Aggie and the City of Forgotten Women, Part 2

Aggie Underwood interviews an unknown woman (possibly at Lincoln Heights Jail)

This is the second of a series on California’s unique women’s prison, which has bestirred national interest among sociologists and penologists. An International News Service staff correspondent was able to obtain the first comprehensive “inside story” of the institution where Clara Phillips and other noted women offenders are now confined.

Tehachapi, Cal., May 1, 1935 — Eight months in the “death house!”

Eight months in which to sit in one tiny room, forbidden to talk to anyone except matrons–Eight months in which to remember–what?

Possibly the sound of six shots, ringing out in the still of night–six shots which ended the life of Eric B. Madison, movie studio cashier.

Eight months in which to hear over and over again, the voice of a judge saying “You are sentenced to hang by the neck until dead”.

That is the fate of Nellie B. Madison, comely widow, who is the only woman in California now under sentence to die on the gallows.

Nellie Madison [Photo courtesy LAPL]

Just eight months ago last March 12, Nellie Madison entered Tehachapi prison and was placed in the “death cell.”

This “cell” is merely a room in the prison hospital. Architects who designed the state institution for woman at Tehachapi omitted “death cell.” That’s another way this prison is different.

So, in this room on the second floor of the administration building, Nellie Madison sits day after day. She seems a quite different person from the Nellie Madison who amazed Los Angeles court attaches during her trial with her cool, calm demeanor.

Her nattily tailored clothes are, of course, discarded for the regulation prison costume–blue denim dresses with a white pinstripe.

Her jet-black hair, now greying, has grown from the trim modern bob until it almost reaches her shoulders.

“In Los Angeles, I was thoroughly benumbed by all that had happened,” she said after the first glad welcome of seeing someone whom she had seen in the outside world.

“I couldn’t realize just what had happened to me, but now that I have been here–let’s see is it only eight months or is it ten years–well, I’ve begun to get all the confidence in the world that the State Supreme court will reverse my conviction.”

This was Mrs. Madison’s only interview since she has entered the state institution.

“It seems to me that one’s conscience would be the greatest punishment in the world,” she said.

“My conscience doesn’t bother me one bit, but I do feel the disgrace that I have brought on myself and my family. One’s past good name and character seem to mean nothing when a person gets into trouble, but it apparently doesn’t mean a thing.”

Mrs. Madison’s recreation consists of short walks on the grounds each day–in company with a matron and the letters she receives from friends.”


Aggie became interested in Nellie’s case when she covered it for the Herald. As she learned more about the abuse Nellie suffered at the hands of her husband, Eric, the less she believed Nellie deserved to hang. Through her coverage of the case, and her advocacy, Aggie and others were successful in getting Nellie’s sentence commuted to life; which made her eligible for parole. On March 27, 1943, nine years and three days after the murder, the state released Nellie.

In her 1949 autobiography, Newspaperwoman, Aggie said this about the case.

“While one’s work as a reporter may serve justice and work for or against a defendant, one shies from taking bows for presumed triumphs. Even in commendation, one does not want to feel one’s fairness impugned. I was embarrassed, therefore, when Nellie Madison embraced me gratefully at Tehachapi when I informed her that her sentence to be hanged had been commuted to life imprisonment by Governor Frank F. Merriam.”

“‘You did it! You did it!’ she wept. ‘I owe it all to you!’”

NEXT TIME: In the third article, Aggie tells of interviews with other inmates at Tehachapi.

Aggie and the City of Forgotten Women: Part 1

In the spring of 1935, reporter Aggie Underwood wrote a three-part series of articles for the Herald about women incarcerated in Tehachapi. Aggie maintained a relationship with the prison’s administration. They kept her informed about prisoner releases, and anything of interest to the Herald’s readers. Bad girls are undeniably fascinating.

The number of women committing violent felonies has risen since Aggie covered the crime beat. For many decades, women committing such crimes were an anomaly. Alienists (psychiatrists) and penologists offered various theories to explain their behavior.

In 1924, Sigmund Freud suggested menstruation reminded women of their inferiority and inflamed them toward revenge. Let that nonsense sink in for a moment. His theory is absurd and offensive, but we still accept variations of it today. We may characterize an ambitious woman as unfeminine or vicious. We may praise a man exhibiting identical traits for his business acumen and strength. Make no mistake, even in the 21st Century women are still competing on an uneven playing field.

There is an ongoing debate about the punishment of women, regardless of whether they were driven by homicidal PMS rage or something else. Throughout history, women have avoided the death penalty more often than their male counterparts.

In his 1931 criminology course, Dr. Paul E. Bowers said, “We hate to send a woman to the penitentiary, we hate to electrocute or hang women. We think it’s the wrong thing to do. Many women have been convicted of murder, but it is only rarely that women are hung or electrocuted for committing murder.”

One of the most notorious executions of a woman was the electrocution of Ruth Snyder in New York in 1928. She and her lover, Judd Gray, received death sentences for the murder of her husband. Tom Howard, a clever newspaperman for the Daily News, smuggled a small camera, strapped to his ankle, into the death chamber. At the crucial moment, he snapped a photo of Ruth in her death throes. The photo made front page news around the world. Snyder and Gray inspired James M. Cain’s novel, Double Indemnity, which became the eponymous film noir in 1944.

Tom Howard shows off his ankle camera

Perhaps because her own upbringing was as tough as many of the women she interviewed behind bars, the lives of female convicts intrigued Aggie. She didn’t romanticize their crimes, nor did she condone their actions. She empathized. 

Below is the first part of Aggie Underwood’s series on the lives of the forgotten women of Tehachapi, as it appeared in newspapers in 1935.

Tehachapi, Cal., Apr. 30 —

Nestled in a range of snow-covered mountains, eight and one-half miles from the nearest town, is California’s home for forgotten women.

Here is Clara Phillips, the celebrated “Hammer Murderer”; Louise Peete, Nellie Madison, Josephine Valenti, Anna De Ritas, Burmah White and 140 others who ignored man-made laws and are spending long, long years in a miniature city of their own.

Ruler of this city surrounded by a high wire fence is Miss Josephine Jackson, deputy warden, who works under orders from the head of the state prison at San Quentin, James B. Holohan.

For 18 years she has been employed in California prisons, and for 18 years she has been caring for women whom the state has tagged “bad” and sent away to do penance behind prison walls.

Louise Peete looked harmless. She wasn’t. [Photo: UCLA Digital Archive.]

Miss Jackson moved the first group of girls from San Quentin into Tehachapi in August 1933, and by November of the same year, they had transferred all the inmates of the state prison.

Life runs smoothly, and quietly, as the days go by with the only break in a monotonous existence being an occasional visit by some unexpected outsider.

The buildings which comprise the prison group are in an administration building, detention building, and two cottages.

All work in the prison is volunteer—none compulsory, and each inmate is given an opportunity to do the work she likes best.

Many of them prefer garden work, many laundry, many cooking, and table serving, many secretarial and some even beauty work.

There is no official chef at the state institution and the inmates have proven themselves splendid cooks, even to the extent of making all the bread that is used by the inmates.”

Six a.m. is regulation “get-up” time; 9 p.m. lights out.

Work on the various necessary duties is started immediately after breakfast and groups may be seen leaving the various buildings in which they are housed for the rabbitry, the chicken yard, the barn yard where there are several cows to be milked.

And, as groups gather around electric washing machines, or in the yard planting trees, or in the chicken yard tending the fowls, loud shouts of laughter may be heard ringing through the echoing mountainous section.

No supervisor stands over these 145 women to drive them to their tasks. No one waits around to scold or correct them. They are on an honor system to do their best work in their best manner, and according to Miss Jackson, this system succeeds remarkably.

Each building has a nicely furnished recreation room where the girls gather when their daily tasks are completed to play cards, checkers, sew or play the piano. But, because the architects failed to provide for an auditorium, there are no picture shows because there is no room large enough to seat all the inmates.

Just as Sing-Sing, an Eastern prison, has an outstanding men’s football team, so does Tehachapi have its baseball team.

In fact, two teams have been organized. Josephine Valenti, who gained prominence in Los Angeles when she was convicted of burning her small baby to death, is captain of one team and Pauline Walker, a colored girl, is captain of the second team.

They play every Sunday with all the inmates gathering on the sidelines to do the rooting.

At present, the field isn’t much good, but the girls are gradually doing their own work and making a real diamond.

They have made their own uniforms—white blouses and black bloomers with red stripes down the sides, and, according to Miss Jackson, they welcome the opportunity to don these costumes and break the monotony of everyday life.

Each goes on in the same fashion, light tasks, few laughs—a drab life, for the 145 women who must pay for their transgressions of the law. yet Tehachapi represents notable changes in the American penal system and is being studied as a model.”

NEXT TIME: Agness Underwood’s series on the “city of forgotten women” continues.

NOTE: This is an updated version of a post from 2013.