another murder for which she paid with her life.

Winnie Ruth Judd committed two murders in Arizona. Police arrested her in L.A. when a trunk containing the dismembered remains of Hedvig Samuelson and Anne Le Roi leaked bodily fluids in the baggage claim section of a local train station.

Winnie Ruth Judd’s trunks. [Photo courtesy LAPL]

In 1922, Clara Phillips (aka “Tiger Girl”) murdered Alberta Meadows, the woman she suspected was a rival for her husband’s affections. She struck Meadows repeatedly with a hammer until the handle broke and, possibly to keep Alberta from rising from the dead like Lazarus, she rolled a 50 lb. boulder onto her victim’s chest.

Body of Alberta Meadows — victim of Clara Phillips’ wrath. [Photo courtesy of UCLA]

The notion that a woman could be Short’s killer is not far-fetched. The Herald featured a series of columns written by psychologist Alice La Vere. La Vere previously profiled Short’s killer as a young man without a criminal record, but she was open to the possibility of a female killer. She abruptly shifted gears from identifying a young man as the slayer to “…a sinister Lucrezia Borgia — a butcher woman whose crime dwarfs any in the modern crime annals — are shadowed over the mutilated body of 22-year-old Elizabeth Short.”

Obviously, La Vere was an expert for hire, and if the Herald editors had asked her to write a convincing profile identifying the killer as a mutant alien from Mars, she may have done it. She told the Herald:

“Murders leave behind them a trail of fingerprints, bits of skin and hair. The slayer of the Black Dahlia,” left the most telltale clue of all—the murder pattern of a degenerate, vicious feminine mind.”

Even more interesting is La Vere’s exhortation to the cops to look for an older woman. She said:

“Police investigators should look for a woman older than ‘The Black Dahlia’. This woman who either inspired the crime or actually committed the ghastly, unspeakable outrage need not be a woman of great strength. Extreme emotion or high mental tension in men and women give great, superhuman strength.”

If you compare Alice La Vere’s profile of the potential killer to a profile created by John E. Douglas, retired from the FBI’s Behavioral Analysis Unit (BAU) — La Vere’s seventy-five-year-old profile holds up well.

What I find interesting about La Vere’s profile is her contention that the woman would be older than Short. In recent years, an older woman became an integral part of a theory about the crime.

Retired Los Angeles Times copy editor, Larry Harnisch, wrote an article for the Los Angeles Times for the fiftieth anniversary of Short’s death. During his research, he unearthed an important connection between the body dump site near 39th and Norton, and two medical doctors, Dr. Walter Alonzo Bayley and Dr. Alexandra Partyka.

Dr. Bayley owned a house about a block south of the place where Elizabeth Short’s body was dumped. Bayley did not live there at the time of the murder. He separated from his wife in October 1946 and filed for divorce in Nevada.

Dr. Partyka arrived in Seattle, Washington on August 22, 1940 and ended up in Los Angeles in 1943. In that year, she appears in the California, U.S. Occupational License Directory as a physician or nurse. On July 22, 1943, the Board of Medical Examiners Record of Applications lists her as a medical examiner.

How Partyka and Bayley met is not clear, but by Short’s 1947 murder, the couple lived and worked together in Bayley’s downtown office.

Following Bayley’s death in January 1948, Partyka and Dr. Bayley’s wife, Ruth, fought over control of his estate. Mrs. Bayley claimed Partyka was blackmailing the late doctor with secrets about his medical practice that could ruin him.

There is also a link between Bayley’s family and Short’s. In 1945, Dr. Bayley’s adopted daughters, Barbara Lindgren, was a witness to the marriage of Beth’s sister, Virginia Short, to Adrian West at a church in Inglewood, California, near Los Angeles.

Larry discussed Dr. Bayley in James Ellroy’s 2001 “Feast of Death”. [Note: Be forewarned that there are photos of Elizabeth Short in the morgue.]

A woman could have murdered Elizabeth Short. Was it Alexandra Partyka?

A Confession and Another Murder

U.S. Army Corporal Joseph Dumais [Photo courtesy of LAPL]

On February 8, 1947, the Herald announced “Corporal Dumais Is Black Dahlia Killer.” Could the women of Los Angeles stop holding their collective breath?

The Herald story began:

“Army Corporal Joseph Dumais, 29, of Fort Dix, N.J., is definitely the murderer of ‘The Black Dahlia,’ army authorities at Fort Dix announced today.”

Dumais, a combat veteran, returned from leave wearing blood-stained trousers with his pockets crammed full of clippings about Short’s murder. Dumais made a 50-page confession. He claimed he dated Elizabeth Short five days before the discovery of her body—then he suffered a mental blackout.

The good-looking corporal seemed like the real deal. He told the cops, “When I get drunk, I get pretty rough with women.” Unfortunately, when police checked his story against known facts, the confession didn’t hold up. They sent Dumais to a psychiatrist.

Two days after Dumais’s false confession, the Herald put out an Extra with the headline: “Werewolf Strikes Again! Kills L.A. Woman, Writes B.D. on Body”.

The victim of the “Werewolf Killer” was forty-five-year-old Jeanne French. Her nude body was discovered at 8 a.m. on February 10, 1947, near Grand View Avenue and Indianapolis Street in West L.A.

Cops at the scene of Jeanne French’s murder. [Photo courtesy LAPL]

Jeanne Thomas French’s life was as fascinating as a Hollywood screenplay. She was an aviatrix, a pioneer airline hostess, a movie bit player and an Army Nurse. And at one time she was the wife of a Texas oilman. The way she died was monstrous.

A construction worker H.C. Shelby was walking to work around 8 o’clock that morning along Grand View Blvd. when he saw a small pile of woman’s clothing in weeds a few feet from the sidewalk. Curious, Shelby walked over and lifted a fur-trimmed coat and discovered French’s nude body.

French was savagely beaten, her body covered with bruises. She suffered blows to her head, probably administered by a metal blunt instrument—maybe a socket wrench. As bad as they were, the blows to her head were not fatal. Jeanne died from hemorrhage and shock due to fractured ribs and multiple injuries caused by stomping—there were heel prints on her chest. It took a long time for French to die. The coroner said that she slowly bled to death.

Mercifully, Jeanne was unconscious after the first blows to her head so she never saw her killer take the deep red lipstick from her purse, and she didn’t feel the pressure of his improvised pen as he wrote on her torso: “Fuck You, B.D.” (later thought to be “P.D.”) and “Tex”.

French was last seen seated at the first stool nearest the entrance in the Pan American Bar at 11155 West Washington Place. The bartender later told cops that a smallish man with a dark complexion was seated next to her. The bartender assumed they were a couple because he saw them leave together at closing time.

Police book Jeanne’s estranged husband, Frank, on suspicion of murder. The night before she died, Jeanne visited Frank at his apartment and they’d quarreled. Frank said Jeanne had started the fight, then hit him with her purse and left. He said that was the last time he saw her. He told the cops she’d been drinking.

David Wrather, Jeanne’s twenty-five-year-old son from a previous marriage, came in for questioning. As he was leaving the police station, he saw his step-father for the first time since he’d learned of his mother’s death. David confronted Frank and said: “Well, I’ve told them the truth. If you’re guilty, there’s a God in heaven who will take care of you.” Frank didn’t hesitate, he looked at David and said: “I swear to God I didn’t kill her.”

Frank was cleared when his landlady testified, he was in his apartment at the time of the murder, and when his shoe prints didn’t match those found at the scene of the crime.

Cops followed the few leads they had. French’s cut-down 1929 Ford roadster was found in the parking lot of a drive-in restaurant, The Piccadilly at Washington Pl. and Sepulveda Blvd. Witnesses said that the car had been there since 3:15 the morning of the murder, and a night watchman said it was left there by a man. The police could never find out where Jeanne was between 3:15 a.m. and the time of her death, which was estimated at 6 a.m.

Scores of sex degenerates were rousted, but each was eliminated as a suspect. Officers also checked out local Chinese restaurants after the autopsy revealed that French had eaten Chinese food shortly before her death.

French’s slaying, known as the “Red Lipstick Murder” case, went cold.

Three years later, following a Grand Jury investigation into the many unsolved murders of women in L.A., investigators from the D.A.’s office were assigned to look into the case.

Frank Jemison and Walter Morgan worked the French case for almost eight months, but they could never close it. They came up with one hot suspect, a painter who worked for the French’s four months prior to the murder. He admitted to dating Jeanne several times. The cops discovered the painter burned several pairs of his shoes—he wore the same size as the ones that left marks on Jeanne’s body. Police cleared him despite his odd behavior.

There were so many unsolved murders of women in the 1940s that in 1949, a Grand Jury investigation was launched into the failure of the police to solve the cases.

There have been no leads in Jeanne French’s case in decades; however, there is always a detective assigned to Elizabeth Short’s murder case. A couple of years ago, it was a female detective, and she received several calls a month. To this day, there are people who want to confess.

The detective eliminates the potential suspects with a simple question: “What year were you born?

NEXT TIME: Could A Woman Be The Killer?

Black Dahlia: The Investigation Begins

Local housewife, Betty Bersinger, found the body of Jane Doe #1, in a weedy vacant lot in Leimert Park on the morning of January 15, 1947. The Los Angeles Times, reluctant to tarnish the city’s image, relegated the shocking sex murder to page two.

Just because they balked at splashing the disgusting details of the murder across the front page, doesn’t mean that the Times didn’t indulge in lurid hyperbole worthy of a Hearst newspaper–note the headline below.

Los Angeles police detectives intended to send the victim’s fingerprints via airplane to the FBI in Washington, D.C. as they always did, but a massive storm in the east made it impossible. What could they do?

The Blizzard of 1947

The Examiner owned a Soundphoto machine, an early fax, and while it had never been used to transmit fingerprints, everyone agreed it was worth a try. They successfully transmitted the fingerprints and subsequently identified Jane Doe #1 as 22-year-old Elizabeth Short. The Examiner expected something in return for their largesse. Because of the crucial role they played in getting the identification, the Examiner leveraged a deal with the police—their continued cooperation with the police in exchange for exclusives. LAPD Captain Jack Donohoe balked. He didn’t relish the paper’s constant meddling, but he knew reporters would pursue the case with or without police approval. The deal was the lesser evil.

During the initial phase of the investigation, many of the stories that Beth told her family and acquaintances surfaced in newspaper articles. On January 17, 1947, under the headline: “Mrs. Phoebe Short Can’t Believe Slain Girl Hers,” her mother repeated the most persistent of Beth’s lies. Phoebe told reporters, “She was working in Hollywood, doing bit parts for the movies until two weeks ago. She said she left Hollywood (for San Diego) because of the movie strike, which made it difficult to get work as an extra.”

Beth was pretty enough to work as a film extra, but there was no credible evidence that she ever did.

In another letter, Beth told Phoebe she was working in an Army hospital in San Diego, or in some connection with the armed services. It was a lie.

To learn more about Beth, and maybe uncover a suspect, detectives questioned dozens of people. No one seemed to know her well.

By January 18, Phoebe Short and her daughters were on their way to Los Angeles from their hometown of Medford, Massachusetts, and the police were no closer to a solution to the crime.

NEXT TIME: The search for a killer continues

The Myth of Black Dahlia

Elizabeth Short

I find it intriguing that a 75-year-old Los Angeles murder mystery continues to draw interest. What is it about the case that resonates with people today?

It must be the Hollywood connection.

Hollywood & Vine c. 1945 /The Brown Derby restaurant is in the background. Photo courtesy: Water & Power Collection

Contemporary articles about the case describe Elizabeth Short as an aspiring actress or starlet. Her murder is the ultimate Hollywood heartbreak story with a violent twist.

But there are two stories here. One is the myth of the Black Dahlia, a fictional character based on the life of Elizabeth “Beth” Short.

The second story, and the one I believe to be true, is that of a depressed, confused, and needy young woman looking for love and marriage.

The myth is repeated so often it is accepted as true, but by mythologizing Beth’s story, we ignore the person at its heart. We have lost sight of the troubled young woman who came to California to find her father—not to break into the movies.

The tragedy in Beth’s life is not that she didn’t achieve Hollywood stardom, she never sought it. There is no credible evidence that she went out on cattle calls, spoke to an agent, or asked any of her acquaintances, the ones with Hollywood ambitions, to get her an audition.

Beth was looking for what most people her age in the postwar period longed for—marriage and a home. She vigorously pursued the romantic vision of a husband in a uniform with shiny brass buttons and a bungalow with a white picket fence.

Judging by an undated letter she received from Lieutenant Stephen Wolak, she didn’t hesitate to press for marriage. Wolak’s letter reads in part,

“When you mention marriage in your letter, Beth, I get to wondering. Infatuation is sometimes mistaken for true love. I know whereof I speak, because my ardent love soon cools off.”

Wolak’s response to Beth’s letter is a frank assessment of their relationship—which, in his estimation, was not serious. You can gauge her desperation from his response.   

How many other men in uniform with whom Beth corresponded received letters with suggestions of marriage? 

A depressed and lonely young woman with daddy issues looking for love by sacrificing her pride saddens us and makes us uncomfortable; but the myth of the Black Dahlia is an epic tale worthy of a Greek tragedy.

I imagine in the years to come, we will continue to hold fast to the myth. It is one hell of a story.

Black Dahlia, January 15, 1947: Aggie & the Werewolf

It was after 10 a.m. on January 15, 1947. Mrs. Betty Bersinger and her three-year-old daughter Anne, bundled up against the chill of a cold wave that had held L.A. residents in its grip for several days, walked south on the west side of Norton in the Los Angeles suburb of Leimert Park.

Weedy patches and vacant lots made up most of their view. Construction of new homes ceased during the war and had not yet resumed. As she and Anne passed by one lot, Betty noticed something pale in the weeds about a foot in from the sidewalk.

Betty Bersinger

At first Bersinger thought she was looking at either a discarded mannequin, or maybe a live nude woman who had been drinking and had passed out; the lot was a known lover’s lane. It quickly dawned on her she was in a waking nightmare and the bright white shape in the weeds was neither a mannequin nor a drunk. Bersinger said, “I was terribly shocked and scared to death. I grabbed Anne, and we walked as fast as we could to the first house that had a telephone.”

In her 1949 autobiography, Newspaperwoman, Aggie Underwood, said she was the first reporter to arrive at the scene. Decades later, it is difficult to sort out exactly who arrived first. Many people have made the claim, but there is sufficient evidence to conclude it was a reporter from the Herald-Express, Aggie’s paper.

It doesn’t matter whether a person was the first to arrive, or the last, because everyone at the vacant lot on Norton that day saw the same ghastly sight.

Aggie Underwood, with her recognizable halo of hair, talks with police and takes notes.

Aggie described the scene:

“It [the body] had been cut in half through the abdomen, under the ribs. The two sections were ten or twelve inches apart. The arms, bent at right angles at the elbows, were raised about the shoulders. The legs were spread apart. There were bruises and cuts on the forehead and the face, which had been beaten severely. The hair was blood-matted. Front teeth were missing. Both cheeks were slashed from the corners of the lips almost to the ears. The liver hung out of the torso, and the entire lower section of the body had been hacked, gouged, and unprintably desecrated. It showed sadism at its most frenzied.”

The coroner recorded the victim as Jane Doe #1 for 1947.

Harry Hansen & Finis Brown

Two seasoned LAPD detectives, Harry Hansen and Finis Brown, headed the investigation. During the first twenty-four hours, officers pulled in over 150 men for questioning. The most promising of the early suspects was a twenty-three-year-old transient, Cecil French. Police busted him for molesting women in a downtown bus depot. Cops were further alarmed when they discovered French had pulled the back seat out of his car. Was a body concealed there? Police Chemist Ray Pinker determined that the floor mats of French’s car were free of blood or any other physical evidence of a bloody murder.

The initial Herald-Express coverage referred to the case as the “Werewolf” slaying because of the savagery of the mutilations inflicted on the victim. Aggie’s werewolf tag identified the case for a few more days until a much better one was discovered, Black Dahlia.

NEXT TIME: With help from the Feds, and a gadget at the Herald, L.A. police identify the victim.

Black Dahlia–Last Seen


At 12:20 p.m. on January 9, 1947, Elizabeth Short and Robert “Red” Manley left the motel where they spent the night.

Robert Red Manley courtesy LAPL

What did Beth and Red talk about during the couple of hours that it took them to drive back to Los Angeles from San Diego? Red noticed some scratches on Beth’s arms and asked her about them. She spun a tale of an “intensely jealous” boyfriend–an Italian “with black hair who lived in San Diego” and claimed that it was he who scratched her. Beth herself probably made the scratches because of itchy insect bites. Beth lied to Red a few times more before their day together ended.

Red and his wife were having problems, so, in the way that only a spouse on the verge of cheating can do, he sold himself on the notion that if he and Harriette were destined to be together, then nothing would happen with Beth.

Following their platonic night in a motel room, Red’s marriage was certified as made in heaven—the fates clearly decreed it. But he had a problem; he’d been out of touch with Harriette for a couple of days. How would he explain his lack of communication to her? Any guy capable of devising a ridiculous love test could surely come up with an excuse for being incommunicado for a couple of days.

In my mind’s eye, I see Beth and Red seated across from each other on the bench seat in his Studebaker, each lost in thought. Beth may have been wondering what she’d do once she hit L.A. Maybe she’d go to friends in Hollywood. If she was lucky, someone would have an empty bed for her. Her immediate difficulty was Red. How would she get away from the well-meaning guy for whom she felt little or nothing?

Once they arrived in the city, Beth told Red that she needed to check her luggage at the bus depot. He took her there, and Beth was ready to wave goodbye to him and be on her way—but he wouldn’t leave. He told her he couldn’t possibly leave her in that neighborhood on her own. She insisted she would be fine, but he wouldn’t hear of it.

Beth had a few minutes while she checked her bags to come up with a plan. When they returned to his car, she told him she needed to go to the Biltmore Hotel to wait for her sister. It was another lie. Virginia, the sister she referred to, was in Oakland, hundreds of miles to the north.

Red drove her several blocks back to the Biltmore Hotel. The main lobby was on Olive Street, directly opposite Pershing Square. Beth thanked Red. He was a gentleman. He’d paid to have taps put on the heels and toes of her pumps, and of course he’d paid for meals and the motel room. She thought he would drive off and leave her, but once again he said that he didn’t feel comfortable just putting her out of the car.

Matchbook cover from author’s collect

He parked, and the two of them waited in the Biltmore’s exquisite lobby for quite a while. Beth out waited Red. He said he had to go. She told him she would be fine, and that she expected her sister to arrive at any moment.

Red left her in the Biltmore at approximately 6:30 p.m. Beth watched him go. She gave him a few minutes, and then she exited the hotel and turned right down Olive Street.

Beth may have been headed for the Crown Grill at Eighth and Olive. She’d been there before and perhaps she hoped to bump into someone she knew; after all, she needed a place to stay. Some patrons of the bar later told cops she’d been there that night, although it could not be verified, and no one saw her leave. 

Beth was never seen alive again.

NEXT TIME: More Black Dahlia coverage.

LET’S CRUISE BETH SHORT’S LOS ANGELES c. 1946

MIDNIGHT IN THE DESERT –A CONVERSATION ABOUT HISTORIC LOS ANGELES CRIME

MY INTERVIEW WITH DAVE SCHRADER ON MIDNIGHT IN THE DESERT

On March 10th, B.C. (before Covid) I was interviewed by Dave Schrader for his wonderful radio show, MIDNIGHT IN THE DESERT. We talked for 3 hours about historic Los Angeles crime.

When I first agreed to do the interview I wondered how we would fill the time. By the 2 1/2 hour mark I knew we’d never be able to cover everything. The time flew. Dave is a terrific host and I recommend that you check out his show. I hope to make a return visit sometime during the summer.

Dave’s area of expertise is the paranormal, but he also has an interest in crime. Here’s a little more about Dave:

Dave Schrader has been one of the leading voices of the paranormal since 2006 when he launched his wildly popular talk show, Darkness on the Edge of Town on Twin Cities News Talk – Minneapolis’s top-rated AM talk station.

The show grew to become one of the station’s most successful shows and most-downloaded podcasts, expanding Schrader’s reach globally. Seeing an opportunity, Schrader moved his show to Chris Jericho’s network of shows on PodcastOne, where he further expanded his worldwide audience.

You can find Dave on MIDNIGHT IN THE DESERT.

Ellroycast — Black Dahlia

I was interviewed by Grant Nebel and John Anderson for Ellroycast, their podcast which examines all things James Ellroy.

Grant and John are big fans of Ellroy’s work. His novels, screenplays, articles and LAPD ’53, the photo essay book I was fortunate to work on with James and his co-author Glynn Martin.

Grant, John, and I talked about Ellroy’s novel, The Black Dahlia, vis a vis the 1947 murder of Elizabeth Short. There is an astonishing number of misconceptions about Beth Short. Over the decades the myth has not just obscured reality, it has devoured it.

As a historian, I have an obligation to uncover and tell the truth. It isn’t easy with a case as infamous as the Black Dahlia.

Each time I read an article that begins with Beth arriving in Hollywood to pursue dreams of stardom I want to hurl the offending document across the room, or set fire to it.

Did Beth write to her mother and tell her she was seeking an acting career? Sure. Was it the truth? Emphatically no! There is no evidence that she went on a single cattle call, appeared as an extra, or did anything other than have the occasional Hollywood address.

Why, then, do the myths persist? Maybe because to some people they seem sexier than the truth. As far as I’m concerned Beth’s real life is more fascinating than the myth.

Her death reveals the dark side of the Greatest Generation. Beth’s story is not the trope for a wanna be Hollywood glamour girl. If you’re seeking a Hollywood tragedy metaphor, then read about Peg Entwistle who jumped 50 feet to her death from the “H” in the Hollywood sign on September 16, 1932.

Beth, and many other young, single women, coped with the chaos of Post-War Los Angeles by drifting from man-to-man, room-to-room and bar-to-bar. Los Angeles was a place where a fixed address was a luxury few could afford (even if they could locate a vacant apartment), and violent crimes committed by troubled vets frequently made headlines.

I’m glad that Ellroycast is visiting his world. His novels capture the zeitgeist of Post-War Los Angeles: the darkness and danger, the violence and the victims.

“I never knew her in life. She exists for me through others, in evidence of the ways her death drove them”
― James Ellroy, The Black Dahlia

Thanks again to Grant and John for inviting me to Ellroycast.