Love Hoax

In early March 1927, twenty-year-old Tony Santi arrived at the Burbank Police Department to report an assault on his girlfriend, a fifteen-year-old Burbank high school girl, Mary Garard.

BURBANK POLICE

Tony sat in the station and related a bizarre tale to officers. Two weeks earlier, the couple drove out to a cabin in Kagel Canyon in the hills west of Roscoe. They wanted to prepare it for a party later that day. Tony said the cabin had no running water, so he went out to a stream to fill their bucket. He told Mary he would be gone for about fifteen minutes.

When he returned, he found Mary bound and gagged. He released her, and she told him what had happened. She said shortly after he left to get water, two men, reeking of alcohol, turned up at the cabin door. They asked her if she was alone and she told them no. She said her boyfriend was due to return any minute. Then, without warning, the men grabbed her arms. They bound her and stuffed a rag into her mouth to stifle her screams. They dragged her to a cot. One man produced a knife and, as Mary struggled, he cut into the flesh of her left shoulder the letters NR. The men said, “We are Night Riders. Let this be a lesson to you.”

Mary’s parents knew nothing about the assault until they arrived home from a trip to Colorado a few days later. Tony told police he was making the report against the wishes of Mary and her parents. They wanted the matter dropped.

Because the attack occurred in Los Angeles County territory, Burbank police referred the case to Captain William Bright of the Sheriff’s Department. Captain Bright told reporters that because Mary and her parents were unwilling to pursue the matter, he had no choice but to drop the investigation.

On the heels of Captain Bright’s announcement, Mary and her mother arrived at the Sheriff’s Department ready to swear out a complaint against the perpetrators of what newspapers referred to has a branding. Bright requested a John Doe warrant.

On the day following the Garard’s change of heart in the case, Mary and Tony appeared again in Captain Bright’s office. This time, they told him a different story.

The entire branding incident was a hoax perpetrated by the young lovers. As a minor, Mary required her parents’ consent to marry. They refused. Mary and Tony then concocted the branding scheme so her parents would see the wisdom of granting her a full-time protector. Sheriffs arrested Tony for assault and held Mary as a witness. Tony appeared in Judge MacCoy’s court to answer for two statutory charges. They fixed his bail at $1000.

It took until July to unravel Mary’s and Tony’s lies, but investigators finally sorted it out. In Superior Judge Elliot Craig’s court, Tony pleaded guilty to one of two counts charging a serious offense. (I think we can read between the lines and assume that Tony and Mary had intercourse.)

Mary confessed it was she who carved NR into her left shoulder to convince her parents to allow her to marry. Mutilating yourself is not the best way to show maturity. Her parents were wise to turn her down.

Mary and Tony went to an extraordinary amount of trouble to be together. So, what became of them? A superficial search of ancestry.com shows they married after all in December 1927, and may have divorced in the late 1930s. The course of true love never did run smooth.

Film Noir Friday: International Crime–The Shadow [1938]

Welcome! The lobby of the Deranged L.A. Crimes theater is open. Grab a bucket of popcorn, some Milk Duds and a Coke and find a seat. Today’s feature is INTERNATIONAL CRIME–THE SHADOW starring Rod La Rocque and Astrid Allwyn.

Enjoy the movie!

IMDB says:

Lamont Cranston (Rod La Rocque), amateur criminologist and detective, with a daily radio program, sponsored by the Daily Classic newspaper, has developed a friendly feud that sometimes passes the friendly stage with Police Commissioner Weston (Thomas E. Jackson). He complains to his managing editor, Edward Heath (Oscar O’Shea), over the problems that have developed in his department since Phoebe Lane (Astrid Allwyn) has been hired as his assistant. He is advised to forget it since she is the publisher’s niece. During his broadcast about Honest John (William Pawley), a famous safe cracker who has served his time, Phoebe gives him a note that the Metropolitan Theatre is to be robbed at eight o’clock and she is so insistent that he adds it as his closing note.

Film Noir Friday, Saturday Matinee–Night Editor [1946]

Welcome! The lobby of the Deranged L.A. Crimes theater is open. Grab a bucket of popcorn, some Milk Duds and a Coke and find a seat. Today’s feature is NIGHT EDITOR [1946] starring William Gargan, Janis Carter and Jeff Donnell.

The film is based on a radio program of the same name, which ran from 1934 to 1948. Sponsored by Edwards Coffee, the program featured Hal Burdick as the “night editor”. Burdick received readers’ requests for stories, in a “letter to the editor” format, which he would tell on the program. Burdick played all characters in each episode. The radio series was adapted for Night Editor, a short-lived TV series on the DuMont Television Network in 1954, also hosted by Burdick.

Enjoy the movie!

TCM says:

At the offices of the New York Star , Johnny, a troubled young reporter, slumps despondently at his desk. Johnny’s problems cause editor Crane Stewart to reminisce about another troubled young man he knew years earlier: Homicide detective Tony Cochrane dotes on his little son Doc, but is estranged from Martha, his unsophicsticated wife. Tony’s estrangement arises from his love affair with Jill Merrill, a cold-hearted socialite. Although Tony has tried to break off their relationship, Jill keeps him ensnared with her sexual depravity. While passionately embracing at the beach one evening, Jill and Tony see a car stop along the road and hear a woman scream. When a man jumps out of the car and flees, Tony is about to give chase when Jill reminds him that his involvement would expose their illicit affair.

Online Event: Women’s National Book Association

Join Mitzi Szereto, Cathy Pickens, and me for a free online event on April 15th at noon. We will chat about writing and researching true crime. I can’t wait! Register HERE

April 15th – Women Writing True Crime

By Brianna Cool

Friday, April 15th, 2022

Women Writing True Crime with Mitzi Szereto, Joan Renner, and Cathy Pickens

12 pm / PT

FREE Virtual Event

A panel discussion featuring Mitzi Szereto, editor of The Best New True Crime Stories series, and her contributors Joan Renner and Cathy Pickens from her new book release, The Best New True Crime Stories: Partners in Crime

Topics to be discussed include:

  1. True crime and how writing it is different from other genres.
  2. True crime and its appeal to women writers and readers.
  3. Individual approaches to true crime.
  4. Writing responsibly and ethically.
  5. How to catch the editor’s eye.
  6. Researching and getting the facts right.

***

Mitzi Szereto (mitziszereto.com) is an author and anthology editor whose books encompass multiple genres, including those in her popular true crime franchise The Best New True Crime Stories, to date the volumes Partners in Crime; Crimes of Passion, Obsession & Revenge; Well-Mannered Crooks, Rogues & Criminals; Small Towns; and Serial Killers. She has the added distinction of being the editor of the first anthology of erotic fiction to include a Fellow of the Royal Society of Literature. She’s appeared internationally on radio and television and at literature festivals, and has taught creative writing around the world. In addition to having produced and presented the London-based web TV channel Mitzi TV, she portrays herself in the pseudo-documentary British film, Lint: The Movie. The sixth volume in her true crime series, The Best New True Crime Stories: Unsolved Crimes & Mysteries, will be published in September 2022. Follow her on Twitter and Instagram @MitziSzereto.

Joan Renner, writer, social historian, and true crime expert, is the author of The First with the latest: Aggie Underwood, the Los Angeles Herald, and the Sordid Crimes of a City. She contributed to the Los Angeles Times bestseller LAPD ’53, written by James Ellroy and Glynn Martin. She has appeared in a previous volume of The Best New True Crime Stories. Joan lectures on historic Los Angeles crime and appears on true crime TV shows and podcasts. She is currently writing a book for University Press of Kentucky about Los Angeles during the Prohibition era.

Cathy Pickens (cathypickens.com) has written crime fiction, starting with the award-winning Southern Fried (St. Martin’s), and a regional historic true crime series, starting with Charlotte True Crime Stories (History Press). The latest is Upstate South Carolina True Crime Stories. She’s served as national president of Sisters in Crime, on Mystery Writers of America’s national board, and as true crime columnist for Mystery Readers Journal. A lawyer and former college professor, she also wrote CREATE! Developing Your Creative Process (create-update.com), works with prison inmates, and coaches writers and others in creativity workshops. Her work has appeared in a previous volume of The Best New True Crime Stories.

Film Noir Friday–Sunday Matinee: Murder With Pictures [1936]

Welcome! The lobby of the Deranged L.A. Crimes theater is open. Grab a bucket of popcorn, some Milk Duds and a Coke and find a seat.

Tonight’s feature is MURDER WITH PICTURES [1936] starring Lew Ayres and Gail Patrick.

Enjoy the film!

TCM says:

Stanley Redfield, defense lawyer for racketeer Nate Girard, who has been accused of murdering a man named Cusick, is murdered during a press party held to celebrate Girard’s acquittal. Among the suspects are two newspapermen, Phil Doane and I. B. McGoogin, and Meg Archer, a mysterious woman who appeared in town shortly after Girard’s release. Free from suspicion is ace news photographer Kent Murdock, who was in a nearby apartment arguing with his showgirl fiancé, Hester Boone, when the murder took place.

ENJOY THE MOVIE!

Film Noir Friday: The Chase [1946]

Welcome! The lobby of the Deranged L.A. Crimes theater is open. Grab a bucket of popcorn, some Milk Duds and a Coke and find a seat.

Tonight’s feature is THE CHASE [1946] starring Robert Cummings, Michele Morgan, Steve Cochran and Peter Lore.

Enjoy the film!

TCM says:

Returning a lost wallet gains unemployed veteran Chuck Scott a job as chauffeur to Eddie Roman, a seeming gangster whose enemies have a way of meeting violent ends. The job proves nerve-wracking, and soon Chuck finds himself pledged to help Eddie’s lovely, fearful, prisoner-wife Lorna to escape. The result leaves Chuck caught like a rat in a trap, vainly seeking a way out through dark streets. But the real chase begins when the strange plot virtually starts all over again…

The Best New True Crime Stories: Partners in Crime–Live Facebook Event

Please join me at Mitzi Szereto’s Facebook page on Saturday, February 12 at 2pm Pacific, 5pm Eastern, 10pm UK, 11pm CEST, and Sunday 9am AEDT, for a special livestream event for “The Best New True Crime Stories: Partners in Crime.” I’ll be chatting with editor Mitzi Szereto about my story, THE WAGES OF SIN: THE BALLAD OF MARGIE AND DALE.


Find out more about the book at: https://mitziszereto.com/the-best-new-true-crime-stories…/

Film Noir Friday: Private Detective 62 [1933]

Welcome. The lobby of the Deranged L.A. Crimes theater is open. Grab a bucket of popcorn, some Milk Duds and a Coke and find a seat.

Tonight’s feature is PRIVATE DETECTIVE 62, starring William Powell and Margaret Lindsay.

TCM says:

In France, United States State Department employee Donald Free is caught trying to steal French state papers and is deported. Because of the publicity, Donald is released from his government job and has a hard time finding another because jobs are scarce during the Depression. One day, he walks into the Peerless Detective Agency, run by the incompetent and crooked Dan Hogan. Hogan does not have customers and Donald does not have a license, so Donald proposes a partnership. 

Enjoy the movie!

https://youtu.be/kO-bH0hcLPQ

Film Noir Friday: Between Midnight and Dawn [1950]

Welcome. The lobby of the Deranged L.A. Crimes theater is open. Grab a bucket of popcorn, some Milk Duds and a Coke and find a seat.

Tonight’s feature is BETWEEN MIDNIGHT AND DAWN, starring Mark Stevens, Edmond O’Brian and Gale Storm.

TCM says:

Rocky Barnes and Daniel Purvis, two policemen working the night shift, have been partners since they served in the war together. Although Rocky believes that even criminals have some good inside, Daniel is more cynical. Daniel is particularly anxious to capture petty criminal Ritchie Garris, but is hampered by the fact that the victims of Garris’ strong-arm tactics refuse to testify against him. Rocky is more interested in the face that belongs to the sultry voice of the night dispatcher than he is in Garris and soon discovers that the attractive voice is that of Katherine Mallory, a policeman’s daughter and the captain’s secretary.

There are some cool shots of Los Angeles.

The Wages of Sin: The Ballad of Margie & Dale

I am thrilled that my story, The Wages of Sin: The Ballad of Margie and Dale, appears in Mitzi Szereto’s latest true crime anthology, The Best New True Crime Stories: Partners in Crime.

Long before Bonnie Parker and Clyde Barrow began their crime spree, Dale Jones and Margie Celano terrorized the Midwest and West, committing robberies and multiple murders.  

Lean more about Dale and Margie and other criminally inclined couples, by picking up a copy of the anthology—released today.

A shout-out to Dwight Haverkorn. His knowledge of Dale and Margie’s exploits is encyclopedic. He graciously shared his research with me, and I owe him a debt of gratitude.