Aggie and the Los Angeles Record


Exterior view of the Los Angeles Record building (top, middle of photo), located next to the Pacific Electric Railroad tracks. Building has three large arched windows on the second floor. Photo dated: September 12, 1933.

Aggie’s newspaper career began at the switchboard of the Los Angeles Record in October 1926. The Record was at 612 Wall Street near the Pacific Electric station at Sixth and Main. The streetcars rumbled past the building providing an industrial soundtrack for the “weird wonderland” of men pounding away on old typewriters. Aggie enjoyed the ambient hum, occasionally punctuated by the shouts of reporters as they called out phone numbers for her to dial.

Gertrude Price, the woman’s editor, approached Aggie when her temporary job at the switchboard was almost over. Price wrote a column under the pseudonym Cynthia Grey. Each year at Christmas, she organized a food and gift basket program for the needy. Hundreds of letters poured in from donors and the poor alike. The job of putting together the baskets was an enormous one, and Gertrude asked Aggie to assist. 

At the end of the 1926 holiday season, Aggie contemplated her return to domestic life when Gertrude surprised her with an offer of a part-time job. Price asked Aggie if she would work two hours a day taking phone messages and handling Cynthia Grey correspondence. Aggie gratefully accepted the offer.

William Edward Hickman [Photo courtesy of LAPL]

Gertrude Price became Aggie’s friend and mentor. One of the most important lessons she learned about the newspaper business came near her twenty-fifth birthday. Los Angeles reeled from the kidnapping and mutilation murder of 12-year-old schoolgirl Marion Parker. Authorities identified William Edward Hickman as the killer. He became the subject of the biggest manhunt in Los Angeles’ history. Aggie saw a United Press flash announcing Hickman’s capture in Oregon. She was so excited she telephoned her husband and shared the news with him. 

Price overheard the call and warned Aggie about discussing a story before it circulated on the streets. At first, she felt ashamed because she’d disappointed her mentor. Then she realized Price was instructing her on a fundamental principle of the news business. She would not make the same mistake again.

Aggie couldn’t stay at her desk while the bulletins of Hickman’s capture continued to flood the newsroom. She finally committed the “unpardonable sin” of hovering over the shoulder of Rod Brink, the city editor. Brink said to her, “All right, if you’re so interested, take this dictation.” In that instant Aggie realized she wanted to be a reporter.

Happy Birthday to Aggie Underwood, and Deranged L.A. Crimes!

This is a big month for the Deranged L.A. Crimes blog. On December 17, 2012, the 110th anniversary of the birth of the woman whose career and life inspires me, Agness “Aggie” Underwood, I started writing this blog. I also authored her Wikipedia page, which was long overdue.

Aggie Underwood. Photo by Perry Fowler

By the time I began, Aggie had been gone for twenty-eight years. I regret not knowing about her in time to meet her in person. But, through her work, and speaking with her relatives over the years, I feel like I know her. I have enormous respect for Aggie. She had nothing handed to her, yet she established herself in a male-dominated profession where she earned the respect of her peers without compromising her values. She also earned the respect of law enforcement. Cops who worked with her trusted her judgement and sought her opinion. It isn’t surprising. She shared with them the same qualities that make a successful detective.

This month, I will focus on Aggie. I want everyone to get to know and appreciate her. She was a remarkable woman.

Agness “Aggie” Underwood never intended to become a reporter. All she wanted was a pair of silk stockings. She’d been wearing her younger sister’s hand-me-downs, but she longed for a new pair of her own. When her husband, Harry, told her they couldn’t afford them, she threatened to get a job and buy them herself. It was an empty threat. She did not know how to find employment. She hadn’t worked outside her home for several years. A serendipitous call from her close friend Evelyn, the day after the stockings kerfuffle, changed the course of her life. Evelyn told her about a temporary opening for a switchboard operator where she worked, at the Los Angeles Record. The job was meant to last only through the 1926-27 holiday season, so Aggie jumped at the chance.

Aggie & Harry [Photo courtesy CSUN Special Collections]

Aggie arrived at the Record utterly unfamiliar with the newspaper business, but she swiftly adapted and it became clear to everyone that, even without training, she was sharp and eager to learn. The temporary switchboard job turned into a permanent position.

In December 1927, the kidnapping and cruel mutilation murder of twelve-year-old schoolgirl Marion Parker horrified the city. Aggie was at the Record when they received word the perpetrator, William Edward Hickman, who had nicknamed himself “The Fox,” was in custody in Oregon. The breaking story created a firestorm of activity in the newsroom. Aggie had seen nothing like it. She knew then she didn’t want to be a bystander. She wanted to be a reporter.

When the Record was sold in January 1935, Aggie accepted an offer from William Randolph Hearst’s newspaper, the Evening Herald and Express, propelling her into the big leagues. Working for Hearst differed entirely from working for the Record. Hearst expected his reporters to work at breakneck speed. After all, they had to live up to the paper’s motto, “The First with the latest.”

From January 1935, until January 1947, Aggie covered everything from fires and floods to murder and mayhem, frequently with photographer Perry Fowler by her side. She considered herself to be a general assignment reporter, but developed a reputation and a knack for covering crimes.

Sometimes she helped to solve them.

In December 1939, Aggie was called to the scene of what appeared to be a tragic accident on the Angeles Crest Highway. Laurel Crawford said he had taken his family on a scenic drive, but lost control of the family sedan on a sharp curve. The car plunged over 1000 feet down an embankment, killing his wife, three children, and a boarder in their home. He said he had survived by jumping from the car at the last moment.

When asked by Sheriff’s investigators for her opinion, Aggie said she had observed Laurel’s clothing and his demeanor, and neither lent credibility to his account. She concluded Laurel was “guilty as hell.” Her hunch was right. Upon investigation, police discovered Laurel had engineered the accident to collect over $30,000 in life insurance.

Hollywood was Aggie’s beat, too. When stars misbehaved or perished under mysterious or tragic circumstances, Aggie was there to record everything for Herald readers. On December 16, 1935, popular actress and café owner Thelma Todd died of carbon monoxide poisoning in the garage of her Pacific Palisades ho9me. Thelma’s autopsy was Aggie’s first, and her fellow reporters put her to the test. It backfired on them. Before the coroner could finish his grim work, her colleagues had turned green and fled the room. Aggie remained upright.

Though Aggie never considered herself a feminist, she paved the way for female journalists. In January 1947, they yanked her off the notorious Black Dahlia murder case and made her editor of the City Desk, making her one of the first woman to hold this post for a major metropolitan newspaper. Known to keep a bat and startup pistol handy at her desk, just in case, she was beloved by her staff and served as City Editor for the Herald (later Herald Examiner) until retiring in 1968.

Aggie at a crime scene c. 1946

When she passed away in 1984, the Herald-Examiner eulogized her. “She was undeterred by the grisliest of crime scenes and had a knack for getting details that eluded other reporters. As editor, she knew the names and telephone numbers of numerous celebrities, in addition to all the bars her reporters frequented. She cultivated the day’s best sources, ranging from gangsters and prostitutes to movie stars and government officials.”

They were right. Aggie dined with judges, cops, and even gangster Mickey Cohen. I hope you will enjoy reading about Aggie, as much as I will enjoy telling her stories.

Joan

Happy Birthday to Aggie Underwood & Deranged L.A. Crimes

Aggie hoists a brew c. 1920s.

Aggie hoists a brew c. 1920s. [Photo courtesy LAPL]

Aggie Underwood was born on December 17, 1902 and Deranged L.A. Crimes was born on December 17, 2012, so there’s a lot to celebrate today. We have so many candles on our birthday cake it will take a gale force wind to blow them all out.

It was Aggie’s career as a Los Angeles journalist that inspired me to begin this blog; and my admiration for Aggie and her accomplishments has grown in the years since I first became aware of her.

Aggie at a crime scene in 1946.

Aggie at a crime scene in 1946.

Aggie’s newspaper career began on a whim.  In late 1926, she was tired of wearing her sister’s hand-me-down silk stockings and desperately want a pair of her own. When she asked her husband Harry for the money, he demurred.  He said he was sorry, they simply couldn’t afford them. Aggie got huffy and said she’d buy them herself. It was an empty threat–until a close friend called out of the blue the day following the argument and asked Aggie if she would be interested in a temporary job at the Daily Record. Aggie never intended to work outside her home, but this was an opportunity she couldn’t pass up.

In her 1949 autobiography, Newspaperwoman, Aggie described her first impression of the Record’s newsroom as a “weird wonderland”. She was initially intimidated by the men in shirtsleeves shouting, cursing and banging away on typewriters, but it didn’t take long before intimidation became admiration. She fell in love with the newspaper business. At the end of her first year at her temporary job she realized that she wanted to be a reporter. From that moment on Aggie pursued her goal with passion and commitment.

Aggie at her desk after becoming City Editor at the Evening Herald & Express.

Aggie at her desk after becoming City Editor at the Evening Herald & Express. Note the baseball bat — she used it to shoo away pesky Hollywood press agents. [Photo courtesy LAPL]

During a time when most female journalists were assigned to report on women’s club activities and fashion trends, Aggie covered the most important crime stories of the day. She attended actress Thelma Todd’s autopsy in December 1935 and was the only Los Angeles reporter to score a byline in the Black Dahlia case in January 1947. Aggie’s career may have started on a whim, but it lasted over 40 years.

Look closely and you can see Aggie's byline.

Look closely and you can see Aggie’s byline under “Night In a Motel”.  [Photo courtesy LAPL]

Over the past nine years I’ve corresponded with many of you and I’ve been fortunate enough to meet some of you in person. Your support and encouragement mean a lot to me, and whether you are new to the blog or have been following Deranged L.A. Crimes from the beginning I want to thank you sincerely for your readership.

There will be many more stories in 2022, and a few appearances too. Look for me in shows on the Investigation Discovery Network (I’ve been interviewed for Deadly Women, Deadly Affairs, Evil Twins, Evil Kin and many others.)  I am currently appearing in the series CITY OF ANGELS: CITY OF DEATH on HULU.

Kentucky University Press will publish my compilation of tales on L.A. crime during Prohibition. Title is TBA.

You can find my short story in the recently released anthology, PARTNERS IN CRIME, edited by Mitzi Szereto.

Whether it is on television, in the blog or some other medium I’m looking forward to telling more crime tales in 2022.

Happy Holidays and stay safe!

Joan

Hollywood Love Triangle: Part 2

raymond_mackaye_kellyThe circumstances of Ray Raymond’s death may have been successfully covered up if not for local newshounds who got wind of the fight and his subsequent death. They called on the Coroner and began asking for details, but he couldn’t tell them a thing – Raymond’s death had not been reported to him!  Dorothy’s $500 payment to Dr. Sullivan had clearly been worth every cent.

Coroner Frank Nance at his desk. [LAPL photo]

Coroner Frank Nance at his desk. [LAPL photo]

Coroner Nance called the hospital where Raymond had died, and was informed that not only was Ray deceased his body had been removed by an undertaker!

Nance followed up and located Raymond’s body at a Hollywood mortuary.  He immediately claimed the body to perform an autopsy.

Not surprisingly, Coroner Nance’s findings didn’t agree with those of Dr. Sullivan — and Dr. Nance had harsh words for both Paul Kelly and Dorothy Mackaye.

He said: “Fortifying himself with four or five drinks — probably to brace up his bully courage — Kelly deliberately went into Raymond’s home for the purpose of beating him. I am also informed that Mrs. Raymond was in Kelly’s apartment when he left his home for the purpose of going to her home to beat up Raymond and it is my belief that it was due to her influence that Kelly went to Raymond’s for the sole purpose of attacking him.”

I agree with Coroner Nance.

Dorothy Mackaye collapsed three times at the grand jury inquiry into Ray’s death.  At one point she fell to the marble floor with enough force to render her unconscious for ten minutes. She must have become light-headed after finally being compelled to tell the truth about the day of the beating. Her original story had been that she’d gone out to get Easter eggs for her daughter and to go to a dressmaker. The truth was that she and one of her so-called chaperones, Helen Wilkinson, had been at Kelly’s apartment drinking and had been present when he phoned Ray.

mackaye_indictments

Mackaye summed up her day of testimony before the grand jury by saying: “It has been a terrible ordeal. Why, oh, why, do they have to do all this to me? I would be all right but my nerves are shot to pieces. I hope I won’t have to go through all this again very soon.”

Dorothy had no words of sadness or remorse for Ray’s miserable death. In true Hollywood diva fashion, it was all about her.

In Kelly’s statement to the cops he said he’d purposely called Ray to demand an apology. Seems pretty ballsy to demand that Ray retract statements about Kelly’s relationship with Dorothy — statements which were true. Kelly also told cops was that he went to Raymond’s home “to give him the threshing that was coming to him”.  Kelly wouldn’t make any other statements except to profess his love for Dorothy.

Witnesses stated that Dorothy was still at Kelly’s apartment when he returned after viciously beating Ray, and apparently the couple retired to a rear room and conferred in secret for nearly thirty minutes — obviously to get their stories straight.

It wasn’t only Kelly and Mackaye who were in deep trouble following Ray’s death.  Dr. Sullivan, the physician who had determined that Raymond had died of natural causes, was being taken to task as well. In the District Attorney’s office the day following the grand jury hearing, Dorothy Mackaye came to Dr. Sullivan’s defense. She said:

mackaye_sullivan“I have absolute faith in Dr. Sullivan’s statement that Ray’s death was due to natural causes. He [Raymond] hadn’t been well for some time and we had been afraid of a nervous breakdown.” She continued: “Mr. Kelly I have known for years. I knew him as a youngster in New York when he was first starting out. My feeling for him has always been, and is, I suppose, a sort of sisterly love.”

Mackaye admitted that she and Ray hadn’t been happy for some time and had discussed divorce, but they hadn’t gone through with it due to financial concerns. Oh, and any talk of a future marriage with Kelly had been done “in a joking manner”.

Paul Kelly was indicted for the murder of Ray Raymond, and Dorothy Mackaye was indicted for concealing facts in the case.

NEXT TIME: Hollywood Love Triangle: Part 3