The Red Lipstick Murder

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Murder victims lose their identities. They are a toe tag in the morgue; they are a file number for police. Sometimes it is easy to forget that they were much more than a newspaper headline.

Born in a small New Mexico town in 1902, Jeanne Axford came of age during the Roaring ‘20s. Perfect timing for the free-spirited girl. She married at 17 to David Wrather and they had a son, David, Jr.

Jeanne Axford (L) with her cousin Clara (Photo: Ancestry)

In 1922, after training in New Mexico, Jeanne worked as a nurse in Amarillo, Texas. Marriage didn’t suit her. She and David divorced in 1924; she won custody of their son.

In 1925, Jeanne married again. That marriage, too, failed. Rumor has it Jeanne acted in films, but I couldn’t find her listed in the Internet Movie Database, even under an alias, so she may have had uncredited roles.

Regardless of whether she appeared in movies, Jeanne had an interesting Hollywood connection. She worked as a private nurse for Marion Benda Wilson, Rudolph Valentino’s last date, and maybe his last love. Known as the “Woman in Black” for many years, Marion put flowers on Valentino’s grave.

Marion Benda Wilson aka The Lady in Black
Marion Benda Wilson aka the Woman in Black

Sometime between 1925 and 1931, Jeanne learned to fly and earned the moniker, “Flying Nurse.” She worked for a large oil company in South America, flying from one oil field to another, caring for workers. She became a member of the Women’s Air Reserve, and the 99 Club, an organization of women aviators.

Either an optimist, or a glutton for punishment, Jeanne married for a third time in Dallas, Texas on October 8, 1931, two days after her 29th birthday, to Curtis Bower. It took the couple five weeks to realize their mistake. Dissolving her marriage earned Jeanne another nickname, “air-mail divorcee.” The divorce papers, prepared by her attorney, Allan Lund, went via air to Juarez, Mexico for filing. A law firm in Mexico provided for a final decree by proxy. Neither Jeanne nor Curtis needed to appear in court.

On July 5, 1932, Jeanne’s mother, Oma Randolph, went to police to file a missing person report. Jeanne left home the morning of June 27 to drive to the Mexican border, where she planned to board a private plane for Mexico City.

The Flying Nurse

The week following the missing person report, Jeanne cabled her mother from Mexico City. “I can’t understand the worry I have caused in the United States by flying to Mexico. I am flying back for the Olympics. I assure everyone that I am okeh.”

Jeanne kept a low profile for the next several years. She married in 1944 for the fourth and final time to a former Marine, Frank French.

It isn’t clear when Jeanne started her slide into alcoholism, but by the mid-1940s, she fought demons she could not control.

Alcohol fueled a life of risky behavior and made Jeanne easy prey for a monster.

On February 10, 1947, less than a month after housewife Betty Bersinger found Elizabeth Short’s bisected body in a Leimert Park vacant lot, Hugh C. Shelby, a bulldozer operator, found the brutally beaten, nude body of a woman in a field near the Santa Monica Airport. The Herald put out an extra edition with the headline: “Werewolf Strikes Again! Kills L.A. Woman, Writes B.D. on Body.”

Within a couple of hours, police identified the victim as forty-five-year-old Jeanne French.

Detectives at the scene of Jeanne’s murder

Jeanne suffered blows to her head, administered by a metal blunt instrument—a socket wrench. As bad as they were, the blows to her head were not fatal. Jeanne died from hemorrhage and shock due to fractured ribs and multiple injuries caused by her killer stomping on her. Her chest bore heel prints. It took a long time for Jeanne to die. The coroner said that she bled to death.

Mercifully, Jeanne was unconscious after the first blows to her head so she never saw her killer take the deep red lipstick from her purse, and she didn’t feel the pressure of his improvised pen as he wrote on her torso: “Fuck You, B.D.” and “Tex.” Police looked for a connection between Jeanne’s murder and Elizabeth Short’s death; but they found nothing.

Jeanne was last seen seated at the first stool nearest entering the Pan American Bar on West Washington Place. The bartender told police Jeanne sat next to a smallish man with a dark complexion sat on the stool next to her. The bartender assumed they were a couple because he saw them leave together at closing time.

On the night before she died, Jeanne visited Frank at his apartment and they’d quarreled. Frank said Jeanne, who was drunk, started the fight, then hit him with her purse and left.

Jeanne’s twenty-five-year-old son, David, came in for questioning. As he left the police station, he saw his step-father for the first time since he’d learned of his mother’s death. David confronted Frank and said: “Well, I’ve told them the truth. If you’re guilty, there’s a God in heaven who will take care of you.” Frank didn’t hesitate. He looked at David and said: “I swear to God; I didn’t kill her.”

Police booked Frank for murder, then they cleared him. His landlady told police she could verify Frank was in his apartment at the time of the murder. His shoe prints failed to match those found at the scene of the crime.

Cops had few leads. They found French’s cut-down 1929 Ford roadster in the parking lot of a drive-in restaurant, The Piccadilly at Washington Place and Sepulveda Blvd. Witnesses said that the car was there at 3:15 on the morning of the murder, and a night watchman saw a man leave it there. The police never accounted for Jeanne’s whereabouts between 3:15 a.m. and the time of her death, which the coroner estimated to be around 6 a.m.

Police rousted scores of sex degenerates, but they eliminated each as a suspect. Officers also checked out local Chinese restaurants after the autopsy revealed that Jeanne ate a Chinese meal before her death.

Jeanne’s slaying became known as the “Red Lipstick Murder” case. Like the Black Dahlia case, it went cold.

Three years later, following a Grand Jury investigation into the many unsolved murders of women in L.A., the District Attorney assigned investigators from his office to look into the case.

Frank Jemison and Walter Morgan worked on Jeanne’s murder for eight months, but they never closed it. They came up with one hot suspect, a painter who worked for the French’s four months prior to the murder. He said he dated Jeanne several times. The cops discovered the painter burned several pairs of his shoes—he wore the same size as the ones that left marks on Jeanne’s body. He seemed a likely suspect until he didn’t. Police cleared him despite his odd behavior.

The 1940s’ high number of unsolved female homicides prompted a 1949 Grand Jury investigation into police inaction.

Like the murder of Elizabeth Short, there have been no leads in Jeanne French’s case in decades. Two more names added to the list of unsolved homicides of women during the 1940s.

Film Noir Friday: Somewhere in the Night [1946]

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Welcome! The lobby of the Deranged L.A. Crimes theater is open! Grab a bucket of popcorn, some Milk Duds and a Coke and find a seat. Tonight’s feature is SOMEWHERE IN THE NIGHT, 1946, starring Lloyd Nolan and Richard Conte.

TCM says:

A U.S. Marine recovering from a combat injury in a Navy hospital in Hawaii suffers from undiagnosed amnesia, and while others call him George Taylor, he has no memory of that man. Upon recovery from his wounds, George is transferred to the hospital at Camp Pendleton, California, and is eventually discharged, even though he still has no memory. He returns to his old civilian address at the Martin Hotel in Los Angeles, but no one recognizes him there. At Union Station, he exchanges a bag check he found in his sea bag for a briefcase, which contains a gun and a three-year-old letter to a man named George stating that $5,000 has been deposited for him in a bank account by Larry Cravat.

Amnesia, guns, and money!

Enjoy the movie!

Black Dahlia: Police Sweep

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Forty uniformed police officers began a house-to-house search around Norton Avenue, Coliseum Drive and 39th Street, where Elizabeth Short’s body was found. The killer left no evidence at the body dump site, so the police wanted to find the “torture chamber” where Beth was murdered and cut in half.

Detective Lieutenant P. P. Freestone said, “We hope to find someone who saw her during the blank period preceding her death, or who might have heard screams when she was being tortured. The police are in uniform so that housewives won’t refuse to answer their rings.”

The officers found many people willing to talk.

Paul Simone, a painting contractor, told officers he overheard a bitter quarrel between someone he thought was Beth and another woman. The women argued in apartment 501 at 1842 N. Cherokee Avenue in Hollywood, where Beth had lived with several roommates.

Simone said, “It was pretty hard language.” He said the last thing he heard was “Oh, nuts to you,” from the other woman. “Nuts to you” must have been harsh language for women in 1947.

The problem with Simone’s story is he claimed to have heard the altercation on January 11th. Later, they proved there were no credible sightings of Beth from January 9th until the 15th, when Betty Bersinger found her body.

In desperation, police rousted anyone who looked suspicious to them. They arrested one man, only to find out he was distraught because his dog was sick.

Police sought women, too. They launched a “woman hunt” for a pair of brunettes seen with Beth in Hollywood. Newspapers hinted the two women might be lesbians. They described the places the women visited as “Hollywood women’s hangouts.” Nothing came of the brunettes.

Minie Sepulveda, one of the women who falsely confessed to Beth’s murder. Photo courtesy LAPL.

Walter A. Johnson, of 3815 Welland Steen, told officers on Tuesday, January 14, he was burning trash across the street from the vacant lot where they found Beth’s body the next morning. He noticed a light tan or cream four-door sedan, possibly a 1935, and a man standing near it. The man’s behavior piqued Johnson’s curiosity. “He walked a little way up the street, then came back, crossed over and looked into my car, and finally got into his own and drove off.”

Johnson got in his car and followed the mystery man, but lost him.

Police asked why he had not come forward earlier. Johnson said he reported the incident, “but nothing came of it.”

Another witness surfaced. A cab driver, I. A. Jorgenson, told detectives he believed he picked Beth and a man friend at Sixth and Main Street on the night of January 11. He said he was “almost positive” the woman was Beth. Jorgenson said the couple hailed his cab, and they instructed him to take them to a Hollywood motel. The police withheld the motel’s name but told reporters they would question the employees.

None of the tips gleaned from the neighborhood sweep resulted in a solid lead. The police questioned hundreds of people, asking questions like the following:

“Do you know anybody in the neighborhood who is mentally unbalanced?”

“Anybody of whom you were suspicious after reading about the Elizabeth Short murder?”

“Do you know of any medical students?”

“Did you find any strange items in your yard or incinerator?”

Police chemist Ray Pinker worked long hours to bring a solution to the murder. He sought to establish Beth’s blood type after a gray, bloodstained blanket turned up late on January 22.

A bloodstained tarp, 3 by 6 feet, found near Indio, was also being examined in the lab.

Desperate to solve the case, the Los Angeles City Council offered a $10,000 (equivalent to $141,368.00 in current USD) reward; but the city attorney felt it to be inappropriate. City council member Ed Davenport, perhaps naively, said an informer “should be prepared to talk without being paid by the city. Maybe now he will come forward without waiting for any reward to be offered.”

If such an informer existed, he or she has never come forward.

The Black Dahlia–January 22, 1947

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On January 22, 1947, one week after Beth Short’s murder, the coroner held an inquest to determine the manner of her death.

It was an excruciating ordeal for her family. They called her mother, Phoebe, to the stand. Asked when she was first notified that her daughter died, she half rose from her chair and blurted; “She was murdered.” She regained her composure, sat down, and told the jury she last saw Beth in April 1946, in Massachusetts.

Beth wrote to Phoebe every week. She told her she was a waitress. She also said she worked as a film extra, and was going to San Diego to work in a veteran’s hospital. None of that was true.

Phoebe said she planned to bury Beth in Oakland, California. Beth’s sister Virginia lived there.

Robert “Red” Manley testified he knew Beth for about a month. He last saw her on January 9, 1947, when he drove her from San Diego to Los Angeles, and left her at the Biltmore Hotel.

Beth Short’s brother-in-law, Adrian West, and her sister, Virginia, sit
behind Robert “Red” Manley at the coroner’s inquest. [Photo courtesy LAPL]

Among the others to testify was Detective Jess W. Haskels. He told the nine-man jury that the “body was clean and appeared to be washed” when found on January 15. He described how the killer cut the body in half at the waist.

Dr. Frederick Newbarr, chief autopsy surgeon, stated that Beth’s murder occurred less than 24 hours before her discovery. He said his autopsy showed her death was due to hemorrhage, shock, concussion of the brain, and lacerations of the face.

Beth’s brother-in-law, Adrian West (married to her sister Virginia), expressed the family’s gratitude for everyone working on the case. Virginia, Phoebe, and Adrian planned to leave for Oakland by train on the 23rd to accompany Beth’s body north.

Adrian West, Phoebe Short, Virginia West [Photo courtesy LAPL]

After hearing all the testimony, the jury retired for 45 minutes before returning with the expected verdict: Homicide. Death by person or persons unknown.

Vying for headlines with the inquest was Lynn Martin—known around Hollywood as a 22-year-old model.

Lynn Martin [Photo courtesy LAPL]

Police searched for Lynn after finding out she roomed with Beth for a time in Hollywood. They found the frightened girl in a motel in the San Fernando Valley. At first, the detectives who questioned her believed her to be in her early 20s; but after spending hours with her, they saw her for the frightened teenager she was; only three days from her 16th birthday. They contacted juvenile officers to come for her.

Officer Helen Mellon with Lynn Martin [Photo courtesy LAPL]

She admitted her true name was Norma Lee Meyer, and her parents lived in Long Beach. Juvie officers said Lynn had a record dating back to when she was 11. She spent thirteen months in the El Retiro School for Girls.

El Retiro School for Girls {Photo courtesy LAPL]

Police hoped Lynn might help them with their investigation. They found her in a motel court in the San Fernando Valley. A cab driver, Ballard Smith, who knew Lynn, said he picked her up as a “fare” at Sunset Blvd. and Western Ave. on the afternoon of January 21st. He drove her to the Hollywood Post Office, and then to the Ventura Blvd motel.

Hollywood Post Office at Wilcox and Selma

As he drove Lynn to the motel, Ballard said he persuaded her to surrender to police. He learned from the newspapers that police sought her as a witness, not a suspect.

Lynn said she would call police as soon as she got to the motel. She explained she had not called them earlier because she was frightened, and didn’t want any notoriety.

As soon as she had checked in, managers of the motel recognized her and called police.

LAPD Captain Donohoe said they questioned Lynn about Edward P. (the Duke) Wellington because someone named him as one of her boyfriends. She admitted spending a few days in a motel with Wellington, and people saw her wearing a white-tipped silver fox fur wrap he allegedly bought her.

If Wellington bought Lynn a fur, he likely paid for it with a bad check. Police caught up with him in late January. Police cleared him of suspicion in Beth’s murder after proving he had never met her.

On February 3 1947, the Long Beach Independent featured an article about Lynn which, if true, may explain how, at 15, she was sleeping with a man in his 40s.

The paper interviewed Joe Kennick, head of the city’s juvenile bureau. He said Los Angeles police had arrested Lynn seven times. Even as she was being held by juvenile authorities, officials prepared to start court action against 10 male adults with whom she had been intimate.

Kennick said, “This poor, unfortunate girl is just another sad example of a child who never had a chance.” She bounced from relatives to foster homes, and she never got the care every child deserves.

On November 6, 1943, at only 12, police arrested her as wayward and for violation of the curfew ordinance.

The woman who was supposed to care for her forced her to sleep an unfinished garaged; no matter what the weather. One night when she got cold in the garage, she went to visit a 13-year-old friend. Lynn said she “wasn’t a nice girl—she gets herself picked up by sailors.”

The two girls went to the Pike, where drunken sailors picked them up. One sailor, about 20, seemed nicer than the others. Police arrested her when they found her with him under the pier.

It is not surprising that by age 15 she was living on her own in Hollywood—pretending to be a model in her 20s. She told police, “Hollywood is full of men around 40 that want to buy you drinks and a meal. They expect you to pay for the drinks and meals with yourself.”

Lynn’s story illuminates the post-war world, especially for young women. Beth was several years older than Lynn, but I doubt she was any more worldly.

I don’t know what happened to Lynn. Unlike Beth, she got a second chance. I hope she used it wisely.

Film Noir Friday–Saturday Matinee: City of Fear [1959]

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Welcome! The lobby of the Deranged L.A. Crimes theater is open! Grab a bucket of popcorn, some Milk Duds and a Coke and find a seat. Today’s feature is CITY OF FEAR [1959], starring Vince Edwards, John Archer, Patricia Blair, and Steven Ritch.

Last week it was “Ice Skating Noir”, this time it is “Nuclear Noir” (not actual subgenres to my knowledge). In this film, Vince Edwards breaks out of San Quentin with a cannister he thinks contains heroin worth thousands. It doesn’t. It contains radioactive material. It reminds me of KISS ME DEADLY [1955].

Films in the 1950s, no matter what the genre, were obsessed with radioactivity. This one gets bonus points for great shots of Los Angeles in this film.

Enjoy the movie!

Black Dahlia: January 15, 1947

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Bundled up against the chill of a cold wave that had held Los Angeles residents in its grip for several days, Mrs. Betty Bersinger and her three-year-old daughter Anne walked south on the west side of Norton in Leimert Park, a Los Angeles suburb. Midway down the block, Bersinger noticed something pale in the weeds about fifty feet north of a fire hydrant and about a foot in from the sidewalk.

Initially, Bersinger believed she was seeing a discarded mannequin or a passed-out nude woman.

Betty Bersinger recreates her phone call to police.

It took a moment before Bersinger realized she was in a waking nightmare. The bright white shape in the weeds was neither a mannequin nor a drunk.

Bersinger later recalled, “I was terribly shocked and scared to death. I grabbed Anne, and we walked as fast as we could to the first house that had a telephone.”

Over the years, several reporters have claimed to have been first on the scene of the murder. One person who made that claim was Will Fowler.

Fowler said he and photographer Felix Paegel of the Los Angeles Examiner approached Crenshaw Boulevard when they heard an intriguing call on their shortwave radio. It was a police call and Fowler couldn’t believe his ears. A naked woman, possibly drunk, was found in a vacant lot one block east of Crenshaw between 39th and Coliseum streets. Fowler turned to Pagel and said, “A naked drunk dame passed out in a vacant lot. Right here in the neighborhood too… Let’s see what it’s all about.”

Paegel drove as Fowler watched for the woman. “There she is. It’s a body all right…” Fowler hopped out of the car and approached the woman as Paegel pulled his Speed Graphic from the trunk. Fowler called out, “Jesus, Felix, this woman’s cut in half!”

Will Fowler crouches down near the body of Jane Doe.

That was Fowler’s story, and he stuck to it through the decades. He said he closed the dead girl’s eyes. But was his story true?

There is information to suggest that a reporter from the Los Angeles Times was the first on the scene; and in her autobiography, Newspaperwoman, Aggie Underwood, said that she was the first.

Aggie on Norton, January 15, 1947.

After 78-years does it really matter? All those who saw the murdered girl that day saw the same horrifying scene, and it left an indelible impression. Aggie described what she observed:

“It [the body] had been cut in half through the abdomen, under the ribs. The two sections were ten or twelve inches apart. The arms, bent at right angles at the elbows, were raised about the shoulders. The legs were spread apart. There were bruises and cuts on the forehead and the face, which had been beaten severely. The hair was blood-matted. Front teeth were missing. Both cheeks were slashed from the corners of the lips almost to the ears. The liver hung out of the torso, and the entire lower section of the body had been hacked, gouged, and unprintably desecrated. It showed sadism at its most frenzied.”

Air brushed newspaper photo of Jane Doe. The coroner recorded the victim as Jane Doe #1 for 1947.

Two seasoned LAPD detectives, Harry Hansen and Finis Brown, took charge of the investigation. During the first twenty-four hours, officers pulled in over 150 men for questioning.

The most promising of the early suspects was a twenty-three-year-old transient, Cecil French. He was busted for molesting women in a downtown bus depot.

Police were further alarmed when they discovered French had pulled the back seat out of his car. Had he concealed a body there? Police Chemist Ray Pinker found no blood or any other physical evidence of a bloody murder in French’s car. He was dropped from the list of hot suspects.

Ray Pinker, Police Chemist
c. 1935 Photo courtesy LAPL

In her initial coverage, Aggie referred to the case as the “Werewolf” slaying because of the savagery of the mutilations inflicted on the unknown woman. Aggie’s werewolf tag would identify the case until a much better one was discovered—the Black Dahlia.

REFERENCES:

Fowler, Will (1991). “Reporters” Memoirs of a Young Newspaperman.

Gilmore, John (2001). Severed: The True Story of the Black Dahlia Murder.

Harnisch, Larry. “A Slaying Cloaked in Mystery and Myths.” Los Angeles Times. January 6, 1997.

Underwood, Agness (1949). Newspaperwoman.

Wagner, Rob Leicester (2000). The Rise and Fall of Los Angeles Newspapers 1920-1962.

Film Noir Friday: Suspense, 1946

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Welcome! The lobby of the Deranged L.A. Crimes theater is open! Grab a bucket of popcorn, some Milk Duds and a Coke and find a seat. Tonight’s feature is SUSPENSE (1946), starring Belita, Barry Sullivan, and Bonita Granville.

If you love ice skating, this is the noir for you! Belita participated in the 1936 Olympics. One thing I like about this film is the great views of the late, lamented Pan Pacific Auditorium–an Art Deco masterpiece.

Enjoy the movie.

TCM says:
After leaving New York under suspicious circumstances, Joe Morgan gets a job in Los Angeles with ice skating impresario Frank Leonard. Joe is attracted to beautiful Roberta Elva, the star of the show and Frank’s wife. Although Roberta does not encourage Joe’s interest, he pays close attention to her performance and suggests that she liven up the act by jumping through a hoop of knives. Frank is impressed enough with the idea to offer Joe a position as his assistant. When Frank travels to Chicago to buy another ice rink, he leaves Joe in charge of the business.

The Black Dahlia–January 9, 1947

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About 12:20 p.m. on January 9, 1947, Elizabeth Short and Robert “Red” Manley left the motel where they had spent the night. Beth met Red, a traveling salesman, in San Diego. She decided to return to Los Angeles, and contacted him for a ride. .

He picked her up at the home of the French family where she had worn out her welcome. They offered her a place to stay for a few days. She lounged on their sofa for a month.

Robert “Red” Manley.

What did Beth and Red talk about during the couple of hours that it took them to drive back to Los Angeles from San Diego? Red noticed some scratches on her arms and asked her about them. She concocted a story about a jealous boyfriend—an Italian with black hair living in San Diego—who she alleged had scratched her. Beth probably made the scratches herself. Maybe insect bites? Beth lied to Red a few times more before their day together ended.

Harriet forgave Red

Following a platonic night in the motel room–Red passed his self-administered love test. Lucky Harriette. He still had a problem; he’d been out of touch with his wife for a couple of days. How would he explain his silence? Any guy capable of devising a ridiculous love test could come up with an excuse for being incommunicado for a couple of days.

In my mind’s eye, I see Beth and Red seated across from each other on the bench seat in his Studebaker, each lost in thought. Beth may have wondered what she’d do once she hit L.A. Maybe she’d go to friends in Hollywood. If she was lucky, someone would have an empty bed for her. Her immediate difficulty was Red. How would she get away from the well-meaning guy for whom she felt nothing?

Once they arrived in the city, Beth told Red that she needed to check her luggage at the bus depot. He took her there and Beth was ready to wave goodbye to him and be on her way–but he wouldn’t leave. He told her he couldn’t leave her in that neighborhood on her own. She insisted she would be fine, but he wouldn’t hear of it.

Beth had a few minutes while she checked her bags to make a plan to ditch her red-headed shadow. When they returned to his car, she told him she needed to go to the Biltmore Hotel to wait for her sister, Virginia. It was a lie. Virginia was in Oakland, hundreds of miles to the north.

Red drove her several blocks back to the Biltmore Hotel. The main lobby was on Olive Street, opposite Pershing Square. Beth thanked Red. He had been a gentleman. He’d paid to have taps put on the heels and toes of her pumps, and of course he’d paid for meals and the motel room. She thought he would drive off and leave her, but once again, he said that he didn’t feel comfortable putting her out of the car on her own.

Biltmore Hotel

He parked, and the two of them waited in the Biltmore’s lobby for a couple of hours. Finally, Red realized he couldn’t wait any longer. He said he had to go. She told him she would be fine, and that she expected her sister to arrive at any moment.

Red left her at 6:30 p.m. Beth watched him go–gave him a few minutes, and then she exited the hotel and turned south down Olive Street.

She may have been going to the Crown Grill at Eighth and Olive. She’d been there before and perhaps she hoped to bump into someone she knew; after all, she needed a place to stay.

This is a frame from B-roll of downtown Los Angeles. Do you see the crown? Doesn’t it look like a skull?

When asked if they’d seen Beth, most of the patrons were reluctant to talk to the police because the bar led a double life. By day, it catered to the lunch crowd. Dark enough to be cozy for cocktails for a man escorting a woman, not his wife. By night, the clientele changed to gay men. Because homosexuality was illegal, there were only a few places where men could meet.

No one could say for sure that Beth was in the bar on the 9th—and if she was there, no one saw her leave.

I find it sad that no one missed Beth. She had no family here, and no close friends. She was the perfect prey. With no any credible sightings of her, it is likely that Beth’s killer kept her captive from January 9th until the morning of January 15th, when he murdered her. What did he say to her? Did she plead for her life? It is terrifying to contemplate.

Film Noir Friday–on Sunday! Big Town After Dark

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Welcome! The lobby of the Deranged L.A. Crimes theater is open! Grab a bucket of popcorn, some Milk Duds and a Coke and find a seat. Today’s feature is BIG TOWN AFTER DARK, starring Philip Reed and Hillary Brooke.

BIG TOWN was a successful radio show, and even a comic book. BIG TOWN recalls the days when reporters fought corruption–unlike today when they are more likely to participate in it.

TCM says:

After selling her novel, police reporter Lorelei Kilbourne, who has become disillusioned with her managing editor, Steve Wilson, quits her job at Big Town’s Illustrated Press newspaper and bids farewell to her co-workers. A new reporter must be found to replace Lorelei, but Amos Peabody, the ineffectual owner of the paper, does not want to hire his niece, Susan Peabody, who is trying desperately to get the job. Although Peabody asks Wilson to interview Susan and discourage her from quitting college, Steve defies Amos’s request and hires her to make Lorelei jealous. Steve soon becomes enamored of Susan and takes her out to dinner, after which she takes him to the Winners Club gambling hall to persuade him to join her in her crusade to close down all the gambling clubs in the city.

Happy Birthday Aggie Underwood & Deranged L.A. Crimes!

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This month is an important one for the Deranged L.A. Crimes blog. It is the twelfth anniversary of the blog.

December 17, 2012 (the 110th anniversary of the birth of the woman whose career and life inspires me, Agness “Aggie” Underwood) I created the blog. I also authored her Wikipedia page, which was long overdue. I felt it was important to honor her on the anniversary of her birth. I’ve been trying to keep her legacy alive ever since.

Aggie hoists a brew. Perry Fowler photo.

By the time I began, Aggie had been gone for twenty-eight years. I regret not knowing about her in time to meet her in person. But, through her work, and speaking with her relatives over the years, I feel like I know her. I have enormous respect for Aggie. She had nothing handed to her, yet she established herself in a male-dominated profession where she earned the respect of her peers without compromising her values. She also earned the respect of law enforcement. Cops who worked with her trusted her judgement and sought her opinion. It isn’t surprising. She shared with them the same qualities that make a successful detective.

Aggie never intended to become a reporter. All she wanted was a pair of silk stockings. She’d been wearing her younger sister’s hand-me-downs, but she longed for a new pair of her own. When her husband, Harry, told her they couldn’t afford them, she threatened to get a job and buy them herself. It was an empty threat. She did not know how to find employment. She hadn’t worked outside her home for several years. A serendipitous call from her close friend Evelyn, the day after the stockings kerfuffle, changed the course of her life. Evelyn told her about a temporary opening for a switchboard operator where she worked, at the Los Angeles Record. Aggie accepted the temporary job, meant to last only through the 1926-27 holiday season.

Aggie & Harry [Photo courtesy CSUN Special Collections]

Aggie arrived at the Record unfamiliar with the newspaper business, but she swiftly adapted and everyone realized, even without training, she was sharp and eager to learn. The temporary switchboard job turned into a permanent position.

Marion Parker

In December 1927, the kidnapping and cruel mutilation murder of twelve-year-old schoolgirl Marion Parker horrified the city. Aggie was at the Record when they received word the perpetrator, William Edward Hickman, who had nicknamed himself “The Fox,” was in custody in Oregon. The breaking story created a firestorm of activity in the newsroom. Aggie had seen nothing like it. She knew then she didn’t want to be a bystander. She wanted to be a reporter.

When the Record was sold in January 1935, Aggie accepted an offer from William Randolph Hearst’s newspaper, the Evening Herald and Express, propelling her into the big leagues. Hearst expected his reporters to work at breakneck speed. After all, they had to live up to the paper’s motto, “The First with the latest.”

From January 1935, until January 1947, Aggie covered everything from fires and floods to murder and mayhem, frequently with photographer Perry Fowler by her side. She considered herself to be a general assignment reporter, but developed a reputation and a knack for covering crimes.

Sometimes she helped to solve them.

In December 1939, Aggie was called to the scene of what appeared to be a tragic accident on the Angeles Crest Highway. Laurel Crawford said he had taken his family on a scenic drive, but lost control of the family sedan on a sharp curve. The car plunged over 1000 feet down an embankment, killing his wife, three children, and a boarder in their home. He said he had survived by jumping from the car at the last moment.

When asked by Sheriff’s investigators for her opinion, Aggie said she had observed Laurel’s clothing and his demeanor, and neither lent credibility to his account. She concluded Laurel was “guilty as hell.” Her hunch was right. Upon investigation, police discovered Laurel had engineered the accident to collect over $30,000 in life insurance.

Hollywood was Aggie’s beat, too. When stars misbehaved or perished under mysterious or tragic circumstances, Aggie was there to record everything for Herald readers. On December 16, 1935, popular actress and café owner Thelma Todd died of carbon monoxide poisoning in the garage of her Pacific Palisades ho9me. Thelma’s autopsy was Aggie’s first, and her fellow reporters put her to the test. It backfired on them. Before the coroner could finish his grim work, her colleagues had turned green and fled the room. Aggie remained upright.

Though Aggie never considered herself a feminist, she paved the way for female journalists. In January 1947, they yanked her off the notorious Black Dahlia murder case and made her city editor—one of the first woman to hold the post for a major metropolitan newspaper. Known to keep a bat and starter pistol handy at her desk, she was beloved by her staff and served as city editor for the Herald (later Herald Examiner) until retiring in 1968.

Aggie at a crime scene (not the Dahlia) c. 1940s.

When she passed away in 1984, the Herald-Examiner eulogized her. “She was undeterred by the grisliest of crime scenes and had a knack for getting details that eluded other reporters. As editor, she knew the names and telephone numbers of numerous celebrities, in addition to all the bars her reporters frequented. She cultivated the day’s best sources, ranging from gangsters and prostitutes to movie stars and government officials.”

I have pondered how appalled Aggie would be at what passes for journalism today. During her lifetime, she disdained anyone unwilling to get out and scrap for a story. Today she would find herself surrounded by people who call their personal opinions news, and their writings (multiple misspellings and grammatical atrocities included), reporting.

In a world where oligarchs bend once respected publications to their perverted will, Aggie would be unwelcome.

Don’t misunderstand me—even in Aggie’s day, newspapers were not owned by paupers, and they all had an editorial agenda. But when it came to reporting hard news, it was all about the facts. There was no such thing as fake news or “alternative” facts (what does that even mean?!)

Today we must look hard to find facts. Legacy media has failed us in all of its forms. Losing reliable media puts our country at significant risk.

I suppose my anger, disenchantment, and disgust with the current state of media is why I honor Aggie’s legacy. She represents the best of what reporters once were, and what they could be again if not constrained by fear. The newspaper & TV owners seem to be motivated by a mixture of fear and greed. It is not the way to maintain a free press. We can all do better.

Happy Birthday, Aggie, and Deranged L.A. Crimes!

Best,

Joan