The Lawnmower Made Me Do It

At 1:30 p.m. on April 28, 1932, Mrs. Pauline Pohl pushed her hand mower back and forth across her lawn when she heard a shot. A bullet whizzed past her head. She abandoned her yard work and immediately ran into her house. She telephoned the police.

“The woman next door is trying to kill me,” she gasped. “Send somebody, quick!”

While Pauline hunkered down inside her house praying that no further shots would be fired at her, Ella May Thompson, the woman who was trying to kill her, stood in the bathroom of her small frame bungalow, pistol in hand, glaring at Mrs. Pohl’s house. She had fired a shot through her bathroom at the neighbor.

Still gripping the pistol, Thompson whirled around to face Josie Norton the practical nurse who cared for her over the past few months. Ella had a drug addiction and was also diagnosed with an unnamed incurable disease.

“You get out of here…pack your clothes and get out and stay out.”

Norton swiftly complied.

While nurse Norton ran for her life, Radio Officers Paul Donath and Percy Gunby cruised nearby. They received the relayed distress call placed by Mrs. Pohl.  They sped to the address on Marsh Street and hurried to the front door of Miss Thompson’s home. Neighbor disputes were no more uncommon in 1932 than they are now. Neighbors can get on each other’s nerves and occasionally violence is the result.  Officer Donath jumped out of the patrol car and rushed up to Thompson’s door and rang the bell.  Peering through the glass he saw Ella raise her pistol, but he couldn’t move out of the way in time to avoid the bullet that struck him in the chest.

Donath toppled backward from the porch as his partner ran to his side and tugged him across the lawn out of the range of fire.  Shooting the policeman didn’t snap Ella to her senses. Far from it.  She shouted through the shattered glass in the door.

“That will teach you policemen a lesson not to come to my home without a search warrant.”

Gunby had no choice but to leave his mortally wounded partner on the lawn. He ran into Mrs. Pohl’s house to use her telephone to call for an ambulance and back-up. Within minutes an ambulance arrived and transported Officer Donath to the hospital where he succumbed to his wound a short time later.  Right on the heels of the ambulance were dozens of patrol cars which decanted about fifty police and detectives. Captain Rudolph and Inspector Davidson led a squad of men to the side of Thompson’s house.

For over twenty minutes Rudolph and Davidson tried to reason with Ella. They pleaded with her to throw her weapon out into the yard and surrender, but she refused. An enormous crowd gathered to witness the dramatic dénouement. Police received a supply of tear gas bombs and, failing to convince Ella to come out with her hands up, they hurled one through a side window then they pitched two more into the house.

Officers surrounded the house with their guns drawn, and as the gas made its way through the rooms of of her home Ella appeared at the rear door. Again police pleaded with her to surrender, but without warning she suddenly fired three times and made a mad dash for freedom.  A bullet from her weapon passed near Officer Cliff Trainor’s head and lodged in the garage door behind him.  At least twenty officers, holding pistols and sawed-off shot guns, fired at once. Astonishingly not a single round hit its mark. Officer Trainor leveled his gun at the crazed woman and pulled the trigger. Ella finally went down. Clad in pink pajamas, one slipper on and one off, she fell backwards from the porch steps, shot through the eye.

Detectives questioned Miss Norton. She said that as far as she knew Ella was the former secretary of J.V. Baldwin, a local car dealer.  She believed Baldwin provided financial aid to the dead woman.

Investigators found Baldwin at his dealership and quizzed him about Thompson. He said that she’d been in his employ five years earlier and that when she married a former hospital employee, Roy Alger, Baldwin offered the couple money for a honeymoon trip.

 He continued.

“Since then I have been made the target of an attempt to ‘shake me down’ for money.”

Baldwin sued Alger for $125,000 in an alienation of affection suit which involved Ella.  According to some of her acquaintances, Ella and Alger’s marriage was short-lived and ended with an annulment.

Ella, who took Veronal (a barbiturate used to induce sleep) for her nerves, was a ticking time bomb.  Police arrested her on October 2, 1931 for carrying a concealed weapon.

Her trouble with her neighbor, Pauline Pohl, started just days after ice pick and billy club incident when she was arrested for attacking her in a backyard fight. Ella was accused of beating Pauline and fined $25 for battery.

According to Pauline, she built her house next to Ella’s a little over a year before the shooting and there was no trouble between them until, “Miss Thompson . . . accused me of throwing papers in her yard. She became hysterical and beat me and pulled my hair.”

Dr. Glen Bradford, Ella’s physician, told police he had treated Thompson for a nervous breakdown for quite some time.

“I visited her Wednesday, however, and she seemed to be getting along nicely.”

Paul Donath

The deceased officer, 34-year-old Paul Donath, was on the job for ten years when he was gunned down. Paul’s heartbroken wife, Virginia, fainted at the news of his death.

The gun which Ella used in the shootout was the property of another LAPD officer, Palmer A. Pilcher. Pilcher was recently suspended from duty for being intoxicated. Apparently, the inebriated officer attempted to park his car on the sidewalk in front of the Rosslyn Hotel, and to make matters worse his gun was missing.  There’s nothing that will get an officer in hot water faster than losing his weapon.

View looking north on Main Street near 6th Street. The Rosslyn Hotel with the large sign on roof is on the northwest corner of Fifth and Main Streets.

On the day of his suspension he called on Ella, whom he had been dating, and tried to get his gun back, but she refused to let him into the house. Nurse Norton said.

“I tried to find the gun, but she must have hidden it.  She had been hard to handle for some time and my efforts to quiet her after she shot as Mrs. Pohl were useless.”

Lady trims lawn in or around Washington, D.C., with Ajax Ball Bearing reel mower.” c. 1930

If Ella was driven to a homicidal rage by the gentle whirring of the blades of Pauline’s hand mower, can you imagine how she’d have coped with the constant din of modern leaf blowers and power mowers?

NOTE: This is a revised reprint of a post from 2014. The story is so outlandish, that I had to share it again.

Film Noir Friday: Shakedown [1950]

Welcome!  The lobby of the Deranged L.A. Crimes theater is open! Grab a bucket of popcorn, some Milk Duds and a Coke and find a seat.

Tonight’s feature is SHAKEDOWN (aka THE MAGNIFICENT HEEL) starring, Howard Duff, Brian Donlevy, Peggy Dow, Lawrence Tierney, and Bruce Bennett.

Enjoy the movie!

TCM says:

In a San Francisco train yard, photographer Jack Early hides a camera just before he is beaten by some men who are chasing him. Later, he retrieves the camera and takes the pictures to newspaper photo editor Ellen Bennett. She agrees to buy one, but Jack refuses to sell it unless they hire him for a week, at the end of which he vows to prove his worth. 

The Black Owl

Gun crimes were rampant in Los Angeles during the 1930s, even purse snatchers armed themselves. Robbers, motivated by desperation, hunger or good old-fashioned greed, stalked Spring Street, the “Wall Street of the West”, hoping to pull off the perfect bank heist.

Security First National Bank.

On December 31, 1931, twenty-four-year-old Timothy Blevins found Old Man Depression a formidable adversary. No matter what he did, he couldn’t escape the financial hole he was in. Knowing that he wasn’t alone offered him no consolation. He recently lost his job as a busboy in a cafe at 5610 Hollywood Blvd. He took a job with a county road gang.

Being on a road gang is exhausting work, but he may have stuck with it if his eighteen-year-old wife, Cornelia, hadn’t left him and gone home to her mother. She was just fifteen when the couple had married in Ojai, Arizona a few years earlier, but living with Timothy was no picnic and after three years she’d had enough. He was despondent, and contemplating suicide. Cornelia couldn’t take any more of Timothy’s dark moods, and she intended to get their marriage annulled as soon as possible. It wouldn’t be too difficult for an eighteen-year-old to start over again.

Cornelia bumped in Timothy when she returned to their former home at 1135 South Catalina Street to get some clothing. She was dismayed, but not surprised, to discover that his mood hadn’t lightened. In fact, he appeared to be as morose as ever.

Timothy was sitting alone in the apartment, brooding over how he could change his circumstances—and he devised a plan.

In 1931, the Spring Street financial district, located just north of Fourth Street to just south of Seventh Street, was the beating heart of capitalism in the city. In fact, they referred the area to as the “Wall Street of the West.”  There were at least twenty banks concentrated within a few blocks. The eleven-story steel frame building at the corner of Fifth and Spring Street that housed the Security-First Bank stood out. Built in 1906 by the architecture firm of Parkinson and Bergstrom, the Italianate style structure was the tallest building in Los Angeles until 1911. 

It was shortly after 2 pm on the last day of 1931, and while the Security-First Bank was no longer the only skyscraper on Spring Street, it was still impressive enough to look to Timothy like an opportunity. He resolved to take it. He gripped his case tighter and stepped over the threshold into the crowded lobby.

Tracy Q. Hall, the vice president of the bank, was in his office and a dozen customers waited to have a word with him. Blevins strode up to the rail which enclosed Hall’s office and placed the case he was carrying on the wood work. He handed Hall a note. The crudely printed note, written on a blank check from the Bank of America, contained a demand for $100,000 and stated that there were enough explosives in the bag to turn the block into smoke and ashes.

Hall quietly read the note and then glanced up slowly to take the measure of the man who would dare to make such a loathsome threat. Timothy drove his point home and, to reveal the contents of the case; he snapped open the catch and suddenly the “infernal machine” (a bomb) was visible.

The two men continued to hold each other’s gaze, but Timothy blinked first. He released his grasp on the case, whirled around, and ran for the exit. Hall grabbed at the fleeing man but just missed him. Blevins continued to run and, in his haste, he knocked down Peter J. Anderson, a patron of the bank and proprietor of a garage at 221 East Fifth Street.

LAPD Traffic Officer Olsen

Anderson let out a cry, and so did Hall, who was in hot pursuit of the fleeing man. Timothy dashed out onto Fifth Street and it looked like he was leading a parade. Behind him were Anderson, Hall, and Sam Sulzbacher, the bank’s doorman. When they reached Main Street, Traffic Officer R. W. Olsen joined the chase.

Timothy ducked into a theater on Main, but Officer Olsen has seen him go into the building. Naturally, Timothy tried to blend in with the theater crowd, but it was no use. Olsen found him and took him into custody.

While police escorted Timothy to their headquarters, Hall turned the infernal machine over to LAPD Captains McCaleb and Malina. Upon examination of the device, they found a dry battery wired to a quart jar full of ethyl gasoline. Also, inside the case, there was an empty milk can and a small bottle of carbide powder; above the quart bottle were two brown sticks of dynamite.

On the lid of the box, printed with black paint, was an admonition:

“The Black Owl. Will deal you death. Don’t talk,”

Then McCaleb and Malina read the note that the suspect had handed to Hall:

“There is enough explosive here to tear up the block. Read carefully. Do exactly as told. Starting with biggest denominations fill bag. We will go to the vault first. When I have enough, you will take me out the back door. Get me a taxi. Then take your time going back, or I have to take care of you. If you describe me too well, this will not fail to work. There is poison gas to kill every one (sic) within.”

The note was terrifying, but it wasn’t enough to prevent Tracy Hall from doing his best to bring the robber wanna-be to heel.

At police headquarters Timothy, sullen and mumbling incoherently, refused to make any statement other than to tell the cops: “you can call me Dave Lowre.” Then he attempted to snatch a pistol from Officer Olsen. Half a dozen detectives jumped on him and prevented his escape. He became somewhat more cooperative following his aborted escape attempt, but he never revealed the inspiration for his nom de felon.

Timothy Blevins, glowering during questioning by an unnamed LAPD detective. [Photo courtesy of UCLA Digital Collection]

The judge arraigned Timothy in Municipal Court and set his bail at $10,000—he was stuck.

The complaint against Timothy charged him with burglary, attempted robbery and violation of Section 601 of the Penal Code because he transported dynamite into a public building, endangering the lives of others.

Timothy originally pleaded insanity, but he withdrew the plea. Instead, he entered a plea of guilty to the charge of illegally transporting dynamite. The likely reason for his change of plea was that he could apply for probation if he wasn’t insane.

Timothy hoped for probation, but the judge denied him, and sentenced him to San Quentin.

Film Noir Friday: The Letter [1929 & 1940]

Welcome!  The lobby of the Deranged L.A. Crimes theater is open! Grab a bucket of popcorn, some Milk Duds and a Coke and find a seat.

Tonight we’re going to take a deep dive into two movies based a story by W. Somerset Maugham. An actual murder in Kuala Lumpur in 1911, inspired Maugham to write THE LETTER. If you are interested in the crime that provided the inspiration, search for Ethel Proudlock.

First, we’ll check out Eddie Muller’s (the Czar of Noir), introduction to the 1940 version of the film for TCM’s Noir Alley.

The 1940 version stars Bette Davis, Herbert Marshall (who appeared in the 1929 version in the role of the lover). Directed by William Wyler, the movie opens with an unforgettable scene. The tension never lets up.

TCM says:

Leslie Crosbie, the wife of a British rubber planter in Malay, shoots and kills Jeff Hammond, and claims that she was defending her honor. To defend Leslie, her husband Robert sends for family friend and attorney Howard Joyce, who questions Leslie’s story.

The 1929 version of THE LETTER, stars Jeanne Eagels and Herbert Marshall. Jeanne Eagels’ life was tragically cut short by drug addiction. She was nominated posthumously for her work in THE LETTER.

TCM says:

Marooned on a rubber plantation in the East Indies, Leslie Crosbie turns to Geoffrey Hammond for the love and diversion that she does not find with her husband.

The Tragic Death of Marvin Gaye

1973: Soul singer and songwriter Marvin Gaye at Golden West Studios in Los Angeles, California. (Photograph by Jim Britt/Michael Ochs Archive/Getty Images)

On April 1, 1984, on the eve of his 45th birthday, Motown superstar and R&B legend, Marvin Gaye Jr. died of gunshot wounds inflicted by his own father.

The two men were at odds for Marvin Jr.’s entire life. Marvin Sr. was habitually unemployed—a vodka drinking fundamentalist preacher whose hobby was cross dressing. Like some artistic geniuses, Marvin Gaye Jr. had his share of flaws and demons. He put most of the millions he earned in music up his nose. He was a misogynist who beat his wives and girlfriends and was, in his own words, a “sex freak.” His hobbies were voyeurism and sexual sadism.

According to Marvin’s mother, his father showed no desire for Marvin, no love for him, and believed he was another man’s child. It’s not surprising that when the two men were together under one roof after years of living apart, the results were tragic. Marvin returned home from the “Sexual Healing” tour, drug addicted and paranoid, and even though they lived in the same house, Sr. and Jr. rarely spoke. Marvin stockpiled guns and, for some unknown reason, he gave his father an unregistered.38.

On the evening of March 31st, Sr. became increasingly angry when he couldn’t locate an insurance document. He started yelling at Marvin. Alberta briefly calmed her husband down; but he must have spent the night stewing instead of sleeping because, by the morning of April 1st, he was in a rage. He hollered at Alberta, who was in Marvin’s room. Marvin confronted his 71-year-old father, shoved him to the floor and beat and kicked him. Alberta intervened, and the two men went to neutral corners, but it wasn’t long before senior was back at the door to Marvin’s room—and he had the.38. He fired into Marvin’s chest, hitting him in the heart; he then moved toward his mortally wounded son and fired a second time.

Marvin’s brother, Frankie, who lived next door, held his brother as he died. Frankie wrote in his memoir that Marvin’s last words were, “I got what I wanted… I couldn’t do it myself, so I made him do it.” An ambulance rushed Marvin to California hospital where they pronounced him dead.

They charged the old man with murder but, because of his age and a recent brain tumor diagnosis, he could plead to voluntary manslaughter. They gave him a six-year suspended sentenced and six years of probation. After spending 49 years together, Alberta divorced him.

Reporters asked Marvin Sr. if he loved his son—he said, “Let’s say that I didn’t dislike him.”

Film Noir Friday: Born to Kill [1947]

Welcome!  The lobby of the Deranged L.A. Crimes theater is open! Grab a bucket of popcorn, some Milk Duds and a Coke and find a seat. Tonight’s feature is BORN TO KILL, starring Claire Trevor, Lawrence Tierney, and Walter Slezak.

TCM says:

After he discovers that Laury Palmer, the owner of a Reno boardinghouse, was romancing him only to make her boyfriend Danny jealous, Sam Wilde, a seductive but violent drifter, kills both her and Danny. Cool, sophisticated Helen Brent finds the bodies in the boardinghouse, where she has been living during her divorce proceedings, but instead of notifying the police, she calmly boards the next train to San Francisco. 

Enjoy the movie!

https://youtu.be/KltT_rTDYx4

This is my rifle…

Before it became home to B-girls in the 1950s, 513 S. Main Street was the location of a shooting gallery. I have never understood what would compel a person to work in a business that involved handing a stranger a loaded weapon. It’s impossible to know if the person firing the rifle is depressed or angry until it’s too late.

Is this really a good idea?

On December 2, 1939, a patron of the shooting gallery used his last quarter to buy six shots. He fired five times at the moving targets before he turned the weapon on himself and fired the remaining slug into his heart. The unnamed man died at the scene.

It was December 14, 1940 when Duncan Adams, 37, an employee of a local dairy, strode up to the gallery, gave the clerk a quarter, and picked off targets shaped like furry little squirrels. He emptied the rifle, but then reached over and grabbed a.22 caliber target pistol and squeezed the trigger. The gun misfired, but before any of the horrified witnesses could stop the man, he frantically pulled the trigger until the sixth chamber clicked into place and discharged a bullet which ripped a hole through his skull. He died four hours later at Georgia Street Receiving Hospital.

The last tale in this grim litany occurred on September 23, 1942. In exchange for the usual quarter, Thomas Nelson, the proprietor of the shooting gallery, handed 22-year-old Willie Davis a rifle. Nelson’s story was that Davis had attempted to steal the rifle, so he grabbed a weapon and pursued him down Main Street. Davis told a different tale. He claimed Nelson had tried to pick a fight with him after renting him the rifle and he was trying to get away.

The fun never stops.

The ensuing gunfight sent bystanders fleeing for cover and tied up traffic on the busy street for at least twenty minutes. Nelson and Davis both sustained serious wounds. John Hagen, an innocent bystander who was seated at the counter of a nearby café, was also wounded in the melee.

The B-girls who eventually replaced the rifles at 513 S. Main Street could be dangerous when loaded; but less likely to kill.

Film Noir Friday–Saturday Night: Lady of Burlesque (1943)

Welcome!  The lobby of the Deranged L.A. Crimes theater is open! Grab a bucket of popcorn, some Milk Duds and a Coke and find a seat. Tonight’s feature is the LADY OF BURLESQUE (aka THE G-STRING MURDERS) directed by William A. Wellman and starring Barbara Stanwyck and Michael O’Shea. While not a classic noir film, it is a murder mystery and, I think, it pairs nicely with the post on Betty Rowland.

Gypsy Rose Lee (Photo courtesy New York Public Library)

LADY OF BURLESQUE is based on the novel The G-String Murders written by strip tease queen Gypsy Rose Lee. There have been claims that Craig ghosted the book, but I believe Ms. Lee did it on her own.

If you’re not familiar with Craig Rice, she wrote mystery novels and short stories, and is sometimes described as “the Dorothy Parker of detective fiction.” She was the first mystery writer to appear on the cover of Time Magazine, on January 28, 1946.

Before we roll the feature, let’s enjoy one of Gypsy Rose Lee’s dance routines–followed by a clip from a Tex Avery cartoon starring the lecherous wolf character.

TCM says:

S. B. Foss, owner of the Old Opera House on Broadway in New York City, promotes his new recruit, burlesque dancer Dixie Daisy, hoping that she will draw a large audience. Dixie’s performance draws cheers from the crowds and from comedian Biff Brannigan, who ardently admires Dixie even though she hates comics because of past experiences with them. When someone cuts the wire to the light backstage that signals the presence of the police, the performers are surprised by a raid, and pandemonium ensues. As Dixie flees through a coal chute, someone grabs her from behind and tries to strangle her, but her assailant escapes when a stagehand comes along.

Betty Rowland–1939 Burlesque Bust

Betty Rowland–Burlesque Queen

In November 1939, police took into custody several performers and comics at the Follies Theater at 337 S. Main Street. Among them was Betty Rowland, the “Red-headed Ball of Fire” and charged them with exhibiting an indecent show. The defense spent a day in jury selection trying to assemble a “shock proof” panel who could withstand seeing the forty-four photos secretly shot by police photographer George T. George, and handle hearing the “hair curling” transcripts from the show read by undercover Policewoman Cheryl Goodwin. Would the jury of nine women and three men be up to the task?

The halls surrounding the courtroom became a popular hangout for citizens hoping to catch a rare glimpse of a burlesque queen in daylight. The ladies arrived demurely dressed, sans makeup, disappointing the gawkers.

The highlight of the trial came when Officer Jerry J. Uhlick, a husky 200-pounder, stood up at the request of the City Attorney and demonstrated the bumps and grinds he’d witnessed from his seat in the audience.

As the courtroom convulsed in laughter, Uhlick quipped, “Miss Jo Anne Dare performed the dance on the theater stage better than I can!” Although he admitted that he “took a fling at the stage in my younger days.” We assume the fling wasn’t as a dancer.

The defense showed photos of jitterbug dancers and said that moves every bit as suggestive as the bumps and grinds seen on the Follies stage were being performed by young people nightly all over town. They also showed photographs from popular movie magazines showing scantily clad movie stars.

FILM FUN MAGAZINE, 1937

Despite the vigorous defense, Judge Arthur S. Guerin convicted all the defendants. The judge ordered each of them to pay $250 fines as a condition of their two-year probation. During their probation period, they must not engage in immoral shows. The owner, Tom Dalton, paid $3,000.00 in fines.

Betty was a force to be reckoned with during the heyday of burlesque. She had a stage presence that belied her diminutive stature, and she was the highest paid dancer in her field.

Betty Rowland

Betty was only in her teens when she began dancing professionally at Minsky’s in New York. Burlesque houses thrived in NYC during the early 1930s, but by 1935 citizens’ groups were trying to close them, and Mayor LaGuardia had deemed burlesque a “corrupting moral influence”. The city’s licensing commission tried to pull Minsky’s license, but the State Court of Appeals refused to do so without a criminal conviction. In 1937, the mayor and the citizen’s groups finally got the break they’d been waiting for when they discovered a stripper at Minsky’s working without her G-string. That was enough for criminal charges to be filed, and they revoked Abe Minsky’s license. New licensing regulations would allow the burlesque houses to remain in business, if they didn’t employ strippers! 

Burlesque gigs in New York dried up. In May 1938, Betty and her troupe opened in Los Angeles at the Follies Theater. It was supposed to be a limited engagement, but Los Angeles audiences loved Betty. She continued to perform at the Follies for most of her long and successful career.

I met Betty a few times several years ago. I found her soft-spoken, charming, and a natural storyteller with a wicked sense of humor. Betty graciously answered my many questions.

Here I am with the wonderful Betty Rowland

I asked her about the dispute over Barbara Stanwyck’s costume in the 1941 film, “BALL OF FIRE.” She chuckled and told me the dispute was a publicity ploy. Stanwyck’s costume is a knock-off of one of Betty’s.

Because I love vintage perfume and cosmetics, I asked her if she had a signature scent. She said she loved Coty’s L’Aimant. L’Aimant is the first fragrance from Francois Coty, launched in 1927. L’Aimant means magnet in French. The composition is elegant, sophisticated, and classic combination of flowers—perfect for her. I sent her a bottle in the hope it would evoke happy memories.

The slow slide to the end for the Follies began after the 1930s, as the theater fell into disrepair. By 1967, it was the last working burlesque house in Los Angeles. That same year Eleanor Chambers, assistant to Mayor Sam Yorty, failed in her bid to get the city’s Cultural Heritage Board to protect the theater and the Burbank Theater down the street at 548 (which was a combo film and live performance house in 1967). We give Eleanor high marks for creativity. She suggested to the board there were historic costumes from the Gilded Age stored inside the building–the building opened in 1904 as the Belasco.

Unfortunately, Eleanor’s best efforts failed. They bulldozed the Follies in 1974.

Joni Mitchell is right:

Don’t it always seem to go
That you don’t know what you’ve got till it’s gone?
They paved paradise and put up a parking lot!

Betty Jane Rowland passed away at 106-years-old on April 3, 2022.

Film Noir Friday: Big Town After Dark [1947]

Welcome! The lobby of the Deranged L.A. Crimes theater is open. Grab a bucket of popcorn, some Milk Duds and a Coke and find a seat.

Tonight’s feature is BIG TOWN AFTER DARK, starring Philip Reed and Hilary Brooke.

Enjoy the film!

 TCM says:

When Lorelei Kilbourne (Hillary Brooke) leaves her job as the police reporter for the Illustrated Press, Managing Editor Steve Wilson (Philip Reed) employs the publisher’s niece, Susan Peabody (Ann Gillis), to replace her. Susan becomes involved with gangsters in plotting a $50,000 swindle against her…