Welcome! The lobby of the Deranged L.A. Crimes theater is open. Grab a bucket of popcorn, some Milk Duds and a Coke and find a seat. It is burlesque week at Deranged L.A. Crimes–beginning with the post, NO, NO, BABETTE, and wrapping up with tonight’s feature, LADY OF BURLESQUE, starring Barbara Stanwyck, Michael O’Shea and Pinky Lee.
The movie is based on the 1941 novel by burlesque queen, Gypsy Rose Lee. Rumor has it that the novel was ghostwritten by mystery writer, Craig Rice. Rice (Georgiana Ann Randolph Craig) was the first female mystery writer to be featured on the cover of TIME MAGAZINE.
However, there is sufficient evidence to prove that Ms. Lee wrote the book on her own. Either way, it is a fun read and makes for an equally entertaining movie.
Enjoy the movie!
S. B. Foss, owner of the Old Opera House on Broadway in New York City, promotes his new recruit, burlesque dancer Dixie Daisy, hoping that she will draw a large audience. Dixie’s performance draws cheers from the crowds and from comedian Biff Brannigan, who ardently admires Dixie even though she hates comics because of past experiences with them. When someone cuts the wire to the light backstage that signals the presence of the police, the performers are surprised by a raid, and pandemonium ensues.
I’ll open with a short subject, a performance of PUT THE BLAME ON MAME with Gypsy Rose Lee from the 1958 film SCREAMING MIMI. Gypsy’s rendition is okay, but I prefer Rita Hayworth in GILDA.
Elizabeth Short’s murder dominated the front pages of the Evening Herald & Express for days following the discovery of her body.
Even in a murder case as well-publicized as the Black Dahlia, the more time that elapses following the crime, the fewer clues there are on which to report. That the case was going cold didn’t dampen the Herald’s enthusiastic coverage. The paper sought psychiatrists, psychologists, and mystery writers who would attempt, each in his/her own way, to analyze the case and fill column space in the paper as they, and the cops, waited for a break. Decades before the founding of FBI’s Behavioral Analysis Unit (BAU), shrinks and writers whose work appeared in the Herald engaged in speculative profiles of both the victim and her killer.
The Herald tapped Beverly Hills psychologist, Alice La Vere, to contribute her analysis of the victim and slayer. The paper introduced La Vere as “…one of the nation’s most noted consulting psychologists”. La Vere regularly spoke to various organizations about the problems of returning veterans. According to the newspaper, Miss La Vere would give readers: “an analysis of the motives which led to the torture murder of beautiful 22-year-old Elizabeth Short”. La Vere’s analysis seems very contemporary.
Here is an excerpt from her profile of Short’s personality:
“Some gnawing feeling of inadequacy was eating at the mind of this girl. She needed constant proof to herself that she was important to someone and demonstrates this need by the number of suitors and admirers with which she surrounded herself.”
La Vere described the killer.
“It is very likely that this is the first time this boy has committed any crime. It is also likely that he may be a maladjusted veteran. The lack of social responsibility experienced by soldiers, their conversational obsession with sex, their nerves keyed to battle pitch — these factors are crime-breeding.” She further stated: “Repression of the sex impulse accompanied by environmental maladjustment is the slayer’s probable background.”
How does La Vere’s profile of Elizabeth Short and her killer compare with the analysis of retired FBI profiler John Douglas? Douglas suggests Beth was “needy” and that her killer would have “spotted her a mile away”. He said that the killer “would have been a lust killer and loved hurting people.”
On the salient points, I’d say that La Vere and Douglas were of like minds regarding Elizabeth Short and her killer.
At the time of Elizabeth Short’s murder, mystery writer Craig Rice (pseudonym of Georgiana Ann Randolph Walker Craig) was one of the most popular crime writers in the country. In its January 28, 1946 issue, TIME magazine selected Rice for a cover feature on the mystery genre. Sadly, Rice has been largely forgotten by all except the most avid mystery geeks (like me).
In late January 1947, the Herald invited Craig Rice to give her take on the Black Dahlia case. She summed it up this way:
“A black dahlia is what expert gardeners call ‘an impossibility’ of nature. Perhaps that is why lovely, tragic Elizabeth Short was tortured, murdered and mutilated because such a crime could happen only in the half-world in which she lived. A world of—shadows.”
The police couldn’t catch a break. Not only were they stumped in the Dahlia case, someone viciously murdered another woman on February 11th. The victim was not cut in half, but evidence at the scene suggested a connection.
Welcome! The lobby of the Deranged L.A. Crimes theater is open! Grab a bucket of popcorn, some Milk Duds and a Coke and find a seat. Tonight’s feature is the LADY OF BURLESQUE (aka THE G-STRING MURDERS) directed by William A. Wellman and starring Barbara Stanwyck and Michael O’Shea.
If you’re not familiar with Craig Rice, she wrote mystery novels and short stories, and is sometimes described as “the Dorothy Parker of detective fiction.” She was the first mystery writer to appear on the cover of Time Magazine, on January 28, 1946.
Before we roll the feature, let’s enjoy one of Gypsy Rose Lee’s dance routines–followed by a clip from a Tex Avery cartoon starring the lecherous wolf character.
Turner Classic Movies says this about LADY OF BURLESQUE:
S. B. Foss, owner of the Old Opera House on Broadway in New York City, promotes his new recruit, burlesque dancer Dixie Daisy, hoping that she will draw a large audience. Dixie’s performance draws cheers from the crowds and from comedian Biff Brannigan, who ardently admires Dixie even though she hates comics because of past experiences with them. When someone cuts the wire to the light backstage that signals the presence of the police, the performers are surprised by a raid, and pandemonium ensues. As Dixie flees through a coal chute, someone grabs her from behind and tries to strangle her, but her assailant escapes when a stagehand comes along.