Of Mobsters and Movie Stars: The Bloody Golden Age of Hollywood

I am excited to announce that OF MOBSTERS AND MOVIE STARS: THE GOLDEN AGE OF HOLLYWOOD is available as an audio book It is narrated by award nominated Lee Ann Howlett.

WildBlue Press says this about the book:

No Hollywood script can compare to the terror of the 37 true tales in OF MOBSTERS AND MOVIE STARS: The Bloody “Golden Age” of Hollywood!

In this gripping historical account, expert crime historian Joan Renner explores the shadowy world of fame and crime during Hollywood’s most glamorous era. As Los Angeles transformed into the epicenter of film, it also became a haven for notorious criminals and mobsters, weaving a complex tapestry of allure and danger that is sure to intrigue.

Renner brings to life stories that are more thrilling than fiction, including harrowing LAPD showdowns, dark dealings behind the studio gates, and tragic fates of luminaries whose off-screen lives were as dramatic as their on-screen personas. She delves into infamous episodes, such as the shocking case of Roscoe “Fatty” Arbuckle, accused of “accidentally” crushing to death a young actress beneath his enormous weight as he raped her, and other lesser-known, but equally hair-raising stories of actors brought down by scandal and corruption.

OF MOBSTERS AND MOVIE STARS offers a profound and enlightening look at Hollywood’s dual nature, illustrating how its seductive glitter was deeply entangled with its sinister impulses. This book is essential for anyone fascinated by how America’s “City of Dreams” became a stage for some of the most gripping dramas of the twentieth century.

Step into the Prohibition Era with Joan Renner as she reveals the hidden crimes and undying ambition behind Hollywood’s shimmering façade.

Whether you read it or listen to it, I hope you enjoy the book. I loved writing it so much that I am working on a second volume. I am covering Los Angeles crime and corruption from 1940 to 1949. It is still in the the research phase, so it will be a while until publication, but I’ll keep you posted.

Thank you so much for your support.

Joan

Of Mobsters and Movie Stars: The Bloody Golden Age of Hollywood

I am excited to announce that you will be able to pre-order my book soon. It is scheduled for a May 14th release. For further details, visit WILDBLUE PRESS. I’ll keep you posted about any new developments–like the cover art.

WILDBLUE PRESS says:

No Hollywood script can compare to the terror of the 37 true tales in OF MOBSTERS AND MOVIE STARS: The Bloody “Golden Age” of Hollywood!

In this gripping historical account, expert crime historian Joan Renner explores the shadowy world of fame and crime during Hollywood’s most glamorous era. As Los Angeles transformed into the epicenter of film, it also became a haven for notorious criminals and mobsters, weaving a complex tapestry of allure and danger that is sure to intrigue.

Renner brings to life stories that are more thrilling than fiction, including harrowing LAPD showdowns, dark dealings behind the studio gates, and tragic fates of luminaries whose off-screen lives were as dramatic as their on-screen personas. She delves into infamous episodes, such as the shocking case of Roscoe “Fatty” Arbuckle, accused of “accidentally” crushing to death a young actress beneath his enormous weight as he raped her, and other lesser-known, but equally hair-raising stories of actors brought down by scandal and corruption.

OF MOBSTERS AND MOVIE STARS offers a profound and enlightening look at Hollywood’s dual nature, illustrating how its seductive glitter was deeply entangled with its sinister impulses. This book is essential for anyone fascinated by how America’s “City of Dreams” became a stage for some of the most gripping dramas of the twentieth century.

Step into the Prohibition Era with Joan Renner as she reveals the hidden crimes and undying ambition behind Hollywood’s shimmering façade.

Happy Birthday to Aggie Underwood, and Deranged L.A. Crimes!

This is a big month for the Deranged L.A. Crimes blog. On December 17, 2012, the 110th anniversary of the birth of the woman whose career and life inspires me, Agness “Aggie” Underwood, I started writing this blog. I also authored her Wikipedia page, which was long overdue.

Aggie Underwood. Photo by Perry Fowler

By the time I began, Aggie had been gone for twenty-eight years. I regret not knowing about her in time to meet her in person. But, through her work, and speaking with her relatives over the years, I feel like I know her. I have enormous respect for Aggie. She had nothing handed to her, yet she established herself in a male-dominated profession where she earned the respect of her peers without compromising her values. She also earned the respect of law enforcement. Cops who worked with her trusted her judgement and sought her opinion. It isn’t surprising. She shared with them the same qualities that make a successful detective.

This month, I will focus on Aggie. I want everyone to get to know and appreciate her. She was a remarkable woman.

Agness “Aggie” Underwood never intended to become a reporter. All she wanted was a pair of silk stockings. She’d been wearing her younger sister’s hand-me-downs, but she longed for a new pair of her own. When her husband, Harry, told her they couldn’t afford them, she threatened to get a job and buy them herself. It was an empty threat. She did not know how to find employment. She hadn’t worked outside her home for several years. A serendipitous call from her close friend Evelyn, the day after the stockings kerfuffle, changed the course of her life. Evelyn told her about a temporary opening for a switchboard operator where she worked, at the Los Angeles Record. The job was meant to last only through the 1926-27 holiday season, so Aggie jumped at the chance.

Aggie & Harry [Photo courtesy CSUN Special Collections]

Aggie arrived at the Record utterly unfamiliar with the newspaper business, but she swiftly adapted and it became clear to everyone that, even without training, she was sharp and eager to learn. The temporary switchboard job turned into a permanent position.

In December 1927, the kidnapping and cruel mutilation murder of twelve-year-old schoolgirl Marion Parker horrified the city. Aggie was at the Record when they received word the perpetrator, William Edward Hickman, who had nicknamed himself “The Fox,” was in custody in Oregon. The breaking story created a firestorm of activity in the newsroom. Aggie had seen nothing like it. She knew then she didn’t want to be a bystander. She wanted to be a reporter.

When the Record was sold in January 1935, Aggie accepted an offer from William Randolph Hearst’s newspaper, the Evening Herald and Express, propelling her into the big leagues. Working for Hearst differed entirely from working for the Record. Hearst expected his reporters to work at breakneck speed. After all, they had to live up to the paper’s motto, “The First with the latest.”

From January 1935, until January 1947, Aggie covered everything from fires and floods to murder and mayhem, frequently with photographer Perry Fowler by her side. She considered herself to be a general assignment reporter, but developed a reputation and a knack for covering crimes.

Sometimes she helped to solve them.

In December 1939, Aggie was called to the scene of what appeared to be a tragic accident on the Angeles Crest Highway. Laurel Crawford said he had taken his family on a scenic drive, but lost control of the family sedan on a sharp curve. The car plunged over 1000 feet down an embankment, killing his wife, three children, and a boarder in their home. He said he had survived by jumping from the car at the last moment.

When asked by Sheriff’s investigators for her opinion, Aggie said she had observed Laurel’s clothing and his demeanor, and neither lent credibility to his account. She concluded Laurel was “guilty as hell.” Her hunch was right. Upon investigation, police discovered Laurel had engineered the accident to collect over $30,000 in life insurance.

Hollywood was Aggie’s beat, too. When stars misbehaved or perished under mysterious or tragic circumstances, Aggie was there to record everything for Herald readers. On December 16, 1935, popular actress and café owner Thelma Todd died of carbon monoxide poisoning in the garage of her Pacific Palisades ho9me. Thelma’s autopsy was Aggie’s first, and her fellow reporters put her to the test. It backfired on them. Before the coroner could finish his grim work, her colleagues had turned green and fled the room. Aggie remained upright.

Though Aggie never considered herself a feminist, she paved the way for female journalists. In January 1947, they yanked her off the notorious Black Dahlia murder case and made her editor of the City Desk, making her one of the first woman to hold this post for a major metropolitan newspaper. Known to keep a bat and startup pistol handy at her desk, just in case, she was beloved by her staff and served as City Editor for the Herald (later Herald Examiner) until retiring in 1968.

Aggie at a crime scene c. 1946

When she passed away in 1984, the Herald-Examiner eulogized her. “She was undeterred by the grisliest of crime scenes and had a knack for getting details that eluded other reporters. As editor, she knew the names and telephone numbers of numerous celebrities, in addition to all the bars her reporters frequented. She cultivated the day’s best sources, ranging from gangsters and prostitutes to movie stars and government officials.”

They were right. Aggie dined with judges, cops, and even gangster Mickey Cohen. I hope you will enjoy reading about Aggie, as much as I will enjoy telling her stories.

Joan

Film Noir Friday-Sunday Matinee: And Then There Were None [1945]

Welcome!  The lobby of the Deranged L.A. Crimes theater is open. Grab a bucket of popcorn, some Milk Duds and a Coke and find a seat.  Tonight’s feature is AND THEN THERE WERE NONE [1945]. It is based on a 1939 Agatha Christie novel, and stars Barry Fitzgerald, Walter Huston, and Louis Hayward, Enjoy the film.

TCM Says:

On a stormy Friday afternoon, Judge Francis J. Quincannon, Dr. Edward G. Armstrong, Philip Lombard, Vera Claythorne, General Sir John Mandrake, Emily Brent, William H. Blore and Prince Nikita Starloff are taken on a fishing boat to Indian Island, off the coast of Devon, England, for a weekend visit with the mysterious U. N. Owen. The eight passengers, who are all strangers, are greeted by butler Thomas Rogers and his wife Ethel, the cook, who reveal that they have not met their new employer. While eating in the dining room, the guests become intrigued by the centerpiece, which consists of ten figurines of Indian boys. Vera begins to recite the nursery rhyme about ten little Indian boys who are killed, and Starloff continues the rhyme in the parlor. Rogers then puts a record on the phonograph, as he was instructed to do, and the guests are astonished to hear Owen accuse them of various crimes that led to the deaths of others.

Film Noir Friday: Slightly Honorable [1939]

 

Welcome! The lobby of the Deranged L.A. Crimes theater is open! Grab a bucket of popcorn, some Milk Duds and a Coke and find a seat. Tonight’s feature is SLIGHTLY HONORABLE starring Pat O’Brien, Edward Arnold, Broderick Crawford and Ruth Terry. This film was directed by Tay Garnet who, seven years later, would direct THE POSTMAN ALWAYS RINGS TWICE.  Enjoy the movie!

TCM says:

Attorney John Webb is fighting the corruption of a political ring led by Vincent Cushing, a newspaper publisher who has become very wealthy through graft. Webb’s only ally is his law partner, Russ Sampson. While at the state capitol to enlist the aid of Senator Scott, the two meet Alma Brehmer, Cushing’s mistress and a law client of Webb’s. Alma invites them to a party that Cushing is giving at Pete Godeana’s nightclub that night, and Webb accepts. At the club, Webb is impressed by dancer Ann Seymour’s performance in the floor show until he learns that she is only eighteen. Minutes later, he hears Ann scream and sees Godeana slapping the girl. Webb punches Godeana and takes Ann from the club.

 

Film Noir Friday: They Made Me A Criminal [1939]

they-made-me-a-criminal-movie-poster-1939-1020143577

Welcome! The lobby of the Deranged L.A. Crimes theater is open! Grab a bucket of popcorn, some Milk Duds and a Coke and find a seat. Tonight’s feature is THEY MADE ME A CRIMINAL starring John Garfield, Ann Sheridan, and Claude Rains. Enjoy the movie!

TCM says:

Johnnie Bradfield, a deadly and cynical prize fighter, has just slugged his way to the championship when, during a drunken brawl in his apartment, his manager, Doc Wood, accidentally kills Magee, a newspaper reporter, and fixes the evidence so it appears that Johnnie has done the deed. Doc then makes his getaway, but perishes in a car accident while wearing Johnnie’s watch. The next morning, Johnnie awakens in a strange place and reads a newspaper article informing him that he has perished in a car wreck after murdering a reporter. On the advice of a shady lawyer, the champ flees, changes his identity and becomes an outcast.

 

https://youtu.be/DHZZizQjhbk?list=PLONInHcNdOMrTy9Yo1lbTkun8vbnHluRD

Justice Denied, Part 2

doris parentsDoris Dazey’s parents, Dr. and Mrs. Walter B. Schwuchow, had spent the four years since their daughter’s death investigating their former son-in-law, Dr. George K. Dazey.

In 1935 Doris was found in the garage of the Santa Monica home she shared with George. She was wearing a night gown and her face was only inches away from the car exhaust–she expired from carbon monoxide poisoning. The authorities ruled her death a suicide, but there was no note and seemingly no cause for her to have taken her own life.  Her parents never believed that she would kill herself, not with a four month old child depending on her, so they undertook an independent investigation of the circumstances surrounding her demise.

In bits and pieces the Schwuchows began to assemble a picture of their daughter’s marriage to Dr. Dazey, and it was very different from the public face the couple presented to the world. After speaking with Doris’ friends, and her former neighbors, the Schwuchows learned that her marriage to George was not ideal; in fact Doris had been contemplating divorce even though she’d been married to George for only a year.

As soon as George got wind of the Schwuchow’s statements he issued an immediate denial regarding their accusations:

“We were always happy, never quarreled. Sometimes Doris thought I was working too hard, but you couldn’t call that a quarrel, even when she protested my professional labors.”

“Once in a while she complained that she felt she was not doing her share because of ill-health, but I said we could keep all the servants necessary to aid her.”

If George had murdered Doris and then staged the scene in the garage, what was his motive? Doris had been an actress–she played the lead in “Ramona” for several years in the annual Hemet pageant–what if Doris planned to return to her career sans husband? She’d consulted with attorney Russell Parsons about a divorce, but it wasn’t clear if she had talked to George about it. If she had spoken with George he may have decided that one expensive alimony payment was enough–he was still paying off his first wife. In fact his ex- had taken him to court for back alimony and they’d had an acrimonious courtroom encounter not long before Doris died. It may have been enough sour George on another divorce and drive him to murder. Even though he made a bundle as a physician supporting two ex-wives, one with a child, would have been a financial burden.ramona

The money motive was a strong one, but then the Schwuchow’s revealed a secret that upped the ante even further and provided Dr. Dazey with a very compelling motive for murder. They said that Doris had told them the baby boy she’d had four months before she died may not have been George’s child.

George pooh-poohed the notion:

“Our boy was born two months prematurely.  I am a physician and know a premature baby when I see one.  The boy is in splendid health and looks just like me.”

Even if the baby was George’s as he contended, Miss Frances Hansbury, a nurse and personal friend of his, said that he had bragged to her about having committed “the perfect crime”.  Oh, and then there was a former watchman, Roland Seal, who said that on the fatal day he saw Dr. Dazey carrying what he thought was a woman’s body into the garage.

hansburyDr. Dazey continued to deny any responsibility for Doris’ death and said that the Schwuchow’s were trying to frame him:

“Dr. and Mrs. Schwuchow have been trying to get the boy for themselves and because I won’t let them have him they are stirring up all this trouble.”

A grand jury was convened to delve into the circumstances of Doris Dazey’s death. The D.A. posited that the forty-one year old doctor had killed his wife in a domestic dispute. Seal, the former watchman, said that he had heard screams coming from the Dazey residence on the day Doris died. It was around dusk, he said, that he saw the physician carry the limp form of a woman from the house to the garage.

If we take Frances Hansbury’s and Roland Seal’s statements at face value they beg the question: why the hell didn’t one of them ever go to the police?

District Attorney Buron Fitts was satisfied with the case against Dr. Dazey, in fact he believed it might be strong enough to seek the death penalty. Dazey was indicted for murder.

George had no intention of giving his accusers the last word:

“Doris was the best wife any man could want—why in God’s name would I want to kill her?”  Not long before I found her dead, apparently a suicide from monoxide poisoning in our garage, a boy was born to us and we had everything to be happy about.”

Dazey continued:

“Why should she take her own life I do not know.  There is a far-fetched possibility that someone else may have done her harm, but the idea is so remote and I can think of no reason for it that I scarcely give credence to the thought.”

The doctor dismissed the accusation of his former nurse, and occasional dinner companion, by saying:

“As for Miss Frances Hansbury, who says I boasted to her of the ‘perfect crime,’ I can say nothing except that she was a friend–or I thought she was–and am at a loss to understand her action.”

“I knew Miss Hansbury about four years before my wife died.  I went out with her once or twice socially before marrying Doris and I think that once after I found my wife dead.  She is a nurse and I had employed her.  Our relationship was friendly, but also professional.”

As for the watchman, Roland Seal, Dr. Dazey seemed to be completely mystified by his involvement in the case:

“Roland Seal is a man I have never met, nor ever talked to to my knowledge.  Just what his interest in the case is I may never know, but he is not telling the truth when he says he saw me carry the body of my wife–or any woman–from my house to the garage on the day Mrs. Dazey met her tragic death.”

Dr. Dazey’s trial began in February 1940. The prosecution called its two star witnesses to the stand to lay the foundation for the case against him.

Roland Seal testified that:

“On the day Mrs. Dazey was found dead in the garage of her home I had occasion to pass her house several times.  Once I heard a scream, and just at sunset I saw Dr. Dazey carry a scantily clad woman from the house to the garage.  I paid no attention, thinking she was ill, and he might be taking her to a hospital.  Since then a friend of Dr. Dazey’s warned me that the physician would ‘take care of me’ if I talked.”

Interestingly, Seal’s memory seemed to improve with each retelling. At first he’d stated that he’d seen Dr. Dazey carrying something that he thought may have been a woman’s body into the garage. In court he said that it he definitely saw observed Dr. Dazy carrying a woman’s limp body and that she was “scantily clad”.

Miss Frances Hansbury was also an interesting witness for the prosecution.  She testified that she’d known Dr. Dazey for nine years and she still thought of him as a friend. She said:

“Dr. Dazey once confided in me he had committed the perfect crime.  Then, apparently fearful I might talk out of turn, he threatened my life and said he would ‘frame’ me as a dope addict.  I feel very sorry for Dr. Dazey and never would do anything to hurt him.  But I was in fear of my life and was forced to leave here and go to New York City.”

Dr. and Mrs. Schwuchow reiterated what they had always believed: “We feel now as always that there was no cause for our daughter to take her own life. Beyond that, we have nothing to say.”

And Russell E. Parsons, Doris’ attorney (who became Deputy District Attorney in the years following her death) said:

“While a private attorney, Mrs. Dazey consulted with me about marital difficulties she said she was having with her husband.  Naturally, I cannot disclose publicly the nature of our conversation.”dazey and son

Even as he was preparing to face a jury on a murder charge, George Dazey went to court to battle his former in-laws for custody of four-year-old Walter who may, or may not, have been his biological son. Juvenile Judge W. Turney Fox denied the Schwuchow’s petition to have the child declared a ward of the court. There was sufficient evidence that Walter was devoted to his stepmother, Hazel Dorcas Dazey, and that it was in his best interests to let him stay where he was–Hazel was awarded custody of the little boy while George sorted out his legal problems. Dr. and Mrs. Schwuchow were given the right to take Walter for a visit every other weekend.

Would George Dazey’s murder trial go as well for him as the custody hearing had?  Maybe. If Hansbury and Seal were the D.A.’s best witnesses it would likely be an uphill battle to put the doctor in prison.

NEXT TIME:  Dr. Dazey’s murder trial.

Let’s Kill All The Lawyers, Redux

plot_headline
In 1939 Arthur Emil Hansen was sentenced to from two to twenty years in San Quentin for the courtroom slayings of two attorneys, R. D. McLaughlin and J. Irving Hancock, who were besting him in a civil suit that cost him every cent he had.

Did Arthur learn anything from the crime or his punishment? Evidently not, because in January 1951 a plan he’d hatched from behind the gray walls of San Quentin to assassinate four Los Angeles judges and two attorneys was uncovered by the Sheriff’s Department.

On Hansen’s list for liquidation were: Superior Judges Charles W. Fricke, Arthur Crumm and Frank G. Swain; Municipal Judge Lewis Drucker, former District Attorney Buron Fitts and Attorney Isaac Pacht. Apparently, Hansen had discussed his plan with a few of his fellow convicts — a big mistake–nobody will rat you out quicker. He had approached an inmate scheduled to be released on parole and offered to pay him $10,000 if he would murder one of the six men on his hit list.

hansen_prisonHansen’s plan was diabolically elegant in its own way. He wanted the parolee to whack one of the people on the list, then he would “take care” of the remaining five when he was paroled. He told his confidant that he intended to leave one clear fingerprint at the scene of each murder. Then, when the five murders had been committed, the police would have all the fingerprints of one of his hands and his identity would be revealed.

Sounds a little crackpot, doesn’t it. But in the 12 years that Hansen had been in prison he’d become quite paranoid. He had little else to do but sit and stew about the real or imagined wrongs he’d suffered in the L.A. courts. He refused to accept blame for his actions and his rage continued to build to a detonation point.

Hansen gave his soon-to-be paroled friend a vitriolic letter, copies of which were to be given to various L.A. newspapers. The letter bitterly accused the judges, the Attorney General’s Office, the District Attorney and Governor Warren of conspiracy. Hansen’s letter also predicted that he would not be prosecuted for the murders because he would be revealed as an emancipator and a protector of the public.

I wonder if he thought he had super powers.

The letter advised the police that they could not save the victims on the hit list because “Their doom is sealed.”  Hansen remained unrepentant for the double murders saying: “I regret nothing I did. I had nothing to lose.”

Hansen made a huge mistake when he directed that the letters be sent just as he was coming up for parole, He was just days away from being released when his plot was discovered. For the murder plot, Hansen forfeited all of his good time and at least six more years of his freedom.

Cops Behaving Badly: Deputy Ted Swift

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LAPD Chief William H. Parker

Los Angeles has never had the reputation for police corruption that other U.S. cities have had, but that doesn’t mean that L.A. law enforcement has been perfect — far from it. As Chief William H. Parker once said in response to questions about corruption and brutality in the LAPD:

“We’ll always have cases like this because we have one big problem in selecting police officers…we have to recruit from the human race.”

The human race is a problematic gene pool at best, and with this post I’m beginning a series of occasional tales called “Cops Behaving Badly”. First up is Deputy Ted Swift.

On October 7, 1939, Deputy Swift stumbled his way into The Dinner Bell Cafe at 1604-1/2 North Vine Street, adjacent to the Brown Derby in Hollywood. He eyeballed two cute waitresses, Jessie Clark and Cleme Reeves, and in his inebriated condition Swift thought that they would find him irresistible.Ted had seriously miscalculated his sex appeal so when he tried to corner the two young women behind the counter they slipped beyond his reach.

Failing to get his arms around either Jessie or Cleme, Swift turned his attention to Michael Aronson who was seated at the counter washing down an early breakfast with a cup of coffee. Taking an immediate and violent dislike to Aronson’s fedora, Swift began to verbally abuse the startled man and then ordered him, and his hat, out of the cafe.

swift_loses badge

Aronson hadn’t had enough time to finish his coffee, let alone leave a tip for his waitress, so he tried to re-enter the cafe. Swift caught a glimpse of the hated chapeau and drew his revolver. Rather than turn his weapon on the fedora, and the head on which it was perched, he decided to fire on six helpless custard pies! Flecks of creamy custard and bits of crust flew everywhere, and when the smoke cleared half a dozen innocent pies had been senselessly slaughtered.ted swift

As Swift unloaded a volley of rounds into the unarmed pies, patrons of the cafe dove for cover under tables and beneath the counter. It was at this point that Police Officer Monte Sherman arrived — and so did several squad cars filled with detectives.

Ted was quickly, or should that be swiftly, subdued and taken to the Hollywood Receiving Hospital where he was determined to be shit-faced.

Undersheriff Arthur C. Jewell was not happy with Deputy Swift and offered him an opportunity to resign. If he didn’t take the Undersheriff up on his generous offer he would be fired.

Swift was infinitely more popular with his fellow officers than he was with the Undersheriff because they passed a hat (probably NOT a fedora) and collected $75 to pay the costs of the broken crockery, punctured walls and slain pies at the Dinner Bell Cafe.

swift crashSwift left the LASD and found his way into the growing SoCal aerospace industry, he owned two charter companies — Desert Skyways, and Swiftair.

On October 24, 1949 two men were injured and three killed on Lake Mead behind Hoover Dam when the amphibian plane they were test landing snagged its landing wheels in the water, slammed over on it back and burst into flames. One of the dead was former deputy Ted Swift.

 NOTE: Thanks again to my friend Mike Fratantoni for a great idea.