Welcome! The lobby of the Deranged L.A. Crimes theater is open! Grab a bucket of popcorn, some Milk Duds and a Coke and find a seat. Tonight’s feature is FEAR IN THE NIGHT, Paul Kelly, DeForest Kelley, and Ann Doran.
One of the film’s stars, Paul Kelly, was involved in a real-life murder case. In 1927. Kelly beat to death actor Ray Raymond, husband of his lover, Dorothy Mackaye. Kelly did time in San Quentin for the crime, and so did Mackaye. Read all about their story in my new book, OF MOBSTERS AND MOVIE STARS: THE BLOODY GOLDEN AGE OF HOLLYWOOD.
This film is based the story NIGHTMARE, by William Irish, one of the pen names of writer Cornell Woolrich. Woolrich wrote many stories that made it to film: Rear Window, The Bride Wore Black, Black Angel, and Phantom Lady, to name just a few. If you are not familiar with Woolrich, he is worth reading. His biographer, Francis Nevins Jr., rated Woolrich the fourth best crime writer of his day, behind Dashiell Hammett, Erle Stanley Gardner and Raymond Chandler
Enjoy the movie!
TCM says:
Bank teller Vince Grayson dreams he is in a mysterious mirror-panelled octagonal room, where a man accompanied by a blonde woman is robbing a safe. Vince and the man fight, and when the man begins to strangle Vince, the woman hands him an awl, with which he pierces the stranger’s heart. The woman flees, and Vince places the man’s body behind one of the mirrored doors and locks it, taking the key. When Vince awakens, he discovers the key in his coat and thinks that he may be a murderer. Distraught, he calls in sick at work and visits his brother-in-law, homicide detective Cliff Harlan.
Aggie’s newspaper career began at the switchboard of the Los Angeles Record in October 1926. The Record was at 612 Wall Street near the Pacific Electric station at Sixth and Main. The streetcars rumbled past the building providing an industrial soundtrack for the “weird wonderland” of men pounding away on old typewriters. Aggie enjoyed the ambient hum, occasionally punctuated by the shouts of reporters as they called out phone numbers for her to dial.
Gertrude Price, the woman’s editor, approached Aggie when her temporary job at the switchboard was almost over. Price wrote a column under the pseudonym Cynthia Grey. Each year at Christmas, she organized a food and gift basket program for the needy. Hundreds of letters poured in from donors and the poor alike. The job of putting together the baskets was an enormous one, and Gertrude asked Aggie to assist.
At the end of the 1926 holiday season, Aggie contemplated her return to domestic life when Gertrude surprised her with an offer of a part-time job. Price asked Aggie if she would work two hours a day taking phone messages and handling Cynthia Grey correspondence. Aggie gratefully accepted the offer.
Gertrude Price became Aggie’s friend and mentor. One of the most important lessons she learned about the newspaper business came near her twenty-fifth birthday. Los Angeles reeled from the kidnapping and mutilation murder of 12-year-old schoolgirl Marion Parker. Authorities identified William Edward Hickman as the killer. He became the subject of the biggest manhunt in Los Angeles’ history. Aggie saw a United Press flash announcing Hickman’s capture in Oregon. She was so excited she telephoned her husband and shared the news with him.
Price overheard the call and warned Aggie about discussing a story before it circulated on the streets. At first, she felt ashamed because she’d disappointed her mentor. Then she realized Price was instructing her on a fundamental principle of the news business. She would not make the same mistake again.
Aggie couldn’t stay at her desk while the bulletins of Hickman’s capture continued to flood the newsroom. She finally committed the “unpardonable sin” of hovering over the shoulder of Rod Brink, the city editor. Brink said to her, “All right, if you’re so interested, take this dictation.” In that instant Aggie realized she wanted to be a reporter.
This is a big month for the Deranged L.A. Crimes blog. On December 17, 2012, the 110th anniversary of the birth of the woman whose career and life inspires me, Agness “Aggie” Underwood, I started writing this blog. I also authored her Wikipedia page, which was long overdue.
By the time I began, Aggie had been gone for twenty-eight years. I regret not knowing about her in time to meet her in person. But, through her work, and speaking with her relatives over the years, I feel like I know her. I have enormous respect for Aggie. She had nothing handed to her, yet she established herself in a male-dominated profession where she earned the respect of her peers without compromising her values. She also earned the respect of law enforcement. Cops who worked with her trusted her judgement and sought her opinion. It isn’t surprising. She shared with them the same qualities that make a successful detective.
This month, I will focus on Aggie. I want everyone to get to know and appreciate her. She was a remarkable woman.
Agness “Aggie” Underwood never intended to become a reporter. All she wanted was a pair of silk stockings. She’d been wearing her younger sister’s hand-me-downs, but she longed for a new pair of her own. When her husband, Harry, told her they couldn’t afford them, she threatened to get a job and buy them herself. It was an empty threat. She did not know how to find employment. She hadn’t worked outside her home for several years. A serendipitous call from her close friend Evelyn, the day after the stockings kerfuffle, changed the course of her life. Evelyn told her about a temporary opening for a switchboard operator where she worked, at the Los Angeles Record. The job was meant to last only through the 1926-27 holiday season, so Aggie jumped at the chance.
Aggie arrived at the Record utterly unfamiliar with the newspaper business, but she swiftly adapted and it became clear to everyone that, even without training, she was sharp and eager to learn. The temporary switchboard job turned into a permanent position.
In December 1927, the kidnapping and cruel mutilation murder of twelve-year-old schoolgirl Marion Parker horrified the city. Aggie was at the Record when they received word the perpetrator, William Edward Hickman, who had nicknamed himself “The Fox,” was in custody in Oregon. The breaking story created a firestorm of activity in the newsroom. Aggie had seen nothing like it. She knew then she didn’t want to be a bystander. She wanted to be a reporter.
When the Record was sold in January 1935, Aggie accepted an offer from William Randolph Hearst’s newspaper, the Evening Herald and Express, propelling her into the big leagues. Working for Hearst differed entirely from working for the Record. Hearst expected his reporters to work at breakneck speed. After all, they had to live up to the paper’s motto, “The First with the latest.”
From January 1935, until January 1947, Aggie covered everything from fires and floods to murder and mayhem, frequently with photographer Perry Fowler by her side. She considered herself to be a general assignment reporter, but developed a reputation and a knack for covering crimes.
Sometimes she helped to solve them.
In December 1939, Aggie was called to the scene of what appeared to be a tragic accident on the Angeles Crest Highway. Laurel Crawford said he had taken his family on a scenic drive, but lost control of the family sedan on a sharp curve. The car plunged over 1000 feet down an embankment, killing his wife, three children, and a boarder in their home. He said he had survived by jumping from the car at the last moment.
When asked by Sheriff’s investigators for her opinion, Aggie said she had observed Laurel’s clothing and his demeanor, and neither lent credibility to his account. She concluded Laurel was “guilty as hell.” Her hunch was right. Upon investigation, police discovered Laurel had engineered the accident to collect over $30,000 in life insurance.
Hollywood was Aggie’s beat, too. When stars misbehaved or perished under mysterious or tragic circumstances, Aggie was there to record everything for Herald readers. On December 16, 1935, popular actress and café owner Thelma Todd died of carbon monoxide poisoning in the garage of her Pacific Palisades ho9me. Thelma’s autopsy was Aggie’s first, and her fellow reporters put her to the test. It backfired on them. Before the coroner could finish his grim work, her colleagues had turned green and fled the room. Aggie remained upright.
Though Aggie never considered herself a feminist, she paved the way for female journalists. In January 1947, they yanked her off the notorious Black Dahlia murder case and made her editor of the City Desk, making her one of the first woman to hold this post for a major metropolitan newspaper. Known to keep a bat and startup pistol handy at her desk, just in case, she was beloved by her staff and served as City Editor for the Herald (later Herald Examiner) until retiring in 1968.
When she passed away in 1984, the Herald-Examiner eulogized her. “She was undeterred by the grisliest of crime scenes and had a knack for getting details that eluded other reporters. As editor, she knew the names and telephone numbers of numerous celebrities, in addition to all the bars her reporters frequented. She cultivated the day’s best sources, ranging from gangsters and prostitutes to movie stars and government officials.”
They were right. Aggie dined with judges, cops, and even gangster Mickey Cohen. I hope you will enjoy reading about Aggie, as much as I will enjoy telling her stories.
Welcome to Deranged L.A. Crimes. Ten years ago, I started this blog to cover historic Los Angeles crimes. I am not surprised that I haven’t even scratched the surface of murder and mayhem in the City of Angels.
I have been absent from the blog for a while, focusing on finishing my book on L.A. crimes during the Prohibition Era for University Press Kentucky. It’s not done yet, but I’m close. No matter, it is time to return to the blog. It is something I love to do.
Focusing my energy on the book, I failed to pay tribute to the inspiration for Deranged L.A. Crimes, Agness “Aggie” Underwood, on December 17, 2022, the 120th anniversary of her birth. If you aren’t familiar with Aggie, I’ve written about her many times in previous posts.
In 2016, I curated a photo exhibit at the Los Angeles Central Library downtown. The exhibit, for the non-profit Photo Friends, featured pictures from cases and events Aggie wrote about over the course of her career. I wrote a companion book, The First with the Latest!: Aggie Underwood, the Los Angeles Herald, and the Sordid Crimes of a City.
Aggie is a dame worth learning about. She is a legendary crime reporter, who worked in the business from 1927 until her retirement from the Los Angeles Herald in 1968. A force to be reckoned with, Aggie worked as a reporter until her promotion to City Editor of the Herald in January 1947, while covering the Black Dahlia case. She was the only Los Angeles reporter, male or female, to get a by-line for her reporting on the ongoing investigation.
On her retirement, she told a colleague that she feared being forgotten. That won’t happen on my watch. Thanks again, Aggie, for the inspiration. Deranged L.A. Crimes is dedicated to you.
Among the things I’ve learned over the years researching and writing about crime, is that people don’t change. The motives for crime are timeless: greed, lust, anger, betrayal, and jealousy are but a few.
What is different is crime detection. Science has come a long way. Detectives no longer use the Bertillon system to identify criminals—they use DNA. I think part of the reason I’m drawn to historic crime is the challenges overcome by former detectives and scientists. Despite the advancements in science, it is my belief that if it was possible to pluck the best detectives and scientists from the past and set them down in the present, they would still be great. I am amazed at the cases they solved.
I look forward to this new year, and to the challenges it will bring. I am so glad you are here, and I invite you to reach out if you have questions and/or suggestions.
On December 15, 1927, twelve-year-old Marion Parker, daughter of Perry Parker a prominent banker, was abducted from Mt. Vernon Junior High School.
The kidnapper went directly to the office of Mary Holt, the school’s registrar. The young man told her that Perry Parker was seriously injured in an automobile accident and was calling for his youngest daughter. Times were different then; Holt never asked the man for his identification, nor did she ask him what he meant by the youngest daughter since Marion was a twin, separated in age from her sister Marjorie by minutes.
The demeanor of the young man erased any doubt that Mary Holt had about his character or intent. He insisted that he was an employee at Parker’s bank. When police questioned her later, Holt said the man seemed sincere because he was quick to suggest that if she doubted his word, she should phone the bank.
If only she had.
William Edward Hickman, who nicknamed himself ‘The Fox’, murdered and mutilated the girl. The crime made him the subject of the largest manhunt in Los Angeles’ history until the 1947 murder of Elizabeth Short.
Who was William Edward Hickman, and why did he kidnap and murder and innocent child?
In March 1932 the Elyria, Ohio Chronicle Telegram sang the praises of an Avon High School sophomore for scoring ten field goals, bringing his team to its eleventh straight win for the season. The young man had his whole life ahead of him.
Fast forward to Omaha, Nebraska, April 1936. Marion James Linden, former high school grid iron star from Ohio, was living up to the speed he showed in scoring ten field goals. Unfortunately, the 23-year-old was speeding towards a life of crime. Marion was busted for stealing two automobiles, kidnapping three men and staging a holdup in only 45 minutes. Quite an accomplishment.
Why was Marion on a crime spree? He told reporters: “I wanted to commit self-destruction in such a way my insurance policy would not be invalidated through the suicide clause.” Suicide by cop would have been his parents the princely sum of $1200 (equivalent to $20,814.77 in current USD). No doubt the cash would have helped his family weather the Depression. Marion entered a guilty plea, but a few days later he reappeared in court and changed his plea to innocent. He was placed on probation for 2 years.
By early February 1937, Marion was living in Denver, Colorado. By mid-February he was in jail on a murder charge. Marion shot Arlene, his 18-year-old bride of two months, in the heart.
Marion believed that while he was in Texas trying to find employment as an oil field worker, Arlene was in Denver having an affair. When Marion returned from Texas he immediately went to the home of his in-laws, the Cochrans, where Arlene was staying. He told Detective Captain James E. Childers that he pleaded with Arlene to give up her lover, and when she refused he shot her. But there may have been more to Marion’s motive than jealousy. Capt. Childers quoted Marion as saying that a divorce would have revealed a violation of his Nebraska probation agreement and he would have been compelled to return there to serve out the three year sentence for his mini-crime spree in April 1936.
Marion was convicted of voluntary manslaughter. Judge Henry A. Hicks pronounced sentence–from seven to eight years in the state penitentiary. Lewis D. Mowry, Marion’s attorney, said that the his client had no plans to appeal, nor would he seek a new trial.
After serving only three years of his sentence, Marion was released in 1940. At that point he falls off the radar. Did Marion go straight? As an ex-con he may have found it difficult to get a fresh start, but If he committed any further crimes they weren’t newsworthy.
Marion resurfaced in Los Angeles in 1957 where he would once again be the topic of news stories.
By December 1927 twenty-three-year-old Ruth Malone had been in Los Angeles for about 4 months. She’d fled Aberdeen, Washington to escape her husband John, a jealous and violent drunk. She used her mother’s address at 244 North Belmont Avenue, but lived with a girl friend in an apartment at 9th and Flower. She kept the address of the apartment a secret just in case John tried to find her. She worked half a mile from the apartment at a drug store on East Twelfth between Santee Street and Maple Avenue. Ruth had spent the last few months seriously contemplating divorce but she wasn’t in any hurry to confront John.
It was 11 o’clock on the morning of Wednesday, December 7, 1927 and Ruth had started her work day when John turned up. She hadn’t even known he was in town. He was obviously drunk and made a scene. He wanted Ruth to come back to him, but she wasn’t interested in a reconciliation and John stormed out. He returned at noon and began to plead with Ruth. Again she accused him of being drunk. He copped to it–in fact he said that he’d been drinking for three weeks straight and would stay drunk until Ruth agreed to come back to him. She refused. He pulled a revolver from his pocket. Ruth clocked it and made a dash for the rear of the store. Her escape route was cut off by some partitions–she was trapped. As twenty people watched John began firing and each shot hit its mark. Ruth was hit in the chest, face and hip. Satisfied that he’d killed her, John turned the gun on himself. One bullet entered his chest a few inches above his heart and then he raised the weapon to his head and fired.
The police were called and when Detectives Lieutenants Hickey, Stevens and Condaffer, of the LAPD’s Central Station Homicide Squad arrived they found Ruth dead and John nearly so. Detective Hickey was shocked when John summoned the strength to say “I’m sorry I killed her, but give me a smoke before I croak, will you?” Hickey later said that even though John believed he was dying his first thought appeared to be of a cigarette. The detectives also found an incoherent note in John’s pocket, the ramblings of a man driven to murder by jealousy and gin.
Investigators learned that John was 29-years-old and that he had an arrest record. He’d been busted in Oakland on October 10, 1917 on a burglary charge and later in San Francisco for violation of the State Poison Act (a drug charge). John had been in Los Angeles for a few weeks. He was staying at a hotel just a few blocks away from Ruth’s workplace.
As John lay in a bed in General Hospital fighting for his life, a Coroner’s jury charged him with Ruth’s slaying. If he lived he would be tried for her murder. Ruth was buried in Graceland Cemetery following a private funeral at Mead & Mead undertaking parlor.
It was touch and go for a few weeks but John pulled through and by February 1928 he was well enough to stand trial. L.V. Beaulieu, his court-appointed attorney, unsuccessfully attempted to use John’s three week long drinking spree as an excuse for the murder but the judge sustained the prosecution’s objections. Alcohol induced amnesia was a poor defense strategy. The jury quickly returned a guilty verdict with no recommendation for leniency. Under the law Judge Fricke had no alternative but to sentence John to be hanged. He was transported to San Quentin to await execution.On March 20, 1928 John and several other death row inmates welcomed a newcomer to their ranks, William Edward Hickman. Hickman, who had given himself the nickname “The Fox” had been sentenced to death for the brutal mutilation murder of 12-year-old Marion Parker, a crime he had committed only ten days after John had killed Ruth. The two dead men walking had met in the Los Angeles County Jail while each was awaiting trial. John cornered Hickman on one occasion and blamed him for inciting the public to a renewed interest in capital punishment–resulting in his own date with the hangman.
John’s sentence was automatically appealed but the State Supreme Court upheld the death penalty. Judge Fricke re-sentenced John to hang. Unless something changed he would meet his end on December 7, exactly one year to the day since Ruth’s murder. John had evidently changed his mind about dying since his suicide attempt because he was part of a Thanksgiving escape plot that failed. To prevent him from any further attempts to tunnel out of San Quentin he was moved to the death cell.
As a condemned man, John’s final requests were honored. He was given a record player and listened repeatedly to “I Want to Go Where You Go” until it was time for him to climb the thirteen steps to the scaffold. One year before, just moments after killing Ruth, John’s first thought had been for a cigarette. Nothing had changed in the year since. John was still smoking as guards placed the black cap over his head. As he dropped he quipped: “Well boys, I got a run for this one.” The cigarette was jerked from his lips. Three witnesses, one of them a guard, fainted. John Joseph Malone was pronounced dead 12 minutes later.
By 1930 Clara Bow had been appearing films for eight years, and she’d lit up the screen in every one of them. In 1924 Bow was selected to be a WAMPAS Baby Star.
The Western Association of Motion Picture Advertisers (WAMPAS), honored thirteen (fourteen in 1932) young women each year whom they believed to be on the threshold of movie stardom. Clara had appeared in about 40 films by the time she made “WINGS” and “IT” in 1927. Both films were financial and critical successes, and Clara was praised as “a joy to behold”. However, she would forever be identified as the “It Girl”.
What is “it”? In his 1904 short story “Mrs. Bathurst”, Rudyard Kipling introduced the concept:
“It isn’t beauty, so to speak, nor good talk necessarily. It’s just “It”. Some women will stay in a man’s memory if they once walk down the street.”
In February 1927, Cosmopolitan magazine published a two-part serial story in which Elinor Glyn described “It” as:
“That quality possessed by some which draws all others with its magnetic force. With “it” you win all men if you are a woman and all women if you are a man. “it” can be a quality of the mind as well as a physical attraction.”
There was no question that Clara Bow possessed “It” in spades. The public adored her, and with good reason. Bow had sex appeal infused with enough sweetness and innocence to make her approachable, not saccharin.
Clara was making truckloads of money, and her contemporaries were doing just as well. But many of them were like kids in a candy store, they had no clue about what do with their money except to spend it. Fellow star, Rod La Rocque, became incorporated and his fortune was under the management of a board of directors.
Until about 1928, Clara’s money had been managed by Bogart Rogers. In 1930 her money and her personal affairs were in the hands of her secretary, Daisy De Voe.
On November 10, 1930 local newspapers reported on a story that was eventually going to shine a light on both Clara’s money and Daisy’s management skills. Clara and Daisy had parted ways, and it wasn’t an amicable split.
Both Clara and Daisy denied the stories of the break in their professional relationship. De Voe said:
“As far as I know I am still her secretary. Miss Bow has not served notice on me. I guess I’ll have to find out all about it.”
Clara refused to comment.
A few days later the story got even more interesting when it was revealed that Daisy had indeed been fired by Clara, and then she had helped herself to some of her former employer’s valuables including: diamond jewelry, a sapphire ring, and all of Bow’s insurance papers. In addition, Daisy had also taken a $20,000 cashier’s check, and a mass of personal papers, including canceled checks, paid and unpaid bills, and personal correspondence.
Despite the fact that De Voe had taken thousands of dollars worth of Clara’s belongings, the cheeky amanuensis was gearing up to file a suit against Bow for several thousand dollars that she alleged she was owed for back pay and expenses.
De Voe and Bow had disagreed on what to do with the cashier’s check; but why did De Voe take jewelry and papers belonging to her employer?
“Clara was going to use this in a business deal I had advised her against going into so that is the reason I kept it from her. She knows as well as everybody else that I could never have cashed it. I intended giving it back the same as everything I had that belonged to her. They (the D.A. and cops) treated me terribly and I think it absolutely unjust the way the treated me and kept me at the hotel. I believe, as does my attorney, we have justifiable cause of action against them.”
Clara Bow and Rex Bell
De Voe intimated that Clara’s latest boyfriend (actor Rex Bell) was responsible for her firing. It is possible that Bell instigated the firing, but once Clara had discovered her belongings were missing she had no other choice.
Daisy’s attorney, Nathan O. Freedman, announced that he was going to file a civil suit on her behalf against Buron Fitts (he D.A.) and Blayney Matthews (a chief investigator for the D.A.’s office). According to De Voe the two had held her incommunicado for several days while they cleaned out her safe deposit box. Fitts didn’t think De Voe had much of a case since the majority of the items found in the safe deposit box had belonged to Clara Bow.
Fitts told reporters:
“This matter came into this office in the nature of a formal request for a criminal complaint against Miss Daisy De Voe for the embezzlement of money and property belonging to Miss Clara Bow. The matter was regularly referred to Mr. Blayney Matthews, chief of the bureau of investigation. After several days of investigation, Mr. Matthews reported back that Miss De Voe had made a thirty page confession of the theft of some $35,000 of Miss Bow’s money, a great deal of which was found in her possession.”
“It is the policy of this office that before issuing a complaint against a private citizen to first thoroughly investigate the case in order to prevent a mistake or miscarriage of justice. This investigation was completed today, and this office has no other alternative under the law but to place the matter before the county grand jury.”
Daisy was quick to deny having made a confession, and she boasted that she had nothing to fear from the grand jury; but she had spoken too soon.
The grand jury indicted Daisy De Voe on thirty-seven counts of grand theft!
It had taken less than two years for Aggie Underwood to work her way up from switchboard operator at the Los Angeles Daily Record, to part-time assistant for one of the paper’s columnists, Gertrude Price (who wrote the Cynthia Grey column).
On December 15, 1927, just a couple of days away from Aggie’s twenty-fifth birthday, she was working in the newsroom when reporters learned that twelve year old Marion Parker, the daughter of Perry Parker a prominent banker, had been abducted from her school. Marion’s twin sister Marjorie had not been taken.
The kidnapper had arrived at Mount Vernon Junior High School where the twins were students and gone directly to the office of Mary Holt, the school’s registrar. The young man told her that Perry Parker had been seriously injured in an automobile accident and was calling for his youngest daughter. Times were different then. Holt never even asked the man for his identification, nor did she ask him what he meant by youngest daughter since Marion and Marjorie were twins and presumably separated in age by mere minutes.
Any moment of doubt that Mary Holt may have had before releasing Marion into the custody of a maniac (who didn’t look maniacal at all) was overcome when the man insisted that he was an employee at Parker’s bank. When she was questioned later, Holt said the man had seemed sincere. He had been quick to suggest that if Holt doubted his word, she should phone the bank. If only she had.
Mt. Vernon Junior High School [LAPL photo]
Instead of phoning the bank for verification of the stranger’s story, Holt dispatched an office assistant to fetch Marion from class. The children were in the midst of a Christmas party when the assistant delivered the news of Perry Parker’s accident. Marion didn’t hesitate; she accompanied the assistant to the registrar’s office where she was led away by the stranger.
Witnesses would later recall that the man helped Marion into his coupe and “…patted her reassuringly on the shoulder”. As Marion’s friends watched the coupe drive away they had no idea that they were witnessing a kidnapping, or that the abduction would result in one of the most heinous murders in the city’s history.
Once it had been determined that Marion had been kidnapped, terror and helplessness replaced calm and security in the Parker family home. They could not name a single enemy. The Parkers were prepared to meet any ransom demand, they simply longed for word that Marion was unharmed.
LAPD, the LA County Sheriff, and the District Attorney’s office put all available men into the search for Marion. At that time it was the largest single manhunt in the city’s history. The scope of the search would not be eclipsed until 1947 when LAPD conducted a massive search for the killer of twenty-two year old Elizabeth Short, the Black Dahlia.