Welcome! The lobby of the Deranged L.A. Crimes theater is open. Grab a bucket of popcorn, some Milk Duds and a Coke and find a seat.
Tonight’s feature is ROAD HOUSE starring Ida Lupino, Cornel Wilde, Richard Widmark, and Celeste Holm.
At a seedy nightclub and bowling alley near the Canadian border, owner Jefty Robbins (Richard Widmark) is in love with his new cabaret singer, Lily Stevens (Ida Lupino), who only has eyes for Jefty’s best friend, bar manager Pete Morgan (Cornel Wilde). Although he tries to keep his distance, Pete soon falls for Lily’s charms. But when the couple tries to run away together, Jefty and jealous cashier Susie Smith (Celeste Holm) conspire to frame them for a crime they didn’t commit.
Welcome! The lobby of the Deranged L.A. Crimes theater is open! Grab a bucket of popcorn, some Milk Duds and a Coke and find a seat. Tonight’s feature is THE BLUE GARDENIA starring Anne Baxter, Richard Conte, Ann Southern, Raymond Burr and George Reeves. This movie is a limited run, so don’t miss it.
Enjoy the movie!
In Los Angeles, while writing a feature story about telephone operators, columnist Casey Mayo sees calendar girl artist Harry Prebble sketching the operators. In vain, Prebble tries to make a date with one of the women, divorcée Crystal Carpenter, but she leaves with her two roommates and fellow operators, Norah Larkin and Sally Ellis. Prebble then cuts short a phone call from Rose, a woman he has been dating, who is almost hysterical in her need to talk to him. That night, Norah spends her birthday alone and reads a letter from her fiancé, a soldier fighting in Korea. After she reads that he is breaking their engagement, the telephone rings, and still in shock, she answers and agrees to have dinner at the Blue Gardenia Restaurant with Prebble, who thinks he is talking to Crystal.
Welcome! The lobby of the Deranged L.A. Crimes theater is open! Grab a bucket of popcorn, some Milk Duds and a Coke and find a seat. Tonight’s feature is RACE STREET. It stars George Raft, William Bendix, and Marilyn Maxwell. Enjoy the movie!
When San Francisco bookmaker Hal Towers confides in his boss, racketeer Dan Gannin, that a syndicate is trying to force him to pay protection money, Dan reminds him about their recent pledge to get out of the gambling racket. Although Dan offers his best friend a chance to invest in his new, legitimate nightclub, Hal insists on fighting the syndicate. Dan cautions Hal, who is lame, to be careful, but before the night is over, Dan and another childhood friend, police detective Barney Runson, find the bookie lying dead at the bottom of his apartment stairs. Concerned for his friend’s safety, Barney warns Dan not to seek vengeance on Hal’s killers, but allow the law to pursue justice. Dan’s associates, however, expect him to retaliate for Hal’s murder, and Dan obeys the rules of gangster protocol by not revealing anything about the case to Barney. When Dan goes home that night, he is greeted by two well-dressed men who present themselves as “insurance salesmen.”
The lobby of the Deranged L.A. Crimes theater is open. Visit our snack bar for a fizzy beverage and a big bag of popcorn. Tonight’s feature is THE BIG COMBO, starring Cornel Wilde, Richard Conte, Richard Donlevy, and Jean Wallace.
The Big Combo is a rather unique entry for its genre due to its frank sexuality, extreme sadism and John Alton’s stunning black and white cinematography that places the story in a world of shadows, spotlights and claustrophobic lighting schemes.
At the center of the story is Lt. Diamond (Cornel Wilde), a cynical cop who has become obsessed with arresting Mr. Brown (Richard Conte), the head of a powerful crime syndicate who has cleverly eluded the authorities for years. Diamond’s motivation, however, is clearly driven by his attraction to Brown’s blonde mistress, Susan (Jean Wallace, the wife of Cornel Wilde), a former socialite and once promising pianist whose relationship with Brown is a mixture of sexual dependency and masochism. Aiding Brown in his operation is Joe McClure (Brian Donlevy), a defeated rival who now serves as his second-in-command, and a pair of hit men, Fante (Lee Van Cleef) and Mingo (Earl Holliman), who are inseparable, bound together by their blood lust.
Welcome! The lobby of the Deranged L.A. Crimes theater is open. Grab a bucket of popcorn, some Milk Duds and a Coke and find a seat. Today’s feature is PUSHOVER , starring Fred MacMurray, Phil Carey, and Kim Novak.
Enjoy the movie!
A carefully planned bank heist by hoodlum Harry Wheeler and his partner leaves a policeman dead and $200,000 stolen. After the police investigation, headed by Lt. Carl Ekstrom, identifies Wheeler as the culprit, Eckstrom assigns detective Paul Sheridan to befriend Wheeler’s girl friend, Lona McLane, who has moved into an apartment in town. Paul stages a meeting with Lona and a powerful attraction develops between the two. Paul takes Lona to his apartment for the night, then spends the next several days with her.
Welcome! The lobby of the Deranged L.A. Crimes theater is open! Grab a bucket of popcorn, some Milk Duds and a Coke and find a seat. Tonight’s feature is JOHNNY O’CLOCK, directed by Robert Rossen and starring Dick Powell and Evelyn Keyes and Lee J. Cobb.
Johnny O’Clock, a sharp-witted New York gambling house overseer, has many “friends” in the city’s underworld: His associates include Pete Marchettis, Johnny’s senior partner and owner of the lavish casino he operates, and Chuck Blayden, a crooked, trigger-happy cop who is investigating other gambling houses in town. After trying to cut into the casino’s profits and warning Johnny under threat of death not to interfere with his intention to become Marchettis’ partner, Blayden ends his relationship with cigarette and coat check girl Harriet Hobson, then disappears. Harriet is later found dead of an apparent suicide in her apartment, and Inspector Koch begins his investigation into her death by questioning Johnny.
Welcome! The lobby of the Deranged L.A. Crimes theater is open! Grab a bucket of popcorn, some Milk Duds and a Coke and find a seat. Tonight’s feature is the LADY OF BURLESQUE (aka THE G-STRING MURDERS) directed by William A. Wellman and starring Barbara Stanwyck and Michael O’Shea.
If you’re not familiar with Craig Rice, she wrote mystery novels and short stories, and is sometimes described as “the Dorothy Parker of detective fiction.” She was the first mystery writer to appear on the cover of Time Magazine, on January 28, 1946.
Before we roll the feature, let’s enjoy one of Gypsy Rose Lee’s dance routines–followed by a clip from a Tex Avery cartoon starring the lecherous wolf character.
Turner Classic Movies says this about LADY OF BURLESQUE:
S. B. Foss, owner of the Old Opera House on Broadway in New York City, promotes his new recruit, burlesque dancer Dixie Daisy, hoping that she will draw a large audience. Dixie’s performance draws cheers from the crowds and from comedian Biff Brannigan, who ardently admires Dixie even though she hates comics because of past experiences with them. When someone cuts the wire to the light backstage that signals the presence of the police, the performers are surprised by a raid, and pandemonium ensues. As Dixie flees through a coal chute, someone grabs her from behind and tries to strangle her, but her assailant escapes when a stagehand comes along.
Welcome! The lobby of the Deranged L.A. Crimes theater is open. Grab a bucket of popcorn, some Milk Duds and a Coke and find a seat. Tonight’s feature is CRY DANGER starring Dick Powell and Rhonda Fleming.
Enjoy the movie!
As he steps out of Los Angeles’ Union Station, ex-convict Rocky Mulloy, fresh from serving five years of a life sentence for robbery and murder, is greeted by Lt. Gus Cobb, the detective responsible for his incarceration. With Gus is Delong, the decorated, disabled Marine who provided Rocky with the alibi that finally freed him. The cynical Gus invites Rocky and Delong for a drink, and at the bar, Delong explains that, because he shipped out the day after the holdup, he was unaware that Rocky, with whom he and some other Marines had been drinking the night before, was in trouble.