Welcome. The lobby of the Deranged L.A. Crimes theater is open. Grab a bucket of popcorn, some Milk Duds and a Coke and find a seat.
Tonight’s feature is DEAD END (1937), starring Humphrey Bogart. The supporting cast is stellar, Joel McCrea, Sylvia Sidney, Wendy Barrie, and Claire Trevor. Among the faces you will recognize from the era, Allen Jenkins and Marjorie Main.
Interesting note–Lillian Hellman wrote the screenplay. If you are not familiar with Hellman, she was the longtime partner of the great noir novelist, Dashiell Hammett, who wrote The Thin Man, and Red Harvest.
The Dead End Kids are introduced in their intricate East Side slum, overlooked by the apartments of the rich. Their antics, some funny, some vicious, alternate with subplots: unemployed architect Dave is torn between Drina, sweet but equally poor, and Kay, a rich man’s mistress; gangster Baby Face Martin returns to his old neighborhood and finds that nobody is glad to see him. Then violent crime, both juvenile and adult, impacts the neighborhood and its people.
The movie is based on a play by actress and writer, Dorothy Mackaye. Dorothy was not a gangster or a gun moll. She took her inspiration from her time in San Quentin for compounding a felony. The felony was the beating death of her husband, Ray Raymond, by her lover, Paul Kelly.
The fatal Hollywood love triangle was headline news, and I plan to cover it in the book I am working on for the University Press of Kentucky. The subject of the book is crime in Prohibition Los Angeles–one of my favorite topics.
Enjoy the movie!
Dot Burton, an aspiring actress, helps a gang of bank robbers to hold up a bank. The men escape but the police are suspicious of Dot’s actions and arrest her. District Attorney Lewis Sinton asks Dot to turn state’s evidence, but she continues to plead her innocence. Radio broadcaster Kenneth Phillips sees a newspaper article about Dot’s case and broadcasts a statement lambasting the district attorney for arresting her while the real criminals go free.
On June 22, 2021, Writer’s Bloc and Chevalier’s Books hosted a virtual event celebrating the publication of James Ellroy’s new novel, WIDESPREAD PANIC.
I was thrilled to participate on a panel with James Ellroy, John Anderson, Grant Nebel and Zoe Dean.
John Anderson and Grant Nebel are Ellroy scholars and enthusiasts who created the Ellroycast, and have written extensively about pop culture, film, and television. Zoe Dean is an award winning short story writer of crime fiction.
I’ve known James for years, and was one of several people who worked with him on the book, LAPD ’53.
If you missed Ellroypalooza, or would like to see it again, here it is for your viewing pleasure.
Too often we recall the names of killers, but not their victims. Today, on what should be her 83rd birthday, I am highlighting Judy Dull.
Judith Ann “Judy” Van Horn Dull turned nineteen on June 23, 1957. She had a 14-month-old daughter, Susan, and a soon-to-be ex-husband, Robert, who intended to keep custody of their little girl. A decent lawyer costs money, and Judy needed as much cash as she could scrape together for the coming battle.
Judy lived at the El Mirador apartments at the corner of North Sweetzer and Fountain Avenues in West Hollywood.
Most of the young women who inhabited the El Mirador during the summer of 1957 were still in diapers when the building’s most famous resident, actress Jean Harlow, died at age 26 in June 1937.
At least the building had a Hollywood provenance, which may have given the new crop of wannabes hope for the future.
Judy’s need for a quick buck prevented the usual Hollywood rounds to agents or cattle calls to appear as an extra in the latest western. The best and quickest way for an attractive blonde like Judy to make money was as a model. Modeling gigs ran the gamut from legitimate work for catalogs and harmless cheesecake photos to pornography.
Judy’s roommates, eighteen-year-old Betty Ruth Carver and twenty-two-year-old Lynn Lykels, were models, too. All three were in demand and they looked out for each other, trading gigs to keep the money flowing.
On August 1, 1957, Judy took a job that Lynn had to pass on. At 2 pm, when the photographer, a guy named Johnny Glenn, a geeky-looking guy with bat ears and horn-rimmed glasses, showed up to collect Judy for the job, she was reluctant to go with him. He overcame her reluctance by offering her $20/hour for a two-hour shoot. How could she say no?
At Judy’s request, Johnny left his telephone number with one of her roommates.
Johnny and Judy walked out of the El Mirador.
It was the last time anybody saw her alive.
NOTE: Harvey Glatman murdered Judy and two other women, Ruth Mercado and Shirley Bridgeford. There was not enough evidence to try him for Judy’s murder, but he was found guilty of murdering Mercado and Bridgeford. Glatman died in the gas chamber at San Quentin on September 18, 1959.
I am fortunate to be affiliated with the DEADLY WOMEN television series. I love working with them and I have appeared in every season for over a decade.
I received an email from them the other day letting me know that my first episode of the current series (Episode 7, Flash Point) is going to premiere on the Discovery Plus streaming service Thursday, June 24.
It will also air on Investigation Discovery the following week on Thursday, July 1 at 9/8/C.
I cover a 1940 case from the U.K. Here is a photo of the deadly woman. You will learn all about her crime soon.
I will keep you posted on the other episodes for this series.
Frank’s chances for an acquittal are dismal, but then his attorney mounts a defense, blaming Lois for the beating that nearly killed her.
Attorney H.A.J. Wolch drops a bombshell in court when he reads excerpts from a June 29, 1931 letter written by Lois and sent to Frank’s wife, Ione
“You are probably wondering why I should write to you, are you not? I don’t exactly know myself.”
“Honestly ‘Yonnie,’ I didn’t know you cared so much until I read a certain letter. No one could write a letter like that without plenty of reason.
“I’m sure Frank loves me. If I wasn’t, I wouldn’t hesitate a moment to send him back to you, ‘Yonnie.’ You yourself know how it is to be uncertain, but I’m not anymore.”
“I’m afraid you’ll think that the real reason for my writing this letter is to gloat over him. No, I wouldn’t do that. I just couldn’t I just want you to know how I feel about this thing. I want to tell you how I love Frank.”
“I can’t hate you, not even if I try and I have tried…”
“I hope I have not said anything that can be taken any way but the right way. I don’t want to hurt you and I don’t want Frank to hurt you.”
Wolch questions Lois about her relationship with Frank during the six months prior to the attempt on her life. She professes her love for Frank and admits writing to Ione. She also admits to dating other boys. The subtext of the cross-examination is clear—Lois is easy.
In her testimony, Lois confirms her meeting with Frank on February 18, 1931. She says they discuss “getting a doctor,” but abortion is illegal in 1931 and the danger of permanent disability or death is a consequence the expectant mother faces alone.
Ten days later, Lois said, Frank tells her they have an appointment with a doctor. The doctor could be anyone from a licensed physician to a drunken quack working out of a dirty backroom office.
On March 4, they meet for the last time. Frank attacks her.
Frank takes the stand in his own defense and relates a self-serving account of the crime.
“When she told me she was going to my wife, little baby and my parents, and tell them I was responsible for her condition, well, I just flew off the handle, picked up a stick, hit her three or four times over the head, struck her on the jaw with my fist and left her there.”
The railroad tie he used to batter Lois is hardly “a stick”, and when he says he “left her there” he neglects to say he threw her into an abandoned well and expected her to die.
Wolch kept the kid gloves on during his examination of his client. Frank said he met Lois and Ione at about the same time. Lois lived in Pomona, and Ione in Glendora. He saw each of them about twice a week.
“What was your feeling for both Ione and Lois?
“I cared for Ione very much. I liked Lois, too. In September I made up my mind. I loved Ione…, so we went to Las Vegas and got married. We came home that night to my folks and the next day I took her to Glendora.”
Wolch asks Frank when he next meets with Lois. Frank says, “The following night.”
He describes Lois’ reaction to his marriage.
“Lois was heartbroken and deeply moved over my marriage to Ione. She asked me to get a divorce.”
Frank chuckles, then continues.
“Already she wanted me to get a divorce and marry her. I told her I couldn’t even think of it.”
Frank refuses to consider divorcing Ione; however, he continues to see Lois. They meet frequently from the time of his marriage until December, when they get together only once.
When they resume their affair in January, Lois asks Frank to get her some quinine. Quinine in large doses may induce an abortion, but it is not a sure thing. A pregnant woman who takes quinine risks renal failure. Babies who survive quinine exposure in the womb can be born deaf or suffer other side-effects. Both mother and child can die because of taking quinine.
Frank blew off Lois’ request to get the abortifacient, claiming he does not know what she wants with the over-the-counter drug.
According to Frank, Lois asked for quinine again in early February. This time he asked her why.
“I asked her what she wanted it for and she said she was expecting a baby, ad something had to be done. I said I was sorry and asked her who was responsible, and she didn’t answer. Again, she asked me to divorce Ione and marry her, and again I told her I wouldn’t consider it.”
Frank describes his March 4th meeting with Lois.
“I met her on March 4, about 6:30 p.m. We drove around a bit. I told her I couldn’t get a doctor. Finally, we parked the car on the outskirts of Pomona. She said she was going to blame me. Something had to be done or she would make trouble. I loved my wife very much, and the baby had just come. I had entirely overcome the conflict of the earlier months. I loved Ione, not Lois.”
When testimony concluded in early May, the jury faced conflicting versions of the March 4 attack.
Lois’ version, corroborated by her injuries, is gut-wrenching. The prosecution calls the attack “deliberate and brutal.”
Frank’s defense portrays Lois as a scheming home wrecker—no better than she ought to be.
In the last hours of the trial, Deputy District Attorney Cooper points out parallels between the case against Frank and the incidents in Theodore Dreiser’s novel, An American Tragedy. Cooper reads extracts from the book.
The jury finds Frank guilty of attempted murder and statutory rape.
Before passing sentence, Judge Bowron has a few words for Frank:
“You are fortunate in that you are not here for the purpose of receiving the extreme penalty. The evidence and circumstances show that you planned to do away with Lois Wade because she was about to become a mother.”
Frank gets one to fourteen years in prison.
In a strange twist, probably orchestrated by a quick thinking reporter or a newspaper city editor, Frank, Ione, and Lois meet in jail a few hours before the prison train leaves for San Quentin. A photo shows the threesome holding hands and, supposedly, putting the past behind them.
Edgar Allan Poe’s The Mystery of Marie Roget, is cited as the first murder mystery based on details of an actual crime. I am skeptical of firsts, but if Poe’s story is not the first, it is an early entry. It appeared in Snowden’s Ladies’ Companion in three installments, November and December 1842 and February 1843.
Behind Poe’s tale of Marie Roget is the murder of Mary Cecilia Rogers.
Rogers, a tobacco shop employee, became known as the Beautiful Cigar Girl. She disappears on October 4, 1848, and local papers report her elopement with a naval officer. She returns later, sans husband.
She disappears again on July 25, 1841. Friends see her at the corner of Theatre Alley, where she meets a man. They walk off together toward Barclay Street, ostensibly for an excursion to Hoboken.
Three days later, H.G. Luther and two other men in a sailboat pass by Sybil’s Cave near Castle Point, Hoboken. Floating in the water they see the body of a young woman. They drag it to shore and contact police.
According to the New York Tribune, Rogers is “horribly outraged and murdered”. Questions regarding Rogers’ death remain. It is alleged she ended up in the river following a failed abortion. The scenario is credible, in part, because her boyfriend committed suicide and left a note suggesting his involvement in her death.
I love it when a novel is based on a true crime. One of my favorites is An American Tragedy by Theodore Dreiser. Dreiser draws inspiration from a murder in the Adirondacks.
In 1905, Chester Gillette takes a job as a manager in an uncle’s skirt factory in Cortland, New York. It is there he meets factory worker, Grace Brown. They begin an affair and she becomes pregnant.
Chester is neither interested in being a husband, nor in being a father. He takes Grace on a trip to the Adirondack Mountains in upstate New York. Using the alias, Carl Graham, Chester rents a hotel room, and a rowboat.
Grace believes the hotel is where they will spend their honeymoon following a visit to the local justice of the peace. In anticipation of her new life with Chester, Grace packs all of her belongings in a single suitcase.
Chester’s suitcase is small. He is not beginning a life with Grace.
On July 11, the couple takes a rowboat out into the middle of Big Moose Lake. There is no marriage proposal. No wedding ring. He beats her over the head with his tennis racquet and pushes her overboard to drown.
On July 13, 1906, The Sun reports the tragic drowning of a couple in Big Moose Lake. Grace’s body floats to the surface the next day. The body of her companion, Carl Graham, is missing.
Fearing he is dead, police search for Carl. They soon learn the true identity of Grace’s companion. He is alive, well, and his name is not Carl. Police arrest Chester. He denies responsibility for Grace’s death. He insists she committed suicide. The bad news for Chester is none of the physical evidence supports his version of events.
The jury shows no mercy—they find him guilty and sentence him to death.
On March 30, 1908, they execute Chester in the electric chair at Auburn Prison in Auburn, New York.
March 4, 1932.
Soaked to the skin, bleeding from the head, and covered in bruises, seventeen-year-old Lois Wade stumbles into the road near Mountain Meadows Country Club in Pomona. A Good Samaritan takes her to Pomona Valley Hospital.
The hospital calls the Sheriff’s department, and deputies arrive to take Lois’ statement. She tells them a terrifying story.
She is is walking from downtown Pomona to her parent’s home at 349 East Pasadena Avenue, when a stranger pulls up alongside her and offers her a ride. She accepts, but rather than taking her home, the man stops his car on Walnut Avenue near an abandoned well and beats her.
Lois’ attacker forces her into the well and shoves her down witht a pole when she attempts to climb out. When Lois vanishes from his view, the man gets in his car and drives away.
The motiveless attack makes little sense, and deputies question Lois’ account. The next day, she revises her story.
Her attacker is not a stranger as she originally claims; he is her nineteen-year-old married lover, Frank Newland.
Deputies Killion and Lynch arrest Frank at his home at 918 South San Antonio Street, Pomona. They book him on a charge of assault with intent to commit murder. Frank denies the attack.
As Lois lay in serious condition in the hospital, the D.A. revises charges against him to include statutory rape. Because of the severity of Lois’ wounds and her inability to appear in court, Judge White resumes Frank’s hearing at Lois’ hospital bedside.
Within a month of the attempt on Lois’ life, Frank goes to trial. Local newspapers pick up on the similarities between Frank and Lois and the characters in Theodore Dreiser’s An American Tragedy.
Future Los Angeles mayor, Fletcher Bowron, sits on the bench. Public interest in the trial is high and draws an enormous crowd—the largest since the 1929 rape trial of theater mogul Alexander Pantages.
The trial begins on April 28; Lois takes the stand, and the courtroom hangs on her every word.
Lois is low-key and demure as she testifies to her ordeal.
“By prearrangement we met on a corner in Pomona. We went in his roadster to the Mountain Meadows Country Club, where he drove off the road and stopped the car. We sat in the car for a half-hour; yes, we kissed and loved. He then suggested that we walk over to an old windmill and abandoned well nearby.”
“We looked in the well and then suddenly he turned around and struck me over the head with a club. I fell to the ground. He struck me eight or ten times more and kicked me several times.”
Frank grabs Lois by the feet and drags her, struggling and screaming ten feet to the well. No match for Frank, he overpowers her and throws her in the well.
Lois lands in twenty-five-feet of water. She bobs to the top, and fights for her life. Frank uses a railroad tie to shove Lois under water. A photo of Deputy W.L. Killon, puts the size of the weapon into perspective.
Convinced Lois is dead, Frank gets into his car and drives away.
Lois claws herself up the wall of the well. She crawls over the edge, tumbles onto the ground, then rises and lurches into the street to summon help. A man stops his car to render aid. Amazingly, Lois’ Good Samaritan is a doctor.
Dr. Roy E. St. Clair testifies to finding Lois in the road.
“I was driving to Pomona on the Mountain Meadows Road about 8:30 p.m. last March 4 when I heard a cry and the lights on my car picked up the figure of Miss Wade standing with her right arm out-stretched. I backed up my machine, and she came to the door and said ‘Take me to a doctor.’”
In Satin Pumps: The Moonlit Murder that Mesmerized the Nation (WildBlue Press, $13.49), screenwriter and author Steve Kosareff offers a unique perspective on one of Southern California’s most riveting domestic murders.
Mid-century is at its zenith in 1959. The era is a pink and turquoise mix of future and past as decades old orange groves and strawberry fields give way to miles of modern tract homes in newly minted suburbs. The rows of cloned houses are an artifact of the explosion of growth in the area following WWII. During the summer, the neighborhoods smell like pool chlorine, backyard barbeques and Coppertone suntan lotion.
The reported suicide of television star George Reeves, known for his role as Superman, by gunshot, on June 16, 1959, obsesses his young admirers. Kids deal with the untimely passing of their superhero by making tasteless jokes to hide their discomfort. The following month, on July 18, the kids’ parents become obsessed with a different gunshot tragedy, the murder of thirty-six-year-old Barbara.
Barbara and her husband, Bernard “Bernie” Finch, live the Southern California dream. He is a successful surgeon, who delivered author Kosareff, and he and Barbara and their son, live in a custom-built home on a hill in the San Gabriel Valley.
Handsome, in a sun-tanned country club way, Bernie is the son of local gentry. He is a spoiled child, an entitled adult and not a fan of sharing. If he and Barbara get a divorce, he can kiss a pot of money goodbye. He will pay alimony and child support. Rather than go through with a messy and costly divorce, Bernie concocts a plan.
Bernie’s desire to be single is motivated by his desire for his latest lover, his secretary, twenty-two-year-old Carole Tregoff. Being with the stunning redhead is all Bernie can think of.
The problem for Bernie is he is a surgeon, not a career criminal. His plan is clumsy, cruel, and dissolves under police scrutiny.
Satin Pumps tracks the byzantine course of the case through three trials. The story has enough sexual tension to cause Grace Metalious’ 1956 novel, Peyton Place, to spontaneously combust. The trial is as mesmerizing as Kosareff’s title declares. Courtroom seats are filled by journalist Dorothy Kilgallen, British spy novelist Eric Ambler, and writers for the Perry Mason television series.
Like Kosareff, I, too, grew up in Southern California, so getting his take on the case, first through his 7-year-old eyes, and later through his adult research, is a treat. I recommend the book. Enjoy.
In 1952, LAPD Policewoman Florence Coberly had a bright future in law enforcement. She helped take down a career sex criminal, Joe Parra, in a treacherous sting operation.
Florence stayed tough during the inquest following Parra’s shooting—even when his brother Ysmael shouted and lunged at photographers. She appeared on television and received honors at awards banquets all over town.
After three years of marriage, she divorced her husband Frank in 1955. We’ve heard countless times how tough it is to be a cop’s wife, but I imagine being the husband of a cop is not any easier. The unpredictable hours and the danger can be enough to send any spouse out the door forever.
We don’t really know what caused the Coberly’s marriage to dissolve. The divorce notice appeared in the June 29, 1955 edition of the L.A. Times, but it was legal information only and gave no hint of the personal issues which may have caused the couple to break up.
With no further mention of Florence in the Times for several years, we can assume that her career was on track. Then, nearly six years after the Parra incident, on July 2, 1958, the Times ran a piece buried in the back pages of the “B” section under the headline: Policewoman’s Mother Convicted of Shoplifting.
A jury of eleven women and one man found Mrs. Gertrude Klearman, Florence’s fifty-three-year-old mother, guilty of shoplifting. It is embarrassing to have your mom convicted of shoplifting, and it is worse if you are in law enforcement. But it is orders of magnitude more humiliating if you are a police officer busted WITH your mother for shoplifting.
According to George Sellinger, an off-duty police officer working as a store detective to supplement his income, Florence and her mother stole two packages of knockwurst, a can of coffee, a package of wieners and an avocado–$2.22 worth of merchandise. The accusation could destroy Florence’s career.
At her misdemeanor trial Florence’s attorney, Frank Rothman, vigorously questioned Sellinger and got him to admit that he had not actually seen Florence stuff the food items into her purse. He pressured her to submit to a search outside the grocery store based on the scant evidence seeing her with packages in her hand. Rothman made the case for illegal search and Florence got off on the technicality.
LAPD in the late 1950s was touchy about any hint of scandal or misbehavior by its officers. During the decades prior to William H. Parker’s ascension to Chief, the institution watched as some of their number went to prison for graft and corruption.
While a package of knockwurst hardly rises to the standard of unacceptable behavior that had plagued LAPD earlier, just being arrested was enough to get Florence suspended from duty pending a Police Board of Rights hearing.
It couldn’t have been easy for Florence to sit on the sidelines and await the decision. Law enforcement wasn’t a 9-5 job for her, it was a career and one for which she had displayed an aptitude.
While Florence waited on tenterhooks for the Board of Rights hearing, her mother received either forty days in jail or a $200 fine (she paid the fine).
Florence’s hearing began on July 22, 1958, before a board composed of Thad Brown, chief of detectives, and Capts. John Smyre and Chester Welch. Even though a civilian court of law exonerated Florence, the board found her guilty and ordered her dismissed from LAPD.
It was an ignominious end to a promising career, and I can’t help but wonder if there was more to Florence’s dismissal from the police force than the shoplifting charge.
In February 1959, Florence sued in superior court, seeking to be reinstated. She directed her complaint against Chief Parker and the Board of Rights Commission.
Florence denied her guilt in the shoplifting charge. She contended that the evidence applied only to her mother.
It took several months, but in July 1959 Superior Court Judge Ellsworth Meyer sided with the LAPD and refused to compel Chief Parker to reinstate Florence.
I salute Florence for her no-holds-barred, kick-ass entry into policing in 1952; and I would be remiss if I didn’t mention one last time that fantastic bandolier that dangled from her belt. I maintain my position that women police officers know how to accessorize.
March is nearly half gone and I’ve yet to commemorate Women’s History Month. Let me remedy that now with a post about Florence Coberly—a complicated and fascinating woman.
Officers at LAPD’s 77th Street station were fed up with the wave of assaults on women in their district—nearly 40 between April 2nd and late July 1952. The scumbag responsible for the attacks targeted lone women as they left street cars late at night.
To nab the guy, they set a trap with bait he could not resist, policewoman Florence Coberly.
Florence, in her mid-twenties and recently married, was new to the job. What she lacked in street experience, she made up for in her confident manner and academy training.
Florence and another policewoman, Marie Little, acted as decoys while patrol officers and detectives cast a net that extended from Broadway to San Pedro Street, and from Manchester Avenue to 67th Street. They deployed officers on foot and in squad cars while the two policewomen attempted to lure the reptile out from under his rock.
The massive stake-out began on the evening of July 31st. Florence, dressed in a pencil skirt with a kick-pleat in the front, a short-sleeved white blouse and a pair of sweet little pumps, was an undeniably appealing target. She walked along the dark street swinging her white handbag in time with her gait like she hadn’t a care in the world.
As she walked along the sidewalk, a man accosted her and asked her to have a drink with him. He kept following her saying, “Would you like to have a little fun?” Florence brushed him off, “No, not tonight, Junior.”
The man disappeared and Florence kept walking. As she passed the darkened doorway of 8209 South San Pedro, the same man emerged and grabbed her. Stunned, Florence took one step backward. He grabbed her again, pulled her into the doorway and shoved a gun into her chest. He held her close with one arm. He said, “Don’t make no noise—I want to kiss you.” She told him he could. She would do anything to keep him from finding the gun beneath her jacket in a holster at her waist.
Pretending to loosen her skirt, she reached for her police whistle. She put it to her lips and blew as hard as she could. The whistle blast signaled detectives concealed nearby that she was in trouble.
Her assailant demanded to know, “What the hell do you think you are doing?” Before she could answer, he slugged her on the jaw. Florence went down as the man continued to beat her.
Two detectives, Frank Marz and Walter Clago, heard the whistle and screeched up in a squad car. They arrived in time to see the suspect flee the scene. Meanwhile, Florence pulled out her revolver and fired. One of her rounds pierced the assailant’s left lung.
Detective Clago assisted Florence to her feet as Detective Marz set off in pursuit of the would-be molester yelling at him to “Stop in the name of the law!”. The admonition fell on deaf ears. Marz fired his service revolver five times at the suspect and missed each time.
Detective Marz saw the suspect head toward a car parked on 82nd Street. It was dark, yet Marz could make out the shadow of a man in the driver’s seat behind the wheel. The man didn’t wait for his passenger. With the crack of gunfire, the car sped off into the night.
Detective Marz watched as the suspect lurched behind a house at 253 East 82nd Street. With a single round left in his revolver, Marz fired and the suspect collapsed.
Identified as Joe L. Parra, of 8465 South San Pedro Street, the dead man, recently paroled from San Quentin, did time for multiple counts of robbery, burglary and sex crimes. His arrest record was extensive. His most recent arrest was on a robbery charge the month before his death, but they had to kick him loose for insufficient evidence.
About an hour after Joe died in the debris-filled dirt near a couple of discarded metal signs, police located the wheelman, the person who abandoned Parra on 82nd Street. The getaway driver was seventeen-year-old Henry P. Parra, the dead man’s nephew.
Henry ‘fessed up pretty quickly and admitted that he went with his uncle several times on late night purse snatching raids. I doubt that the kid knew what else uncle Joe was up to on their midnight forays.
Florence received accolades for her role in ending Parra’s reign of terror. The newspapers credited Marz with firing the fatal round; but I have it on good authority that Florence delivered the kill shot.
The camera loved Florence and she appeared in newspapers all over the county. A local TV show host, Johnny Dugan, had her as a guest on his show.
In February 1953, the Exchange Club named Florence “Policewoman of the Year”. She basked in the limelight.
In June 1954, the Los Angeles Policewoman’s Association honored her at a dinner-dance. The guest list included Sergeants Joe Friday and Frank Smith (Jack Webb and Ben Alexander) of the Dragnet series. The two fictional policemen shared the spotlight with LAPD’s Chief of Police William H. Parker and his wife.
Florence had every reason to expect more star-studded evenings in her future. Who knows, with such an auspicious beginning she could end up with an enviable spot in the LAPD hierarchy. With just over 100 women on the force, there wasn’t much female competition in the ranks in those days.
But wait a minute; you know this is Deranged L.A. Crimes and nobody’s good luck lasts forever. Right?
NEXT TIME: Policewoman of the Year stumbles.
NOTE: This post is a revised version of a 2014 post.