Welcome! The lobby of the Deranged L.A. Crimes theater is open. Grab a bucket of popcorn, some Milk Duds and a Coke and find a seat.
Tonight’s feature is THE LAST CROOKED MILE, starring Donald Barry and Ann Savage with Tom Powers and Sheldon Leonard.
Enjoy the movie!
Just after the notorious Duke Jarvis gang robs his bank of $300,000, bank manager Floyd Sorelson calls the police and insurance offical George Detrich. A frightened teller is able to describe Jarvis as a blonde man with highly polished nails, and the police begin setting up roadblocks to nab him. Meanwhile, Jarvis and his men go to a garage run by Spike Edwards, who hides the loot in the running board of their getaway car. Jarvis and his men drive away, but when the police stop them at a roadblock, Jarvis panics and races off.
Welcome! The lobby of the Deranged L.A. Crimes theater is open. Grab a bucket of popcorn, some Milk Duds and a Coke and find a seat. Tonight’s feature is APOLOGY FOR MURDER starring Ann Savage, Hugh Beaumont, Russell Hicks and Charles D. Brown.
Enjoy the movie!
Reporter Kenny Blake (Hugh Beaumont) falls in love with scheming Toni Kirkland (Ann Savage) not knowing that she is married to a man years older than she. By the time he finds out, he is so under her spell that he murders her husband which is what Toni had planned all along. City editor McKee (Charles D. Brown), Kenny’s boss and best friend, begins to pursue the tangled threads of the crime relentlessly and gradually closes the net on Kenny. The latter is mortally wounded by Toni, who has deserted him for another man.
Welcome! The lobby of the Deranged L.A. Crimes theater is open! Grab a bucket of popcorn, some Milk Duds and a Coke and find a seat. Tonight’s feature is DETOUR, starring Ann Savage and Tom Neal.
Detour is a 1945 film noir thriller that stars Tom Neal and Ann Savage.
The film was adapted by Martin Goldsmith and Martin Mooney (uncredited) from Goldsmith’s novel of the same name and was directed by Edgar G. Ulmer. The 68-minute film was released by the Producers Releasing Corporation (PRC), one of the so-called “poverty row” film studios in mid-twentieth century Hollywood.
Although made on a small budget with bare sets and straightforward camera work, Detour has gathered much praise through the years and is held in high regard. In 1992, Detour was selected for preservation in the United States National Film Registry by the Library of Congress as being “culturally, historically, or aesthetically significant”.