Clara Eunice Barker–Vampire

The early 20th century witnessed a clash of old and new technologies, as well as a period of rampant civil unrest. The role of women in the new millennium had yet to be defined. In 1919, when this story takes place, women in the U.S. were one year away from celebrating the Nineteenth Amendment, which gave them the right to vote. The hard-won right was a victory, but it was still a man’s world.

On March 2, 1919, the Los Angeles Times reported that Mrs. Grace Munro, the wife of wealthy zinc manufacturer Charles W. S. Munro, filed suit for alienation of affection. She sought $50,000 in damages, which is equivalent to $826,000 today, from Miss Clara Eunice Barker. Clara was Charles’ mistress for five years. Grace’s suit alleged her twenty-three-year marriage to Charles was a happy one until Clara entered their lives.

According to Grace, Clara enticed Charles to leave home with “an offer of money and otherwise.” We can guess what the otherwise referred to. Charles abandoned Grace without means of support; but he purchased a home for Clara and gave her cash. About $30,000 worth.

In the early morning hours of March 5, 1919, with a warrant sworn out by Grace, Deputy Constables Bright and Hayes arrived on the doorstep of 1201 Mountain View Street in Glendale, the home that Charles and Clara shared. They took Charles into custody for a felony statutory offense against Clara. Grace instigated the charge, and she clearly meant to put the screws to Charles. Having him arrested was enough—she dropped the charge.

William’s arrest came as a shock to Glendale society. They thought Clara and Charles were cousins, which was how they introduced themselves at first. They also did not know Charles had a wife and three daughters in Trenton, NJ.

Police wanted to speak with Clara but they could not find her, and Charles refused to talk. They discovered Clara fled to Salt Lake City, Utah, as soon as she got word of Grace’s lawsuit. Anger and outrage fueled Grace, who tracked Clara down and confronted her in a Salt Lake City hotel lobby. Grace walked up to Clara and exclaimed, “So you are the vampire”.

Theda Bara — the original vampire

Grace was not accusing Clara of being a blood sucking bride of Dracula. She used the term to imply that Clara was a seductress, a femme fatale, a vamp (ire) of the type made famous by actress Theda Bara in the 1915 film A FOOL THERE WAS.

The Glendale home in which Clara and Charles lived was in Clara’s name. She wanted to keep it, along with the furnishings, an automobile, and any other trinkets that Charles gave her. She filed a countersuit

Clara told reporters, “I am fighting for my honor as well as my legal rights. I have been cruelly mistreated and imposed upon by the man in whom I had implicit faith, and I intend to test the justice of the courts.”

Clara alleged there was a conspiracy against her. She accused the recently reconciled Munros, and a few of their friends, of seeking to deprive her of her property.

She demanded damages of $51,500. Some of which were for the Glendale property, the furniture, the car, and $25,000 for damages suffered by the conspiracy and threats she claimed were made against her.

According to Clara, while in Salt Lake City, she was called a vampire and was plagued by mysterious telephone calls, loud knocks on her bedroom door after midnight, and attempts by strangers to “force their acquaintance on her.” These incidents, Clara said, were part of a plan to harass and frighten her.

Grace intended to fight the conspiracy charge and to pursue her alienation suit. She would not back down. “I said she (Clara) is a vampire, and she is.”

Bela Lugosi as Dracula

Grace claimed she and Charles were happily married for years before Clara entered their lives, but Grace lied. Prior to his affair with Clara, Charles had been involved with his stenographer, Miss Mary Pierson, with whom he had taken an auto trip. Grace was obviously aware of the liaison because she knew where Mary lived. She even appeared on the doorstep with questions for Mary’s landlady. Charles had long possessed a wandering eye.

If Angelenos expected a lurid trial, they would not be disappointed. Wife vs. Mistress was going to be a battle royal.

NEXT TIME: A vampire’s love letters, and the wages of sin in Part 2 of Clara Eunice Barker, Vampire.

The Jokers & a Newsflash from Deranged!

NEWSFLASH! I am very excited to announce that my book, Of Mobsters and Movie Stars: The Bloody Prohibition Era in the Golden Age of Hollywood, is being published by WildBlue Press. The expected release date is the end of May, so it is coming up fast.

The book covers true crime tales from 1919 to 1939, twenty of the most corrupt years in the city’s history. For the next several weeks, I will focus on stories from that era. Some of the posts will be encores, and others will be brand new to the blog.

All I have right now is an edited manuscript and a title. As soon as I get a cover, I’ll post it here to get you in the mood. I will also let you know when I have a firm release date.

Thanks again for following Deranged L.A. Crimes. I appreciate your readership.

Joan


The 1920s were a time of rapid growth in Los Angeles. During Mayor George E. Cryer’s tenure, the population of Los Angeles surpassed 1,000,000, and the city undertook several important civic development projects, such as constructing Central Library.

Estimated at $350,000 to construct, (equivalent to $4.8 million in today’s currency), the Olympic Auditorium ended up exceeding $500,000 because of cost overruns. With seating for 15,300 people, the architects designed the building to be a combination convention hall, exposition building, and boxing arena, making it the largest venue of its kind upon completion.

Olympic Auditorium [Photo courtesy LAPL]

The Olympic wasn’t just for mugs and pugs. In May 1925, the Los Angeles Times reported that a “…colossal presentation of ‘Aida’ with elephants and camels, a chorus of over ninety voices and a ballet of twenty-four dancers…” would be on stage at the auditorium. I love opera and it would have been a treat to see live elephants and camels at the Olympic.

Of course, now you’re asking “what has civic pride and operatic spectacle got to do with cops behaving badly? Alas, not much except to point out that where there is big money, there is an opportunity for misbehavior.

The auditorium opened to fanfare and sold-out crowds; but there was a problem—at least sixty contractors had not been compensated for their work. Liens totaling $400,000 had to be paid. Newspaper accounts never made it clear why the contractors were stiffed; but the city formulated a plan for restitution.

The process of repayment was a breeze. Sheriff’s deputies collected the box office receipts and secured them in the office vault. Once the deputies deducted taxes and overhead from the gross, they took the balance and applied it to the outstanding claims.

For several months, everything went like clockwork. But on April 16, 1926, Mrs. M. Q. Adams, a bookkeeper in the Sheriff’s civil department, observed that the vault door was partially open. She called to Chief Civil Deputy Arthur Jewell, who discovered the previous night’s deposit of $1182 was missing. Sheriff Traeger decided not to publicize the burglary—making it a need-to-know basis only. Theft of money from his office vault was damned embarrassing.

They assigned Undersheriff Biscailuz and Chief Criminal Deputy Wright to the case. Whoever took the money must have known the combination to the outer door and possessed duplicate keys to the inner door. It was an inside job.

Deputy Karl Wallich (38), one of the few people who had access to the vault, was a suspect. During questioning, Wallich said that after he left the Hall of Justice in the early morning, he had turned back at the Plaza to buy a pack of cigarettes. He couldn’t find a store that was open, so he ended up driving to a small market at Fifth and Spring. Wallich’s story didn’t hold up. Deputy Wright found seven stores between the Plaza and Fifth and Spring Street that were open early in the morning.

Deputy Sheriffs Heller and Johnson dropped in on Karl Wallich at his home to take his statement. They confronted him with his lie about the stores and he caved in on the spot. He was unsuited for a life of crime. He produced half of the missing funds and ratted out his friend and accomplice, Harry Adler (19), a civilian clerk who relinquished the other half.

Adler confessed he had hidden himself in the vault about 10 o’clock Wednesday night, waiting for the auditorium’s receipts to be deposited. Deputy Sheriffs Wallich and Barton came to the vault door about 11:30 p.m., locked up, and left the building. Once he figured everyone had gone, Adler took a screw driver and removed the plate from the combination lock and exited the vault. Nobody saw him leave. He then met Karl in front of the Hall of Records, where they divvied up the cash.

The most surprising thing about their confessions was that both men insisted they hadn’t stolen the money to enrich themselves—the theft was a joke.

According to the merry pranksters, their intention was only to seek revenge on Deputy George Barton, a co-worker who had teased and played jokes on them. The theft was their way of getting even. They figured since Barton was the only person who had keys to the inner vault, it would be his ass in a sling when the money disappeared. The plan was to let Barton twist in the wind for a bit, then return the cash to the vault, but then “things got so hot” they couldn’t see their way out of the mess.

Wallich and Adler’s little stunt didn’t amuse Sheriff Traeger. He covered the full $1182 loss out of his own pocket until the thieves returned the money.

Wallich and Adler lost their Sheriff’s Department jobs. Adler pleaded guilty at his arraignment. He spent ninety days in a sheriff’s detention center and upon his release and the court granted him three years of probation. Wallich first entered a not guilty plea, but then he changed his mind and entered a guilty plea and requested probation. There was no follow-up story in the newspaper, but Wallich expected probation.

I wonder if the men stayed friends or if their criminal misadventure ended it. I like to think that with their penchant for pranks, the guys opened a brick-and-mortar joke shop—the kind that sold whoopee cushions, rubber vomit, joy buzzers, and fake dog poop.

NOTE: Many thanks to my fellow crime historian, and curator of the Sheriff’s Department Museum, Mike Fratantoni, for introducing me to this tale.

P.S. This is an encore post from 2013.

The Face on the Barroom Floor

During Prohibition, people drank whatever they could get their hands on—often poor-quality juice. Shady characters distilled booze in basements and warehouses. They cared about nothing but money. Manufacturing overnight whiskey made from “…refuse, burned grain or hay or any old thing that will sour” posed a danger to people’s physical and mental health. After several cocktails containing a noxious blend of chemicals, a person might be capable of anything.

A native New Yorker, Edward P. Nolan came to Los Angeles to make his fortune in the budding film industry. He was luckier than most Hollywood hopefuls. During 1914 and 1915, he appeared in short subjects with Charles Chaplin, Mabel Normand, and Marie Dressler. His most noteworthy appearances were in The Face on the Barroom Floor and Between Showers (1914). He may not have worked in film between 1915, appearing in Hogan’s Wild Oats and 1920, when he appeared opposite Leatrice Joy and James O. Barrows in Down Home.

What Nolan did for a living during the five years between acting gigs is anyone’s guess, but by 1922 he was in the LAPD and had risen to the rank of Detective Lieutenant. Law enforcement was not a reach for him. After all, he played a policeman in several movies.

On June 16, 1931, Nolan made a dramatic arrest of an extortionist, George Freese. Freese sent anonymous death threats to A. H. Wittenberg, president of the Mission Hosiery Mills. Pay $700, or die.

Freese instructed Wittenberg to hand the pay-off over to a taxi-cab driver-messenger who would then deliver the cash to him.

When the extortionist phoned with details, Nolan took notes and planned. He prepared a dummy package, and when the cab driver appeared outside the Wittenberg home, Nolan concealed himself in the auto and told the driver to proceed to the rendezvous point. Detective Lieutenants Leslie and McMullen followed in a police car.

Freese waited at the corner of First Street and La Brea Avenue to collect the money. As he accepted the dummy package, Nolan grabbed him.

Freese confessed without hesitation. He held a grudge against Wittenberg because six months earlier, Wittenberg turned him down for a salesman’s job. Freese said he needed the money because his family had fallen on hard times. A common predicament for people during the Great Depression.

The next day, Nolan and his 36-year-old divorced girlfriend, Grace Murphy Duncan, celebrated Nolan’s success in the Wittenberg case at the Hotel Lankershim. The couple spent a lot of time at the hotel while Nolan sought a divorce from his wife, Avasinia. Once the divorce was final, Duncan, and Nolan planned to marry.

HOTEL LANKERSHIM c. 1925

At 6:30 pm on the evening of June 17, 1931, Mrs. Helen Burleson, visiting from San Francisco, left her upper floor room, and headed to Nolan’s room on the second floor. She wanted to consult with him on a private matter. When she stepped into the room, she saw Nolan and Grace. Drunk. The lovers quarreled. The shouting reached a crescendo, and Nolan shoved Duncan out of the room. Then threw her coat into the hallway after her.

Grace and Helen went to Helen’s room, where they discussed Nolan’s violent behavior. Grace wanted to inform on him to the LAPD brass, but Helen talked her out of it.

While Grace and Helen talked, a trio of traveling salesmen, Robert V. Williams, Dan Smith, and Jimmy Balfe, went up to Robert’s room to catch a ball game on the radio. Robert said, “After a while, the lights went on in a room across the light well and we saw two women enter the room. Smith said he recognized Mrs. Burleson, and he telephoned to her room and asked her if she wanted to come over and listen to the radio. Mrs. Duncan was with her, and I don’t believe the two were in the room five minutes before Nolan burst in.”

“The ball game had ended, and I had dialed some music. It was about 10:30 o’clock. Mrs. Duncan and I were dancing. Nolan walked right up to her and said, ‘What do you mean by making up to this fellow?’ He pushed her over on the bed. Then he turned to me and said, ‘I saw you kissing her.’ Then he hit me. I staggered back into the bathroom.”

In a drunken rage, Nolan shoved Williams onto the bathroom floor.

Nolan shouted obscenities and waved his service weapon around. Williams stayed in the bathroom and locked the door. The other occupants of the room fled into the hallway, where they watched through the doorway as Nolan beat and kicked Grace. The woman’s screams were loud enough to bring Floyd Riley, a bellboy, up to the 8th floor. He didn’t want to confront Nolan, either. He said, “He looked like a wild man to me. His eyes gleamed, and he cursed incoherently. I could smell liquor on his breath.”

Grace rolled over onto her stomach, but the beating continued. At one point, Smith yelled at Nolan to stop, but was told to, “mind your own business.” Addressing no one in particular, he declared, “I’ve done everything for this woman. I’ve paid for her room, bought her food, and paid installments on her car.”

In his mind, his financial contributions entitled him to beat her. The terrified witnesses watched as he drew his revolver and beat her over the head until she stopped moving. Then he fired two shots into the floor. Grace did not flinch. She was dead.

Once Nolan’s rage subsided, Wilson, Balfe, Smith, and Riley cautiously approached him. He allowed himself to be escorted to his second-floor room. He muttered the entire way that he loved Grace, but her battered body told a different story—one of uncontrollable jealousy, rage, and bad booze. After arriving at his room, he downed several more glasses of gin, then he passed out on the floor.

Nolan was charged with murder.

Grace’s two daughters, Edna (17) and Mary Jane (14) visited “Daddy” Nolan in jail. Sobbing in grief or self-pity, Nolan wrapped his arms around the girls. The girls told officers he was always good to them. A judge denied Nolan permission to enter an insanity plea, and jury selection began on November 9th. With several eye-witnesses to the fatal beating, it didn’t seem Nolan had much of a chance to beat the rap. Helen testified Nolan was in a frenzied rage when he cornered Grace.

Attorneys for Nolan tried twice more to get permission to enter an additional plea of not guilty by reason of insanity, but the judge denied the motions. When the insanity plea went nowhere, Nolan took the stand and said that he had no memory of anything after he threw Grace out of his room.

Following four hours of deliberation, the jury returned a verdict of guilty of first-degree murder and sentenced Nolan to life. He was lucky; the prosecution wanted him to hang.

Nolan entered San Quentin on January 9, 1932. He gave his profession as prop man. Disgraced cops are not welcome If he was smart, Nolan never mentioned his decade on the Los Angeles Police Department to his cellmates.

On February 1, 1932, the State Board of Prison Terms and Paroles denied Nolan’s request for release. The Board informed him he would have to serve 10 calendar years before they would review his application again.

They released Nolan in early March 1942. He did not enjoy his freedom for long. He died on July 20, 1943 in a VA facility in San Francisco.

Black Dahlia: Another Confession and Another Murder

The investigation into Beth Short’s murder grew colder every day. Police investigated all the crackpots who claimed responsibility for the heinous crime. They went through stacks of letters and postcards that named potential suspects and offered various theories about the culprit. They rousted local sex offenders and searched in vain for the crime scene. If only the killer would confess.

On February 8, 1947, Joseph Dumais, an Army Corporal, came forward and admitted he dated Beth Short. Not only had they dated, he was sure he had killed her. The Herald announced “Corporal Dumais Is Black Dahlia Killer.” The story began, “Army Corporal Joseph Dumais, 29, of Fort Dix, N.J., is definitely the murderer of ‘The Black Dahlia,’ army authorities at Fort Dix announced today.”

Dumais returned to Fort Dix wearing blood-stained trousers with his pockets crammed full of clippings about the murder. In a hand-written 50-page confession, he claimed he dated Beth five days before the discovery of her body—then he suffered a mental blackout.

Joseph Dumais

The good-looking corporal seemed like the real deal. Army Capt. William R. Florence, head of the Fort Dix Criminal Investigation Department, said, “I am definitely convinced that this man is the murderer.” In his zeal to be the one to solve the gruesome murder, Capt. Florence overlooked the superficial nature of Dumais’ answers to his questions. Dumais had only to read the news coverage of the case, and then unleash his imagination to be credible in the short run. When Florence asked, “Does it seem to you at this time that you committed this crime? Dumais answered yes. But as Dumais stated earlier, he blacked out and recalled nothing until he arrived at Penn Station.

Getting to the nitty-gritty details, the Capt. asked, “Do you know how her body was mutilated?” Dumais said he did, but did not wish to describe the injuries. Again, Capt. Florence asked Dumais if he could have committed the murder. Dumais replied, “Yes, it is possible because of my actions in the past.”

In his confession, Dumais told Army authorities he stabbed Beth in the back and around the mouth, then severed her body with a meat cleaver. He washed the body of blood and dumped it in a vacant lot in Leimert Park.

Dumais’s story was riddled with holes. He said he had a date with Beth in San Francisco on January 9 or 10, but could not explain how he got to Los Angeles and then back to Fort Dix. Further questions revealed Dumais to be a blackout drunk. He said he was “rough on the girls” when he had been drinking. Dumais’s credibility eroded with each new statement.

On February 10th, as Dumais’s story unraveled, Los Angeles awakened to the news of another brutal murder of a woman. The Herald put out an extra edition with the headline, “Werewolf Strikes Again! Kills L.A. Woman, Writes B.D. on Body”.

The victim of the “Werewolf Killer” was forty-five-year-old Jeanne French. Her nude body was discovered at 8 a.m. on February 10, 1947, near Grand View Avenue and Indianapolis Street in West L.A. Police were frustrated and overworked. The women of Los Angeles were terrified. What the hell was going on?

Detectives at the scene of Jeanne French’s murder.

NEXT TIME: The Lipstick Murder

Red Manley and the Black Dahlia

In his 1991 autobiography, Reporters: Memoirs of a Young Newspaperman, Will Fowler recalled one of his colleagues, Baker Conrad, had noticed a telegram among Elizabeth Short’s belongings. The Examiner’s editor, Jim Richardson, dispatched Fowler to the address on the telegram, 8010 Mountain View Avenue in South Gate.

When Fowler arrived at the bungalow court, a strikingly beautiful young woman greeted him. Her name was Harriette Manley. Fowler let her believe he was a cop.

During their conversation, Harriette said her husband phoned her from San Francisco after he saw his name in the newspapers in connection with Elizabeth Short’s murder. Red reassured Harriette that he’d had nothing to do with the slaying. He said he “loved her more than any man ever loved his wife.” 

At 10:00 pm on January 19th, two LAPD sergeants, J.W. Wass and Sam Flowers, staked out the home of Red’s employer in Eagle Rock. When the suspect’s sedan pulled up, the officers approached him with their guns drawn. An Examiner photographer was there to capture the arrest.

Robert ‘Red’ Manley

The next day, Aggie Underwood interviewed him. Red needed no encouragement to unburden himself. He told her how he’d picked Beth Short up on a San Diego street corner. How they had spent an “erotically uneventful” night in a motel and how he eventually dropped her off at the Biltmore Hotel on January 9th.

Red finished his tale with a heartfelt statement. “I’ll never pick up another dame as long as I live.”

Aggie believed Red and shared her gut feelings with the police. Red was forthcoming in his interview. Aggie knew he wasn’t a killer. Red was a frightened man with goofy ideas about love, marriage, and fidelity.

“I was only trying to test my love for my wife,” he said as he sought to explain his brief escapade with Beth Short.

Red said he first saw Beth standing on a street corner in San Diego while on a business trip ten days before Christmas. “She looked cute, so I thought, well, I’ll make a little test and see if I’m still in love with my wife, or whether I could ever fall for anyone else.”

According to Red, he and Harriette, married for just 14 months, were going through a “readjustment period.” He said they had a “few misunderstandings, but nothing important.”

He swore up and down that Beth was the only woman he picked up since his marriage. When he approached her that day, Beth was coy. “She turned to me and said, ‘Don’t you think it’s wrong to approach a girl this way?’” Wrong or not, she got into his car within a minute or two. Before he dropped her off in Pacific Beach, where she was couch-surfing at the home of Elvera and Dorothy French. they sat in his car and talked. He asked her if she would go out to dinner with him. “That would be nice,” she said.

Red drove back up the highway and rented a motel room. He picked Beth up that evening and they went to a nightclub and danced until midnight. Afterwards, they stopped at a drive-in for a snack. He said they talked for a few minutes in front of the French home. Red kissed her goodnight, but said she was a little cold.

He didn’t see her again until January 7, on his next trip to San Diego. He wired ahead to let her know he would be in town. They went nightclubbing again. Then they stayed together in a motel on their way back to Los Angeles.

Red’s story, and his demeanor, convinced Aggie he was not a killer, but that didn’t mean she let him off easy.

If there was one thing that Aggie detested, it was a sob sister. For those of you unfamiliar with the term, a sob sister is a female journalist who writes overly sentimental copy. That sort of journalism was never Aggie’s thing. She said, “A sob sister could have wept with and over Manley, interpolating, editorial gushes to prove what a big bleeding-heart beat in her breast. To hell with that. I’d rather have a fistful—an armload—of good solid facts.”

Her armload of facts made Aggie’s interview with Red Manley riveting. In fact, her city editor, who normally cautioned her to keep her copy short, let the entire interview run without a ton of photos. He knew a great interview when he read one. Aggie was the only Los Angeles reporter to get a by-line in the Dahlia case.

Why, then, amid the covering of the murder, was Aggie yanked off the story? With no warning or explanation, Aggie found herself benched. The city editor let her cool her heels in the newsroom without a thing to do. 

Aggie spent a couple of miserable days at her desk, bored out of her mind. Then she got pissed-off enough to fight back. She didn’t get huffy or raise her voice. She brought in an embroidery project. In no time, the other newsroom denizens were snickering. One newswoman, Caroline Walker, said, “What do you think of that? Here’s the best reporter on the Herald, on the biggest day of one of the best stories in years—sitting in the office doing fancy work!” 

The next day, they reassigned Aggie to the story—only to pull her off a second time. What the hell was going on?

NEXT TIME: The Black Dahlia case continues.

Aggie Underwood–Newspaperwoman

On October 27, 1936, in a special edition celebrating the Herald’s twenty-fifth anniversary as an evening daily, city editor John B.T. Campbell wrote this about Aggie Underwood:

“Aggie Underwood should have been a man. A rip-snorting, go-gettum reporter who goes through fire lines trails killers . . . using anything from airplanes to mules to reach the spot that in newspapers is  . . . marked with an arrow or an X. What a gal! Usually followed by one or two photographers who . . . get lost when unable to keep up with this speedy lady. Favorite occupation is following a good murder. Favorite story, a good murder. Favorite photograph, a good murder. Favorite fate for all editors, good murder. Help!”

Today we may struggle with the “should have been a man” comment, but at that time it was high praise. Aggie was still new at the Herald, starting in January 1935. She undeniably made an impression on the newsroom. She recalled those early days as “happy-go-lucky.” The reporters worked hard and played just as hard; often going in a group to Chinatown for dinner, or gathering at a bar in Pico Gulch (about half a block from the office, on Pico between Figueroa and Georgia streets).

1931 photo shows the Goodyear blimp “Volunteer” soaring over the Evening Herald building to pick up a bundle of Twentieth Birthday editions for delivery to officials at city hall.

In her work, Aggie made it a point never to ask for special treatment because she was a woman. One night, she arrived at a brush fire in Malibu. A Sheriff’s deputy stopped her. “It makes no difference if you are a reporter. No woman can go in there.” She was considering her next move when she heard a man’s voice. He addressed the deputy, “It’s all right, lad. She’s been to a hell of a lot more of these things than you ever have. Go on through, Aggie.”

The voice belonged to Sheriff’s Department Inspector Norris G. Stensland, one of my favorite LA law enforcement officers.

Aggie worked well with law enforcement. She took the time to write to an officer’s superior to express how helpful he was. In this way, she built long-standing relationships based on mutual respect. Reporters like Aggie have a lot in common with detectives. Each knows the value of maintaining their composure and assessing a scene. Both cops and reporters know the value of developing informants.

One time, on a tip, Aggie arrived at the scene of a love-triangle murder. The cop at the door refused entry to Aggie, not because she was a reporter, but because she was a woman. “You can’t go in there, lady. It’s pretty bad in there. It’s no place for a woman. It’s a mess of blood all over.” Paul Dorsey, a Herald photographer who was with her, said to the officer, “Don’t worry about her. She can take it. Worry about me. Chances are that I can’t.”

In August 1935, Aggie got a tip that LAPD detectives planned to search the home of a woman accused of shooting and gravely wounding her husband at a dinner party days earlier. Aggie arrived before detectives Aldo Corsini and Thad Brown, who sought the pistol used by the woman. Aggie said the detectives were concerned about entering the home because of a huge gaunt German Shepherd. Nobody had fed or given water to the poor thing since the arrest of his mistress. The dog, frightened and stressed, barked from behind a window.

Victim of shooting interviewed by Aldo Corsini and Thad Brown. Photo courtesy UCLA digital collection.

Aggie had an epiphany. “Look, Thad, Corsini and I will go to the back door and make one hell of a noise and distract the dog. While we’re doing that, Thad, you go in through the window, right there beside the front door, then unlock the front door and rush out. I’ll go in then and tame your dog; I’m not afraid of him.”

Aggie heard dogs are aggressive when they are afraid of taller, bigger humans who seem threatening. She figured the best way to approach the frightened animal would be to get down to his level. Corsini wasn’t about to get on his knees to confront the dog, and neither was Brown, but Aggie refused to retreat. Facing the dog, Aggie talked to him in a soft voice, and cautiously moved her hand toward his head. She petted his head gently and said, “What’s the matter, fellow? You hungry and thirsty?” The big dog whimpered. Aggie stood up and went to the kitchen sink to fill his bowl with water. She set out some food for him, too. He became her shadow. He followed Aggie around the house while the detectives searched for the gun, which they found in a laundry bag. The woman later went to prison for attempted murder.

Thad Brown promoted to captain of homicide/chief of detectives. The rank and file would have made him chief of police if politics hadn’t put William Parker in the office instead. Aggie said for years Brown blushed when asked if he had tamed any wild dogs lately.

Aggie’s cordial relations with police provided her with exclusive stories. She rolled up to a house in Eagle Rock one afternoon after getting a report of a double mystery death. Several LAPD homicide detectives stood around outside, waiting for the living room to air out. Aggie said after ten days, the corpses were ripe. The couple died in the middle of a sex act on the living room couch. Detectives weren’t sure whether they had a murder-suicide or an accident. Aggie wanted to catch the Herald’s next deadline, so she made a deal with Captain H. H. Bert Wallis. They identified the dead man, but they still didn’t know the woman’s identity. No detective wanted to enter the house until the smell dissipated. Aggie said she would brave the stench and retrieve the woman’s handbag, which sat on a table visible from outside.

The woman was nude except for a slip rolled up to her chest. The man, in his union-suit, had fallen to the floor. His penis had burst, and Aggie had to step over him to reach the handbag. She tried to hold her breath, but the smell of decaying flesh was pervasive, clinging to her favorite brown wool dress. Aggie grabbed the purse and handed it to Wallis. In gratitude, he gave her a head start on the story. It turned out the man met the woman in a bar, brought her home, and they died of carbon monoxide poisoning because of a faulty heater.

Aggie loved the brown wool dress. She saw it in a shop window and bought it on lay-away. In a conversation with Aggie’s daughter, years later, I learned the fate of the dress. Mary Evelyn told me Aggie came home that night, peeled off the dress and burned it in the fireplace, saying, “I’ll never the smell of death out of it.”

Aggie at the Black Dahlia body dump, January 15, 1947.

During her career, Aggie reported on hundreds of crimes. The most infamous of them began on the morning of January 15, 1947.

Aggie claimed to be the first reporter at the body dump site on Norton near 39th in Leimert Park. She was likely one of the first. It scarcely matters now. The deceased was a young woman, naked and obscenely posed. Her head is north, her legs spread and point south. A couple of days later, they identified the woman as twenty-two-year-old Elizabeth Short from Medford, Massachusetts. She became known as the Black Dahla.

Aggie interviewed the initial suspect in the grisly murder, Robert “Red” Manley. She sized him up and concluded he was not the killer. Despite an intense investigation, the case remains unsolved.

This post concludes my month-long tribute to Aggie, who inspired me to create this blog eleven years ago.

Aggie in her early days as city editor. Note the baseball bat on her desk. She said she kept the bat to deal with Hollywood press agents.

As we bid adieu to 2023, and prepare for new challenges in 2024, I thank you so much for your continued readership. This blog is one of my passions. I love relating true tales from L.A.’s past. Crime is banal, but the people who commit crime are endlessly fascinating. I’ve begun exploring stories for the upcoming year—there are some excellent ones. Within the next several days, I will begin my annual coverage of the Black Dahlia case, so stay tuned.

Happy New Year!

Aggie & Leona

I first encountered Agness “Aggie” Underwood while researching crime in Los Angeles. Aggie’s name appeared many times in various accounts, which piqued my curiosity. I had to know more about one of the few women reporters working in the field during the 1930s and 1940s.

Aggie’s 1949 autobiography, NEWSPAPERWOMAN, was a revelation. Here was a woman who reported on the major crime stories of her day, including the 1947 murder of Elizabeth Short, the Black Dahlia.

Agness May Wilson was born to Clifford and Mamie Sullivan Wilson in San Francisco in 1902.

Clifford Wilson

Her sister, Leona, followed four years later. By 1904, the family had moved to Belleville, Illinois, and it was there Mamie, 25 years old, died of rheumatism of the heart. Before she died, she had Aggie promise to care for Leona. That is a heavy burden to place on the shoulders of a little girl.

Aggie’s father, Clifford, was a glassblower who traveled for work. After Mamie’s death, he passed Aggie and Leona to relatives. Eventually, relatives placed them in separate foster homes. Aggie fought to keep Leona with her, but her best efforts were no match for the adults who tore them apart. The sisters lost touch.

Aggie’s life in the foster home was hard. She struck out on her own in her early teens. Eventually landing in Los Angeles, she worked at the Pig ‘n Whistle downtown. Things looked up when Harry Underwood, a soda jerk at the Pig, proposed to her when a greedy relative threatened to report her for working underage—unless she turned over her entire paycheck. Aggie gratefully accepted Harry’s timely proposal.

Mamie Sullivan Wilson

We characterize the 1920s as a free-wheeling time when liquor and money flowed. It didn’t hold true for everyone. The Underwoods, like many other families, struggled financially. By 1924, they had two children, Mary Evelyn, and George Harry. They realized they could not make it in Los Angeles, so they traveled out-of-state, seeking new opportunities. During their travels, Aggie located Leona, and they reunited.

The Underwoods returned to Los Angeles, and Leona moved in to the family’s home on the city’s east side. Even with Harry and Leona working day jobs, money was tight. At least Aggie had achieved her dream of having a family. What more could she ask for? How about a pair of stockings?

By October 1926, Aggie grew tired of wearing Leona’s hand-me-down stockings. She went to Harry and asked for the money to buy a pair of her own. He told her they couldn’t afford them.

Incensed, Aggie said if he wouldn’t buy them for her, she’d get a job and buy them herself. It was an empty threat. She hadn’t worked outside the home in several years. What could she do to earn a living?

Before she could turn to the want ads, Evelyn Conners called. She and Aggie had remained close since meeting at the Salvation Army Home several years earlier. Evelyn worked at the Los Angeles Record and got Aggie a temporary job at the switchboard. Evelyn knew Aggie was qualified because they once worked together at the telephone company.

Leona and Aggie

Aggie enjoyed being at the Record, and she hoped to stay through the New Year. She got lucky. Gertrude Price was the women’s editor and wrote an advice column under the name Cynthia Grey. Each year, Gertrude organized a food drive for the city’s poor, and she needed help to fill and deliver the baskets. She asked Aggie if she would stay and help. Without hesitation, Aggie accepted; it meant seven or eight more weeks of steady work.

Aggie & Getrude surrounded by Christmas baskets

Aggie assumed she would return to her housewifely chores at in January 1927, but Gertrude had other plans.

Aggie–housewife

Her conscientiousness had not gone unnoticed or unappreciated. Gertrude offered Aggie a part-time job as her assistant. It didn’t pay as well as the switchboard, only five dollars per week. Once she did the arithmetic, Aggie realized she wouldn’t net a dime after she paid a babysitter to watch her kids. Why did she stay if she wasn’t making any money? Aggie didn’t know it yet, but she was in love with the newspaper business.

Throughout 1927, Aggie tackled each task that Gertrude handed her with enthusiasm. In return, Gertrude became her mentor and confidante.

By the time the 1928 holiday season rolled around, Aggie was a fixture at the Record. She again assisted Gertrude Price with the Christmas baskets program. The Underwoods’ financial woes were far from over; but if their holiday was lean, so be it. She felt fortunate to be surrounded by her family.

Ironically, even though Aggie cherished family life, she revealed few details about hers in her autobiography. In fact, she never mentions Harry by name, only referring to her unnamed husband. The reason is simple, she and Harry were divorced a few years before the publication of NEWSPAPERWOMAN. Aggie chose to highlight her professional achievements. 

Bob Hope and Aggie read each other’s autobiographies

Aggie’s omissions make sense when you consider her position at the time. She was still only a couple of years into her city editorship at the Herald. Personal details might negatively impact her career. I think perhaps the most important thing for Aggie was he desire never to be a “sob sister.” She didn’t want to tug at people’s heartstrings in the copy she wrote for the paper, and especially not in her autobiography. That said, I really wish she had made good on her plan to author a more complete autobiography in her retirement. She never got around to it.

It is no surprise she never wrote about an event that must have devastated her—the death of her sister, Leona, on December 6, 1928. Without Aggie’s input,, we can only speculate on what happened, and what impact it had on her.

The Underwoods

Like most families, the Underwoods had a work week routine. December 6 was a Thursday, so Leona dropped her niece and nephew off at the babysitter, as she usually did. While the rest of the family was out for the day, Leona consumed ant paste.

The principal ingredient is arsenic. Ant paste was a common poison found in most households. At twenty-two years old, Leona may have believed that taking poison would be a quick and easy death. She could not have been more wrong. Death by arsenic poisoning is excruciating. Depending on the dose, it can take hours or even days to kill.

Aggie’s established routine was to swing by the babysitter after work, pick up the children, and then go home. When Aggie arrived home, she found Leona. I cannot imagine how Aggie felt. Records show they transported Leona to Pohl Hospital on Washington Boulevard. They admitted her at 3:25 p.m. By 4:00 p.m. her body was in the county morgue. Why did Leona take her life? Her death certificate gives two reasons: “Love affair & financial difficulties.”

Leona’s death notice appeared in the Los Angeles Times the next day. The brief notice said they would hold funeral services on Saturday, December 8, 1928, in the chapel of Ivy H. Overholtser on South Flower Street.

Without input from Aggie, it is difficult to calculate the impact that Leona’s death had on her, but it must have been enormous. Did she feel guilty about failing to honor her mother’s dying wish for a second time? As tragic as Leona’s death was, with two children and a husband to care for, Aggie had no choice but to turn her attention toward the living.

NOTE: The holidays are not a joyous time for everyone. If you or someone you care about is in a crisis, please call 988 Suicide and Crisis Lifeline, or call the Suicide Prevention Lifeline at (800) 273-8255 to talk with a caring, trained counselor. It is free, confidential, and available 24/7.

Happy Birthday to Aggie Underwood, and Deranged L.A. Crimes!

This is a big month for the Deranged L.A. Crimes blog. On December 17, 2012, the 110th anniversary of the birth of the woman whose career and life inspires me, Agness “Aggie” Underwood, I started writing this blog. I also authored her Wikipedia page, which was long overdue.

Aggie Underwood. Photo by Perry Fowler

By the time I began, Aggie had been gone for twenty-eight years. I regret not knowing about her in time to meet her in person. But, through her work, and speaking with her relatives over the years, I feel like I know her. I have enormous respect for Aggie. She had nothing handed to her, yet she established herself in a male-dominated profession where she earned the respect of her peers without compromising her values. She also earned the respect of law enforcement. Cops who worked with her trusted her judgement and sought her opinion. It isn’t surprising. She shared with them the same qualities that make a successful detective.

This month, I will focus on Aggie. I want everyone to get to know and appreciate her. She was a remarkable woman.

Agness “Aggie” Underwood never intended to become a reporter. All she wanted was a pair of silk stockings. She’d been wearing her younger sister’s hand-me-downs, but she longed for a new pair of her own. When her husband, Harry, told her they couldn’t afford them, she threatened to get a job and buy them herself. It was an empty threat. She did not know how to find employment. She hadn’t worked outside her home for several years. A serendipitous call from her close friend Evelyn, the day after the stockings kerfuffle, changed the course of her life. Evelyn told her about a temporary opening for a switchboard operator where she worked, at the Los Angeles Record. The job was meant to last only through the 1926-27 holiday season, so Aggie jumped at the chance.

Aggie & Harry [Photo courtesy CSUN Special Collections]

Aggie arrived at the Record utterly unfamiliar with the newspaper business, but she swiftly adapted and it became clear to everyone that, even without training, she was sharp and eager to learn. The temporary switchboard job turned into a permanent position.

In December 1927, the kidnapping and cruel mutilation murder of twelve-year-old schoolgirl Marion Parker horrified the city. Aggie was at the Record when they received word the perpetrator, William Edward Hickman, who had nicknamed himself “The Fox,” was in custody in Oregon. The breaking story created a firestorm of activity in the newsroom. Aggie had seen nothing like it. She knew then she didn’t want to be a bystander. She wanted to be a reporter.

When the Record was sold in January 1935, Aggie accepted an offer from William Randolph Hearst’s newspaper, the Evening Herald and Express, propelling her into the big leagues. Working for Hearst differed entirely from working for the Record. Hearst expected his reporters to work at breakneck speed. After all, they had to live up to the paper’s motto, “The First with the latest.”

From January 1935, until January 1947, Aggie covered everything from fires and floods to murder and mayhem, frequently with photographer Perry Fowler by her side. She considered herself to be a general assignment reporter, but developed a reputation and a knack for covering crimes.

Sometimes she helped to solve them.

In December 1939, Aggie was called to the scene of what appeared to be a tragic accident on the Angeles Crest Highway. Laurel Crawford said he had taken his family on a scenic drive, but lost control of the family sedan on a sharp curve. The car plunged over 1000 feet down an embankment, killing his wife, three children, and a boarder in their home. He said he had survived by jumping from the car at the last moment.

When asked by Sheriff’s investigators for her opinion, Aggie said she had observed Laurel’s clothing and his demeanor, and neither lent credibility to his account. She concluded Laurel was “guilty as hell.” Her hunch was right. Upon investigation, police discovered Laurel had engineered the accident to collect over $30,000 in life insurance.

Hollywood was Aggie’s beat, too. When stars misbehaved or perished under mysterious or tragic circumstances, Aggie was there to record everything for Herald readers. On December 16, 1935, popular actress and café owner Thelma Todd died of carbon monoxide poisoning in the garage of her Pacific Palisades ho9me. Thelma’s autopsy was Aggie’s first, and her fellow reporters put her to the test. It backfired on them. Before the coroner could finish his grim work, her colleagues had turned green and fled the room. Aggie remained upright.

Though Aggie never considered herself a feminist, she paved the way for female journalists. In January 1947, they yanked her off the notorious Black Dahlia murder case and made her editor of the City Desk, making her one of the first woman to hold this post for a major metropolitan newspaper. Known to keep a bat and startup pistol handy at her desk, just in case, she was beloved by her staff and served as City Editor for the Herald (later Herald Examiner) until retiring in 1968.

Aggie at a crime scene c. 1946

When she passed away in 1984, the Herald-Examiner eulogized her. “She was undeterred by the grisliest of crime scenes and had a knack for getting details that eluded other reporters. As editor, she knew the names and telephone numbers of numerous celebrities, in addition to all the bars her reporters frequented. She cultivated the day’s best sources, ranging from gangsters and prostitutes to movie stars and government officials.”

They were right. Aggie dined with judges, cops, and even gangster Mickey Cohen. I hope you will enjoy reading about Aggie, as much as I will enjoy telling her stories.

Joan

Aggie and the City of Forgotten Women, Part 2

Aggie Underwood interviews an unknown woman (possibly at Lincoln Heights Jail)

This is the second of a series on California’s unique women’s prison, which has bestirred national interest among sociologists and penologists. An International News Service staff correspondent was able to obtain the first comprehensive “inside story” of the institution where Clara Phillips and other noted women offenders are now confined.

Tehachapi, Cal., May 1, 1935 — Eight months in the “death house!”

Eight months in which to sit in one tiny room, forbidden to talk to anyone except matrons–Eight months in which to remember–what?

Possibly the sound of six shots, ringing out in the still of night–six shots which ended the life of Eric B. Madison, movie studio cashier.

Eight months in which to hear over and over again, the voice of a judge saying “You are sentenced to hang by the neck until dead”.

That is the fate of Nellie B. Madison, comely widow, who is the only woman in California now under sentence to die on the gallows.

Nellie Madison [Photo courtesy LAPL]

Just eight months ago last March 12, Nellie Madison entered Tehachapi prison and was placed in the “death cell.”

This “cell” is merely a room in the prison hospital. Architects who designed the state institution for woman at Tehachapi omitted “death cell.” That’s another way this prison is different.

So, in this room on the second floor of the administration building, Nellie Madison sits day after day. She seems a quite different person from the Nellie Madison who amazed Los Angeles court attaches during her trial with her cool, calm demeanor.

Her nattily tailored clothes are, of course, discarded for the regulation prison costume–blue denim dresses with a white pinstripe.

Her jet-black hair, now greying, has grown from the trim modern bob until it almost reaches her shoulders.

“In Los Angeles, I was thoroughly benumbed by all that had happened,” she said after the first glad welcome of seeing someone whom she had seen in the outside world.

“I couldn’t realize just what had happened to me, but now that I have been here–let’s see is it only eight months or is it ten years–well, I’ve begun to get all the confidence in the world that the State Supreme court will reverse my conviction.”

This was Mrs. Madison’s only interview since she has entered the state institution.

“It seems to me that one’s conscience would be the greatest punishment in the world,” she said.

“My conscience doesn’t bother me one bit, but I do feel the disgrace that I have brought on myself and my family. One’s past good name and character seem to mean nothing when a person gets into trouble, but it apparently doesn’t mean a thing.”

Mrs. Madison’s recreation consists of short walks on the grounds each day–in company with a matron and the letters she receives from friends.”


Aggie became interested in Nellie’s case when she covered it for the Herald. As she learned more about the abuse Nellie suffered at the hands of her husband, Eric, the less she believed Nellie deserved to hang. Through her coverage of the case, and her advocacy, Aggie and others were successful in getting Nellie’s sentence commuted to life; which made her eligible for parole. On March 27, 1943, nine years and three days after the murder, the state released Nellie.

In her 1949 autobiography, Newspaperwoman, Aggie said this about the case.

“While one’s work as a reporter may serve justice and work for or against a defendant, one shies from taking bows for presumed triumphs. Even in commendation, one does not want to feel one’s fairness impugned. I was embarrassed, therefore, when Nellie Madison embraced me gratefully at Tehachapi when I informed her that her sentence to be hanged had been commuted to life imprisonment by Governor Frank F. Merriam.”

“‘You did it! You did it!’ she wept. ‘I owe it all to you!’”

NEXT TIME: In the third article, Aggie tells of interviews with other inmates at Tehachapi.

The Barricaded Blonde

If you have hair, you have endured an inevitable bad hair day. But have you ever had a haircut so awful it drove you to violence?

Newlyweds Barbara and William Mihich struggled to adapt to married life. After getting married in Las Vegas in March 1956, they had already split up once by August. They argued about money, and they also argued about how often Barbara’s hair was in curlers. William became so incensed by Barbara’s beauty routine he cut her hair. Whether by consent or by force, Barbara ended up with a ragged looking pixie. William, a plumbing contractor, not a hair stylist, took too much off the top, the back, and the sides. Barbara was not pleased.

Barbara in custody

After the hack job on her tresses, Barbara met friends at a local bar for a few drinks and to cool off. She arrived home in the pre-dawn hours, even more pissed off than when she left. Still keyed up, she put a record on the player and turned up the volume. William objected to the music, and to the fact she had stayed out so late. The hostilities resumed.

Their argument spilled out to the front yard, where they raged at each other until Barbara bolted for the front door. Before William could catch up, Barbara locked him out. She grabbed a gun and shot through a window. The round ripped into a neighbor’s house and they called police. Other neighbors hid behind trees and cars to avoid being struck by a wayward bullet.

The first officer to arrive outside the Mihich home ducked for cover when four bullets struck his patrol car. He called for back-up. Reinforcements pulled up. Lights flashing and sirens blaring. They cautiously approached, and placed searchlights around the house to prepare for a siege.

Police lobbed cannisters of tear gas through the home’s broken windows. Screaming, rubbing her eyes, and choking, Barbara stumbled out of the smoke. They placed her under arrest and transported her to the Lincoln Heights Jail, where they booked her on suspicion of assault with a deadly weapon.

Barbara goes to court. While she may not have loved the haircut, I think it looks cute.

William came to Barbara’s defense. “She wasn’t shooting at me. She was just shooting away her temper.” Maybe, but she wrecked the interior of their home, scared the shit out of the neighbors, and got herself into a major jam.

Barbara told police William beat her. “I just got mad at the world. I wasn’t shooting at anybody in particular.” No target required. Any of the over fifty rounds she fired at random from a shotgun, two 22-caliber rifles, and a 22-caliber pistol were potentially fatal.

Detectives asked her what caused her rampage. She said William told her he’d trim her hair because he was tired of seeing it in curlers. Describing the chop, she got mad all over again. “He trimmed it all right, and how! He went hog wild and gave me a butch haircut.”

William described the incident to reporters. “We were just having a little argument on the front lawn when she ran off in a huff. She dashed into the house and slammed the door. The next thing I knew, bullets started pouring out of the windows.”

They freed Barbara on $3000 bail ($34,00.00 in 2023 USD), to await trial. Rather than face a jury, she opted to appear before a judge. A jury would have seen the coverage where reporters described her as the “pistol-packing blonde from Van Nuys,” and “the Butch Hair Cut Woman.” Unflattering and prejudicial depictions to be sure.

Judge Allen T. Lynch treated her fairly. On December 28, 1956, he fined Barbara $300 ($3400 in 2023 USD), and placed her on five years’ probation.

Did Barbara embrace the pixie cut, or did she grow her hair to Rapunzel length? Did the Mihich marriage survive the hair cut incident? I honestly don’t know. The couple stayed out of the news after 1956.