Tag Archives: 1947

Red Manley and the Black Dahlia

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In his 1991 autobiography, Reporters: Memoirs of a Young Newspaperman, Will Fowler recalled one of his colleagues, Baker Conrad, had noticed a telegram among Elizabeth Short’s belongings. The Examiner’s editor, Jim Richardson, dispatched Fowler to the address on the telegram, 8010 Mountain View Avenue in South Gate.

When Fowler arrived at the bungalow court, a strikingly beautiful young woman greeted him. Her name was Harriette Manley. Fowler let her believe he was a cop.

During their conversation, Harriette said her husband phoned her from San Francisco after he saw his name in the newspapers in connection with Elizabeth Short’s murder. Red reassured Harriette that he’d had nothing to do with the slaying. He said he “loved her more than any man ever loved his wife.” 

At 10:00 pm on January 19th, two LAPD sergeants, J.W. Wass and Sam Flowers, staked out the home of Red’s employer in Eagle Rock. When the suspect’s sedan pulled up, the officers approached him with their guns drawn. An Examiner photographer was there to capture the arrest.

Robert ‘Red’ Manley

The next day, Aggie Underwood interviewed him. Red needed no encouragement to unburden himself. He told her how he’d picked Beth Short up on a San Diego street corner. How they had spent an “erotically uneventful” night in a motel and how he eventually dropped her off at the Biltmore Hotel on January 9th.

Red finished his tale with a heartfelt statement. “I’ll never pick up another dame as long as I live.”

Aggie believed Red and shared her gut feelings with the police. Red was forthcoming in his interview. Aggie knew he wasn’t a killer. Red was a frightened man with goofy ideas about love, marriage, and fidelity.

“I was only trying to test my love for my wife,” he said as he sought to explain his brief escapade with Beth Short.

Red said he first saw Beth standing on a street corner in San Diego while on a business trip ten days before Christmas. “She looked cute, so I thought, well, I’ll make a little test and see if I’m still in love with my wife, or whether I could ever fall for anyone else.”

According to Red, he and Harriette, married for just 14 months, were going through a “readjustment period.” He said they had a “few misunderstandings, but nothing important.”

He swore up and down that Beth was the only woman he picked up since his marriage. When he approached her that day, Beth was coy. “She turned to me and said, ‘Don’t you think it’s wrong to approach a girl this way?’” Wrong or not, she got into his car within a minute or two. Before he dropped her off in Pacific Beach, where she was couch-surfing at the home of Elvera and Dorothy French. they sat in his car and talked. He asked her if she would go out to dinner with him. “That would be nice,” she said.

Red drove back up the highway and rented a motel room. He picked Beth up that evening and they went to a nightclub and danced until midnight. Afterwards, they stopped at a drive-in for a snack. He said they talked for a few minutes in front of the French home. Red kissed her goodnight, but said she was a little cold.

He didn’t see her again until January 7, on his next trip to San Diego. He wired ahead to let her know he would be in town. They went nightclubbing again. Then they stayed together in a motel on their way back to Los Angeles.

Red’s story, and his demeanor, convinced Aggie he was not a killer, but that didn’t mean she let him off easy.

If there was one thing that Aggie detested, it was a sob sister. For those of you unfamiliar with the term, a sob sister is a female journalist who writes overly sentimental copy. That sort of journalism was never Aggie’s thing. She said, “A sob sister could have wept with and over Manley, interpolating, editorial gushes to prove what a big bleeding-heart beat in her breast. To hell with that. I’d rather have a fistful—an armload—of good solid facts.”

Her armload of facts made Aggie’s interview with Red Manley riveting. In fact, her city editor, who normally cautioned her to keep her copy short, let the entire interview run without a ton of photos. He knew a great interview when he read one. Aggie was the only Los Angeles reporter to get a by-line in the Dahlia case.

Why, then, amid the covering of the murder, was Aggie yanked off the story? With no warning or explanation, Aggie found herself benched. The city editor let her cool her heels in the newsroom without a thing to do. 

Aggie spent a couple of miserable days at her desk, bored out of her mind. Then she got pissed-off enough to fight back. She didn’t get huffy or raise her voice. She brought in an embroidery project. In no time, the other newsroom denizens were snickering. One newswoman, Caroline Walker, said, “What do you think of that? Here’s the best reporter on the Herald, on the biggest day of one of the best stories in years—sitting in the office doing fancy work!” 

The next day, they reassigned Aggie to the story—only to pull her off a second time. What the hell was going on?

NEXT TIME: The Black Dahlia case continues.

Aggie Underwood–Newspaperwoman

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On October 27, 1936, in a special edition celebrating the Herald’s twenty-fifth anniversary as an evening daily, city editor John B.T. Campbell wrote this about Aggie Underwood:

“Aggie Underwood should have been a man. A rip-snorting, go-gettum reporter who goes through fire lines trails killers . . . using anything from airplanes to mules to reach the spot that in newspapers is  . . . marked with an arrow or an X. What a gal! Usually followed by one or two photographers who . . . get lost when unable to keep up with this speedy lady. Favorite occupation is following a good murder. Favorite story, a good murder. Favorite photograph, a good murder. Favorite fate for all editors, good murder. Help!”

Today we may struggle with the “should have been a man” comment, but at that time it was high praise. Aggie was still new at the Herald, starting in January 1935. She undeniably made an impression on the newsroom. She recalled those early days as “happy-go-lucky.” The reporters worked hard and played just as hard; often going in a group to Chinatown for dinner, or gathering at a bar in Pico Gulch (about half a block from the office, on Pico between Figueroa and Georgia streets).

1931 photo shows the Goodyear blimp “Volunteer” soaring over the Evening Herald building to pick up a bundle of Twentieth Birthday editions for delivery to officials at city hall.

In her work, Aggie made it a point never to ask for special treatment because she was a woman. One night, she arrived at a brush fire in Malibu. A Sheriff’s deputy stopped her. “It makes no difference if you are a reporter. No woman can go in there.” She was considering her next move when she heard a man’s voice. He addressed the deputy, “It’s all right, lad. She’s been to a hell of a lot more of these things than you ever have. Go on through, Aggie.”

The voice belonged to Sheriff’s Department Inspector Norris G. Stensland, one of my favorite LA law enforcement officers.

Aggie worked well with law enforcement. She took the time to write to an officer’s superior to express how helpful he was. In this way, she built long-standing relationships based on mutual respect. Reporters like Aggie have a lot in common with detectives. Each knows the value of maintaining their composure and assessing a scene. Both cops and reporters know the value of developing informants.

One time, on a tip, Aggie arrived at the scene of a love-triangle murder. The cop at the door refused entry to Aggie, not because she was a reporter, but because she was a woman. “You can’t go in there, lady. It’s pretty bad in there. It’s no place for a woman. It’s a mess of blood all over.” Paul Dorsey, a Herald photographer who was with her, said to the officer, “Don’t worry about her. She can take it. Worry about me. Chances are that I can’t.”

In August 1935, Aggie got a tip that LAPD detectives planned to search the home of a woman accused of shooting and gravely wounding her husband at a dinner party days earlier. Aggie arrived before detectives Aldo Corsini and Thad Brown, who sought the pistol used by the woman. Aggie said the detectives were concerned about entering the home because of a huge gaunt German Shepherd. Nobody had fed or given water to the poor thing since the arrest of his mistress. The dog, frightened and stressed, barked from behind a window.

Victim of shooting interviewed by Aldo Corsini and Thad Brown. Photo courtesy UCLA digital collection.

Aggie had an epiphany. “Look, Thad, Corsini and I will go to the back door and make one hell of a noise and distract the dog. While we’re doing that, Thad, you go in through the window, right there beside the front door, then unlock the front door and rush out. I’ll go in then and tame your dog; I’m not afraid of him.”

Aggie heard dogs are aggressive when they are afraid of taller, bigger humans who seem threatening. She figured the best way to approach the frightened animal would be to get down to his level. Corsini wasn’t about to get on his knees to confront the dog, and neither was Brown, but Aggie refused to retreat. Facing the dog, Aggie talked to him in a soft voice, and cautiously moved her hand toward his head. She petted his head gently and said, “What’s the matter, fellow? You hungry and thirsty?” The big dog whimpered. Aggie stood up and went to the kitchen sink to fill his bowl with water. She set out some food for him, too. He became her shadow. He followed Aggie around the house while the detectives searched for the gun, which they found in a laundry bag. The woman later went to prison for attempted murder.

Thad Brown promoted to captain of homicide/chief of detectives. The rank and file would have made him chief of police if politics hadn’t put William Parker in the office instead. Aggie said for years Brown blushed when asked if he had tamed any wild dogs lately.

Aggie’s cordial relations with police provided her with exclusive stories. She rolled up to a house in Eagle Rock one afternoon after getting a report of a double mystery death. Several LAPD homicide detectives stood around outside, waiting for the living room to air out. Aggie said after ten days, the corpses were ripe. The couple died in the middle of a sex act on the living room couch. Detectives weren’t sure whether they had a murder-suicide or an accident. Aggie wanted to catch the Herald’s next deadline, so she made a deal with Captain H. H. Bert Wallis. They identified the dead man, but they still didn’t know the woman’s identity. No detective wanted to enter the house until the smell dissipated. Aggie said she would brave the stench and retrieve the woman’s handbag, which sat on a table visible from outside.

The woman was nude except for a slip rolled up to her chest. The man, in his union-suit, had fallen to the floor. His penis had burst, and Aggie had to step over him to reach the handbag. She tried to hold her breath, but the smell of decaying flesh was pervasive, clinging to her favorite brown wool dress. Aggie grabbed the purse and handed it to Wallis. In gratitude, he gave her a head start on the story. It turned out the man met the woman in a bar, brought her home, and they died of carbon monoxide poisoning because of a faulty heater.

Aggie loved the brown wool dress. She saw it in a shop window and bought it on lay-away. In a conversation with Aggie’s daughter, years later, I learned the fate of the dress. Mary Evelyn told me Aggie came home that night, peeled off the dress and burned it in the fireplace, saying, “I’ll never the smell of death out of it.”

Aggie at the Black Dahlia body dump, January 15, 1947.

During her career, Aggie reported on hundreds of crimes. The most infamous of them began on the morning of January 15, 1947.

Aggie claimed to be the first reporter at the body dump site on Norton near 39th in Leimert Park. She was likely one of the first. It scarcely matters now. The deceased was a young woman, naked and obscenely posed. Her head is north, her legs spread and point south. A couple of days later, they identified the woman as twenty-two-year-old Elizabeth Short from Medford, Massachusetts. She became known as the Black Dahla.

Aggie interviewed the initial suspect in the grisly murder, Robert “Red” Manley. She sized him up and concluded he was not the killer. Despite an intense investigation, the case remains unsolved.

This post concludes my month-long tribute to Aggie, who inspired me to create this blog eleven years ago.

Aggie in her early days as city editor. Note the baseball bat on her desk. She said she kept the bat to deal with Hollywood press agents.

As we bid adieu to 2023, and prepare for new challenges in 2024, I thank you so much for your continued readership. This blog is one of my passions. I love relating true tales from L.A.’s past. Crime is banal, but the people who commit crime are endlessly fascinating. I’ve begun exploring stories for the upcoming year—there are some excellent ones. Within the next several days, I will begin my annual coverage of the Black Dahlia case, so stay tuned.

Happy New Year!

Happy Birthday to Aggie Underwood, and Deranged L.A. Crimes!

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This is a big month for the Deranged L.A. Crimes blog. On December 17, 2012, the 110th anniversary of the birth of the woman whose career and life inspires me, Agness “Aggie” Underwood, I started writing this blog. I also authored her Wikipedia page, which was long overdue.

Aggie Underwood. Photo by Perry Fowler

By the time I began, Aggie had been gone for twenty-eight years. I regret not knowing about her in time to meet her in person. But, through her work, and speaking with her relatives over the years, I feel like I know her. I have enormous respect for Aggie. She had nothing handed to her, yet she established herself in a male-dominated profession where she earned the respect of her peers without compromising her values. She also earned the respect of law enforcement. Cops who worked with her trusted her judgement and sought her opinion. It isn’t surprising. She shared with them the same qualities that make a successful detective.

This month, I will focus on Aggie. I want everyone to get to know and appreciate her. She was a remarkable woman.

Agness “Aggie” Underwood never intended to become a reporter. All she wanted was a pair of silk stockings. She’d been wearing her younger sister’s hand-me-downs, but she longed for a new pair of her own. When her husband, Harry, told her they couldn’t afford them, she threatened to get a job and buy them herself. It was an empty threat. She did not know how to find employment. She hadn’t worked outside her home for several years. A serendipitous call from her close friend Evelyn, the day after the stockings kerfuffle, changed the course of her life. Evelyn told her about a temporary opening for a switchboard operator where she worked, at the Los Angeles Record. The job was meant to last only through the 1926-27 holiday season, so Aggie jumped at the chance.

Aggie & Harry [Photo courtesy CSUN Special Collections]

Aggie arrived at the Record utterly unfamiliar with the newspaper business, but she swiftly adapted and it became clear to everyone that, even without training, she was sharp and eager to learn. The temporary switchboard job turned into a permanent position.

In December 1927, the kidnapping and cruel mutilation murder of twelve-year-old schoolgirl Marion Parker horrified the city. Aggie was at the Record when they received word the perpetrator, William Edward Hickman, who had nicknamed himself “The Fox,” was in custody in Oregon. The breaking story created a firestorm of activity in the newsroom. Aggie had seen nothing like it. She knew then she didn’t want to be a bystander. She wanted to be a reporter.

When the Record was sold in January 1935, Aggie accepted an offer from William Randolph Hearst’s newspaper, the Evening Herald and Express, propelling her into the big leagues. Working for Hearst differed entirely from working for the Record. Hearst expected his reporters to work at breakneck speed. After all, they had to live up to the paper’s motto, “The First with the latest.”

From January 1935, until January 1947, Aggie covered everything from fires and floods to murder and mayhem, frequently with photographer Perry Fowler by her side. She considered herself to be a general assignment reporter, but developed a reputation and a knack for covering crimes.

Sometimes she helped to solve them.

In December 1939, Aggie was called to the scene of what appeared to be a tragic accident on the Angeles Crest Highway. Laurel Crawford said he had taken his family on a scenic drive, but lost control of the family sedan on a sharp curve. The car plunged over 1000 feet down an embankment, killing his wife, three children, and a boarder in their home. He said he had survived by jumping from the car at the last moment.

When asked by Sheriff’s investigators for her opinion, Aggie said she had observed Laurel’s clothing and his demeanor, and neither lent credibility to his account. She concluded Laurel was “guilty as hell.” Her hunch was right. Upon investigation, police discovered Laurel had engineered the accident to collect over $30,000 in life insurance.

Hollywood was Aggie’s beat, too. When stars misbehaved or perished under mysterious or tragic circumstances, Aggie was there to record everything for Herald readers. On December 16, 1935, popular actress and café owner Thelma Todd died of carbon monoxide poisoning in the garage of her Pacific Palisades ho9me. Thelma’s autopsy was Aggie’s first, and her fellow reporters put her to the test. It backfired on them. Before the coroner could finish his grim work, her colleagues had turned green and fled the room. Aggie remained upright.

Though Aggie never considered herself a feminist, she paved the way for female journalists. In January 1947, they yanked her off the notorious Black Dahlia murder case and made her editor of the City Desk, making her one of the first woman to hold this post for a major metropolitan newspaper. Known to keep a bat and startup pistol handy at her desk, just in case, she was beloved by her staff and served as City Editor for the Herald (later Herald Examiner) until retiring in 1968.

Aggie at a crime scene c. 1946

When she passed away in 1984, the Herald-Examiner eulogized her. “She was undeterred by the grisliest of crime scenes and had a knack for getting details that eluded other reporters. As editor, she knew the names and telephone numbers of numerous celebrities, in addition to all the bars her reporters frequented. She cultivated the day’s best sources, ranging from gangsters and prostitutes to movie stars and government officials.”

They were right. Aggie dined with judges, cops, and even gangster Mickey Cohen. I hope you will enjoy reading about Aggie, as much as I will enjoy telling her stories.

Joan

Film Noir Friday-Sunday Evening: Try and Get Me! aka The Sound of Fury [1951]

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Welcome!  The lobby of the Deranged L.A. Crimes theater is open. Grab a bucket of popcorn, some Milk Duds and a Coke and find a seat.  Tonight’s feature is TRY AND GET ME! aka THE SOUND OF FURY, starring Frank Lovejoy, Kathleen Ryan, and Lloyd Bridges.

The film is based on the 1947 novel The Condemned by Jo Pagano, who also wrote the screenplay. The Pagano novel was based on events that occurred in 1933 when two men were arrested in San Jose, California for the kidnapping and murder of Brooke Hart. The suspects confessed and were subsequently lynched by a mob of locals. The 1936 film, Fury, directed by Fritz Lang, was inspired by the same incident.

Enjoy the movie.

TCM says:

Impoverished Howard Tyler decides to move his pregnant wife Judy and their young son Tommy from Massachusetts to the friendly town of Santa Sierra, California, to find his fortune working in the mines. Once there, however, Howard cannot find a job and the family’s poverty deepens to the point where Judy cannot even afford a doctor to monitor her pregnancy. In his desperation, Howard meets a petty thief named Jerry Slocum and is easily convinced to work for him, helping him to commit a series of robberies. Convinced that the town is experiencing an incipient crime wave, publisher and editor of the Santa Sierra Journal Hal Clendenning assigns featured columnist Gil Stanton to sensationalize the new trend. 

Eddie Muller, the Czar of Noir, introuced this film for TCM’s Noir Alley, which he hosts. Check it out.

Film Noir Friday: Born to Kill [1947]

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Welcome!  The lobby of the Deranged L.A. Crimes theater is open! Grab a bucket of popcorn, some Milk Duds and a Coke and find a seat. Tonight’s feature is BORN TO KILL, starring Claire Trevor, Lawrence Tierney, and Walter Slezak.

TCM says:

After he discovers that Laury Palmer, the owner of a Reno boardinghouse, was romancing him only to make her boyfriend Danny jealous, Sam Wilde, a seductive but violent drifter, kills both her and Danny. Cool, sophisticated Helen Brent finds the bodies in the boardinghouse, where she has been living during her divorce proceedings, but instead of notifying the police, she calmly boards the next train to San Francisco. 

Enjoy the movie!

https://youtu.be/KltT_rTDYx4

Film Noir Friday: Big Town After Dark [1947]

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Welcome! The lobby of the Deranged L.A. Crimes theater is open. Grab a bucket of popcorn, some Milk Duds and a Coke and find a seat.

Tonight’s feature is BIG TOWN AFTER DARK, starring Philip Reed and Hilary Brooke.

Enjoy the film!

 TCM says:

When Lorelei Kilbourne (Hillary Brooke) leaves her job as the police reporter for the Illustrated Press, Managing Editor Steve Wilson (Philip Reed) employs the publisher’s niece, Susan Peabody (Ann Gillis), to replace her. Susan becomes involved with gangsters in plotting a $50,000 swindle against her…

Black Dahlia–Conclusion

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NOTE: The Long Beach Independent-January 15, 1949. I believe the detectives in the photo are Harry Hansen and Finis Brown.

Two years passed with police no closer to a solution for Elizabeth Short’s murder. The 1949 Los Angeles Grand Jury intended to hold LAPD’s feet to the fire for failing to solve the Dahlia case and several other unsolved homicides and disappearances of women during the 1940s.

On September 6, 1949, the jury’s foreman, Harry Lawson, told reporters that the administrative committee scheduled a meeting for September 8.

Lawson said:

“There is every possibility that we will summon before the jury officers involved in the investigation of these murders. We find it odd that there are on the books of the Los Angeles Police Deportment many unsolved crimes of this type. Because of the nature of these murder and sex crimes, women and children are constantly placed in jeopardy and are not safe from attack. Something is radically wrong with the present system for apprehending the guilty. The alarming increase in the number of unsolved murders and other major crimes reflects ineffectiveness in law enforcement agencies and the courts, and that should not be tolerated.”

In his statement, Lawson places the blame for the unsolved homicides squarely on the shoulders of law enforcement and the courts. What Lawson failed to understand was that crime was changing. No longer could police assume a woman’s killer was her husband or boyfriend. Stranger homicides were nothing new, but neither were they common.

The population of post-war Los Angeles skewed young and, because of a variety of factors, like the acute housing shortage, they were transient. A potent and deadly mix of opportunity and a large victim pool made it easy for the criminally inclined to do their worst. Women had a false sense of security about men in uniform. Behavior considered risky by today’s standards was acceptable during the 1940s.

From the outbreak of the war, the government encouraged women to support men in uniform. Newspapers and women’s magazines devoted countless column inches to ways in which they could aid fighting men. Women formed “Add-A-Plate” clubs. The mission of the clubs was to invite a soldier home for a meal. Women also routinely picked up soldiers and sailors hitchhiking because it was their patriotic duty.

On April 2, 1943, the Pasadena Post wrote about a “ride waiting zone” which gave military men a place to stand and be visible to passing motorists who would then give them a ride. Most of the men were decent and law-abiding, but some returned home severely damaged by their war experiences. How many of those men were capable of murder?

Pfc. George Morrow, left, and Pvt. Dennis Ward could not wait until painters had completely finished the first service men’s waiting zone before they tried it out.

LAPD detectives spared nothing in their investigation of Short’s slaying. They took over 2700 reports. There were over 300 named suspects. They arrested fifty suspects who they subsequently cleared and released. Nineteen false confessors wasted law enforcement’s time and resources.

In 1949, the DA’s office issued a report on the investigation into Short’s murder. In part, the report stated:

“[she] knew at least fifty men at the time of her death and at least 25 men had been seen with her within the 60-day period preceding her death. She was not a prostitute. She has been confused with a Los Angeles prostitute by the same name… She was known as a teaser of men. She would ride with them, chisel a place to sleep, clothes or money, but she would then refuse to have sexual intercourse by telling them she was a virgin, or that she was engaged or married. There were three known men who had sexual intercourse with her and, according to them, she got no pleasure out of this act. According to the autopsy surgeon, her sex organs showed female trouble. She had disliked queer women very much, as well as prostitutes. She was never known to be a narcotic addict.”

Distracted by the continuing saga of local gangster Mickey Cohen, the jury turned their attention away from the carnage. In the end, they passed the baton to the 1950 grand jury–which also found itself sidetracked.

Mickey Cohen and his bullet proof car.

What happened to the women who disappeared? It is unlikely that we will ever know. It is also unlikely we will identify the killer(s). People will always speculate about the cases, and every few years a book about the Black Dahlia slaying will emerge claiming to have solved the decades long cold case. None of the books I’ve read so far is credible.

I do not accept theories which rely on elaborate conspiracies perpetrated by everyone, from a newspaper mogul to a local gangster to an allegedly evil genius doctor. My disbelief is based in part on the fact that most people are incapable of keeping a secret. Benjamin Franklin said, “Three (people) can keep a secret if two of them are dead.” Eventually, someone talks.

Elizabeth Short’s killer probably kept his depraved secret but, even if he didn’t, anyone who knew the truth is long dead.

NOTE: This concludes my series of Black Dahlia posts for now. I hope you will stay with me through 2023 as I unearth more of L.A.’s most deranged crimes.

The Black Dahlia Hoax

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Six weeks into the Black Dahlia investigation and detectives had little to show for their efforts. Then, suddenly, it looked like they finally caught a break.

On February 26, 1947, a motorist, Clarence F. Gutchem, discovered a young woman on Willow Street in Long Beach. Lying on an embankment, it appeared she rolled there after being tossed from a car. She was partially nude and bound with strips of her underwear. Gutchem notified police.

They transported the girl to Seaside Hospital where doctors found bruises, scratches and a cigarette burn on her left wrist, but no signs of rape. She identified herself as Jacqueline Mae Stang, a seventeen-year-old student at Polytechnic High School in Long Beach. Detective Inspector C.J. Novotny arrived to take Jacqueline’s statement.

She described her attacker as a swarthy, middle-aged man; but she couldn’t recall much else. Doctors released her into her parents’ care.

Jacqueline Stang’s high school photo

The day following the attack, juvenile officer Margie Cale paid Jacqueline a visit. Jacqueline told the same story she gave Detective Novotny, but she added more details. She stated she was walking home from school at 6 pm when she noticed a man following her. Spooked, she ran, but the man caught up with her, grabbed her arm and pulled her into an alley. The man put a chloroformed leather glove over her mouth. She struggled, but lost consciousness. She came to and realized she was almost naked. Her attacker scratched her and blew cigarette smoke into her mouth. Jacqueline said, “he laughed fiendishly.” She was frightened she would die until a stray dog appeared and started barking. Startled, the man ran to his car and sped off.

Police question Jacqueline Stang

Jacqueline’s account of her attack was harrowing. However, Margie’s experience with kids taught her to read between the lines, and she knew when they were lying. The pieces didn’t fit, and she didn’t believe a word of Jacqueline’s story.

Realizing Margie saw through her, Jacqueline confessed. She said, “I tied myself, I scratched myself and I burned myself.” Margie went to her boss, juvenile superintendent Joseph M. Kennick. Together, they went to Jacqueline’s parents.

What prompted Jacqueline to make up such a horrendous story and harm herself? The attractive teenager refused to answer. Detective Captain L. Q. Martin questioned some of Jacqueline’s school friends. The friends told Detective Martin Jacqueline seemed obsessed with details of the murder. They said Jacqueline asked them, “I wonder if I’d be expelled from school if I should be attacked?”

Newspaper coverage hinted that Jacqueline’s reason for the hoax may have had something to do with a football player. Was she trying to get his attention? Jacqueline remained tight-lipped.

Jacqueline’s confession came as a tremendous disappointment to police, who hoped they finally had a link to the Black Dahlia killer. Kennick said they would take her to Juvenile Court and hold her on a charge of giving police false information.

No further reports of Jacqueline’s misadventure appeared in the newspapers, so it is likely the juvenile court felt her self-inflicted wounds were enough punishment.

Black Dahlia: False Confessors

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Every high-profile murder case gets its share of false confessors. The police have no choice but to check them out, no matter how ludicrous the claim is. It is frustrating for investigators to travel down dead-ends, but they never know from where, or from whom, a break will come.

In late January 1947, two female confessors contacted LAPD detectives to confess their guilt. Minnie Sepulveda telephoned LAPD’s University Station from a bar. She said, “I just stabbed a girl. I killed Elizabeth Short.” They quickly dismissed her claim. Police also dismissed Emily Williams’ confession. Williams, a former WAC, suffered from an undescribed mental ailment.

False confessor, Minnie Sepulveda. [Photo courtesy of LAPL]

The confessions kept coming.

Thirty-three-year-old Daniel Voorhees of Phoenix, Arizona, telephoned the LAPD homicide squad room and told them he murdered Elizabeth Short. He said he would surrender to them at the corner of 4th and Hill downtown. At first, he refused to elaborate on his claim. Detective Lieutenant Charles King, with Dr. Paul De River, police psychiatrist, postponed a lie detector test until Voorhies recovered from his “bewildered and befuddled” state.

Daniel Voorhees. Photo courtesy LAPL.

Voorhees said he arrived in town on January 15 and checked into a hotel at 1012 E. Seventh Street at 10:45 a.m. He checked out the next day. He said he met Short on Hill Street “two weeks ago” (about the time of the murder) and took her for a ride on a Wilshire bus. He claimed he dated Short in 1941. Not only was she a 16-year-old schoolgirl in 1941, she didn’t arrive in Los Angeles until 1943. In his confession note, Voorhees misspelled his alleged victim’s last name. Police, who never actually believed his ramblings, released him.

Photo courtesy LAPL.

Marvin Hart, a thirty-five-year-old physical culture instructor, didn’t learn his lesson from the war-time mantra, “Loose Lips Sink Ships.” The drunk chatterbox told a taxicab driver, “Get me out of here; I have just killed a man.” The driver picked Hart up on Wilshire near the Los Angeles Country Club and drove him to a rooming house at 1842 N. Cherokee Street in Hollywood. The same building in which Short lived for a time. Rattled, the taxi driver went to the police and gave his statement.

Detectives brought Hart in for questioning. That he lived in the same building as Short and took her out a few times piqued their interest. They asked him to explain nis torn coat. “I had a fight with my girlfriend. We were at a party in West Los Angeles last night, and I guess I got pretty drunk.”

Marvin Hart. Photo courtesy LAPL.

Hart was a bone-headed blabbermouth, but he wasn’t a killer.

LAPD Vice Squad officers arrested Altadena resident Hugh Torbert Jr., on April 17, after trailing him and a female companion to a downtown hotel. While the officers waited for the perfect moment to break down the door and make a bust, they overheard Torbert tell the woman with him he knew Short, but didn’t want to get involved in the investigation.

Hugh Torbert. Photo courtesy LAPL.

Captain Jack Donohoe, head of LAPD’s homicide detail, checked into Torbert’s background. Torbert was in the Army and served at Camp Cooke, where Short worked at the Post Exchange. Tantalizing bits of information; leading to another blind alley.

One confessor made front page news. Joseph Dumais.

The February 8, 1947 edition of the Herald, announced that the army had the Black Dahlia’s killer in custody.

The Herald story began with a definitive statement. “Army Corporal Joseph Dumais, 29, of Fort Dix, N.J., is definitely the murderer of the Black Dahlia, army authorities at Fort Dix announced today.”

Dumais, a combat veteran, returned from leave wearing blood-stained trousers with his pockets crammed full of clippings about Short’s murder. According to the Herald, Dumais made a 50-page confession in which he claimed to have had a mental blackout after dating Elizabeth Short in Los Angeles five days before Betty Bersinger discovered the body.

Joseph Dumais. Photo courtesy LAPL.

The good-looking corporal seemed like the real deal. He told the cops, “When I get drunk, I get pretty rough with women.” Unfortunately, when police checked his story against known facts, the confession didn’t hold up. The Army sent Dumais to a psychiatrist.

Time passed, and the investigation faded from the headlines. So, too, did the steady stream of confessors.

On November 8, 1950, a thirty-five-year-old movie bit player and member of the Screen Actor’s Guild, Max Handler, became the twenty-fifth person to confess to murdering Elizabeth Short (one man confessed four times).

Handler phoned LAPD homicide and said he was “cracking up.” In his signed confession, he said, “I killed the Black Dahlia girl, for which I am sorry.” He said he didn’t recall committing the murder.

Max Handler with Det. Ed Barrett (in hat and glasses). Photo courtesy LAPL

Detectives revealed that a man resembling Handler and a young woman resembling Short were seen together in a Hollywood bar and at a motel on or about the date of her murder, January 15, 1947.

One clue gave detectives hope. In Short’s purse, found several days after her murder, was the business card of a local real estate company. The same company Handler worked for.

Police abandoned a lie detector test because Handler was so distraught, they knew they would never get an accurate reading.

After several days in police custody, Handler recanted his confession. He said the reason he confessed is he wanted police protection. From whom?

According to Handler, “A lot of little men with violins have been chasing me around. I wanted police protection. I knew they’d only laugh at me if I’d tell them about the men with the violins. So, I figured out another way to get the protection I needed.”  

Detective Lieutenants Harry Hansen and Ed Barrett, referred Handler for a sanity test before the county Lunacy Commission.

The personal demons that caused Handler to confess to the Black Dahlia murder didn’t keep him from appearing in movies. He had an interesting career. He appeared in many B movies, but he also turned up in productions like The Asphalt Jungle, From Here to Eternity, and my favorite, Crime Wave. His last film credit, in 1960, is for The Adventures of Huckleberry Finn.

Handler died in 1993.

Even seventy-six years after the murder, people still phone LAPD about the case.

Black Dahlia: The Investigation Continues

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LAPD detectives Harry Hansen and Finis Brown headed the investigation into Elizabeth Short’s murder. The case was challenging from the moment they arrived on Norton Street. The lack of physical evidence at the body dump site posed a problem.

A skillfully retouched photo of Elizabeth Short at the body dump site.

Police officers knocked on doors and interviewed hundreds of citizens to find the place where Beth was murdered, but they were unsuccessful.

The Herald-Express cruelly tricked Beth’s mother, Phoebe, into believing that her much loved daughter was a beauty contest winner, only to be told minutes later that she was a murder victim.

Phoebe Short at Beth’s inquest. Photo courtesy LAPL.

Murder victims lose their right to privacy; every secret revealed. To fill column space while reporters tracked multiple leads, the Herald looked to psychiatrists, Beth’s acquaintances, and even mystery writers, to speculate on the case, which they did with creative abandon.

The Herald sought the opinion of LAPD’s shrink. Dr. Paul De River. He wrote a series of articles for the paper in which he attempted to analyze the mind of the killer. De River wrote the killer was a sadist and suggested that: “during the killing episode, he had an opportunity to pump up effect two sources — from his own sense of power and in overcoming the resistance of another. He was the master, and the victim was the slave”.

Dr. J. Paul De River

In a chilling statement, De River hinted at necrophilia—he said: “It must also be remembered that sadists of this type have a super-abundance of curiosity and are liable to spend much time with their victims after the spark of life has flickered and died.”

Reporters interviewed people who had only a fleeting acquaintance with Beth. They weighed in on everything from her hopes and dreams to her love life. Beth was, by turns, described as “a man-crazy delinquent”, and a girl with “childlike charm and beauty”. Many people who claimed to be close to her said that she aspired to Hollywood stardom. The claim Beth longed to be a star is a myth, likely based on letters she wrote to her mother. Beth wanted to keep the truth of her life in Southern California from her mother; for instance accepting rides from strangers and moving constantly. No mother wants to hear that, so the Hollywood lie came easily. A believable fiction when you are young and pretty. The interviews yielded nothing of value in the hunt for the killer.

While working at Camp Cooke, Beth Short was voted “Camp Cutie.”

While the experts opined, Aggie canvassed Southern California for leads. She was twelve years into her career with the Herald-Express when the Black Dahlia case broke. In her 1949 autobiography, Newspaperwoman, she said she came across Elizabeth’s nickname when she checked in with Ray Giese, an LAPD homicide detective-lieutenant. According to Aggie, Giese said, “This is something you might like, Agness. I’ve found out they called her the ‘Black Dahlia’ around that drug store where she hung out down in Long Beach.” She immediately dropped the ‘Werewolf’ tag.

Aggie interviews a woman (unrelated to Dahlia case.)

A few days passed and police located the mystery man, Robert M. Manley, known by his nickname, Red. Early on the morning of January 20, 1947, Aggie interviewed the 25-year-old salesman. The first thing she said to him was, “You look as if you’ve been on a drunk.” Manley replied, “This is worse than any I’ve ever been on.”

Robert “Red” Manley busted in Eagle Rock. Note his wedding ring. I wonder if he wore it when he gave Beth a ride. Photo courtesy of LAPL.

Aggie told him he was in one hell of a spot and advised him to come clean. Harry S. Fremont, an LAPD homicide detective, looked over at Manley and said, “She’s right, I’ve known this lady for a long time, on lots of big cases, and I can tell you she won’t do you wrong.”

Manley told his story, and Aggie was smart enough not to interrupt him. Red said he picked Beth up on a San Diego street corner early in December. He confessed that the night he spent with Beth in a roadside motel was strictly platonic and concluded with, “I’ll never pick up another dame as long as I live.”

The story ran in the Herald with the headline: “Night In a Motel”, and Aggie got the byline. She was the only Los Angeles reporter to get a byline in the case.

Aggie’s Black Dahlia by-line

The morning following her interview with Red Manley, her editor yanked Aggie off of the case. She said, “… the city editor benched me and let me sit in the local room without a blessed thing to do.”

The no-assignment routine resumed the next day. Aggie said she sat for about three hours, then started on an embroidery project. Every person who saw Aggie with her embroidery hoop roared with laughter. She kept at it until quitting time.

Day three—Aggie prepared for more embroidery when the assistant city editor that told her that because of an overnight decision, she was to go back to LAPD homicide and continue working leads.

Aggie barely had time to pull out her notebook out of her handbag before management pulled her off the case again. This time, permanently. Aggie’s new assignment—city editor. Nobody was more shocked than Aggie. She deserved the promotion. With 20 years in the newspaper business, she possessed the necessary skill set to be an effective editor. She became one of the first women in the United States to hold a city editorship on a major metropolitan daily. She enjoyed running the editor’s desk, and did a phenomenal job, but she confessed she missed being in the field chasing a story.

One of the conspiracy theories that surrounds Beth’s murder involves Aggie. Some believe she got too close to a solution in the murder, and the killer(s) arranged to have her promoted out of the way. That means whoever murdered Beth had enough juice with the Herald to influence personnel decisions. I think that is nonsense. The paper’s owner, William Randolph Hearst, had no reason to tamper with Aggie’s successful coverage. Additionally, as city editor, Aggie handed out assignments and directed the activities of all the reporters in the newsroom. She knew everything they uncovered. The timing of Aggie’s promotion is a sidebar, not a conspiracy.

NEXT TIME: The Black Dahlia case goes cold — or does it?