Welcome! The lobby of the Deranged L.A. Crimes theater is open. Grab a bucket of popcorn, some Milk Duds and a Coke and find a seat.
Tonight’s feature is MURDER WITH PICTURES  starring Lew Ayres and Gail Patrick.
Enjoy the film!
Stanley Redfield, defense lawyer for racketeer Nate Girard, who has been accused of murdering a man named Cusick, is murdered during a press party held to celebrate Girard’s acquittal. Among the suspects are two newspapermen, Phil Doane and I. B. McGoogin, and Meg Archer, a mysterious woman who appeared in town shortly after Girard’s release. Free from suspicion is ace news photographer Kent Murdock, who was in a nearby apartment arguing with his showgirl fiancé, Hester Boone, when the murder took place.
In her effort to prove that Clark Gable fathered her daughter, Gwendolyn, Violet mounted a vigorous media campaign. If you believed her story, he was the man who seduced and abandoned her 14 years earlier in a sleepy English village.
There was limited support for Violet’s fantastical tale. In fact, other than her immediate family (and even they weren’t enthusiastic), Violet’s only supporter was H. Newton, a Birmingham, England factory inspector.
In an interview with the London Daily Express, Newton confirmed that a man calling himself Frank Billings, who bore a striking resemblance to Gable, ran a poultry farm at Billericay “around 1918-1919”. The dates supplied by Newton were a few years earlier than Violet’s alleged affair.
Newton studied a photo of Gable and said,
“That either is Frank Billings or his double, even to the trick of folding one hand over the other. Yes, he has the same brow, nose, temples and twisted, cynical half-smile.”
Adding another layer of absurdity to the unfolding story was a penny postcard mailed from Tacoma, Washington. It read,
“Dear Sir—The lady is right—Frank Billings is the father of her child, but I am the man. Also am a perfect double for C.G.”
The perfect double from Tacoma did not come forward.
Several of Gable’s friends, acquaintances, and a former wife received subpoenas to appear in court. Among those supoenaed was Jimmy Fidler, a radio personality and journalist. Violet wrote to Fidler offering to sell him “for a price” the story of her affair with Clark Gable, the man she knew as Frank Billings.
Violet shared with Fidler her version of how Gable got his screen name. She wrote:
“In Billericay, Essex, England where I was wooed and won by a man known as Frank Billings, but who I now believe to be Clark Gable, this man told me of his love. I later learned, through pictures and a story in a film fan magazine, that he had changed his name to Clark Gable. It is my belief that he got his name in this way—our grocer, in Billericay was named Clark and he owned an estate he called The Gables. Hence Clark Gables.”
Yes, Violet frequently referred to the actor as Gables and was apparently unaware of his birthname, William Clark Gable.
The letters to Fidler weren’t the only ones Violet wrote. She attempted to correspond with Mae West, but West’s publicist, Terrell De Lapp, intercepted the missive during a routine vetting of Miss West’s incoming mail.
The letter received at Paramount Studio in January 1936 read:
“Dear Mae West—How would you like to be fairy godmother to Clark Gable’s child. Nothing could be more lovely than for you, Miss West, to be fairy godmother to my Gwendolyn, and put Clark Gable to shame.”
Despite Violet’s attempts to garner support from Fidler and West, and who knows how many others, Gable had no difficulty refuting her claims. He produced witnesses from the Pacific Northwest to prove that during the time he was allegedly impregnating his accuser, he was selling neckties and working as a lumberjack in Oregon.
Gable’s first wife, Josephine Dillon, was steadfast in her defense of her former spouse.
“Clark and I were married in December 1924. But I knew him the year before in Portland, Oregon when he attended my dramatic classes. To my knowledge, he has never been in England. It is sure he was not there in 1923 or 1924 when we were married, and, therefore, could not be the father of a 13-year-old girl born there at that time.”
Violet’s accusation was ludicrous, but on the plus side the trial afforded hundreds of women an opportunity to catch a glimpse of the man who would become The King of Hollywood. Secretaries and stenographers in the Federal Building held an impromptu reception for him. He autographed mementoes and chatted with them. They were in heaven.
In the hallway prior to testifying, Gable chain smoked and appeared a little nervous. He told reporters:
“It’s my first court appearance. I don’t know what to expect.”
In court, Gable testified that he did not recognize the woman in court.
For her part, Violet remarked sotto voce to her attorney:
“That’s him. I’d know him anywhere.”
Courtroom spectators, keen to see Gable face his alleged progeny, were disappointed when he wasn’t required to appear during her testimony.
Judge Cosgrave wasn’t well-pleased that Gwendolyn was subpoenaed to appear.
“I regret that this witness has to be called at all, and I insist that her examination be limited only to extremely necessary points bearing on the charges in the indictment.”
Gwendolyn had nothing substantive to a add to her mother’s scheme—the girl was Violet’s pawn.
The jury began deliberations at 3:40 pm on April 23, 1937 and returned with their verdict at 5:20 pm. They found Violet guilty of fraudulent usage of the mails.
As Gwendolyn attempted to console her distraught mother, reporters reached Gable by telephone. He said:
“Of necessity, the woman’s charges were false, in view of the fact that I have never been in England and had never seen her until the trial began. It is unfortunate, of course, the she must come to grief in this manner, particularly because of her children.”
U.S. Attorney Powell, who prosecuted Violet, was not as understanding as Gable.
“This woman should be made an example, that men of Clark Gable’s type cannot be crucified in such a manner.”
Powell went on to describe Clark’s ascent to stardom:
“Clark Gable has pulled himself up by the bootstraps, out of an obscure background. He worked as a lumberjack, longshoreman, struggling actor, to achieve the ambition which drove him on to a $250,000-a-year salary.”
Attorney Morris Lavine, who would handle Violet’s appeals, defended her.
“She was simply calling to her sweetheart. She was sincere,” he said.
It is doubtful that Morris Lavine believed a word Violet said, but he was an attorney known to go the extra mile for a client. Violet was lucky to have him as her appeals attorney. (Lavine’s life and career in Los Angeles is a topic I’ll cover in future posts. He was a fascinating man and the self-described “defender of the damned.”)
The appeal Lavine filed on Violet’s behalf was nothing short of brilliant. He contended that her letter did not fall within the statute concerning mail fraud.
The court agreed with Lavine and ruled in Violet’s favor in October 1937. They characterized Violet’s plan as “a scheme to coerce or extort and is a species of blackmail.”
If local authorities had filed on Violet for blackmail or extortion she would have done more time.
In February 1938, following the success of her appeal, Violet faced deportation. An action was filed on the grounds that she had overstayed her visa and that she committed a crime involving moral turpitude. Lavine told reporters that Violet would stay with a sister in Vancouver.
Gwendolyn did not accompany her mother to Canada. She was placed in a private school by a local religious organization and was required to remain there until June.
Was Violet a greedy blackmailer or a delusional dreamer? We’ll never know for sure.
Clark Gable received thousands of fan letters over the course of his decades long career. Violet’s letter was an unwelcome anomaly. The adoring letter written to him by Judy Garland in the movie Broadway Melody of 1938 was probably a more accurate depiction of the kinds of letters he received.
As Judy writes she sings, ‘You Made Me Love You.” She performed the song earlier, in 1936, at Gable’s birthday party. It is one reason she got the part in the film which helped launch her career.
From 1931 to 1932, Clark Gable went from relatively unknown to a superstar. Bags crammed full of fan letters from adoring women, and the occasional man, arrived at MGM. One male fan described Gable in a letter to Picture Play magazine:
Tall, dark, and steely eyed, he walks among men, yet strangely apart from his fellows. One minute a nobody, and then–a giant of the screen! Just one more actor looking for his coffee and cake and then–a star of stars!
Seeing him in films like “Dance, Fools, Dance,” “The Finger Points,” and “A Free Soul,” women compared Gable to earlier heart-throb, Rudolph Valentino.
Movies provided a welcome escape for Depression-weary audiences. Among the throngs of movie-goers was Violet Wells Norton. She sat in a darkened theater in Canada, her eyes glued to the screen. Everyone else in the audience saw Clark Gable. Violet didn’t see Gable, she saw Frank Billings, the father of her daughter Gwendolyn.
Violet met Frank Billings in 1923 in Billericay, Essex, England. Billings was her neighbor and one night he overheard Violet and the man she called her husband arguing. Offering a shoulder to cry on, and a warm bed to lie in, Frank Billings fathered a daughter Violet named Gwendolyn.
Frank had no interest in fatherhood, and even less in a woman he considered damaged goods. He abandoned her and left for his home in the U.S. Violet did not see Frank again until years later when he appeared before her on a movie screen.
In 1925 Violet married Herbert James Norton and moved with him to Winnipeg, Canada. They separated on November 23, 1934.
For two years Violet wrote to Gable. She never received a reply. Gable was aware of the letters and ignored them as the ravings of a crank.
Violet traveled to Hollywood in October 1936 to confront Gable with his teenaged daughter Gwendolyn and convince him to set up a trust fund for her education. Or, failing that, purchase one or all of the four scripts she penned: Gipsy Nell’s Revenge, Love in a Cottage, Love at First Sight and The Spirit Mother.
Gable turned Violet’s letters over to police. He said he was never in England, never met Violet, and was not a papa.
Federal authorities indicted Violet for mail fraud. The letter on which the Feds based the mail fraud charge came from 451 Cumberland Avenue, Winnipeg, Manitoba, Canada, mailed on March 9, 1936, addressed to Clark Gable, MGM, Beverly Hills, and signed Violet N.
Following her indictment, Violet addressed the press.
“Don’t misconstruct (sic) me!” she said.
She explained that she merely asked “Gables”, as she called him, to support her daughter or buy her scripts. Violet asserted her requests were reasonable. From her jail cell, she said, “He looks like the Frank Billings I knew in 1923. I’d like to see him in person.”
Gable dismissed Violet’s accusations as “silly and fantastic.”
Welcome! The lobby of the Deranged L.A. Crimes theater is open! Grab a bucket of popcorn, some Milk Duds and a Coke and find a seat. Tonight’s feature is ADVENTURE IN MANHATTAN, starring Jean Arthur and Joel McCrea.
Turner Classic Movies says this about ADVENTURE IN MANHATTAN:
To cover the theft of the Koor-Hal ruby, newspaper editor Phil Bane calls in ace crime reporter George Melville. George arrogantly predicts to his fellow reporters the next crime to occur and is proven correct, as always. When an accident takes place outside the pool hall where the reporters congregate, George follows a suspicious woman, Claire Peyton, whom he sees begging one moment, then exiting a store in fancy dress only minutes later. George forces her to have dinner with him, and during the meal, she explains that she left a cruel husband for another man and then left him. That evening, she explains, she is to be allowed to see her daughter for the first time in years, but upon arrival, at her ex-husband’s house she discovers only a coffin.
Welcome! The lobby of the Deranged L.A. Crimes theater is open. Grab a bucket of popcorn, some Milk Duds and a Coke and find a seat. Tonight’s feature is THE MIAMI STORY starring Barry Sullivan, Luther Adler, John Baer and Adele Jergens.
Before the main feature I’ve added a special short subject, courtesy of the Los Angeles County Sheriff’s Department. Please don’t try these shooting stunts at home!
Enjoy the movie!
In post-World War II America, a rise in gangster activity prompts the formation of an investigative committee by the U.S. Senate, forcing many criminals to flee to the safety of the tourist-filled and ineffectually policed Miami. When two Cuban gangsters are gunned down upon arrival at Miami’s airport by gangster boss Tony Brill’s right-hand man, Ted Delacorte, and police chief Martin Belman is unable to secure an indictment, journalist Charles Earnshaw summons several prominent Miami businessmen for assistance. The men are dubious about stopping Brill’s ruthless criminal machine, until attorney Frank Alton suggests a plan.
In March 1932 the Elyria, Ohio Chronicle Telegram sang the praises of an Avon High School sophomore for scoring ten field goals, bringing his team to its eleventh straight win for the season. The young man had his whole life ahead of him.
Fast forward to Omaha, Nebraska, April 1936. Marion James Linden, former high school grid iron star from Ohio, was living up to the speed he showed in scoring ten field goals. Unfortunately, the 23-year-old was speeding towards a life of crime. Marion was busted for stealing two automobiles, kidnapping three men and staging a holdup in only 45 minutes. Quite an accomplishment.
Why was Marion on a crime spree? He told reporters: “I wanted to commit self-destruction in such a way my insurance policy would not be invalidated through the suicide clause.” Suicide by cop would have been his parents the princely sum of $1200 (equivalent to $20,814.77 in current USD). No doubt the cash would have helped his family weather the Depression. Marion entered a guilty plea, but a few days later he reappeared in court and changed his plea to innocent. He was placed on probation for 2 years.
By early February 1937, Marion was living in Denver, Colorado. By mid-February he was in jail on a murder charge. Marion shot Arlene, his 18-year-old bride of two months, in the heart.
Marion believed that while he was in Texas trying to find employment as an oil field worker, Arlene was in Denver having an affair. When Marion returned from Texas he immediately went to the home of his in-laws, the Cochrans, where Arlene was staying. He told Detective Captain James E. Childers that he pleaded with Arlene to give up her lover, and when she refused he shot her. But there may have been more to Marion’s motive than jealousy. Capt. Childers quoted Marion as saying that a divorce would have revealed a violation of his Nebraska probation agreement and he would have been compelled to return there to serve out the three year sentence for his mini-crime spree in April 1936.
Marion was convicted of voluntary manslaughter. Judge Henry A. Hicks pronounced sentence–from seven to eight years in the state penitentiary. Lewis D. Mowry, Marion’s attorney, said that the his client had no plans to appeal, nor would he seek a new trial.
After serving only three years of his sentence, Marion was released in 1940. At that point he falls off the radar. Did Marion go straight? As an ex-con he may have found it difficult to get a fresh start, but If he committed any further crimes they weren’t newsworthy.
Marion resurfaced in Los Angeles in 1957 where he would once again be the topic of news stories.
Alan Squire, a disillusioned and destitute intellectual, is hitch-hiking across the Arizona desert. He arrives at the desolate Black Mesa Bar-B-Q, where he meets the naively idealistic Gabby Maple, whose internal struggle reflects her mixed heritage. Half romantic French, half practical American, Gabby dreams of escaping her dull life to live in France. She is immediately attracted to Alan’s lofty philosophies, but their short-lived, innocent romance is shattered by the sudden arrival of Duke Mantee and his gang. Mantee, a brutal killer heading for the Mexican border, uses the restaurant as his hide-out, holding a small group captive while he waits for his girl.