Welcome! The lobby of the Deranged L.A. Crimes theater is open. Grab a bucket of popcorn, some Milk Duds and a Coke and find a seat. Tonight’s feature is APOLOGY FOR MURDER starring Ann Savage, Hugh Beaumont, Russell Hicks and Charles D. Brown.
Enjoy the movie!
Reporter Kenny Blake (Hugh Beaumont) falls in love with scheming Toni Kirkland (Ann Savage) not knowing that she is married to a man years older than she. By the time he finds out, he is so under her spell that he murders her husband which is what Toni had planned all along. City editor McKee (Charles D. Brown), Kenny’s boss and best friend, begins to pursue the tangled threads of the crime relentlessly and gradually closes the net on Kenny. The latter is mortally wounded by Toni, who has deserted him for another man.
A couple of weeks following the one year anniversary of the slaying of Elizabeth Short, the Black Dahlia, LAPD detectives were still trying to solve the case that would eventually become L.A.’s most infamous unsolved homicide.
Cops thought maybe they’d finally caught a break in the case when twenty-three year old Charles E. Lynch telephoned the homicide squad asking that they come and arrest him for Short’s slaying.
Lynch was arrested and brought to the Central Jail to be interrogated. The young transient was questioned at length by Det. Lts. Harry Hansen and Finis A. Brown, the two detectives who had been assigned to the case since January 15, 1947 when Short’s body was found in a Leimert Park vacant lot. Dr. J. Paul DeRiver, police psychiatrist, accompanied Hansen and Brown to the questioning of their new suspect.
It didn’t take long for the seasoned detectives and the shrink to conclude that Lynch was lying to them; and when he was challenged on the details of his confession Lynch promptly repudiated it.
Of course the detectives wanted to know what had motivated Lynch to confess to the gruesome murder in the first place, and that’s when he told them that the idea came to him after he read a newspaper “one year anniversary” account of the crime.
The newspaper account of the Black Dahlia case may have given initially motivated Lynch to confess, but his real inspiration came from a Benzedrine inhaler. He told Hansen, Brown and DeRiver that he bought an inhaler, tore off the wrapper, ate the contents and washed them down with a glass of water — it was then, Lynch said, that he decided to confess.
U.S. Army Corporal Joseph Dumais [Photo courtesy of LAPL]
On February 8, 1947 the Herald announced that the Black Dahlia case had been solved. They had found the killer!
The Herald story began:
“Army Corporal Joseph Dumais, 29, of Fort Dix, N.J., is definitely the murdered of “The Black Dahlia”, army authorities at Fort Dix announced today.’
Dumais, a combat veteran, had returned from leave wearing blood stained trousers with his pockets crammed full of clippings about Short’s murder. According to the Herald, Dumais made a 50 page confession in which he claimed to have had a mental blackout after dating Elizabeth Short in Los Angeles five days before her body was found.
The good looking corporal seemed like the real deal. He told the cops that “When I get drunk I get pretty rough with women.” Unfortunately, when police checked his story against known facts the solider’s confession didn’t hold up. Dumais was sent to a psychiatrist.
Two days after Dumais’ false confession the Herald put out an Extra with the headline: “Werewolf Strikes Again! Kills L.A. Woman, Writes B.D. on Body”.
The victim of the “Werewolf Killer” was forty-five year old Jeanne French. Her nude body had been discovered at about 8 a.m. on February 10, 1947 near Grand View Avenue and Indianapolis Street in West L.A.
Cops at the scene of Jeanne French’s murder. [Photo courtesy LAPL]
Jeanne Thomas French had lived an incredibly fascinating life. She had been an aviatrix, a pioneer airline hostess, a movie bit player and an Army Nurse. And at one time she had been the wife of a Texas oilman. The way she died was monstrous.
A construction worker H.C. Shelby was walking to work around 8 o’clock that morning along Grand View Blvd. when he saw a small pile of woman’s clothing in weeds a few feet from the sidewalk. Curious, Shelby walked over and lifted up a fur trimmed coat and discovered French’s nude body.
French had been savagely beaten, and her body was covered with bruises. She had suffered some blows to her head, probably administered by a metal blunt instrument — maybe a socket wrench. As bad as they were, the blows to her head had not been fatal. Jeanne died from hemorrhage and shock due to fractured ribs and multiple injuries caused by stomping — she had heel prints on her chest. It took a long time for French to die. The coroner said that she slowly bled to death.
Mercifully, Jeanne was unconscious after the first blows to her head so she never saw her killer take the deep red lipstick from her purse, and she didn’t feel the pressure of his improvised pen as he wrote on her torso: “Fuck You, B.D.” (later thought to be be “P.D.”–but was it?) and “Tex”.
French had last been seen in the Pan American Bar at 11155 West Washington Place. She was seated at the first stool nearest the entrance and the bartender later told cops that a smallish man with a dark complexion was seated next to her. The bartender assumed they were a couple because he saw them leave together at closing time.
Jeanne’s estranged husband, Frank, was booked on suspicion of murder. The night before she died Jeanne had gone to the apartment where Frank was living and they’d quarreled. Frank said that his wife had started the fight, then hit him with her purse and left. He said that was the last time he saw her. He told the cops she’d been drinking.
David Wrather, Jeanne’s twenty-five year old son from a previous marriage was also brought in for questioning. As he was leaving the police station he saw his step-father for the first time since he’d learned of his mother’s death. David confronted Frank and said: “Well, I’ve told them the truth. If you’re guilty, there’s a God in heaven who will take care of you.” Frank didn’t hesitate, he looked at David and said: “I swear to God I didn’t kill her.”Frank was cleared when his landlady testified that he’d been in his apartment at the time of the murder, and when his shoe prints didn’t match those found at the scene of the crime.
Cops followed the few leads they had. French’s cut-down 1929 Ford roadster was found in the parking lot of a drive-in restaurant, The Piccadilly at Washington Pl. and Sepulveda Blvd. Witnesses said that the car had been there since 3:15 the morning of the murder, and a night watchman said it was left there by a man. The police were never able to find out where Jeanne had been between 3:15 a.m. and the time of her death which was estimated at 6 a.m.
Scores of sex degenerates were rousted, but each was eliminated as a suspect. Officers also checked out local Chinese restaurants after the autopsy revealed that French had eaten Chinese food shortly before her death.
French’s slaying, known as the “Red Lipstick Murder” case, went cold.
Three years later, following a Grand Jury investigation into the numerous unsolved murders of women in L.A., investigators from the D.A.’s office were assigned to look into the case.
Frank Jemison and Walter Morgan worked the French case for almost eight months, but they were never able to close it. They came up with one hot suspect, a painter who had painted the French’s house about four months prior to her death. He even dated her several times. The suspicious thing about the painter was that the day after Jeanne’s murder he had burned several pairs of his shoes. Also he wore almost the same size shoes as the ones that had left marks on French’s body.
Jemison and Morgan thoroughly investigated the painter, but he was eventually cleared.
There were so many unsolved murders of women in the 1940s that in 1949 a Grand Jury investigation was launched into the failure of the police to solve the cases.
There haven’t been any leads in Jeanne French’s case in decades; however, there is always a detective assigned to Elizabeth Short’s murder case. A couple of years ago it was a female detective and, surprisingly, she received several calls a month. To this day there are people who want to confess to Elizabeth Short’s murder. The detective was able to eliminate each one of the possible suspects with a simple question: “What year were you born?
Welcome! The lobby of the Deranged L.A. Crimes theater is open. Grab a bucket of popcorn, some Milk Duds and a Coke and find a seat. Tonight’s feature is THE BIG KNIFE starring Ida Lupino, Jack Palance, Wendell Corey, Jean Hagen, Rod Steiger and Shelley Winters.
Enjoy the movie!
From a TCM article by Jeff Stafford:
The tone of the entire film is set in the opening shot of The Big Knife accompanied by a portentous voiceover by Richard Boone stating, “This is Bel Air. Lush, luxurious retreat of the wealthy and powerful. If you work in the motion picture industry and are successful, this is where you will probably make your home. Failure is not permitted here.” Regarding his true intentions, director Robert Aldrich stated (in The Films and Career of Robert Aldrich by Edward T. Arnold and Eugene L. Miller) that he did not feel The Big Knife was “exactly anti-Hollywood, for that would make it too sectional. To me it can apply to any sphere of business, or the arts, where man’s natural liberty or expression is squelched by unworthy, incompetent, tyrannical leaders or bosses, many of whom are not deserving of their powers.”
Sketch of Jane Doe #1 prior to her ID as Elizabeth Short.
Max Handler with Det. Ed Barrett (in hat and glasses). [Photo courtesy LAPL]
Dozens of men had been interviewed as possible suspects in the murder of Elizabeth Short. None of the interviews had panned out. A seemingly endless stream of false confessors appeared at various police stations around town; guys like Max Handler, a film bit player, who was the 25th man to claim he had murdered the Black Dahlia. During a lie detector test he admitted that his confession was false and that he “wanted to get away from a gang of men who have been following me constantly”. In the photo he looks to have been on a lobotomizing bender.
Daniel S. Voorhies, a 33 year old army vet, also confessed to killing Short. He said that he’d had an affair with her in L.A. — the problem with his story was that at the time he claimed that he and Short were having a torrid affair, Beth was a very young teenager living on the east coast.
The local landscape was littered with crumpled up false confessions given by every sad drunk and deranged publicity seeker — and most of the confessors were men; but not all of them.
False confessor, Minnie Sepulveda. [Photo courtesy of LAPL]
A gal named Minnie Sepulveda stepped up and said that she had killed the Black Dahlia. She hadn’t.
Mrs. Marie Grieme said that she had heard a Chicago woman confess to the Black Dahlia’ murder. Her story didn’t lead anywhere.
Even though none of the women who had confessed had been guilty, the cops were beginning to think that it wasn’t out of the question that Short’s slayer had been a woman. After all, L.A. had had its share of female killers.
The Herald ran side-by-side photos of three infamous homicidal women who had been busted in L.A., Louise Peete (one of only four women ever to have been executed by the State of California) was a serial killer. She’d been busted for murder in the 1920s, did eighteen years, and following her release from prison committed yet another murder for which she paid with her life.
Winnie Ruth Judd committed two murders in Arizona. She was busted in L.A. when a trunk containing the dismembered remains of Hedvig Samuelson and Anne Le Roi began to get a little ripe and leak bodily fluids in the baggage claim section of a local train station.
Winnie Ruth Judd’s trunks. [Photo courtesy LAPL]
In 1922, Clara Phillips (aka “Tiger Girl”) murdered Alberta Meadows, the woman she suspected was a rival for her husband’s affections. She struck Meadows repeatedly with a hammer and, for the coup de gras, she rolled a 50 lb. boulder on top of the corpse.
Body of Alberta Meadows — victim of Clara Phillips’ wrath. [Photo courtesy of UCLA]
So, the notion that a woman could be Short’s killer wasn’t far-fetched at all. The Herald had featured a series of columns written by psychologist Alice La Vere. La Vere had previously profiled Short’s killer as a young man without a criminal record, but she was very open to the idea of a female killer. She abruptly shifted gears from identifying a young man as the slayer to “…a sinister Lucrezia Borgia — a butcher woman whose crime dwarfs any in the modern crime annals — are shadowed over the mutilated body of 22-year-old Elizabeth Short.”
Obviously La Vere was an expert for hire, and if the Herald editors had asked her to write a convincing profile of the killer as a mutant alien from Mars, she’d likely have done it. Still, she made some compelling comments in her column for the newspaper.
“Murders leave behind them a trail of fingerprints, bits of skin and hair. The slayer of “The Black Dahlia” left the most tell-tale clue of all–the murder pattern of a degenerate, vicious feminine mind.”
Even more interesting was La Vere’s exhortation to the cops to look for an older woman. She said:
“Police investigators should look for a woman older than ‘The Black Dahlia’. This woman who either inspired the crime or actually committed the ghastly, unspeakable, outrage, need not be a woman of great strength. Extreme emotion or high mental tension in men and women give great, superhuman strength.”
If you compare Alice La Vere’s profile of the possible killer to a profile created by John E. Douglas, who is retired from the FBI’s Behavioral Analysis Unit (BAU) — La Vere’s sixty-nine year old profile holds up rather well.
What I find interesting about La Vere’s profile of a female perpetrator is that she said that the woman would be older than Short. In recent years an older woman did become an integral part of a theory about the crime.
It is a theory put forward by researcher, Larry Harnisch. Larry wrote an article for the Los Angeles Times on the fiftieth anniversary of Short’s death. Subsequently, he has done a lot more digging into the case and has unearthed an important connection between the body dump site near 39th and Norton, and two medical doctors. One of the doctors, Walter Alonzo Bayley, had lived in a house just one block south of the place where Elizabeth Short’s body had been discovered. At the time of the murder he was estranged from his wife who still occupied the home. Bayley had left his wife for his mistress, Alexandra Partyka, also a medical doctor. Partyka had emigrated to the U.S. and wasn’t licensed to practice medicine, but she did assist Bayley in his practice.
Following Bayley’s death in January 1948, Partyka and Dr. Bayley’s wife, Ruth, fought over control of his estate. Mrs. Bayley claimed that Partyka had been blackmailing the late doctor with secrets about his medical practice that could have ruined him.
There is also a link between Bayley’s family and Short’s. In 1945 Dr. Bayley’s adopted daughters, Barbara Lindgren, was a witness to the marriage of Beth’s sister, Virginia Short, to Adrian West at a church in Inglewood, California, near Los Angeles.
Larry discussed Dr. Bayley in James Ellroy’s 2001 “Feast of Death”. [Note: Be forewarned that there are photos of Elizabeth Short in the morgue.]
It is clear that a woman could have murdered Elizabeth Short; but could the woman have been Dr. Bayley’s mistress, Alexandra Partyka? The chances are that we’ll never know–or at least not until Larry Harnisch finishes his book on the case.
NEXT TIME: Another confession, and another murder.
Elizabeth Short’s murder dominated the front pages of the Evening Herald & Express for days following the discovery of her body in Leimert Park on January 15, 1947..
But even in a murder case as sensational as that of the Black Dahlia the more time that elapses following the crime the fewer clues there are on which to report. The fact that the case was going cold didn’t dampen the Herald’s enthusiastic coverage one little bit. The paper sought out psychiatrists psychologists, and mystery writers who would attempt, each in his/her own way, to analyze the case and fill column space in the paper as they, and the cops, waited for a break. Decades before the FBI’s Behavioral Analysis Unit (BAU) was founded the shrinks and writers whose work appeared in the Herald were engaging in speculative profiles of both the victim and her killer.
One of the psychologists tapped by the Herald to contribute her analysis of the victim and slayer was Alice La Vere. La Vere was introduced as “…one of the nation’s most noted consulting psychologists”. According to the newspaper, Miss La Vere would give to readers: “an analysis of the motives which led to the torture murder of beautiful 22-year-old Elizabeth Short”. La Vere’s analysis seems surprisingly contemporary.
Here is an excerpt from her profile of Short’s personality:
“Some gnawing feeling of inadequacy was eating at the mind of this girl. She needed constant proof to herself that she was important to someone and demonstrates this need by the number of suitors and admirers with which she surrounded herself.”
La Vere went on to describe the killer:
“It is very likely that this is the first time this boy has committed any crime. It is also likely that he may be a maladjusted veteran. The lack of social responsibility experienced by soldiers, their conversational obsession with sex, their nerves keyed to battle pitch — these factors are crime-breeding.” She further stated: “Repression of the sex impulse accompanied by environmental maladjustment is the slayer’s probable background.”
How does La Vere’s profile of Elizabeth Short and her killer compare the analysis by retired FBI profiler John Douglas? Douglas suggested that Beth was “needy” and that her killer would have “spotted her a mile away”. He said that the killer “would have been a lust killer and loved hurting people.”
On the salient points, I’d say that La Vere and Douglas were of like minds regarding Elizabeth Short and her killer — wouldn’t you?
At the time of Elizabeth Short’s murder, mystery writer Craig Rice (pseudonym of Georgiana Ann Randolph Walker Craig) was one of the most popular crime writers in the country. In its January 28, 1946 issue,TIME magazine selected Rice for a cover feature on the mystery genre. Sadly, Rice has been largely forgotten by all except the most avid mystery geeks (like me).
Craig Rice was invited by the Herald to give her take on the Black Dahlia case in late January 1947. Rice described Elizabeth Short in this way:
“A black dahlia is what expert gardeners call ‘an impossibility’ of nature. Perhaps that is why lovely, tragic Elizabeth Short was tortured, murdered and mutilated Because such a crime could happen only in the half-world in which she lived. A world of–shadows.”
Prior to being benched by her city editor, Aggie had made some headway in her coverage of Elizabeth Short’s murder. She had interviewed Robert “Red” Manley, the first suspect in the case, and had concluded that he was innocent. Her interview had earned her a by-line. As far as I know she was the only Los Angeles reporter to get a by-line in the case.
In her 1949 autobiography, Newspaperwoman, Aggie said that she came across Elizabeth’s nickname when she was checking in with Ray Giese, a LAPD homicide detective-lieutenant. According to Aggie, Giese said: “This is something you might like, Agness. I’ve found out they called her the ‘Black Dahlia’ around that drug store where she hung out down in Long Beach.”
Like it? Aggie loved it. Los Angeles, in particular the Hearst newspapers, seemed to have a penchant for naming homicide cases after flowers. Over the years orchids, roses, and gardenias would feature in many grim headlines.
Aggie longed to be back in the field chasing leads and sniffing out suspects, but she was officially off the case for the second time. After a few days of sitting at her desk working on an embroidery project, to the amusement of her co-workers and the dismay of her supervisors, an announcement was made that Aggie’s new assignment would be the city desk. She was flabbergasted. She had just become one of the first women in the United States to hold a city editorship on a major metropolitan daily!
Aggie at a crime scene (not the Dahlia) c. 1940s.
Why had Aggie been removed from the Black Dahlia case in the first place? There are those who believe that there was a cover-up and that Aggie was getting too close to a solution to Short’s murder, so someone with enough juice had her promoted to keep her out of the way. That doesn’t make sense to me, as city editor she directed the activities of all the reporters working the case, and she wasn’t the sort of person who could have been bought. Nevertheless, the timing of Aggie’s promotion remains an intriguing part Dahlia lore.
With Aggie back in the thick of things, the Herald continued to follow every lead. Sadly, the victim of a homicide is often re-victimized by the press. Murder victims lose their right to privacy; all of their secrets are revealed, and in an effort to fill column space while multiple leads were being tracked, the Herald looked to psychiatrists, Elizabeth’s acquaintances, and even mystery writers, to speculate on the case, which they did with creative abandon.
The psychiatrist whose expert opinion was sought by the Herald was Dr. Paul De River, LAPD’s very own shrink. He wrote a series of articles for the paper in which he attempted to analyze the mind of the killer. De River wrote that the killer was a sadist and suggested that: “during the killing episode, he had an opportunity to pump up affect from two sources — from his own sense of power and in overcoming the resistance of another. He was the master and the victim was the slave”.
Dr. De River
In one of his most chilling statements, De River hinted at necrophilia—he said: “It must also be remembered that sadists of this type have a super-abundance of curiosity and are liable to spend much time with their victims after the spark of life has flickered and died”.
People who had only a fleeting acquaintance with Elizabeth (who frequently called herself Betty or Beth) were interviewed by reporters and they weighed in on everything from her hopes and dreams to her love life. Beth was, by turns, described as “a man-crazy delinquent”, and a girl with “childlike charm and beauty”. The interviews yielded nothing of value in the hunt for Beth’s killer.
The cops weren’t having any better luck.
NEXT TIME: The Black Dahlia case goes cold. Or does it?
In his 1991 autobiography, “Reporters”: Memoirs of a Young Newspaperman, Will Fowler recalled that one of his colleagues, Baker Conrad, had noticed a telegram among Elizabeth Short’s effects. The Examiner’s editor, Jim Richardson, dispatched Fowler to the address on the telegram, 8010 Mountain View Avenue in South Gate.
When Fowler arrived at the bungalow court he was greeted by “A strikingly beautiful red-haired young woman.” Fowler may not have actually said he was a cop, but he let the woman, Harriet Manley, believe he was law enforcement.
Robert “Red” Manley with his wife Harriette. [LAPL Photo]
During her conversation with Fowler, Harriet said that Red had phoned her from San Francisco after seeing his name in the newspapers in connection with Elizabeth Short’s murder. Red tried to reassure Harriet that he’d had nothing to do with the slaying and told her that he “loved her more than any man ever loved his wife.”
At about 10:00 pm on January 19th a couple of LAPD sergeants, J.W. Wass and Sam Flowers, were staking out the home of Red’s employer in Eagle Rock where the wanted man was expected to arrive shortly. When Red pulled up in his sedan the officers approached him with their guns drawn. An Examiner photographer was there to capture the arrest. Red looks like a deer in the headlights as Sgt. Flowers handcuffs him.
Robert “Red” Manley busted in Eagle Rock. Photo courtesy LAPL.
Aggie Underwood interviewed Red early in the morning of January 20th at LAPD’s Hollenbeck station. She recalled the interview in her 1949 autobiography Newspaperwoman:
“You look as if you’ve been on a drunk,” I said in sizing up the suspect. I was ready to talk sympathetically about hangovers. That approach won’t work always, but Red looked like a guy reporters might meet at a bar and find a congenial drinking companion, possible criminal or not.
“This is worse than any I’ve ever been on,” he replied. Perry Fowler, the photographer assigned to the case with me, caught the cue we had used repeatedly in softening subjects and stepped forward with a cigarette, which Manley took gratefully.
“Look, fella,” I continued as he inhaled. “You’re in one hell of a spot. You’re in a jam and it’s no secret. If you’re as innocent as you say you are, tell the whole storey; and if you haven’t anything to hide, people can’t help knowing you’re telling the truth. That way, you’ll get it over with all at once and it won’t be kicking around to cause you more trouble.”
Red didn’t need any further encouragement to unburden himself to Aggie. He told her how he’d initially picked Elizabeth up on a San Diego street corner. How they had spent an “erotically uneventful” night in a motel and how he had eventually dropped her off at the Biltmore Hotel on January 9th.
Red finished his tale with: “I’ll never pick up another dame as long as I live.”
Robert Manley in high school c. 1940. Photo from Ancestry.
Aggie believed Red was innocent, and shared her gut feelings with the police. Red had been forthcoming in his interview and Aggie knew right away that he wasn’t a killer. Red was just a frightened man with goofy ideas about love tests.
If there was one thing that Aggie detested it was a sob sister. For those of you unfamiliar with the term, a sob sister is a female journalist who writes overly sentimental copy. That sort of journalism was never Aggie’s thing. She said: “A sob sister could have wept with and over Manley, interpolating, editorial gushes to prove what a big bleeding heart beat in her breast. To hell with that. I’d rather have a fistful—an armload—of good solid facts.”
Aggie at her desk c. 1949. Photo courtesy LAPL. [Yes, that’s a baseball bat on her desk. Aggie had a way of dealing with over zealous Hollywood press agents.]
It was the armload of facts that made Aggie’s interview with Red Manley so compelling. In fact her city editor, who normally cautioned her to keep her copy short, let the entire interview run without a ton of photos. He knew a good interview when he read one.
Why, then, in the midst of covering of the murder was Aggie unceremoniously yanked off the story? Without any warning or explanation Aggie suddenly found herself benched. The city editor had pulled her off the story and let her cool her heels in the newsroom without a thing to do.
Aggie spent a couple of miserable days at her desk bored out of her mind. Then she got pissed-off enough to fight back. She didn’t get huffy or raise her voice. She brought in an embroidery project. Shortly the other newsroom denizens were snickering. One of the other newswomen, Caroline Walker, said: “What do you think of that? Here’s the best reporter on the Herald, on the biggest day of one of the best stories in years—sitting in the office doing fancy work!”
The next day Aggie was reassigned to the story—only to be pulled off a second time. What the hell was going on?
NEXT TIME: Aggie gets a big surprise as the investigation into Elizabeth Short’s murder continues.
Jane Doe’s body was removed from the vacant lot on Norton and taken to the Hall of Justice where she was fingerprinted and autopsied. Artist Howard Burke sketched an idealized version of the young woman—the reality of her condition was too awful for them to print in the Examiner; although they did print a photo of her body in situ. The only way they could print a picture of the crime scene was by manipulating the photo to remove the mutilations to her face and adding a blanket to cover her.
Captain Jack Donohoe, head of LAPD’s homicide department, was understandably in a rush to identify the woman. Her killer already had the advantage of several hours, but to give him, or her, more time to escape could be disastrous. It should have been a simple thing to get Jane Doe’s prints to the FBI in D.C., but the weather back east was conspiring against the detectives.
Blizzard of 1947. Associated Press photo via Baruch College, CUNY.
Normally Elizabeth’s prints would have been flown to the FBI but a blizzard had grounded aircraft in the East. If cops had to wait for the weather to clear identification could take as much as a week. Seven days is an eternity in a homicide investigation.
The symbiotic relationship between the police and the press that existed in those days made their next move possible. Without access to planes the LAPD’s investigation was at a standstill. But, luckily, they had William Randolph Hearst’s resources to rely on. The Examiner had recently acquired a Soundphoto machine which could be the solution to the conundrum. It might be possible to transmit the fingerprints to the FBI via the precursor to the facsimile machine. Of course the newspaper expected a quid pro quo—an exclusive. With the clock ticking, Capt. Donohoe reluctantly agreed.
Photo courtesy ladailymirror.com
Sending fingerprints over the Soundphoto machine had never been tried before, but it was worth the effort. To everyone’s amazement and relief the prints, after a couple of minor glitches, were successfully transmitted to the FBI. It didn’t take the bureau long to identify the dead woman as Elizabeth Short. The last address the agency had for her was in Santa Barbara. Santa Barbara police had arrested the Massachusetts native in 1943 for underage drinking. She had been sent home to her mother Phoebe.
Now that the dead girl had a name the Examiner’s city editor, Jim Richardson, assigned re-write man Wayne Sutton to break the news to Phoebe. Sutton was less than thrilled when Richardson instructed him to lie to Phoebe. Richardson wanted Phoebe to believe that her daughter had won a beauty contest. It was only after Sutton had pumped her for information on her daughter that he would be allowed to deliver the news of her tragic death.
After a few minutes of chatting with Phoebe, who was proud and happy to discuss her beautiful daughter with the newspaperman from Los Angeles, Richardson gave Sutton the high sign. It was time to tell Phoebe the truth. Sutton put his hand over the mouthpiece, looked at Richardson and said: “You lousy son-of-a-bitch.”
Phoebe Short. Photo courtesy LAPL.
It may have been shock that kept Phoebe on the line after hearing the worst news of her life. Sutton learned from Phoebe that Elizabeth had recently stayed in San Diego and he was given the address. Sutton told Phoebe that the Examiner would pay her fare to Los Angeles. The paper needed to keep Phoebe close so they could explore leads and milk her for further information on her murdered child.
Examiner reporters were dispatched up and down the coast from Santa Barbara to San Diego to glean whatever they could from interviews with police and anyone else who may have come into contact with Elizabeth.
While reporters were out searching for information, the Examiner received an anonymous tip that Elizabeth had kept memory books filled with photos and letters. The books were allegedly in a trunk that had been lost in transit from the east. Reporters from the Examiner went to the Greyhound station in downtown Los Angeles. There wasn’t a trunk, but there was a suitcase and some bags.
Robert “Red” Manley. Photo likely taken by Perry Fowler. Courtesy LAPL.
A small suitcase turned out to be a treasure trove of photos and letters which offered some insight into Elizabeth’s life. There were letters from soldiers, and letters that Elizabeth had written and never sent. There were photos of her on a beach, and with various men in uniform. Might one of them be her killer?
Examiner reporters in the field received copies of some of the photos which they then showed to clerks at hotels and motels in the hope of finding anywhere the dead woman had been, and with whom.
The reporters discovered that the last man to have been seen with Elizabeth was married salesman, Robert “Red” Manley. Red and Elizabeth had stayed the night in a motel on their way from San Diego to Los Angeles. Red’s name was printed in the Examiner as a person of interest in the slaying.
Red could be a valuable witness. Or he could be a killer.